Relevant bibliographies by topics / Conserving Intangible Cultural Heritage

Academic literature on the topic 'Conserving Intangible Cultural Heritage'

Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

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Journal articles on the topic "Conserving Intangible Cultural Heritage"

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Howard, Keith. "Musical instruments as tangible cultural heritage and as/for intangible cultural heritage." International Journal of Cultural Property 29, no. 1 (February 2022): 23–44. http://dx.doi.org/10.1017/s0940739121000436.

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AbstractMusical instruments are central components of both the tangible and intangible heritage. However, discourse about music as intangible cultural heritage frequently overlooks the importance of instruments in conserving traditions inherited from the past and making live performance possible in the present, while curating instruments as tangible heritage often neglects their function for making music. This article explores two interrelated research questions about musical instruments as heritage. First, should instrument-crafting skills inherited from the past be sustained today, and, where industrial or mechanized manufacturing processes and the development of instruments is encouraged, what are the implications for sustaining music traditions? Second, given that instruments as crafted objects deteriorate over time, should instruments inherited from the past be displayed as objects, be restored to playing condition, or be updated and developed for contemporary use? To explore these questions, I take three case studies that juxtapose musical instruments from opposite sides of the world and from societies with very different philosophical and ideological approaches. The three case studies are Britain’s piano heritage, traditional Korean instruments (kugakki) in the Republic of Korea/South Korea, and “national” instruments (minjok akki) in the Democratic People’s Republic of Korea/North Korea. Based on fieldwork, ethnography, and collecting and curating work, my choice of case studies allows me to look at both the country I call home (Britain) and the region where I have researched matters musical for 40 years (the Korean peninsula). But the case studies also demonstrate that there is no single answer to questions about the role of musical instruments when (and if) instruments are recognized as both tangible and intangible heritage.
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Khan, Mazlina Pati, Andika Aziz Hussin, Khairul Azhar Mat Daud, and Nordiana Mohd Nordin. "Mak Yong’s Performing Art: A Collection Analysis of Malaysia Institutional Memory." Record and Library Journal 8, no. 1 (June 28, 2022): 34–49. http://dx.doi.org/10.20473/rlj.v8-i1.2022.34-49.

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Background of the study: Documentation is an imperative initiative in safeguarding Intangible Cultural Heritage (ICH) to consolidate and nurture appreciation that is intact to culture and heritage within a society. However, many countries in the world still give less attention to documenting heritage systematically. Purpose: This study aims to achieve a greater exposure of Institutional Memory’s in Malaysia play a role in preserving and conserving heritage information on Intangible Cultural Heritage (ICH) through the documentation strategy of Mak Yong’s performing art collection. Method: This study adopted a case study approach by pertaining qualitative research method. Qualitative data were gathered through content analyses towards 521 of Mak Yong’s performing art collection were carried out in three (3) Malaysia Institutional Memory. Findings: The study found that the lack of Mak Yong’s collection in institutional memories is contributed to some elements that require detailed documentation such as characters, spectacle, diction, and sound. Conclusion: safeguarding of ICH through preservation and conservation of Mak Yong’s information collection that still needs to be improved by considering the consolidation of integrated institutional memory’s roles and ongoing implementation of documentation strategy program of heritage information.
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Nyaupane, Pashupati. "Cultural Heritage Tourism Management in Pashupatinath Area." Nepalese Culture 13 (December 2, 2019): 95–106. http://dx.doi.org/10.3126/nc.v13i0.27504.

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Heritage represents irreplaceable resources for the tourism industry so conservation is a vital component of their management. Throughout the world, the tourism industry has been an economic generator including conserving the heritage sites. Today, tourism has been considered to have greater socio economic values. Thus Pashupatinath area, with its rich cultural heritage, has great potential to be tapped through cultural heritage tourism. Pashupatinath area is known for its rich cultural heritage, but lack of proper tourism guidelines in the areas has not been able to showcase its potential. Thus, the paper tries to bring the importance of heritage tourism in the core area of Pashupatinath and its vicinity into limelight. The paper addresses the need of improvement in management, information and development in infrastructure. Moreover it covers the approach of conservation of tangible and intangible cultural heritage. This article examines the significance and value of Pashupatinath area as a cultural heritage tourism destination. This research identifies numerous issues related to cultural heritage tourism management in Pashupatinath area and its cultural heritage tourism products, coordination among stakeholders and interpretation. It explores the current management situation of Pashupati area and provides the suggestion for the betterment of cultural heritage tourism in Pashupatinath area. The paper helps to relate the tourism industry with the economic growth of Pashupatinath area.
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Nyaupane, Pashupati. "Cultural Heritage Tourism Management in Pashupatinath Area." Nepalese Culture 8 (December 2, 2019): 95–106. http://dx.doi.org/10.3126/nc.v8i0.27504.

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Heritage represents irreplaceable resources for the tourism industry so conservation is a vital component of their management. Throughout the world, the tourism industry has been an economic generator including conserving the heritage sites. Today, tourism has been considered to have greater socio economic values. Thus Pashupatinath area, with its rich cultural heritage, has great potential to be tapped through cultural heritage tourism. Pashupatinath area is known for its rich cultural heritage, but lack of proper tourism guidelines in the areas has not been able to showcase its potential. Thus, the paper tries to bring the importance of heritage tourism in the core area of Pashupatinath and its vicinity into limelight. The paper addresses the need of improvement in management, information and development in infrastructure. Moreover it covers the approach of conservation of tangible and intangible cultural heritage. This article examines the significance and value of Pashupatinath area as a cultural heritage tourism destination. This research identifies numerous issues related to cultural heritage tourism management in Pashupatinath area and its cultural heritage tourism products, coordination among stakeholders and interpretation. It explores the current management situation of Pashupati area and provides the suggestion for the betterment of cultural heritage tourism in Pashupatinath area. The paper helps to relate the tourism industry with the economic growth of Pashupatinath area.
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Andrade Amaral, Fellipe Decrescenzo. "Preserving Brazilian vernacular architecture: The need for a different approach." Journal of Traditional Building, Architecture and Urbanism, no. 1 (November 20, 2020): 283–87. http://dx.doi.org/10.51303/jtbau.vi1.352.

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Heritage preservation has commonly focused on conserving or restoring material heritage. Technical projects are its most common tool and there is often a top-down approach to the interventions carried out. This situation frequently leads to a change in the production logic that gave rise to the architecture which they are supposed to be preserving and an expansion of urban sceneries, while causing the loss of local values ??and cultural traditions. An integrated approach is needed, one which seeks to preserve not only the material heritage, but also its intangible supports, thus relating the preservation of the built ensembles to that of traditional techniques, knowledge, and construction processes.
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Marcal, Helia. "PUBLIC ENGAGEMENT TOWARDS SUSTAINABLE HERITAGE PRESERVATION." Protection of Cultural Heritage, no. 8 (December 20, 2019): 185–210. http://dx.doi.org/10.35784/odk.1084.

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Nowadays, heritage conservators are required to have not only a wide variety of technical but also social and human skills. The shift from a material-based conservation to an approach that focuses on subjects instead of objects (Muñoz Viñas, 2005, p. 147) is a structural approach in contemporary theories of conservation. This tendency towards subjectivity created many possibilities by exposing the multiple perspectives that surround a conservation object. At the same time, it made very clear that conservation objects are contextual and contingent (Clavir, 2009, p. 141). This dichotomy between the tangible and intangible features of a conservation object, however, has been successively overlooked in most conservation endeavours. Prior to the conservation decision-making, institutions usually identified the main stakeholders, with publics and communities being part of that sphere together with owners, artists, and conservators, among others. The decision-making process, however, does not engage with communities in practice. This situation is very problematic for the conservation of cultural heritage objects in general, but it becomes truly hazardous for the preservation of cultural heritage with strong intangible features, such as social artistic practices, ethnographic objects, public art, participatory or performance art or even built heritage, which necessarily involves strong cooperation with communities and artists. After all, to whom are conservators preserving cultural heritage? What is the purpose of conserving cultural heritage for “future generations” if “present generations” are not called to decide in that process? This paper attempts to reflect upon these questions through histories around two buildings in Lisbon that had relevant roles during the Portuguese dictatorship (1933-1974).
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Ahmed, Iftekhar. "Community, Heritage and Social Capital: Informal Heritage Management in Old Dhaka." Open House International 42, no. 1 (March 1, 2017): 65–72. http://dx.doi.org/10.1108/ohi-01-2017-b0010.

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Dhaka, the capital of Bangladesh has a recorded history of over 400 years, dating back to the Mughal and pre-Mughal era. A large part of the city's rich cultural heritage; both tangible and intangible, lie in the historic core known as Old Dhaka. There are several traditional neighborhoods with close-knit communities that date back two to three centuries. The communities are rich in social capital gained over successive generations of close social network. Based on this strength, a heritage management system has been developed by informal community bodies in Old Dhaka. Old Dhaka's rich cultural heritage deserves to be conserved for the historical continuity of the city. Unfortunately, the top-down conservation efforts undertaken by the Government are highly bureaucratic and have not been effective in conserving the cultural heritage in most cases. This paper explores the importance of local participatory approach of heritage management in the context of Old Dhaka with a focus on the relationship between social capital and informal heritage management in traditional communities. It also explores the key features that generally make the informal heritage management system more effective than the formal approach. Finally, it recommends an appropriate conservation approach to save the cultural heritage of Old Dhaka where there is a balance between intervention by authorities and continuity of local community involvement.
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Seddighikhavidak, Somaye, and Tazim Jamal. "Interrelations of Ancestral Textile Handicraft Weaving and Tangible Vernacular Karkhanehs (Workspaces) in the Historic Destination of Yazd, Iran." Sustainability 14, no. 10 (May 23, 2022): 6363. http://dx.doi.org/10.3390/su14106363.

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This research studies the traces of an ancestral textile produced in karkhanehs (workspaces) located in the historical city of Yazd, Iran. The case study undertaken here demonstrates how an intangible heritage of textile weaving through generations of families in Yazd, Iran, interrelates with tangible vernacular architecture and tourism at three different scales: (i) in everyday life in karkhanehs at home, (ii) in the neighborhoods, and (iii) the UNESCO World Heritage city of Yazd. The three scales related to the enactment of this vernacular handicraft are examined using architectural methods to examine structures ranging from 90 to 600 years in age. This was complemented by discussions with local weavers and residents, as well as direct observation in domiciles, neighborhoods, and the city. Actor-Network Theory helped to trace the networks of actors and relationships between the tangible built architectural heritage and intangible cultural practices of weaving, showing how different genders, ages, worldviews (beliefs) and practices came together to produce this heritage textile. Actor-Network Theory also helped to study the relationships between economy, culture, society and tourism, with respect to the evolution and transformations of the historic urban dwellings, vernacular architecture and vernacular weaving handicrafts through the three scales examined. Implications for sustaining and conserving this ancestral tradition of textile weaving and managing tourism’s positive as well as disruptive influences on cultural heritage conservation are discussed.
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Rajapakse, Amanda. "Exploring the Living Heritage of Galle Fort: Residents’ Views on Heritage Values and Cultural Significance." Journal of Heritage Management 2, no. 2 (December 2017): 95–111. http://dx.doi.org/10.1177/2455929617743583.

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The Galle Fort of Sri Lanka was inscribed as a World Heritage Site in 1988 by UNESCO on the basis of criterion (iv) of the outstanding universal value (OUV), which places clear emphasis on the physical exceptionality of the site. Its living, intangible heritage is only given partial recognition in the definition of cultural and universal significance of the place. At present, the living heritage of Galle Fort is a forgotten and neglected entity. Emerging theories on heritage discourse recognize that the OUV of living heritage sites are in a state of evolution and transformation and is not a, fixed notion that remains unchanged in time and place. This aspect requires frequent exploration in order to determine necessary improvements to be made to conservation and management strategies. The article focuses on heritage values attached to Galle Fort by its living community. In-depth interviews with a cross section of the community disclosed that the residents of Galle Fort lay greater emphasis on the social value of the place. They have pronounced concerns on the risks posed to the social value by commercial and tourism gentrification taking place. The study raises awareness of the importance of the residents’ values in informing, guiding, managing and conserving the cultural significance and OUV of Galle Fort for posterity.
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Zhuang, Qianda, Mengying Wan, and Guoquan Zheng. "Presentation and Elaboration of the Folk Intangible Cultural Heritage from the Perspective of the Landscape." Buildings 12, no. 9 (September 5, 2022): 1388. http://dx.doi.org/10.3390/buildings12091388.

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The folklore of intangible cultural heritage (FICH) is mainly expressed in folkloric activities, which include traditional festivals, living customs, production practices, folk beliefs, life rituals and folk costumes. The more reasonable and efficient ways to achieve conservation and transmission of FICH have become an urgent problem to be solved. Landscape presentation offers a potential method to address that by excavating the landscape characteristics of FICH based on its in-depth connotation and development history. This study aims to explore the cultural connotation of the FICH and extract the elements of landscape design, thus presenting and expressing the FICH using landscape as a carrier, to achieve the conservation and inheritance of the FICH. This research took the Taishun Hundred-family Feast culture, one of FICH in Sankui Town, Taishun County, China, as the study case, and extracted the landscape design elements in FICH after its content excavation and conducted presentation with cultural objectification, landscape narrative and contextualization. The results showed that the Hundred-family Feast culture contains rich landscape genes which can be divided into the ritual culture, food culture, festival culture and spiritual culture. Some of the elements in the Hundred-family Feast culture in terms of patterns, forms and colours for the content of activities, material carriers and spiritual places were also extracted for the landscape presentation. According to the different types and places of the Hundred-family Feast culture activities, the centre of Sankui Town is divided into four landscape thematic areas, namely the Hundred-family Feast cultural entrance experience zone, the food culture experience zone, ritual culture experience zone, and activity performance experience zone. The landscape element and spatial carriers were designed and illustrated for conserving and recovering the Hundred-family Feast culture, respectively. This study innovatively analyses the FICH from the perspective of the characteristics and constituent elements of the landscape and establishes a more reasonable framework system for the method of landscape presentation of the FICH in a structured and comprehensive manner. It enriches the theoretical system of intangible cultural heritage protection and its inheritance via landscape presentation methods for folklore activities.
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Dissertations / Theses on the topic "Conserving Intangible Cultural Heritage"

