Relevant bibliographies by topics / Conductus History and criticism

Academic literature on the topic 'Conductus History and criticism'

Author: Grafiati
Published: 10 December 2022
Last updated: 29 January 2023

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Journal articles on the topic "Conductus History and criticism"

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Kaluher, Anna, and Olga Balashova. ""Criticism is about creating timeless acoustics": an interview with art historian Olga Balashova." Text and Image: Essential Problems in Art History, no. 2 (2020): 133–37. http://dx.doi.org/10.17721/2519-4801.2020.2.09.

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Olga Balashova - art historian, kmbs and KAMA lecturer, art critic, deputy director for the development of the National Art Museum of Ukraine (NAMU) in 2017-2020. The interview was recorded in February 2020 by assistant professor Anna Kaluger (Chair of Art History, Taras Shevchenko National University of Kyiv). This interview was conducted as part of the Ph.D. research "The structure of art criticism in Ukraine at the beginning of the XXI century." The discussion will focus on the definition of art criticism in the Ukrainian art context and its disciplinary boundaries. Olga Balashova talks about her career path as art historian and critic, determining for her theoretical influences, the school of art history at NAOMA, and her research priorities within the study of the history of criticism. Part of the interview focuses on the methods of teaching criticism in the humanities in the context of the internetization of criticism and the loss of its usual disciplinary basis - the history of art. It will also discuss the genre classification of criticism at the level of objects of study, in particular: the portrait of the artist, curatorial strategy, or phenomenological study of artistic events. The final part of the interview focuses on options for constructing the history of criticism in Ukraine: both the history of resources and the history of authors, the history of interpretations, and the history of methodological approaches.
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Huang, Kuan-yun. "XUNZI'S CRITICISM OF ZISI—NEW PERSPECTIVES." Early China 37 (July 24, 2014): 291–325. http://dx.doi.org/10.1017/eac.2014.3.

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AbstractThis study considers Xunzi's criticism of Zisi, Confucius' grandson, providing a detailed analysis of some of the most famous but also difficult passages in the Xunzi. By drawing on the newly excavated text, “Wuxing” (The five conducts), the study shows that not only did Xunzi have an intimate knowledge of Zisi's teachings, but in fact he had available to him a certain version of the “Wuxing.” This understanding makes it possible to evaluate Xunzi's role as a reporter of Zisi's teachings, and to the extent that Xunzi reported these teachings fairly and accurately, the study offers specific suggestions for reimagining a period that has been little understood in Early Chinese intellectual history, or the transition from Confucius to Mencius.
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Hart, Lain. "Authentic recreation: living history and leisure." Museum and Society 5, no. 2 (April 10, 2015): 103–24. http://dx.doi.org/10.29311/mas.v5i2.99.

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This essay considers a postmodern interpretation of the concept of authenticity and a criticism of that interpretation advanced from an ethnographic perspective. The author shows how these theoretical issues arise at American Civil War re-enactments by describing the ways by which the re-enactment community establishes authentic appearances at Civil War performances. The essay then considers the commercial activity conducted at Civil War events, and concludes by speaking to the question, posed by the postmodernists, as to whether it is possible to represent the past authentically.
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Azizah, Imamah Fikriyati, Dwi Susanto, and Istadiyantha Istadiyantha. "The Existence of Universal Humanism in The Reform Era of Indonesian Literary Criticism." International Journal of Multicultural and Multireligious Understanding 7, no. 11 (July 20, 2021): 580. http://dx.doi.org/10.18415/ijmmu.v7i11.2797.

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The aesthetic of universal humanism is a cultural production of power struggles in the arena of Indonesian literary criticism. The agent who played an important role in achieving universal humanism was the Cultural Manifest (Manikebu), which extended into the Jakarta Arts Council (JAC). This study highlights the reality of literary criticism in the reform era, without undermining the aesthetic history of universal humanism as a medium or discourse echoed by the Cultural Manifest group and succeeded after the collapse of the Old Order. JAC as an agent currently controls the arena of Indonesian literary criticism seeking to cultivate economic, social, cultural, and symbolic capital. These capitals are used as a tool in carrying out the practice of symbolic violence in the arena of literary criticism. This then it establishes a habitus which aimed at enacting the aesthetic standards of universal humanism literary criticism. The habitus space is seen through the contest and literary criticism class conducted by JAC. The contest initiates enactment on parties involved, both the contestant jury and/or supporters of JAC's literary criticism class, as well as participants who take part in the literary criticism contest.
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Koval, Sofya V. "The History and Foundations of Criticism of H.L.A. Hart’s Legal Positivism in R. Dworkin’s Philosophy of Law." Russian Journal of Philosophical Sciences 62, no. 7 (October 10, 2019): 124–42. http://dx.doi.org/10.30727/0235-1188-2019-62-7-124-142.

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The paper discusses the Anglo-American philosophy of law of the 20th century, more specifically the philosophy of law of Ronald Myles Dworkin and his criticism of the legal positivism of Herbert Lionel Adolphus Hart. The author presents the history of the criticism of legal positivism in Ronald Dworkin’s philosophy of law and distinguishes historical stages. The subject of the study is the critique of legal positivism but not the Hart-Dworkin debate itself, well known in Western philosophy of law. The reason is that the discussion was conducted between Dworkin and Hart’s supporters but not between Dworkin and Hart by himself. The latter responded to the criticism only after twenty seven years. The article explains why Dworkin chose for his criticism Herbert Hart’s version of legal positivism. This is due to the fact that Dworkin highly appreciated Hart’s positivist theory of law and characterized it as the “most clear.” The article presents the methodological foundations of criticism of Hart’s legal positivism in Dworkin’s philosophy of law. It reveals a methodological divergence between the two legal theories, which directly affects the understanding of the concept of law and its content. Therefore, we can assume that the legal theories of Hart and Dworkin are two competing models of law: Dworkin’s model considers law as a set of rules and principles and Hart’s model acknowledges only rules and court decisions as a source of law. The article also presents the key principles of positivism criticized by Dworkin. These principles, firstly, interpret law as a set of legal rules determined through a special legal criterion, secondly, provide the judge with an opportunity to make a decision “at his own discretion” in a situation not regulated by law, and, thirdly, recognize only legal rights and obligations enshrined in legal regulations. It is important to note that in this article the author describes criticism as an independent phenomenon of legal philosophy with a particular focus on the history and foundations of this phenomenon.
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Talibova, Aygun Nofer. "THE PERSONALITY OF THE ARTIST AND CRITIC IN THE LITERARY PROCESS AND LITERARY CRITICISM OF AZERBAIJAN IN THE PERIOD OF INDEPENDENCE." Scientific Journal of Polonia University 54, no. 5 (December 27, 2022): 101–6. http://dx.doi.org/10.23856/5414.

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The purpose of the article is to determine the role of Azerbaijani criticism in the literary process of the period of independence, the personality of the writer, critic and creative process, the value of the work in the current literary process, by taking into account the reader`s taste, the possibility of evaluating the artistic and philosophical essence of the work in the context of the period and time, Methodology and methods used: This topic was investigated by methods based on the philosophy of Azerbaijanism, the ideology of independence. In the course of the analysis and research, theoretical and comparative studies were conducted in the context of a comparative historical method that has withstood the test of literary and theoretical thought since the XIX century, national and moral requirements of the history of independence were taken into account. The article extensively analyzes how important the role of the personalities of the critic, writer, and artist is in the literary process. The main scientific innovation put forward: To study the direction, typology of literary criticism of the period of independence means not only to study the literary heritage in the sphere, categories and thinking of criticism, but, if we approach it in a broad sense, to reveal the history of the people, era, socio-political thought, the history of philosophical thinking. The article examines the literary criticism of the period of independence in unity with the history of socio-political, philosophical thought of the Azerbaijani people.
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Andreas, Joel, and Yige Dong. "The Brief, Tumultuous History of “Big Democracy” in China’s Factories." Modern China 44, no. 5 (March 22, 2018): 455–96. http://dx.doi.org/10.1177/0097700418763834.

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This article compares two fateful experiments conducted during the Mao era in China that encouraged freewheeling criticism of Communist cadres: the 1957 Party Rectification campaign and the early upheavals of the Cultural Revolution (1966–1968). Through a content analysis of articles published in the Chinese Communist Party’s flagship newspaper, People’s Daily, we first show that the two movements shared characteristics that made them very similar to each other and remarkably different from all other mass campaigns carried out during the Mao era. We then analyze the differences between the two movements—and their consequences—by investigating how they unfolded in factories, based mainly on interviews with workers and party cadres. We argue that key elements of the strategy Mao pursued during the Cultural Revolution were developed in response to the unmitigated failure of the 1957 campaign and these elements fostered a movement more capable of compelling Communist cadres to face criticism from below. In comparing the two movements, we highlight the evolution of the term “big democracy,” which was uniquely associated with these two episodes, but was deployed very differently in 1966 than it was in 1957.
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HEIN, LAURA, and AKIKO TAKENAKA. "Exhibiting World War II in Japan and the United States since 1995." Pacific Historical Review 76, no. 1 (February 1, 2007): 61–94. http://dx.doi.org/10.1525/phr.2007.76.1.61.

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Museum professionals, like most people, dislike being the focus of criticism, yet many have recently found themselves in this predicament over exhibits focusing on the histories of major social confl icts. An especially tense issue for both Japanese and American museums has been treatment of World War II, particularly how to portray the motives, policies, and conduct of their own governments during the war. Curators have not always been prepared for the intense criticism and for the charge that differences of opinion are caused by a clash of irreconcilable ideologies, only one of which is valid. Japanese and American museums have deployed similar strategies-some effective, some self-defeating-for meeting those challenges. Neither has found ideal solutions, although some approaches, such as presenting multiple points of view and providing opportunities for interaction, seem to hold greater promise than others.
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Borski, George, and Michał Kokowski. "Copernicus, his Latin style and comments to Commentariolus." Studia Historiae Scientiarum 20 (September 13, 2021): 339–438. http://dx.doi.org/10.4467/2543702xshs.21.013.14044.

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A methodology of historical or higher criticism and of stylometry/stylochronometry known from Biblical and literary studies is applied to the examination of Nicolaus Copernicus’s writings. In particular, his early work Commentariolus is compared at the level of the Latin language with his later ones (Meditata, Letter against Werner and De revolutionibus) as well as the texts of some other authors. A number of striking stylistic dissimilarities between these works have been identified and interpreted in the light of stylometry/stylochronometry, historical criticism and the history of Copernican research. The conducted research allowed to draw some plausible conclusions about the Sitz im Leben (historical context), the dating of Commentariolus and related matters.
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Kuzovova, Natalia. "SOVIET REPRESSION AGAINST REFUGEE JEWS FROM THE TERRITORY OF POLAND AND CZECH-SLOVAKIA BEFORE AND AT THE BEGINNING OF WORLD WAR II." Intermarum history policy culture, no. 9 (December 25, 2021): 105–20. http://dx.doi.org/10.35433/history.112018.

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Purpose: to analyze a set of documents stored in the funds of the State Archives of Kherson region – cases of repressed refugees from Poland and Czechoslovakia in 1938-1941. Based on historiographical and source studies on this topic, to outline the general grounds for arrest and persecution of refugees by Soviet authorities and to find out why Jews – former citizens of Poland and Czechoslovakia – found themselves in the focus of repression. Research methodology. The main research methods were general and special-historical, as well as methods of archival heuristics and scientific criticism of sources. Scientific novelty. Previously unpublished documents are introduced into scientific circulation: cases of repressed refugees from Poland and Czechoslovakia, analysis of the Soviet government's policy towards Jews who tried to escape from the Nazis in the USSR and the Union Republics in southern Ukraine, including Kherson. The forms of repression applied by the NKVD to refugee Jews are analyzed, and the consequences of such a policy for the German government's policy of genocide in the occupied territories are examined. Conclusions. The study found that the formal reason for the persecution of Jewish refugees was the illegal crossing of the border with the USSR, since the Soviet Union, like many countries in the world, refused to accept Jews fleeing the Nazi persecution. The Soviet government motivated this by the fact that refugee Jews spread mood of defeat and panic, spied for Germany, Britain, and Poland, had anti-Soviet views, and conducted anti-Soviet campaigning. As a result of the arrests and deportations of Jewish refugees, the Jewish population, particularly in southern Ukraine, was unaware of the persecution of Jews in lands occupied by Nazi Germany. In fact, the Jewish refugees sent to the concentration camps, along with the Germans of Ukraine and the Volga region, were the only groups of people thus "evacuated" by the Soviet authorities on ethnic grounds. However, due to the enemy's rapid offensive, refugees who did not fall into the hands of the NKVD shared the tragic fate of Ukrainian Jews during the Holocaust.
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Dissertations / Theses on the topic "Conductus History and criticism"

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Simpson, Nigel. "Post-structuralism and history." Thesis, University of Sussex, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.282616.

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Bork, Debora J. "History and criticism of photographically illustrated children's books /." Online version of thesis, 1988. http://hdl.handle.net/1850/11490.

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Riding, Christopher John Livsey. "The art criticism and history of Michael Fried." Thesis, University of Leeds, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.272737.

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Amley, Hollis Marie. "The Evolution of Criticism on Jean-François Millet." NCSU, 2005. http://www.lib.ncsu.edu/theses/available/etd-03282005-154529/.

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AMLEY, HOLLIS MARIE. The Evolution of Criticism on Jean-François Millet. (Under the direction of Keith Luria.) The nineteenth-century French painter Jean-François Millet?s social context, compositional style, and rustic subject matter invite a wide variety of interpretations of his art. To his biographer and contemporary Alfred Sensier, the rustic canvases were the work of a stoic ?peasant painter,? removed from the political controversies of his day. To the Marxist art historian T. J. Clark, on the other hand, Millet?s paintings interacted with and challenged the dominant values and institutions of the Second Republic. To the social art historian Robert Herbert, the paintings reveal the artist?s response to urban-industrial change and his Parisian exodus. In presenting these three formative readings of Millet?s canvases, this thesis demonstrates how each particular writer?s vantage point in history affected both his methodology and vision of the artist?s identity. The criticism on Millet shows not merely a series of antithetical, isolated opinions, but a kind of evolution, one that has gradually come to include both the artist and the society in which he worked.
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Ryan, Matthew. "Self, nation and novel in contemporary Irish writing." Monash University, Centre for Comparative Literature and Cultural Studies, 2004. http://arrow.monash.edu.au/hdl/1959.1/5421.

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Ram, Deepak. "A portfolio of original compositions exploring syncretism between Indian and western music." Thesis, Rhodes University, 1996. http://hdl.handle.net/10962/d1002320.

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In this dissertation, overviews and detailed examinations of three compositions are presented. These compositions which constitute the portfolio of the M.MUS degree, are an attempt to explore syncretism between Indian and western music. Two of these works are written for a flute quartet (flute, violin, viola and cello) accompanied in part by a mridangam (Indian percussion instrument). The third work is written for a jazz quartet (piano, saxophone, double bass and drums). Syncretism between western and Indian music can take on a variety of forms, and while this concept is not new, there exists no suitable model or framework through which these compositions can be analysed. The approach used In this dissertation IS therefore guided solely by the compositions themselves. The syncretism in these works lies in the use of melodic, rhythmic and timbral elements of Indian music within two ensembles which are essentially western. This dissertation describes each of these elements in their traditional context as well as the method of incorporating them into western ensemble playing.
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Schillinger, Stephen. "Common representations : Jack Straw and literary history as cultural history on the early modern stage /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/9363.

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Kokotailo, Philip 1955. "Appreciating the present : Smith, Sutherland, Frye, and Pacey as historians of English-Canadian poetry." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39772.

