Journal articles on the topic 'Composers (people in music)'
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Yaremchuk, Olena. "The Polystylistics of Svyatoslav Lunyov’s Paraliturgical Music." NaUKMA Research Papers. History and Theory of Culture 6 (June 21, 2023): 65–71. http://dx.doi.org/10.18523/2617-8907.2023.6.65-71.
Full textBabcock, David. "Korean Composers in Profile." Tempo, no. 192 (April 1995): 15–21. http://dx.doi.org/10.1017/s0040298200004071.
Full textCameron, Catherine M. "Fighting with Words: American Composers' Commentary on Their Work." Comparative Studies in Society and History 27, no. 3 (July 1985): 430–60. http://dx.doi.org/10.1017/s0010417500011518.
Full textStrenacikova Sr., Maria, and Maria Strenacikova Jr. "Slovak music culture and music professions during Classicism era." ICONI, no. 1 (2021): 68–74. http://dx.doi.org/10.33779/2658-4824.2021.1.068-074.
Full textMehr, Norman, and Lu Elrod. "Two! Four! Six! Eight! How do we Appreciate? Music Appreciation – Perceiving it, Understanding it." British Journal of Music Education 3, no. 2 (July 1986): 129–33. http://dx.doi.org/10.1017/s0265051700005271.
Full textGuo, Shaoying, and Mengqi Shao. "The Composer-Philosopher as a Key Figure of Musical Aesthetics (by the Example of Tchaikovsky’s Spiritual Endeavor)." Problemy muzykal'noi nauki / Music Scholarship, no. 3 (2023): 35–46. http://dx.doi.org/10.56620/2782-3598.2023.3.035-046.
Full textZhang, Shuang. "Feasibility of Music Composition Using Deep Learning-Based Quality Classification Models." Wireless Communications and Mobile Computing 2022 (May 26, 2022): 1–9. http://dx.doi.org/10.1155/2022/8123671.
Full textIbragimov, Abdupatto Ahmadjonovich, Konstantin Konstantinovich Shalankov, and Fatima Yaqubjon Kizi Jumanazarova. "THE PEDAGOGICAL SIGNIFICANCE OF THE WORK OF MODERN UZBEK COMPOSERS." CURRENT RESEARCH JOURNAL OF PEDAGOGICS 02, no. 12 (December 1, 2021): 77–81. http://dx.doi.org/10.37547/pedagogics-crjp-02-12-16.
Full textOdunuga, Adeola Funmilayo, and Isaac Yekini-Ajenifuja. "Social Transformation of Africa through Music: The Nigerian experience." Journal of Educational and Social Research 8, no. 2 (May 1, 2018): 109–14. http://dx.doi.org/10.2478/jesr-2018-0021.
Full textK, Nagendran. "Urisol That Conveys Musical Meaning in the Purananuru." International Research Journal of Tamil 4, SPL 2 (February 28, 2022): 321–28. http://dx.doi.org/10.34256/irjt22s250.
Full textBoddie, Susan. "Cultural Awareness Through Music Study: Fostering Diversity, Equity, and Inclusion in Higher Education Vocal Music Curriculum." International Journal on Engineering, Science and Technology 5, no. 2 (September 6, 2023): 161–75. http://dx.doi.org/10.46328/ijonest.166.
Full textGraebner, Werner. "Whose music? The songs of Remmy Ongala and Orchestra Super Matimila." Popular Music 8, no. 3 (October 1989): 243–58. http://dx.doi.org/10.1017/s0261143000003548.
Full textBEAL, AMY C. "“Why We Sing”: David Mahler's Communities." Journal of the Society for American Music 7, no. 1 (February 2013): 1–28. http://dx.doi.org/10.1017/s1752196312000466.
Full textMcKay, Belinda. "A State of Harmony? Music in the Deep North." Queensland Review 5, no. 1 (May 1998): 1–16. http://dx.doi.org/10.1017/s1321816600001665.
Full textSema, Daniel. "REHARMONISASI." Jurnal Abdiel: Khazanah Pemikiran Teologi, Pendidikan Agama Kristen, dan Musik Gereja 1, no. 01 (April 17, 2017): 99–117. http://dx.doi.org/10.37368/ja.v1i01.89.
Full textPedro, Matheus Kahakura Franco, Francisco Manoel Branco Germiniani, and Hélio A. G. Teive. "Neurosyphilis and classical music: the great composers and “The Great Imitator”." Arquivos de Neuro-Psiquiatria 76, no. 11 (November 2018): 791–94. http://dx.doi.org/10.1590/0004-282x20180122.
Full textVandagriff, Rachel S. "Perspectives and the Patron: Paul Fromm, Benjamin Boretz and Perspectives of New Music." Journal of the Royal Musical Association 142, no. 2 (2017): 327–65. http://dx.doi.org/10.1080/02690403.2017.1361175.
Full textFei, Qinqian. "Soundtrack in British Wartime Propaganda Films: How Does It Cultivate National Character and Inspire People?" Journal of Research in Social Science and Humanities 2, no. 4 (April 2023): 25–30. http://dx.doi.org/10.56397/jrssh.2023.04.03.
Full textGriffiths, Austin. "Playing the white man’s tune: inclusion in elite classical music education." British Journal of Music Education 37, no. 1 (November 26, 2019): 55–70. http://dx.doi.org/10.1017/s0265051719000391.
Full textCooper, John Michael. "People of color Who Write Classical Music: Recovering “Lost” Music by Black Composers as Resistance and Revolution." Black History Bulletin 82, no. 1 (2019): 20–27. http://dx.doi.org/10.1353/bhb.2019.0007.
Full textTotan, Virðinia, and Petruța-Maria Coroiu. "Stylistic Correlations Between Serbian and European Music in the 20th Century." Studia Universitatis Babeş-Bolyai Musica 69, no. 1 (June 10, 2024): 221–28. http://dx.doi.org/10.24193/subbmusica.2024.1.16.
Full textMoscovich, Viviana. "French Spectral Music: an Introduction." Tempo, no. 200 (April 1997): 21–28. http://dx.doi.org/10.1017/s0040298200048403.
Full textWang, Qiaochu. "Comparing the two Operas of Rossini and Beethoven: "La Donna Del Lago" and "Fidelio"." Journal of Education, Humanities and Social Sciences 35 (July 4, 2024): 647–51. http://dx.doi.org/10.54097/8qgfwa07.
Full textHowe Jr., Hubert. "19-Tone Theory and Applications." ICONI, no. 4 (2020): 81–99. http://dx.doi.org/10.33779/2658-4824.2020.4.081-099.
Full textTitarov, Mykhailo. "Clarinet Quintet and the Legacy of the Mannheim Chapel Composers." ARTISTIC CULTURE. TOPICAL ISSUES, no. 19(1) (June 13, 2023): 181–85. http://dx.doi.org/10.31500/1992-5514.19(1).2023.283147.
Full textKabdurakhmanova, Luiza. "Three Generations Of Women-Composers In Uzbekistan." Eurasian music science journal, no. 1 (June 10, 2021): 75–85. http://dx.doi.org/10.52847/eamsj/vol_2021_issue_1/54.
Full textPeacock, David. "Stages in the Development of Tonal Thinking in Compositions by Young Composers." British Journal of Music Education 11, no. 2 (July 1994): 93–98. http://dx.doi.org/10.1017/s026505170000098x.
Full textPutri, Ni Made Ayu Dwara. "Karang Boma: Musical Composition Based on History, Painting and Kawi Dalang Art Creativity Theory." Jurnal Seni Musik 11, no. 1 (June 30, 2022): 86–91. http://dx.doi.org/10.15294/jsm.v11i1.54280.
Full textAcquah, Emmanuel O., John F. Annan, and Godfred Sackey. "The Africanism in Two Selected Works of C.W.K Mereku: A Formalistic Viewpoint." European Journal of Humanities and Social Sciences 2, no. 3 (June 8, 2022): 83–94. http://dx.doi.org/10.24018/ejsocial.2022.2.3.239.
Full textCherkasov, Volodymyr. "Musical and Aesthetic Education of Children and Youth in the a Cross-Cultural Space of the Republic of Malta." Musical art in the educological discourse, no. 8 (2024): 30–35. http://dx.doi.org/10.28925/2518-766x.2023.85.
Full textArmstrong, Robin. "Time to Face the Music: Musical Colonization and Appropriation in Disney’s Moana." Social Sciences 7, no. 7 (July 13, 2018): 113. http://dx.doi.org/10.3390/socsci7070113.
Full textChadburn, Leo. "Live from London: What's Changed and Why." Tempo 70, no. 277 (June 10, 2016): 91–92. http://dx.doi.org/10.1017/s0040298216000073.
Full textSegall, Christopher. "Klingende Buchstaben." Journal of Musicology 30, no. 2 (2013): 252–86. http://dx.doi.org/10.1525/jm.2013.30.2.252.
Full textShevtsova, Olena, Vladyslav Tsarenko, Snizhana Kurkina, Petro Voloshyn, and Tetiana Lisovska. "The importance of musical and aesthetic education of young people in modern society." Revista Amazonia Investiga 12, no. 61 (February 28, 2023): 51–60. http://dx.doi.org/10.34069/ai/2023.61.01.6.
