Relevant bibliographies by topics / Compositional approaches

Academic literature on the topic 'Compositional approaches'

Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

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Journal articles on the topic "Compositional approaches"

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Blom, Diana. "Engaging Students With A Contemporary Music – Minimalism – through Composing Activities: Teachers’ Approaches, Strategies and Roles." International Journal of Music Education os-40, no. 1 (May 2003): 81–99. http://dx.doi.org/10.1177/025576140304000107.

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A study inviting teachers at primary, secondary and tertiary level to introduce their students to composing activities through a resource album of minimalist projects noted that some teachers led their students to write “pastiche” compositions while others enabled their student composers to move beyond pastiche to an expansion of the given compositional concepts. Results examined compositions of music as imitating the style of an existing work, or whether teachers enabled their students to move beyond pastiche composition to an expansion of the given compositional concepts. This paper discusses the approaches, strategies, and roles adopted by both groups of teachers.
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Kojs, Juraj, Stefania Serafin, and Chris Chafe. "Cyberinstruments via Physical Modeling Synthesis: Compositional Applications." Leonardo Music Journal 17 (December 2007): 61–66. http://dx.doi.org/10.1162/lmj.2007.17.61.

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This paper details compositional approaches in music for cyberinstruments by means of physical modeling synthesis. Although the focus is on compositions written with the models simulated by the digital waveguides, modal synthesis and mass-spring-damper algorithms, music written with other modeling techniques is also reviewed.
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Payling, Dave. "Approaches to Composition in Visual Music: An Artist’s Reflection on Three Original Pieces." Leonardo Music Journal 29 (December 2019): 62–66. http://dx.doi.org/10.1162/lmj_a_01065.

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This article discusses the author’s visual music compositional practice in the context of similar work in this field. It specifically examines three pieces created between 2015 and 2017 that fused digital animation techniques with electronic sound. This approach contrasted with the author’s earlier compositions, which featured electroacoustic music and video concrète.
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Tiurikova, E., О. Pogorelov, V. Titinov, and O. Nedoshitko. "PRINCIPLES AND APPROACHES FORMALLY COMPOSITION IN ARCHITECTURAL DESIGN." East European Scientific Journal 1, no. 4(68) (May 14, 2021): 26–33. http://dx.doi.org/10.31618/essa.2782-1994.2021.1.68.10.

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The article analyzes the features of the application of the principles of formal composition in the design activities of an architect-designer. Separated notions of formal composition, formal compositional approach, formal compositional principle. The characterization of the "world" as an all-encompassing concept is revealed. Parallels are given between design composition and formal composition in art. Approaches to the formation of environmental composition (plot, montage and formal) have been analyzed and created. Categories and concepts are summarized in tabular form. Examples of the application of various compositional approaches to the development of trade showcases are compared.
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Cheng, H. N. "NMR analysis of compositional heterogeneity in polysaccharides." Pure and Applied Chemistry 89, no. 7 (July 26, 2017): 877–83. http://dx.doi.org/10.1515/pac-2016-1020.

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AbstractMany copolysaccharides are compositionally heterogeneous, and the composition determined by the usual analytical or spectroscopic methods provides only an average value. For some polysaccharides, the NMR data contain copolymer sequence information, such as diad, triad, and tetrad sequence intensities. In such cases, it is possible to estimate the extent of compositional heterogeneity through NMR. Two general types of methodologies can be used: perturbed Markovian and discrete component approaches. The theoretical bases for these approaches are reviewed in this work, and three examples are shown of the application of these NMR methodologies to copolysaccharides.
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Keillor, Elaine. "Perspectives on the Late Piano Music of Oskar Morawetz and John Weinzweig." Articles 33, no. 2 (August 19, 2015): 35–52. http://dx.doi.org/10.7202/1032694ar.

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Oskar Morawetz and John Weinzweig were colleagues of Carl Morey at the Faculty of Music, University of Toronto. Each composed considerable piano music throughout his compositional career. In this article, the author examines the late piano compositions of Morawetz and Weinzweig, comparing approaches to the instrument, and how those approaches were reflected musically in this group of late compositions. Because Morawetz based his approach on the late Romantic piano compositions with which he was familiar, pianists do not encounter extended techniques in his works. Weinzweig, on the other hand, makes new demands upon the performer to bring across his “disparate gestic/phonetic shapes.”
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Cheng, H. N., Stanley B. Tam, and Leo J. Kasehagen. "Compositional heterogeneity in polymers: computer simulation approaches." Macromolecules 25, no. 14 (July 1992): 3779–85. http://dx.doi.org/10.1021/ma00040a025.