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This thesis argues that as historians of English-Canadian poetry, A. J. M. Smith, John Sutherland, Northrop Frye, and Desmond Pacey explicitly promote the value of past conflict reconciled into present harmony. They do so by claiming that such reconciliation marks the maturity of English-Canadian culture. This thesis also argues, however, that the interactive progression of their histories implicitly undermines this value. It does so because each critic appreciates a different group of poets for realizing their shared cultural ideal, thereby establishing contradictory representations of what they all claim to be the culmination of English-Canadian literary history. The thesis concludes that while their lingering sense of present cultural maturity should now be fully renounced, the value these critics place on reconciliation is well worth preserving and transforming.
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Wallis, Lesley Ann. "History, politics and tradition : a study of the history workshop 1956-1979." Thesis, University of Birmingham, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369414.

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何倬榮 and Cheuk-wing Ho. "Engendering children: from folk tales to fairy tales." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31227363.

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Books on the topic "Conductus History and criticism"

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Church, Catholic, ed. Conductus and contrafacta. Ottawa, Canada: Institute of Mediaeval Music, 2001.

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Szövérffy, Joseph. Lateinische Conductus-Texte des Mittelalters =: Medieval Latin conductus texts. Ottawa, Canada: The Institute of Mediæval Music, 2000.

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Der musikalische Satz der Notre Dame-Conductus. Tutzing: H. Schneider, 1988.

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Christopher, Page. Latin poetry and conductus rhythm in medieval France. London: Royal Musical Association, 1997.

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Holmes, John L. Conductors on composers. Westport, Conn: Greenwood Press, 1993.

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1944-, Ashley Kathleen M., and Clark Robert L. A, eds. Medieval conduct. Minneapolis: University of Minnesota Press, 2001.

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Balogh, Elemér. A "salvus conductus" és a magyar peregrináció. Szeged: Szegedi József Attila Tudományegyetem Állam- és Jogtudományi Kará, 1996.

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G, Slater, and Dvořák Society for Czech and Slovak Music., eds. Václav Talich 1883-1961. Tadley: Dvořák Society, 2003.

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A short history of Jewish ethics: Conduct and character in the context of covenant. Chichester, UK: Wiley-Blackwell, 2012.

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Rudyard, Kipling. Kim: Authoritative text, backgrounds, criticism. New York: Norton, 2002.

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Book chapters on the topic "Conductus History and criticism"

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Millgate, Jane. "Biography, History, Criticism." In Macaulay, 98–115. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003335412-6.

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Capecchi, Danilo. "Poinsot’s criticism." In History of Virtual Work Laws, 335–51. Milano: Springer Milan, 2012. http://dx.doi.org/10.1007/978-88-470-2056-6_14.

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Bowring, Jacky. "History of landscape architectural criticism." In Landscape Architecture Criticism, 9–18. Milton Park, Abingdon, Oxon ; New York : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429450983-2.

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Rajan, B. "6. Scholarship and Criticism." In Literary History of Canada, edited by William New, Carl Berger, Alan Cairns, Francess Halpenny, Henry Kreisel, Douglas Lochhead, Philip Stratford, and Clara Thomas, 133–58. Toronto: University of Toronto Press, 1990. http://dx.doi.org/10.3138/9781487589547-008.

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de Roo, Jos. "Antillean Literary Criticism." In Comparative History of Literatures in European Languages, 645–50. Amsterdam: John Benjamins Publishing Company, 2001. http://dx.doi.org/10.1075/chlel.xv.62roo.

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Rowland, Susan. "Jung for history and historicity in literary studies." In Jungian Literary Criticism, 115–53. 1 Edition. | New York : Routledge, 2019. | Series: Jung: The essential guides: Routledge, 2018. http://dx.doi.org/10.4324/9781315561752-6.

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Sauerberg, Lars Ole. "Literary History, Criticism and Canon." In Versions of the Past — Visions of the Future, 165–85. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1007/978-1-349-25030-1_7.

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Plaice, Andy. "A history of arts criticism." In Arts Reviewing, 22–36. New York : Routledge, 2017. |: Routledge, 2017. http://dx.doi.org/10.4324/9781315560830-3.

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Bryson, Scott. "Modernism and Ecological Criticism." In Comparative History of Literatures in European Languages, 591–604. Amsterdam: John Benjamins Publishing Company, 2007. http://dx.doi.org/10.1075/chlel.xxi.46bry.

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Guo, Yi. "Introduction." In Freedom of the Press in China. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463726115_intro.

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Observers of the media landscape in China often express the criticism that individual speech still suffers from arbitrary restriction and that mass media is run in an ‘authoritarian mode.’ Yet how did the state of press freedom in China end up like this? Was this an inevitable outcome, or are there historical antecedents that predate the communist system? To answer these questions, we need to conduct a comprehensive inquiry into China’s history of press freedom because today’s conception of press freedom is fundamentally related to its past. In the case of China, this conceptual history has so far received little attention. This chapter delineates theoretical backgrounds and methodological issues relating to the conceptual history of press freedom in China.
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Conference papers on the topic "Conductus History and criticism"

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Zou, Jie, and Shunhui Wang. "History of Feminist Criticism in Japan." In Proceedings of the 4th International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/iccessh-19.2019.245.

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Макарьев, И. В. "Friedrich Schlegel's understanding of history in the context of the philosophy of history of the XX – early XXI centuries." In Современное социально-гуманитарное образование: векторы развития в год науки и технологий: материалы VI международной конференции (г. Москва, МПГУ, 22–23 апреля 2021 г.). Crossref, 2021. http://dx.doi.org/10.37492/etno.2021.83.19.061.

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в философии истории ХХ в. можно выделить двоякую тенденцию. С одной стороны, классическая философия истории подвергается радикальной критике (в немецкой философской герменевтике, французском структурализме и постструктурализме, англоязычной аналитической философии), а с другой стороны, она продолжается и развивается в различных концепциях и теориях («столкновение цивилизаций» С. Хантингтона, «конец истории» Ф. Фукуямы). Такая двойственность (критика философии истории и ее развитие) не является характеристикой только нашей современности. Выдающийся немецкий филолог и философ Фридрих Шлегель (1772–1829) в ситуации философской революции рубежа XVIII–XIX вв. постарался соединить эти две позиции в одну, что и стало предметом анализа автора статьи. in the philosophy of the history of the twentieth century, a twofold tendency can be distinguished. On the one hand, the classical philosophy of history is subjected to radical criticism (in German philosophical hermeneutics, French structuralism and poststructuralism, English-speaking analytical philosophy), and on the other hand, it continues and develops in various concepts and theories (S. Huntington's "clash of civilizations", "end of history" F. Fukuyama). Such duality (criticism of the philosophy of history and its development) is not a characteristic only of our modernity. The outstanding German philologist and philosopher Friedrich Schlegel (1772–1829), in the situation of the philosophical revolution at the turn of the 18th–19th centuries, tried to combine these two positions into one, , which became the subject of the analysis of the author of the article.
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Shcherbina, M. M. "Beading the womantory: art project as a way to tell about women’s history." In CULTURAL STUDIES AND ART CRITICISM: THINGS IN COMMON AND DEVELOPMENT PROSPECTS. Baltija Publishing, 2020. http://dx.doi.org/10.30525/978-9934-26-004-9-72.

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VUKIC, Fedja. "Art criticism and the semantic construction of the concept of Design." In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-109.

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"A Study of the Literary Criticism Style in Xia Zhiqing's The History of Chinese Modern Novels." In 2017 4th International Conference on Literature, Linguistics and Arts. Francis Academic Press, 2017. http://dx.doi.org/10.25236/iclla.2017.45.

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Kolomiets, G. "ON THE QUESTION OF MUSICAL HERMENEUTICS IN AESTHETICS." In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2548.978-5-317-06726-7/65-69.

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The report assumes a dialogue between aesthetic and art history methods of interpreting a piece of music. Musical hermeneutics in art criticism, guided by a more historical, educational and detailed approach, is complemented by an anthropo-axiological method in aesthetics.
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Carkovs, Olegs, and dr oec. "Historical Dynamic Modeling (Simulation Experience)." In International Conference on Signal Processing and Vision. Academy and Industry Research Collaboration Center (AIRCC), 2022. http://dx.doi.org/10.5121/csit.2022.122213.