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McSharry, Carolyn Heather. "Conserving tangible and intangible cultural heritage : cleaning degraded East Asian lacquer." Thesis, Imperial College London, 2009. http://hdl.handle.net/10044/1/5528.

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East Asian lacquer (urushi) is a natural, thermosetting polymer, characterised by its durability and gloss. Prolonged exposure to light, however, causes photodegradation, which initiates microcracking in the surface layers. Accumulation of dirt, grease, or non-original materials, such as varnishes applied during attempted restoration, contributes to deterioration of the lacquer’s appearance through discolouration. This build up must be removed in order to conserve affected pieces, and the potential use of solvents to achieve this aim is investigated here. This work presents a review of the chemistry of this unique material, and the distinction between different East Asian lacquers is investigated. Valuable, rare lacquer samples could not be taken from naturally aged museum pieces in order to investigate the applicability of solvents in cleaning conservation processes, and so the damage featured on the models used was recreated artificially. The advantages and limitations of such an approach are assessed in terms of the practical value of the resulting samples as credible models compared to the naturally aged material. In free film studies, solubility parameters were determined for a range of lacquers, and the morphological changes that result from solvent exposure are also investigated to determine potential ‘safe’ solvents for conservation cleaning. These studies show that most solvents are damaging to photodegraded lacquers to some extent, and the possible risks must be assessed against the need for removal of a damaging layer. The findings reported here have implications for the choice of solvents used in conservation cleaning, but other solvent properties and behaviours must be considered along with these data when identifying the least damaging, yet effective solvents.
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Nicolson, Kenneth N. "Conserving Hong Kong's heritage cultural landscapes." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B32045219.

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Jennings, Theresa. "Leaving school and intangible cultural heritage." Thesis, Curtin University, 2015. http://hdl.handle.net/20.500.11937/2512.

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This thesis uses the example of school departure rituals, such as the school ball and graduation ceremony, to examine how Intangible Cultural Heritage is represented in scholarly heritage literature. The study draws on interview data collected from secondary students in their final year of schooling to establish if there is a place in heritage literature and policy for Intangible Cultural Heritage performed in a Western context by young people.
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Carvalho, Ana, and Filipe Themudo Barata. "Portuguese legislation on intangible cultural heritage and inventories." Bachelor's thesis, Mar de Culturas, 2008. http://hdl.handle.net/10174/8972.

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The article analyses the Portuguese legislation about Cultural Heritage, namely the approach towards Intangible Cultural Heritage (ICH), a new category promoted by the UNESCO Convention for the Safeguarding of the Intangible Cultural Heritage (2003). Furthermore, it presents general considerations regarding inventories in the Portuguese scene, considering the importance of identifying ICH as a preliminary step in order to develop safeguarding strategies.
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Ollinen, Carin, and Filip Streiffert. "Concerning Conserving." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-21541.

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Vad är det i gamla industrimiljöer som fascinerar oss? Finns det ett värde i att bevararostiga portar, slitna fasader och sprucken asfalt där gräset tränger igenom? Viundersöker fenomenet bevarande av gamla industrimiljöer i stadsnära hamnområden,och hur dessa miljöer tas till vara i en urban omgestaltningsprocess. Med stöd av befintligforskning och intervjuer undersöker vi bevarande utifrån antikvariska- och estetiskautgångspunkter. Platsen vi valt som studieobjekt är Varvsstaden i Malmö, som förnärvarande genomgår en större omvandling, där den gamla industrimiljön anpassas tillnya urbana användningsområden.Vår analys visar att begreppet bevarande bär med sig olika förväntningar hos olika aktöreri stadsbyggnadsprocessen, och att det därför är meningsfullt att utvidga diskussionen kring begreppet.
What is it in old industrial environments that fascinates us? Is there a value in preservingrusty doors, worn facades and cracked asphalt where the grass penetrates? We want toinvestigate how different preservation strategies affect design transformations in urbanharbour areas. With the help of literature and interviews, we examine conservation basedon antiquarian- and aesthetic points of departure. The place we chose as a study object isthe Varvsstaden area in Malmö, which is currently undergoing a major transformation,where the old industrial environment is adapted to new urban uses.Our analysis show that the term conservation entails different expectations among variousstakeholders in the urban development process, and that it is therefore meaningful toextend the discussion about the concept.
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Kok, Chui-wah Ranee, and 郭翠華. "Qipao: living and evolving tangible and intangible cultural heritage." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2012. http://hub.hku.hk/bib/B48345052.