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Ayers, J. E., Tedi Kujofsa, Johanna Raphael, and Md Tanvirul Islam. "Recent Advances in the Modeling of Strain Relaxation and Dislocation Dynamics in InGaAs/GaAs (001) Heterostructures." International Journal of High Speed Electronics and Systems 29, no. 01n04 (March 2020): 2040005. http://dx.doi.org/10.1142/s0129156420400054.

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In this paper we describe state-of-the-art approaches to the modeling of strain relaxation and dislocation dynamics in InGaAs/GaAs (001) heterostructures. Current approaches are all based on the extension of the original Dodson and Tsao plastic flow model to include compositional grading and multilayers, dislocation interactions, and differential thermal expansion. Important recent break-throughs have greatly enhanced the utility of these modeling approaches in four respects: i) pinning interactions are included in graded and multilayered structures, providing a better description of the limiting strain relaxation as well as the dislocation sidewall gettering; ii) a refined model for dislocation-dislocation interactions including zagging enables a more accurate physical description of compositionally-graded layers and step-graded layers; iii) inclusion of back-and-forth weaving of dislocations provides a better description of dislocation dynamics in structures containing strain reversals, such as strained-layer superlattices or overshoot graded layers; and iv) the compositional dependence of the model kinetic parameters has been elucidated for the InGaAs material system, allowing more accurate modeling of heterostructures with wide variations in composition. We will describe these four key advances and illustrate their applications to heterostructures of practical interest.
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Fleming, Ian. "I Have No Mouth (pts. 1–6): Introducing Postdigital Spectralism." Leonardo Music Journal 24 (December 2014): 45–48. http://dx.doi.org/10.1162/lmj_a_00201.

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The author discusses the development of the work I Have No Mouth (pts. 1–6), an electronic piece composed within the schools of spectral music and postdigital “glitch” music, to show how composers can harness technological advancements to their own compositional and aesthetic ends. The author posits the compelling nature of a fundamental tension evident in combining these two approaches, which, he argues, results in satisfying and interesting compositions.
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Nitzan, Mor, Sefi Mintzer, and Hanah Margalit. "Approaches and developments in studying the human microbiome network." Israel Journal of Ecology and Evolution 61, no. 2 (May 5, 2015): 90–94. http://dx.doi.org/10.1080/15659801.2015.1042768.

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The human microbiome is dynamic and unique to each individual, and its role is being increasingly recognized in healthy physiology and in disease, including gastrointestinal and neuropsychiatric disorders. Therefore, characterizing the human microbiome and the factors that shape its bacterial population, how they are related to host-specific attributes, and understanding the ways in which it can be manipulated and the phenotypic consequences of such manipulations are of great importance. Characterization of the microbiome so far has been mostly based on compositional studies alone, where relative abundances of different species are compared in different conditions, such as health and disease. However, inter-relationships among the bacterial species, such as competition and cooperation over metabolic resources, may be an important factor that affects the structure and function of the microbiome. Here we review the network-based approaches in answering such questions and explore the first attempts that focus on the interactions facet, complementing compositional studies, towards understanding the microbiome structure and its complex relationship with the human host.
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Dissertations / Theses on the topic "Compositional approaches"

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Oliveiro, Mark 1983. "Compositional approaches within new media paradigms." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849618/.

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"Compositional Approaches to New Media Paradigms" is the discursive accompaniment to the original composition BoMoH, (a new media chamber opera. A variety of new media concepts and practices are discussed in relation to their use as a contemporary compositional methodology for computer musicians and digital content producers. This paper aligns relevant discourse with a variety of concepts as they influence and affect the compositional process. This paper does not propose a new working method; rather it draws attention to a contemporary interdisciplinary practice that facilitates new possibilities for engagement and aesthetics in digital art/music. Finally, in demonstrating a selection of the design principals, from a variety of new media theories of interest, in compositional structure and concept, it is my hope to provide composers and computer musicians with a tested resource that will function as a helpful set of working guidelines for producing new media enabled art, sonic or otherwise.
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Broffitt, Virginia. "The Music of Jennifer Higdon: Perspectives on the Styles and Compositional Approaches in Selected Chamber Compositions." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1275656288.

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Ensing, David John. "Novel approaches to evaluating compositional heterogeneity : a case study using grazing exclosures in alpine meadow communities." Thesis, University of British Columbia, 2013. http://hdl.handle.net/2429/45076.

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Despite a long history, accurately quantifying biological diversity remains a priority for ecologists and the continuing development of novel tools and approaches has identified areas that require further investigation. Currently, the quantification of evolutionary diversity (phylogenetic diversity) is receiving intense and critical interest, but few have attempted to quantify among sample phylogenetic variation (beta diversity) and fewer still have measured the influence of grazing on the phylogenetic diversity of plant communities. Novel partitions of beta diversity, which quantify the independent influence of richness differences and species replacement, may better clarify how heterogeneity is structured within a system, but such metrics have not yet been developed for phylogenetic diversity or applied to grazing investigations. Furthermore, it has recently been re-emphasized that, when measuring within-community heterogeneity, the only appropriate approaches that facilitate the concurrent measurement of partitioned beta diversity are ‘multiple site beta diversity’ metrics. To date ‘multiple site’ heterogeneity metrics do not exist for phylogenetic diversity. Drawing on previously published derivations of pairwise beta diversity partitions and their phylogenetic analogs, I developed novel multiple site beta diversity tools for taxonomic and phylogenetic diversity that may better quantify community heterogeneity and suggest how these new tools may be useful for the practicing community ecologist. Using long term grazing exclosures, I combined novel beta diversity tools with paired plots across the exclosure fence and appropriate null models to test the influence of grazing on herbaceous alpine plant community heterogeneity. I show that (i) taxonomic and phylogenetic diversity provide differing results, (ii) that grazing influences within community heterogeneity of herbaceous plant communities, but that the response may be site dependent, and (iii) that richness and replacement metrics of beta diversity exhibit different responses to grazing. Novel metrics of partitioned taxonomic and phylogenetic beta diversity therefore provide useful insight into the structuring of herbaceous alpine plant communities. As such, within-community heterogeneity as measured by ‘multiple site beta diversity’ is an important attribute of any ecosystem and efforts aimed at quantifying and preserving biodiversity for ecosystem management or conservation should include it in their goals.
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Davies, Huw. "Towards a more versatile dynamic-music for video games : approaches to compositional considerations and techniques for continuous music." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:3f1e4cfa-4a36-44d8-9f4b-4c623ce6b045.

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This study contributes to practical discussions on the composition of dynamic music for video games from the composer’s perspective. Creating greater levels of immersion in players is used as a justification for the proposals of the thesis. It lays down foundational aesthetic elements in order to proceed with a logical methodology. The aim of this paper is to build upon, and further hybridise, two techniques used by composers and by video game designers to increase further the reactive agility and memorability of the music for the player. Each chapter of this paper explores a different technique for joining two (possibly disparate) types of gameplay, or gamestates, with appropriate continuous music. In each, I discuss a particular musical engine capable of implementing continuous music. Chapter One will discuss a branching-music engine, which uses a precomposed musical mosaic (or musical pixels) to create a linear score with the potential to diverge at appropriate moments accompanying onscreen action. I use the case study of the Final Fantasy battle system to show how the implementation of a branching-music engine could assist in maintaining the continuity of gameplay experience that current disjointed scores, which appear in many games, create. To aid this argument I have implemented a branching-music engine, using the graphical object oriented programming environment MaxMSP, in the style of the battle music composed by Nobuo Uematsu, the composer of the early Final Fantasy series. The reader can find this in the accompanying demonstrations patch. In Chapter Two I consider how a generative-music engine can also implement a continuous music and also address some of the limitations of the branching-music engine. Further I describe a technique for an effective generative music for video games that creates musical ‘personalities’ that can mimic a particular style of music for a limited period of time. Crucially, this engine is able to transition between any two personalities to create musical coincidence with the game. GMGEn (Game Music Generation Engine) is a program I have created in MaxMSP to act as an example of this concept. GMGEn is available in the Demonstrations_Application. Chapter Three will discuss potential limitations of the branching music engine described in Chapter One and the generative music engine described in Chapter Two, and highlights how these issues can be solved by way of a third engine, which hybridises both. As this engine has an indeterminate musical state it is termed the intermittent-music engine. I go on to discuss the implementation of this engine in two different game scenarios and how emergent structures of this music will appear. The final outcome is to formulate a new compositional approach delivering dynamic music, which accompanies the onscreen action with greater agility than currently present in the field, increasing the memorability and therefore the immersive effect of the video-game music.
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Tang, Fenfen. "Metabolic profiling of complex mixtures using novel NMR-based approaches and chemometrics: Pomegranate juice as a case study." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1575485567931001.

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Fritz, Jochen [Verfasser]. "A decoupled model for compositional non-isothermal multiphase flow in porous media and multiphysics approaches for two-phase flow / von Jochen Fritz." Stuttgart : Inst. für Wasserbau, 2010. http://d-nb.info/1007183225/34.

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Georgiou, Chrystalla. "Beyond narrative : a cross-modal approach to soundtrack composition." Thesis, University of Hertfordshire, 2017. http://hdl.handle.net/2299/18621.

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This research project addresses the problem of scoring non-narrative film work. Deprived of a narrative content to follow, the composer faces the fundamental problem of deciding what other elements should be considered for establishing a meaningful relationship between the screened events and the music soundtrack. In order to mitigate the problem, this research project investigates the possibility of applying cross-modal principles to soundtrack composition, and systematically exploits the human ability to experience or interpret the information channeled through one sense modality in terms of another. After the Introduction which explains the research aims and methods, the thesis is structured into subsequent chapters. Chapter two considers cross-modal relationships in music and other expressive arts along with a brief consideration of Reception Theory and its relation to my work. Chapter three provides a set of four case studies of contemporary compositional approaches to non-narrative film. Chapter four demonstrates a new and systematic approach to soundtrack composition through a specially devised Table of Audio-Visual Correspondences, mapping parameters from one domain to another. This method is then applied in Chapter five in relation to a portfolio of original composed soundtracks. A detailed analysis is provided of each piece and the application of crossmodal logic to the scoring of non-narrative video is discussed and evaluated. Finally, Chapter six offers conclusions, recommendations, and outlines the scope for further research. An explanation is given of how work on this thesis has affected my own practice and compositional voice. A suggestion is also provided on how this thesis can benefit the wider film music academic and practitioner community.
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Chai, Jia. "Portfolio of compositions : developing a personal compositional approach based on attributes of spoken language." Thesis, University of York, 2017. http://etheses.whiterose.ac.uk/19792/.

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This compositional portfolio comprises eight original works presented in musical scores. The works were written between October 2013 and April 2017 during the course of my PhD research. The compositions featured are for a variety of combinations of voices and solo instrument up to full orchestra. Audio recordings of performances are included for all except the final orchestral work. In these compositions, I introduce a new compositional idea, declaiming, which I have been developing and which is explained in this commentary. This idea is used to determine the formal structure of these pieces. Unique approaches to using this compositional idea are described in this commentary, regarding individual works.
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Morais, Joanna. "Impact of media investments on brands’ market shares : a compositional data analysis approach." Thesis, Toulouse 1, 2017. http://www.theses.fr/2017TOU10040/document.

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L’objectif de cette thèse CIFRE, réalisée avec la société d’études de marché BVA en collaboration avec le constructeur automobile Renault, est de mesurer l’impact des investissements media pour différents canaux (télévision, affichage, etc.) sur les parts de marché de différentes marques, en prenant en compte la concurrence et les potentiels effets croisés et synergies entre ces marques, ainsi qu’en tenant compte du prix des véhicules, du contexte réglementaire (i.e. prime à la casse), et des effets retard de la publicité.Nous avons puisé dans les littératures marketing et statistique pour développer, comparer et interpréter plusieurs modèles qui respectent la contrainte de somme unitaire des parts de marché. Une application concrète au marché automobile français est présentée, pour laquelle nous montrons que les parts de marché des marques sont plus ou moins sensibles aux investissements publicitaires consentis dans chaque canal, et qu’il existe de synergies entre certaines marques
The aim of this CIFRE thesis, realized with the market research institute BVA in collaboration with the automobile manufacturer Renault, is to build a model in order to measure the impact of media investments of several channels (television, outdoor, etc.) on the brands’ market shares, taking into account the competition and the potential cross effects and synergies between brands, as well as accounting for the price, the regulatory context (scrapping incentive), and the lagged effects of advertising. We have drawn from marketing and statistical literatures to develop, compare and interpret several models which respect the unit sum constraint of market shares. A practical application to the French automobile market is presented, for which it is shown that brands’ market shares are more or less sensitive to advertising investments made in each channel, and that synergies between brands exist
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Khan, Adil H. "Artificial intelligence approaches to music composition." Thesis, Northern Kentucky University, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1549922.

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Music composition using Artificial Intelligence is a well-established area of study with research dating back over six decades. From the time the mathematical model of computation was developed by Alan Turing in the 1940s, the question of whether computers can be built to match human level intelligence has been debated. Creativity is certainly considered to be a sign of intelligence, and many areas of Artificial Intelligence have pursued ways to emulate the creative spark found in humans. Music Composition via Artificial Intelligence falls into this category. This thesis explores the application of Artificial Intelligence approaches towards the goal of composing music by implementing three approaches found in Artificial Intelligence and studying their results.

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Books on the topic "Compositional approaches"

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Vandenbosch, Mark B. Confirmatory compositional approaches to the development of product spaces. London, Canada: Western Business School, University of Western Ontario, 1994.

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Kavanagh, James. A survey of the approaches to the teaching of English compositional writing in a sample of Irish primary schools. Dublin: University College Dublin, 1997.

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Hillston, J. A compositional approach to performance modelling. Cambridge: Cambridge University Press, 1996.

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Andrea, Greenbaum, ed. Insurrections: Approaches to resistance in composition studies. Albany: State University of New York Press, 2001.

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editor, Köpping Jan, ed. Approaches to meaning: Composition, values, and interpretation. Leiden: Brill, 2014.

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Legal writing: A systematic approach. 2nd ed. St. Paul, Minn: West Pub. Co., 1993.

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Pratt, Diana Volkmann. Legal writing: A systematic approach. 4th ed. St. Paul, MN: Thomson/West, 2004.

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Composing music: A new approach. Chicago: University of Chicago Press, 1988.

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Pratt, Diana Volkmann. Legal writing: A systematic approach. St. Paul, Minn: West Pub. Co., 1989.

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author, Brostoff Teresa, and Burkoff, Nancy M., 1948- author, eds. Legal writing: A contemporary approach. St. Paul, MN: West Academic Publishing, 2014.

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Book chapters on the topic "Compositional approaches"

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van der Bijl, Machiel, Arend Rensink, and Jan Tretmans. "Compositional Testing with ioco." In Formal Approaches to Software Testing, 86–100. Berlin, Heidelberg: Springer Berlin Heidelberg, 2004. http://dx.doi.org/10.1007/978-3-540-24617-6_7.

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Bocchi, Laura. "Compositional Nested Long Running Transactions." In Fundamental Approaches to Software Engineering, 194–208. Berlin, Heidelberg: Springer Berlin Heidelberg, 2004. http://dx.doi.org/10.1007/978-3-540-24721-0_14.

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Vanoverberghe, Dries, and Frank Piessens. "Theoretical Aspects of Compositional Symbolic Execution." In Fundamental Approaches to Software Engineering, 247–61. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-19811-3_18.

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Barthe, Gilles, Dilian Gurov, and Marieke Huisman. "Compositional Verification of Secure Applet Interactions." In Fundamental Approaches to Software Engineering, 15–32. Berlin, Heidelberg: Springer Berlin Heidelberg, 2002. http://dx.doi.org/10.1007/3-540-45923-5_2.

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Pinger, Ralf, and Hans-Dieter Ehrich. "Compositional Checking of Communication among Observers." In Fundamental Approaches to Software Engineering, 32–44. Berlin, Heidelberg: Springer Berlin Heidelberg, 2001. http://dx.doi.org/10.1007/3-540-45314-8_4.

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Giannakopoulou, Dimitra, and Corina S. Păsăreanu. "Interface Generation and Compositional Verification in JavaPathfinder." In Fundamental Approaches to Software Engineering, 94–108. Berlin, Heidelberg: Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-642-00593-0_7.

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Furia, Carlo A., Matteo Rossi, Dino Mandrioli, and Angelo Morzenti. "Automated Compositional Proofs for Real-Time Systems." In Fundamental Approaches to Software Engineering, 326–40. Berlin, Heidelberg: Springer Berlin Heidelberg, 2005. http://dx.doi.org/10.1007/978-3-540-31984-9_25.

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Feng, Lu, Marta Kwiatkowska, and David Parker. "Automated Learning of Probabilistic Assumptions for Compositional Reasoning." In Fundamental Approaches to Software Engineering, 2–17. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-19811-3_2.

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Maximova, Maria, Sven Schneider, and Holger Giese. "Compositional Analysis of Probabilistic Timed Graph Transformation Systems." In Fundamental Approaches to Software Engineering, 196–217. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-71500-7_10.

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AbstractThe analysis of behavioral models is of high importance for cyber-physical systems, as the systems often encompass complex behavior based on e.g. concurrent components with mutual exclusion or probabilistic failures on demand. The rule-based formalism of probabilistic timed graph transformation systems is a suitable choice when the models representing states of the system can be understood as graphs and timed and probabilistic behavior is important. However, model checking PTGTSs is limited to systems with rather small state spaces.We present an approach for the analysis of large-scale systems modeled as probabilistic timed graph transformation systems by systematically decomposing their state spaces into manageable fragments. To obtain qualitative and quantitative analysis results for a large-scale system, we verify that results obtained for its fragments serve as overapproximations for the corresponding results of the large-scale system. Hence, our approach allows for the detection of violations of qualitative and quantitative safety properties for the large-scale system under analysis. We consider a running example in which we model shuttles driving on tracks of a large-scale topology and for which we verify that shuttles never collide and are unlikely to execute emergency brakes. In our evaluation, we apply an implementation of our approach to the running example.
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Heckel, Reiko. "Compositional verification of reactive systems specified by graph transformation." In Fundamental Approaches to Software Engineering, 138–53. Berlin, Heidelberg: Springer Berlin Heidelberg, 1998. http://dx.doi.org/10.1007/bfb0053588.

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Conference papers on the topic "Compositional approaches"

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Ghoreishi, Seyede Fatemeh, and Douglas L. Allaire. "Compositional Uncertainty Analysis via Importance Weighted Gibbs Sampling for Coupled Multidisciplinary Systems." In 18th AIAA Non-Deterministic Approaches Conference. Reston, Virginia: American Institute of Aeronautics and Astronautics, 2016. http://dx.doi.org/10.2514/6.2016-1443.

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Dudy, Shiran, and Steven Bedrick. "Compositional Language Modeling for Icon-Based Augmentative and Alternative Communication." In Proceedings of the Workshop on Deep Learning Approaches for Low-Resource NLP. Stroudsburg, PA, USA: Association for Computational Linguistics, 2018. http://dx.doi.org/10.18653/v1/w18-3404.

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Pchelina, Marina, and Jae-Woong Choe. "Teasing Apart Russian Idioms And Homonymic Compositional Expressions: A Word Embedding Approach." In EUROPHRAS 2017 - Computational and Corpus-based Phraseology: Recent Advances and Interdisciplinary Approaches. Editions Tradulex, Geneva, Switzerland, 2017. http://dx.doi.org/10.26615/978-2-9701095-2-5_025.

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Thomas, Paul, and David Lovell. "Compositional data analysis (CoDA) approaches to distance in information retrieval." In SIGIR '14: The 37th International ACM SIGIR Conference on Research and Development in Information Retrieval. New York, NY, USA: ACM, 2014. http://dx.doi.org/10.1145/2600428.2609492.

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Wong, T. W., A. Firoozabadi, R. Nutakki, and K. Aziz. "A Comparison of Two Approaches to Compositional and Black Oil Simulation." In SPE Symposium on Reservoir Simulation. Society of Petroleum Engineers, 1987. http://dx.doi.org/10.2118/15999-ms.

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Oliveira, Vinicius César, and José Henrique Padovani. "Mapping, Triggering, Scoring, and Procedural Paradigms of Machine Listening Application in Live-Electronics Compositions." In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2021. http://dx.doi.org/10.5753/sbcm.2021.19445.

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Since the advent of real-time computer music environments, composers have increasingly incorporated DSP analysis, synthesis, and processing algorithms in their creative practices. Those processes became part of interactive systems that use real-time computational tools in musical compositions that explore diverse techniques to generate, spatialize, and process instrumental/vocal sounds. Parallel to the development of these tools and the expansion of DSP methods, new techniques focused on sound/musical information extraction became part of the tools available for music composition. In this context, this article discusses the creative use of Machine Listening and Musical Information Retrieval techniques applied in the composition of live-electronics works. By pointing out some practical applications and creative approaches, we aim to circumscribe, in a general way, the strategies for employing Machine Listening and Music Information Retrieval techniques observed in a set of live-electronics pieces, categorizing four compositional approaches: namely, mapping, triggering, scoring, and procedural paradigms of application of machine listening techniques in the context of live-electronics music compositions.
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Breen, Jack, and Martijn Stellingwerff. "De-coding the Vernacular - Dynamic Representation Approaches to Case-based Compositional Study." In eCAADe 2006: Communicating Space(s). eCAADe, 2006. http://dx.doi.org/10.52842/conf.ecaade.2006.656.

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Breen, Jack, and Martijn Stellingwerff. "De-coding the Vernacular - Dynamic Representation Approaches to Case-based Compositional Study." In eCAADe 2006: Communicating Space(s). eCAADe, 2006. http://dx.doi.org/10.52842/conf.ecaade.2006.656.

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Palogiannidi, Elisavet, Elias Iosif, Polychronis Koutsakis, and Alexandros Potamianos. "A semantic-affective compositional approach for the affective labelling of adjective-noun and noun-noun pairs." In Proceedings of the 7th Workshop on Computational Approaches to Subjectivity, Sentiment and Social Media Analysis. Stroudsburg, PA, USA: Association for Computational Linguistics, 2016. http://dx.doi.org/10.18653/v1/w16-0424.

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Aleixo, Fellipe A., Marilia Freire, Daniel Alencar, Edmilson Campos, and Uir' Kulesza. "A Comparative Study of Compositional and Annotative Modelling Approaches for Software Process Lines." In 2012 26th Brazilian Symposium on Software Engineering (SBES). IEEE, 2012. http://dx.doi.org/10.1109/sbes.2012.11.

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Reports on the topic "Compositional approaches"

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Jarauta-Bragulat, Eusebi, and Juan José Egozcue. Compositional approach to growth curve models. Cogeo@oeaw-giscience, September 2011. http://dx.doi.org/10.5242/iamg.2011.0144.

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Mayas, Magda. Creating with timbre. Norges Musikkhøgskole, August 2018. http://dx.doi.org/10.22501/nmh-ar.686088.

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Unfolding processes of timbre and memory in improvisational piano performance This exposition is an introduction to my research and practice as a pianist, in which I unfold processes of timbre and memory in improvised music from a performer’s perspective. Timbre is often understood as a purely sonic perceptual phenomenon. However, this is not in accordance with a site-specific improvisational practice with changing spatial circumstances impacting the listening experience, nor does it take into account the agency of the instrument and objects used or the performer’s movements and gestures. In my practice, I have found a concept as part of the creating process in improvised music which has compelling potential: Timbre orchestration. My research takes the many and complex aspects of a performance environment into account and offers an extended understanding of timbre, which embraces spatial, material and bodily aspects of sound in improvised music performance. The investigative projects described in this exposition offer a methodology to explore timbral improvisational processes integrated into my practice, which is further extended through collaborations with sound engineers, an instrument builder and a choreographer: -experiments in amplification and recording, resulting in Memory piece, a series of works for amplified piano and multichannel playback - Piano mapping, a performance approach, with a custom-built device for live spatialization as means to expand and deepen spatio-timbral relationships; - Accretion, a project with choreographer Toby Kassell for three grand pianos and a pianist, where gestural approaches are used to activate and compose timbre in space. Together, the projects explore memory as a structural, reflective and performative tool and the creation of performing and listening modes as integrated parts of timbre orchestration. Orchestration and choreography of timbre turn into an open and hybrid compositional approach, which can be applied to various contexts, engaging with dynamic relationships and re-configuring them.
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Zhou, Dan, Susan Older, and Shiu-Kai Chin. Pragmatic Approaches to Composition and Verification of Assured Software. Fort Belvoir, VA: Defense Technical Information Center, March 2000. http://dx.doi.org/10.21236/ada376282.