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The present work "synchronizes" the achievements in various fields of natural science (mathematics, cybernetics, information theory, sociology, economics and history) to understand the modern picture of the world. The conceptual model proposed in the paper is simplified and serves to illustrate certain socioeconomic processes of the past and present. Undoubtedly, there is a "confirmation bias", since there is an element of subjectivism in every analysis. It can only be overcome by constructive criticism, not by ignoring facts, rejecting mathematical proofs and denying logical conclusions, for "Facts do not cease to exist because they are ignored" ( Aldous Huxley).
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Santos de Brito, Rose Dayanne. "ROMAN AND MODERN CONCEPT OF SLAVERY." In XVI Majsko savetovanje. University of Kragujevac, Faculty of Law, 2020. http://dx.doi.org/10.46793/upk20.975s.

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Roman law was accused of legitimizing slavery in ancient times and individualism in modernity. This article seeks to refute these anti-historical formulations. For this, it adopts the ontological difference between Celso’s Roman conception (law as the art of the good and the just) and Kelsen’s modern one (law as a set of norms). The distinctions between the legal regime of slavery in ancient society and modernity will be analyzed from an exercise of the history of law, based on the synchronic and diachronic method. Finally, Roman law appears as an instrument of criticism in order to confront legal institutes of private bourgeois law.
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Zlotnikova, Tatyana. "Power in Russia: Modus Vivendi and Artis Imago." In Russian Man and Power in the Context of Dramatic Changes in Today’s World, the 21st Russian scientific-practical conference (with international participation) (Yekaterinburg, April 12–13, 2019). Liberal Arts University – University for Humanities, Yekaterinburg, 2019. http://dx.doi.org/10.35853/ufh-rmp-2019-pc02.

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Contemporary Russian socio-cultural, cultural and philosophical, socio psychological, artistic and aesthetic practices actualize the Russian tradition of rejection, criticism, undisguised hatred and fear of power. Today, however, power has ceased to be a subject of one-dimensional denial or condemnation, becoming the subject of an interdisciplinary scientific discourse that integrates cultural studies, philosophy, social psychology, semiotics, art criticism and history (history of culture). The article provides theoretical substantiation and empirical support for the two facets of notions of power. The first facet is the unique, not only political, but also mental determinant of the problem of power in Russia, a kind of reflection of modus vivendi. The second facet is the artistic and image-based determinant of problem of power in Russia designated as artis imago. Theoretical grounds for solving these problems are found in F. Nietzsche’s perceptions of the binary “potentate-mass” opposition, G. Le Bon’s of the “leader”, K.-G. Jung’s of mechanisms of human motivation for power. The paper dwells on the “semiosis of power” in the focus of thoughts by A. F. Losev, P. A. Sorokin, R. Barthes. Based on S. Freud’s views of the unconscious and G. V. Plekhanov’s and J. Maritain’s views of the totalitarian power, we substantiate the concept of “the imperial unconscious”. The paper focuses on the importance of the freedom motif in art (D. Diderot and V. G. Belinsky as theorists, S. Y. Yursky as an art practitioner). Power as a subject of influence and object of analysis by Russian creators is studied on the material of perceptions and creative experience of A. S. Pushkin (in the context of works devoted to Russian “impostors” by numerous authors). Special attention is paid to the early twenty-first century television series on Soviet rulers (Stalin, Khrushchev, Brezhnev, Furtseva). The conclusion is made on the relevance of Pushkin’s remark about “living power” “hated by the rabble” for contemporary Russia.
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Kenyhercz, Róbert. "Interpretation of data and sources in etymological research." In International Conference on Onomastics “Name and Naming”. Editura Mega, 2022. http://dx.doi.org/10.30816/iconn5/2019/39.