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“Clothing always shows people’s personality.” said William Shakespeare. “Even we bow our heads with silence, our clothing and bearing will still reveal our past experiences.” As for a Chinese woman, Qipao reminds and even reveals her own background and roots. Qiapo is so widely recognized that people from different countries relate it to China once they see it. Such a Chinese female identity has been built for decades. Qipao has been seen as the National Costume throughout the 20th Century until nowadays. It expressed the patriotic purposes in the sense of Chinese and the rest of the world implicitly and explicitly. More importantly, it is an international symbol of Chinese femininity. The reason why Qipao can be preserved through history and time is that through the vicissitudes of the process of social and historical development, it has steadily given expression to the distinct character and individual style of the nation, making it distinctively different to the rest of the world. Qipao with its bewitching eastern charm, peerless style with its universal appeal established its unique place in the history of clothing in the world. It is an international symbol of Chinese femininity. In short, Qipao is a living heritage that has been evolving to adapt to the socio-historical circumstances of different times. This dissertation seeks to discover the process of this evolution through the tangibility and intangibility of Qipao.
published_or_final_version
Conservation
Master
Master of Science in Conservation
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Wu, Sarina. "Ethnopolitics and intangible cultural heritage in Inner Mongolia, China." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:ad67c504-0ddd-42c3-9624-16330fef982e.

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Blakely, Megan Rae. "Intellectual property and intangible cultural heritage in Celtic-derived countries." Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/30838/.

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This dissertation examines the symbiotic relationship between intellectual property (“IP”) law and cultural heritage law, with an emphasis on intangible cultural heritage (“ICH”). These two fields of law have historically operated in relative isolation from each other, but the overlap of subject matter and practical effect of implementation is evident; the actual creative and traditional practices by individuals and communities are the subject matter of both fields. The central thrust of the research is to locate the effects of these two legal fields and to inform policy, research, and legislation when this previously under-considered effect and influence exists. This is accomplished through case studies of ICH and statutory intervention in three countries with diverse ICH: tartan in Scotland; cultural tourism and branding in Ireland, and the Welsh language and eisteddfodau in Wales. These countries were selected as they 1) are geographically proximate, 2) have shared cultural history, 3) are or were recently in a union legal structure with partially devolved governance powers, and 4) are ‘knowledge-based’ economies with strong IP laws. This selection facilitates the dissertation’s original contributions to research, which include highlighting the influence of ICH on IP law and how IP shapes ICH. This interaction challenges the domestic and international differential legal treatment between developed, Global North countries as IP- and knowledge-producing and developing and Global South countries as ICH- and culture-producing. Theoretical patterns emerged from the case studies: namely, first- and second-wave adoption, which is complementary to Hobsbawm and Ranger’s invented traditions; and ‘tangification’, which identifies the process through which ICH becomes IP in a modern legal framework and highlights the risks to ICH integrity as well as the over-extension of IP law. Each of these contributions support the assertion that properly managing risk to and safeguarding ICH, which provides social and economic benefits, can also help to ensure that IP law is functioning in a manner reflecting its jurisprudential underpinnings, facilitating longevity and enforceability of the law.
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Stefano, Michelle. ""Outside Museum Walls : Safeguarding Intangible Cultural Heritage In North East England"." Thesis, University of Newcastle upon Tyne, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.525059.

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Giglitto, Danilo. "Using wikis for intangible cultural heritage in Scotland : suitability and empowerment." Thesis, University of Aberdeen, 2017. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=231768.

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The number of digital projects aimed at documenting and preserving communities' intangible cultural heritage (ICH) has grown considerably in recent years. These projects take advantage of the advancement of digital technologies to enable local communities to manage their ICH, in tune with the deprofessionalisation of heritage practices. However, additional work is needed to overcome some of the barriers that are emerging in these endeavours, especially related to long-term sustainability and the technical knowledge required. The thesis follows the progress of two case studies that used wikis to enable participation in the documentation of cultural heritage. Using action research, the researcher introduced or tried to improve the use of wikis in these case studies. The first case study involved a Scottish heritage wiki at a national level, but the project ran into many problems. Although the software was appropriate for facilitating public engagement, the research showed that the emphasis should be put on local heritage rather than national, and that face-to-face interactions providing engagement and training activities should have been more widely used as well. The second case study was the analysis of a wiki dedicated to collating and documenting the ICH of the Isle of Jura, Scotland. The problems encountered in this case study point to the presence of pre-existing conflicts and the contentious nature of heritage on the island as barriers to the project. The main argument of the thesis is that involvement in digital cultural heritage can enhance community empowerment, but that this depends upon social dimensions of community cohesion and engagement as well as technical knowledge of the software and technologies involved.
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Books on the topic "Conserving Intangible Cultural Heritage"

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Munhwajaechʻŏng, Korea (South). Important intangible cultural heritage. Daejeon: Cultural Heritage Administration, 2006.

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1948-, Medhi Biriñci Kumāra, and Indirā Gāndhī Rāshṭrīya Mānava Saṅgrahālaya., eds. Intangible cultural heritage of Assam. Bhopal: Indira Gandhi Rashtriya Manav Sangrahalaya, 2008.

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de-Miguel-Molina, Blanca, Virginia Santamarina-Campos, María de-Miguel-Molina, and Rafael Boix-Doménech, eds. Music as Intangible Cultural Heritage. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76882-9.

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Indonesia. Kementerian Pariwisata dan Ekonomi Kreatif. The intangible cultural heritage of Indonesia. Jakarta]: Ministry of Tourism and Creative Economy, Republic of Indonesia, 2012.

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Nemani, Sipiriano. Pacific intangible cultural heritage mapping toolkit. Suva: Secretariat of the Pacific Community, 2012.

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Youth and Nigeria's intangible cultural heritage. Lagos, Nigeria: Human Development Initiatives, 2011.

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Meissner, Marlen. Intangible Cultural Heritage and Sustainable Development. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-79938-0.

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Arizpe, Lourdes, and Cristina Amescua, eds. Anthropological Perspectives on Intangible Cultural Heritage. Heidelberg: Springer International Publishing, 2013. http://dx.doi.org/10.1007/978-3-319-00855-4.

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Foundation for the Protection of Natural and Cultural Heritage, Mongolia. Culture and Arts Committee, Korea Cultural Heritage Administration, and International Information and Networking Centre for Intangible Cultural Heritage in the Asia-Pacific Region, eds. Intangible cultural heritage of the Mongols. Ulaanbaatar: The Foundation for the Protection of Natural and Cultural Heritage, 2010.

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Cūḍāmaṇi, Regmī, Nepal Bhim, and Unesco Kathmandu Office, eds. The intangible cultural heritage of Nepal: Future directions. Kathmandu: UNESCO Office in Kathmandu, 2007.

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Book chapters on the topic "Conserving Intangible Cultural Heritage"

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Higginbottom, Gail. "Intangible Cultural Heritage." In Encyclopedia of Global Archaeology, 5811–14. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-30018-0_1142.

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Higginbottom, Gail. "Intangible Cultural Heritage." In Encyclopedia of Global Archaeology, 3918–21. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-0465-2_1142.

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Ubertazzi, Benedetta. "Intangible Cultural Heritage." In Intangible Cultural Heritage, Sustainable Development and Intellectual Property, 11–65. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-08104-0_2.

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Lixinski, Lucas. "Intangible Cultural Heritage." In Culture and Human Rights: The Wroclaw Commentaries, edited by Andreas J. Wiesand, Kalliopi Chainoglou, and Anna Sledzinska-Simon. Berlin, Boston: De Gruyter, 2016. http://dx.doi.org/10.1515/9783110432251-082.

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"Intangible Cultural Heritage." In Encyclopedic Dictionary of Archaeology, 645. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-58292-0_90173.

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Goto, Kazuko, and Anna Mignosa. "Intangible cultural heritage." In Teaching Cultural Economics, 262–67. Edward Elgar Publishing, 2020. http://dx.doi.org/10.4337/9781788970747.00048.

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Cuccia, Tiziana. "Intangible cultural heritage." In Handbook of Cultural Economics, Third Edition, 294–303. Edward Elgar Publishing, 2020. http://dx.doi.org/10.4337/9781788975803.00039.

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"‘Intangible cultural heritage’:." In Musics Lost and Found, 257–61. Boydell & Brewer, 2021. http://dx.doi.org/10.2307/j.ctv199tj27.35.

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"Indigenous curation, museums, and intangible cultural heritage." In Intangible Heritage, 207–22. Routledge, 2008. http://dx.doi.org/10.4324/9780203884973-16.

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Chelazzi, D., R. Giorgi, and P. Baglioni. "Materials and methods for the conservation of cultural heritage." In Conserving Cultural Heritage, 3–6. CRC Press, 2018. http://dx.doi.org/10.1201/9781315158648-1.

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Conference papers on the topic "Conserving Intangible Cultural Heritage"

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Karavia, Despoina, and Andreas Georgopoulos. "Placing Intangible Cultural Heritage." In 2013 Digital Heritage International Congress (DigitalHeritage). IEEE, 2013. http://dx.doi.org/10.1109/digitalheritage.2013.6743815.

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Pehlivan, Gamze Fahriye. "Conserving / Not Conserving Cultural Heritage by Using." In 4th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 6-8 May 2020. Alanya Hamdullah Emin Paşa University, 2021. http://dx.doi.org/10.38027/iccaua2021134n1.

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Our neglected heritage faces the risk of destruction after a while. To be able to avoid this, our cultural heritage should be dealt with the sustainable conservation approach. Today, use with new or original functions is recommended as a sustainable conservation approach. However, the use of cultural heritage should be dealt with through an approach in a way that conserves, not exploits them. The aim of the study is to explain adverse use of cultural heritage and the use of them by conserving over the examples. In the extent of the study, it is aimed to determine whether function damages the building, not whether the building provides the functional necessities. In this study from different cities three samples, which are being used with new function or original function has been chosen. The values carried by the samples and the effect of the function on these values were determined. The sample whose values are less or not affected has been used preservingly; the sample whose values were adversely affected was considered as not preserved. It is observed that two of three examples were used by conserving and the other one had problems about conservation. According to this, although the use of cultural heritage in its original function or in new function for sustainable conservation is very crucial, it becomes an ethical problem when the use exploits the cultural heritage beyond conservation purpose.
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Pozzebon, Alessandro, and Silvia Calamai. "Smart devices for Intangible Cultural Heritage fruition." In 2015 Digital Heritage. IEEE, 2015. http://dx.doi.org/10.1109/digitalheritage.2015.7413895.

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Caramelo Gomesª, Cristina, and Maria Luísa Costa b. "Intangible Cultural Heritage and Digital Communications." In Applied Human Factors and Ergonomics Conference (2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001241.

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ICT aims to democratize the access to information for individuals despite their professional, social and/or personal objectives. Digital artifacts became an interactive way to promote the contact between individuals and entities while pursuing information about a particular issue. Intangible Cultural Heritage is an area of knowledge which by means of digital artifacts can expand its field of action. The impact of digital artifacts on ICH on creation, management and delivery of information was recognized by ICOMOS and European Union; however the knowledgeable entities do not invest on the conception of this kind of documents. The results are inefficient websites which communicate information as if they were traditional static documents. Recurrently, considerations of communication and interaction design are excluded from digital artifacts’ conceptual process. The authors elected three Portuguese cases which illustrate the scarcity of information, an interface difficult to interact with, the failure of inclusive design principles, a questionable aesthetical and functional layout and navigation and particularly the nearly inexistence of interaction chances for the user. This paper proposes an analysis of the impact of digital artifacts on ICH, as well as the design concepts along the conceptual process of these digital artifacts, namely websites. The main objective is to propose a set of guide lines to help creative professionals conceive websites oriented to ICH in order to attract and support different kinds of users.
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Grammalidis, N., K. Dimitropoulos, F. Tsalakanidou, A. Kitsikidis, P. Roussel, B. Denby, P. Chawah, et al. "The i-Treasures Intangible Cultural Heritage dataset." In MOCO'16: 3rd International Symposium on Movement and Computing. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2948910.2948944.

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Mahfoodh, Hajar, and Shadiya Alhashmi. "Safeguarding Intangible Cultural Heritage through UNESCO Partnership." In 2020 Second International Sustainability and Resilience Conference: Technology and Innovation in Building Designs. IEEE, 2020. http://dx.doi.org/10.1109/ieeeconf51154.2020.9319941.

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Yi, Jian. "Research on Inheritance of Intangible Cultural Heritage." In 2017 2nd International Conference on Education, Sports, Arts and Management Engineering (ICESAME 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icesame-17.2017.404.

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Artese, Maria Teresa, and Isabella Gagliardi. "Carousel rides new tools for navigation in intangible Cultural Heritage." In 2015 Digital Heritage. IEEE, 2015. http://dx.doi.org/10.1109/digitalheritage.2015.7419491.

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"Research on Intangible Cultural Heritage and Traditional Cultural Protection Mechanism." In 2017 International Conference on Humanities, Arts and Language. Francis Academic Press, 2018. http://dx.doi.org/10.25236/humal.2017.41.

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Mei, Jia-Qi. "Functions of Oral History from Inheritor of Intangible Cultural Heritage in Cultural Heritage Protection." In 2nd Annual International Conference on Social Science and Contemporary Humanity Development. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/sschd-16.2016.35.

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Reports on the topic "Conserving Intangible Cultural Heritage"

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Adris Saaed, Saaed, and Wafaa Sabah Khuder. The Language of the People of Bashiqa: A Vehicle of their Intangible Cultural Heritage. Institute of Development Studies, August 2022. http://dx.doi.org/10.19088/creid.2022.003.

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The current study is an attempt to provide a linguistic, a historical, as well as a sociocultural record of the language variety spoken in Bashiqa (Northern Iraq) by one of the communities which represents a religious minority in Iraq known as Yazidis. This language is an example of an under-researched language diversity. This research draws on a sample of eleven in-depth semi-structured interviews with Yezidi men and women from Bashiqa, Iraq. The analysis of these interviews has yielded a number of points which help in documenting and preserving this language variety. The study concludes that the language used in Bashiqa is an ancient hybrid regional dialect in which many values and meanings are embedded. In short, the Yazidis understand their language as a vehicle of their intangible cultural heritage.
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Kelly, Luke. Lessons Learned on Cultural Heritage Protection in Conflict and Protracted Crisis. Institute of Development Studies (IDS), April 2021. http://dx.doi.org/10.19088/k4d.2021.068.

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This rapid review examines evidence on the lessons learned from initiatives aimed at embedding better understanding of cultural heritage protection within international monitoring, reporting and response efforts in conflict and protracted crisis. The report uses the terms cultural property and cultural heritage interchangeably. Since the signing of the Hague Treaty in 1954, there has bee a shift from 'cultural property' to 'cultural heritage'. Culture is seen less as 'property' and more in terms of 'ways of life'. However, in much of the literature and for the purposes of this review, cultural property and cultural heritage are used interchangeably. Tangible and intangible cultural heritage incorporates many things, from buildings of globally recognised aesthetic and historic value to places or practices important to a particular community or group. Heritage protection can be supported through a number of frameworks international humanitarian law, human rights law, and peacebuilding, in addition to being supported through networks of the cultural and heritage professions. The report briefly outlines some of the main international legal instruments and approaches involved in cultural heritage protection in section 2. Cultural heritage protection is carried out by national cultural heritage professionals, international bodies and non-governmental organisations (NGOs) as well as citizens. States and intergovernmental organisations may support cultural heritage protection, either bilaterally or by supporting international organisations. The armed forces may also include the protection of cultural heritage in some operations in line with their obligations under international law. In the third section, this report outlines broad lessons on the institutional capacity and politics underpinning cultural protection work (e.g. the strength of legal protections; institutional mandates; production and deployment of knowledge; networks of interested parties); the different approaches were taken; the efficacy of different approaches; and the interface between international and local approaches to heritage protection.
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Torres-Mancera, Rocio, Carlos de las Heras-Pedrosa, Carmen Jambrino-Maldonado, and Patricia P. Iglesias-Sanchez. Public Relations and the Fundraising professional in the Cultural Heritage Industry: a study of Spain and Mexico / Las relaciones públicas y el profesional de la captación de fondos en la industria del patrimonio cultural: un estudio de España y México. Revista Internacional de Relaciones Públicas, June 2021. http://dx.doi.org/10.5783/rirp-21-2021-03-27-48.

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The present research aims to understand the current situation of strategic communication and public relations applied in the professional field of fundraising in the cultural heritage environment. It observes the current patterns used in the sector to obtain and generate long-term sustainable funding, through the stimulation of investors and International Cooperation projects from the European Union in line with UNESCO. Two international case studies are compared: Spain and Mexico, through the selection of territorial samples in Malaga and San Luis Potosi. The methodology used is based on a combination of in-depth interviews with key informants and content analysis. In the first instance, the degree of application of communication and public relations tools for strategic purposes to directly attract economic resources to the management of cultural heritage (tangible and intangible) in the region is studied. In line with the results obtained, the current parameters and key indicators of the profile of the fundraising professional in public and private cultural management are presented.
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