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Dodele, Kathryn. Approaches to composition in selected directing texts: a structural analysis and assessment. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.2467.

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Charpentier, Michel, and K. M. Chandy. Towards a Compositional Approach to the Design and Verification of Distributed Systems. Fort Belvoir, VA: Defense Technical Information Center, January 1999. http://dx.doi.org/10.21236/ada451478.

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Chou, Pai, and Gaetano Borriello. An Analysis-Based Approach to Composition of Distributed Embedded Systems. Fort Belvoir, VA: Defense Technical Information Center, January 1998. http://dx.doi.org/10.21236/ada416533.

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Dawson, William O., Moshe Bar-Joseph, Charles L. Niblett, Ron Gafny, Richard F. Lee, and Munir Mawassi. Citrus Tristeza Virus: Molecular Approaches to Cross Protection. United States Department of Agriculture, January 1994. http://dx.doi.org/10.32747/1994.7570551.bard.

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Citrus tristeza virus (CTV) has the largest genomes among RNA viruses of plants. The 19,296-nt CTV genome codes for eleven open reading frames (ORFs) and can produce at least 19 protein products ranging in size from 6 to 401 kDa. The complex biology of CTV results in an unusual composition of CTV-specific RNAs in infected plants which includes multiple defective RNAs and mixed infections. The complex structure of CTV populations poses special problems for diagnosis, strain differentiation, and studies of pathogenesis. A manipulatable genetic system with the full-length cDNA copy of the CTV genome has been created which allows direct studies of various aspects of the CTV biology and pathology. This genetic system is being used to identify determinants of the decline and stem-pitting disease syndromes, as well as determinants responsible for aphid transmission.
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Velsko, S. Bioagent Sample Matching using Elemental Composition Data: an Approach to Validation. Office of Scientific and Technical Information (OSTI), April 2006. http://dx.doi.org/10.2172/899392.

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Daniel, Richard, Arich JL Fuher, and Matthew Fountain. A Composition-Based Approach for Predicting Hanford Tank Waste Liquid Viscosity. Office of Scientific and Technical Information (OSTI), April 2018. http://dx.doi.org/10.2172/1660731.

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Anderson, Olin D., Gad Galili, and Ann E. Blechl. Enhancement of Essential Amino Acids in Cereal Seeds: Four Approaches to Increased Lysine Content. United States Department of Agriculture, October 1998. http://dx.doi.org/10.32747/1998.7585192.bard.

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Cereal seeds are the basis of the human diet, and their amino acid composition is thus of major nutritional and economic importance. Currently, deficiencies in essential amino acids are addressed, when possible, by additionalprotein sources or by supplementing animal feed with non-cereal protein or synthetic amino acids. A number of strategies have been suggested to make cereal flours more complete and balanced sources of amino acids, although systematic examination of such strategies is rare. This project proposed to begin such a systematic examination using four complementary and parallel approaches to increasing wheat seed lysine: 1) Modifying endogenous wheat seed proteins for increased lysine composition. 2) Overexpression of naturally occurring high-lysine proteins in the wheat endosperm. 3) Ectopic expression of proteins in the wheat endosperm. 4) Alteration of free lysine levels in the wheat endosperm. The results of these studies are expected to be wheat lines with increased lysine content and will establish a clearer understanding of the approaches most likely to enhance cereal seed protein quality. Progress is reported for all four objectives, with a significant foundation for further work on two of the objectives (modification of wheat storage proteins and lysine metabolism). Plans for continuing work on all four objectives are briefly outlined.
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