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The aim of the paper is to emphasize the importance of source criticism in etymological research. It is widely known that the main sources for the early history of toponyms in the Carpathian Basin are the charters created in the medieval Hungarian Kingdom, because these official documents contained a large number of vernacular proper names embedded in the Latin text. However, it is important to mention that the medieval charters were produced by the chancery and places of authentication along specific principles and needs. I argue that this circumstance must always be considered during the interpretation of the data. I will show some examples illustrating that – in certain cases – we have to take into account the nature of the sources in the reconstruction of the genesis of place names. My goal is to offer a brief outline of this issue through my own investigations.
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Reports on the topic "Conductus History and criticism"

1

Halych, Valentyna. SERHII YEFREMOV’S COOPERATION WITH THE WESTERN UKRAINIAN PRESS: MEMORIAL RECEPTION. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11055.

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The subject of the study is the cooperation of S. Efremov with Western Ukrainian periodicals as a page in the history of Ukrainian journalism which covers the relationship of journalists and scientists of Eastern and Western Ukraine at the turn of the XIX-XX centuries. Research methods (biographical, historical, comparative, axiological, statistical, discursive) develop the comprehensive disclosure of the article. As a result of scientific research, the origins of Ukrainocentrism in the personality of S. Efremov were clarified; his person as a public figure, journalist, publisher, literary critic is multifaceted; taking into account the specifics of the memoir genre and with the involvement of the historical context, the turning points in the destiny of the author of memoirs are interpreted, revealing cooperation with Western Ukrainian magazines and newspapers. The publications ‘Zoria’, ‘Narod’, ‘Pravda’, ‘Bukovyna’, ‘Dzvinok’, are secretly got into sub-Russian Ukraine, became for S. Efremov a spiritual basis in understanding the specifics of the national (Ukrainian) mass media, ideas of education in culture of Ukraine at the end of XIX century, its territorial integrity, and state independence. Memoirs of S. Efremov on cooperation with the iconic Galician journals ‘Notes of the Scientific Society after the name Shevchenko’ and ‘Literary-Scientific Bulletin’, testify to an important stage in the formation of the author’s worldview, the expansion of the genre boundaries of his journalism, active development as a literary critic. S. Yefremov collaborated most fruitfully and for a long time with the Literary-Scientific Bulletin, and he was impressed by the democratic position of this publication. The author’s comments reveal a long-running controversy over the publication of a review of the new edition of Kobzar and thematically related discussions around his other literary criticism, in which the talent of the demanding critic was forged. S. Efremov steadfastly defended the main principles of literary criticism: objectivity and freedom of author’s thought. The names of the allies of the Ukrainian idea L. Skochkovskyi, O. Lototskyi, O. Konyskyi, P. Zhytskyi, M. Hrushevskyi in S. Efremov’s memoirs unfold in multifaceted portrait descriptions and function as historical and cultural facts that document the pages of the author’s biography, record his activities in space and time. The results of the study give grounds to characterize S. Efremov as the first professional Ukrainian-speaking journalist.
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Carty, Anthony, and Jing Gu. Theory and Practice in China’s Approaches to Multilateralism and Critical Reflections on the Western ‘Rules-Based International Order’. Institute of Development Studies (IDS), October 2021. http://dx.doi.org/10.19088/ids.2021.057.

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China is the subject of Western criticism for its supposed disregard of the rules-based international order. Such a charge implies that China is unilateralist. The aim in this study is to explain how China does in fact have a multilateral approach to international relations. China’s core idea of a community of shared future of humanity shows that it is aware of the need for a universal foundation for world order. The Research Report focuses on explaining the Chinese approach to multilateralism from its own internal perspective, with Chinese philosophy and history shaping its view of the nature of rules, rights, law, and of institutions which should shape relationships. A number of case studies show how the Chinese perspectives are implemented, such as with regards to development finance, infrastructure projects (especially the Belt and Road Initiative), shaping new international organisations (such as the Asian Infrastructure Investment Bank), climate change, cyber-regulation and Chinese participation in the United Nations in the field of human rights and peacekeeping. Looking at critical Western opinion of this activity, we find speculation around Chinese motives. This is why a major emphasis is placed on a hermeneutic approach to China which explains how it sees its intentions. The heart of the Research Report is an exploration of the underlying Chinese philosophy of rulemaking, undertaken in a comparative perspective to show how far it resembles or differs from the Western philosophy of rulemaking.
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