Full textPicanussa, Branckly Egbert. "Template Khusus Untuk Menulis Notasi Angka: Modifikasi Fungsi Tools Program Aplikasi Musik Finale." JURIKOM (Jurnal Riset Komputer) 7, no. 1 (February 15, 2020): 169. http://dx.doi.org/10.30865/jurikom.v7i1.1981.
Full textFranchini, Cecilia. "1. Simultaneo Ensemble – Bringing Our History Into the Future / A New Pedagogical Approach of Music-Making Developed from “Bottega Dell'arte”." Review of Artistic Education 15, no. 1 (March 1, 2018): 7–12. http://dx.doi.org/10.2478/rae-2018-0001.
Full textKovnatskaya, Ludmila. "Shostakovich and the LASM." Tempo, no. 206 (October 1998): 2–6. http://dx.doi.org/10.1017/s0040298200006665.
Full textГрінченко, Тетяна, and Ольга Клітинська. "Роль духовної музики у творчості українських композиторів." Мистецтво в культурі сучасності: теорія та практика навчання, no. 1 (October 30, 2023): 75–80. http://dx.doi.org/10.31652/3041-1009-2023(1)-10.
Full textBODURIAN, Agota. "The evolution of Armenian liturgical music." Bulletin of the Transilvania University of Braşov. Series VIII:Performing Arts 13(62), no. 1 (June 20, 2020): 39–48. http://dx.doi.org/10.31926/but.pa.2020.13.62.1.4.
Full textManning-Albert, Jacqui. "Beyond the Brochures: Training for Music Theatre." Canadian Theatre Review 72 (September 1992): 34–38. http://dx.doi.org/10.3138/ctr.72.007.
Full textALDEN, JANE. "Excavating Chansonniers: Musical Archaeology and the Search for Popular Song." Journal of Musicology 25, no. 1 (January 1, 2008): 46–87. http://dx.doi.org/10.1525/jm.2008.25.1.46.
Full textShen, Fuhong. "Analysis of the realization for emotion recognition based on machine learning." Applied and Computational Engineering 68, no. 1 (June 6, 2024): 137–42. http://dx.doi.org/10.54254/2755-2721/68/20241415.
Full textKrulikovska, Tetiana. "CREATION OF UKRAINIAN SONG MAKING IN CREATIVITY UKRAINIAN-POLISH COMPOSITORS PODILLYA OF THE XIX CENTURY (BASED ON THE CREATION OF ANTON KOTSYPINSKY, VICTOR ZENTARSKI AND VLADISLAV ZAREMBA)." Scientific Issues of Ternopil National Pedagogical Volodymyr Hnatiuk University. Specialization: Art Studies, no. 2 (May 23, 2023): 33–42. http://dx.doi.org/10.25128/2411-3271.19.2.5.
Full textBodurian, Agota. "Komitas – An Icon in Armenian Music." Musicology Papers 35, no. 1 (November 1, 2020): 82–92. http://dx.doi.org/10.47809/mp.2020.35.01.07.
Full textTÜRKMENOĞLU, Ömer, and Gülay LAÇİN. "‘OPERETTAS’ FROM THE OTTOMAN PERIOD TO THE PRESENT." Zeitschrift für die Welt der Türken / Journal of World of Turks 13, no. 1 (April 15, 2021): 313–33. http://dx.doi.org/10.46291/zfwt/130116.
Full textMezentseva, Svetlana V. "The Russian Far East — China: Ways and Prospects of Interaction in Academic Musical Culture." Observatory of Culture 18, no. 4 (October 11, 2021): 366–76. http://dx.doi.org/10.25281/2072-3156-2021-18-4-366-376.
Full textAngeler, David G. "Biodiversity in Music Scores." Challenges 11, no. 1 (May 14, 2020): 7. http://dx.doi.org/10.3390/challe11010007.
Full textШишлянникова, Нина Петровна. "MUSIC OF RUSSIAN COMPOSERS IN EDUCATION OF TEENAGERS AS PATRIOTS." Pedagogical Review, no. 6(46) (December 6, 2022): 114–21. http://dx.doi.org/10.23951/2307-6127-2022-6-114-121.
Full textBaigaziev, Daniiar Talantbekovich, Alina Sultanbekovna Keldibekova, Nazgul Zulumbekovna Khabibullaeva, Cholpon Kaparovna Naimanova, and Gulnura Kabylbekovna Dzhumalieva. "Perception of Kyrgyz music as a factor of motivation to a healthy lifestyle: Survey." BIO Web of Conferences 120 (2024): 01052. http://dx.doi.org/10.1051/bioconf/202412001052.
Full textMcMichael, Anna. "Activating a music festival: Extending musical practices by composing with communities." International Journal of Community Music 16, no. 1 (March 1, 2023): 95–111. http://dx.doi.org/10.1386/ijcm_00077_1.
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