Relevant bibliographies by topics / Conservatories of music Puerto Rico / Books
To see the other types of publications on this topic, follow the link: Conservatories of music Puerto Rico.

Books on the topic 'Conservatories of music Puerto Rico'

Author: Grafiati
Published: 4 June 2021
Last updated: 2 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 33 books for your research on the topic 'Conservatories of music Puerto Rico.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse books on a wide variety of disciplines and organise your bibliography correctly.

1

Font, Cecilio R. La música en Puerto Rico. New York: Editorial Cidral, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Font, Cecilio R. La música en Puerto Rico. New York: Editorial Cidral, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

La música en Puerto Rico. New York: Editorial Cidral, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Degláns, Kerlinda. Catálogo de música clásica contemporánea de Puerto Rico. Río Piedras, Puerto Rico: Pro-Arte Contemporáneo, 1989.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Martínez, Juan Carlos Vega. Breve historia de la música en Puerto Rico. San Juan: Colegio San Ignacio de Loyola, 2001.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

La poética del bolero en Cuba y Puerto Rico. San Juan, P.R: Isla Negra Editores, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Vega, Pedro Malavet. Historia de la canción popular en Puerto Rico (1493-1898). Ponce, Puerto Rico: P. Malavet Vega, 1992.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Ramos, Pablo Marcial Ortíz. A tres voces y guitarras: Los tríos en Puerto Rico. San Juan, P.R: [s.n.], 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Ramos, Pablo Marcial Ortíz. A tres voces y guitarras: Los tríos en Puerto Rico. 3rd ed. San Juan, P.R: [s.n.], 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Vega, Pedro Malavet. Navidad que vuelve: La tradición y el cantar navideño en Puerto Rico. Ponce, P.R: P. Malavet Vega, 1987.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
11

Musicalizando la raza: La racialización en Puerto Rico a través de la música. San Juan, Puerto Rico: Ediciones Puerto, 2012.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
12

Thompson, Donald. Concert life in Puerto Rico, 1957-1992: Views and reviews. San Juan, P.R: Editorial de la Universidad de Puerto Rico, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
13

Dufrasne-González, J. Emanuel. Puerto rico también tiene-- tambó!: Recopilación de artículos sobre la plena y la bomba. [Rio Grande, Puerto Rico]: Paracumbé, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
14

R, Vidal Jaime, and Stevens Arroyo Antonio M, eds. Report on the island & Diocese of Puerto Rico (1647). Scranton: University of Scranton Press, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
15

La evolución del violonchelo en Puerto Rico: El legado de Pablo Casals : (colección de ensayos). Hato Rey, P.R: Publicaciones Puertorriqueñas, 1997.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
16

Pérez, Pedro A. Reina. Crónica en tres tiempos: La Orquesta Sinfónica de Puerto Rico (1958-2008). Puerto Rico: EMS Editores, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
17

Javier, Santiago. Nueva ola portoricensis: La revolución musical que vivió Puerto Rico en la década del 60. San Juan, P.R: Editorial Del Patio, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
18

Las espigas del sembrador: Tributo a Augusto Rodríguez y su contribución a la música coral en Puerto Rico. San Juan, P. R: La Editorial, Universidad de Puerto Rico, 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
19

Listening to salsa: Gender, Latin popular music, and Puerto Rican cultures. Hanover, NH: University Press of New England, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
20

F, Thompson Annie, ed. Music and dance in Puerto Rico from the age of Columbus to modern times: An annotated bibliography. Metuchen, N.J: Scarecrow Press, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
21

Vega, Pedro Malavet. Del bolero a la nueva canción: La música popular en Puerto Rico : de los años '50 al presente. Ponce, Puerto Rico: [s.n.], 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
22

Music in Puerto Rico: A reader's anthology. Lanham, Md: Scarecrow Press, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
23

Annotated Bibliography of Writings about Music in Puerto Rico. Rowman & Littlefield Publishers, Incorporated, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
24

Museum, Ponce Art, ed. El Disco en Puerto Rico, 1892-1965. [Ponce, P.R.]: Museo de Arte de Ponce, 1992.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
25

J, Rodriguez David, and Archive of Folk Culture (U.S.), eds. Puerto Rico recordings in the Archive of Folk Culture. Washington, D.C. (10 First St., S.E., Washington 20540): Archive of Folk Culture, American Folklife Center, Library of Congress, 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
26

Thompson, Donald. Music in Puerto Rico: A Reader's Anthology (Studies in Latin American Music). The Scarecrow Press, Inc., 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
27

Remixing reggaetón : the cultural politics of race in Puerto Rico /. Duke University Press, 2015.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
28

Schwartz, Francis, and Donald Thompson. Concert Life in Puerto Rico, 1957-1992: Views and Reviews. Editorial de la Universidad de Puerto Rico, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
29

Susoni, Francisco O'Neill. Las espigas del sembrador. University of Puerto Rico Press, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
30

Lopez, Omar Rodriguez. Hunters in High Heels. Akashic Books, 2013.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
31

Passion and Pain: The Life of Hector Lavoe. St. Martin's Griffin, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
32

Bomberger, E. Douglas. Middle America. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190872311.003.0006.

Full text
Abstract:
Within weeks of the release of the ODJB’s “Livery Stable Blues” on 15 April, jazz became a household word across the United States. The frantic, unbridled sound of the new music seemed to suit the spirit of the times ideally. In the midst of a copyright dispute with Victor, the ODJB recorded for Columbia. Walter Damrosch’s New York Symphony Orchestra toured from coast to coast, and Karl Muck brought the Boston Symphony Orchestra season to an end amid rumors of his loyalty to Germany. New restrictions on enemy aliens threatened to impact musical performers and presenters. James Reese Europe gathered woodwind players on a whirlwind trip to Puerto Rico, then took his Fifteenth Infantry Regiment Band to train and rehearse at Peekskill, New York.
APA, Harvard, Vancouver, ISO, and other styles
33

Martin, Andrew R. Steelpan Ambassadors. University Press of Mississippi, 2017. http://dx.doi.org/10.14325/mississippi/9781496812407.001.0001.

Full text
Abstract:
“Maybe you won't like steel band. It's possible. But it's been said that the Pied Piper had a steel band helping him on his famous visit to Hamelin.” When the US Navy distributed this press release, anxieties and tensions of the impending Cold War felt palpable. As President Eisenhower cast his gaze toward Russia, the American people cast their ears to the Atlantic South, infatuated with the international currents of Caribbean music. Today, steel bands have become a global phenomenon; yet, in 1957 the exotic sound and the unique image of the US Navy Steel Band was one-of-a-kind. From 1957 until their disbandment in 1999, the US Navy Steel Band performed over 20,000 concerts worldwide. In 1973, the band officially moved headquarters from Puerto Rico to New Orleans and found the city and annual Mardi Gras tradition an apt musical and cultural fit. The band brought a significant piece of Caribbean artistic capital—calypso and steelband music—to the American mainstream. Its impact on the growth and development of steelpan music in America is enormous. This book uncovers the lost history of the US Navy Steel Band and provides an in-depth study of its role in the development of the US military's public relations, its promotion of goodwill, its recruitment efforts after the Korean and Vietnam wars, its musical and technological innovations, and its percussive propulsion of the American fascination with Latin and Caribbean music over the past century.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the bibliographies on the topic 'Conservatories of music Puerto Rico' for other source types:
Journal articles
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography