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1
Hallett, Lawrie. "The space between : defining the place for Community Radio." Thesis, University of Westminster, 2015. https://westminsterresearch.westminster.ac.uk/item/q321y/the-space-between-defining-the-place-for-community-radio.
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This thesis examines the emergence of Community Radio in the United Kingdom. It places the sector within an historical context dominated by the BBC and strongly influenced by the subsequent arrival of commercial radio broadcasting. Understanding this historical context, which includes consideration of the role played by unlicensed 'pirate' radio operators, is, in the opinion of the author, a critical prerequisite necessary for assessing how and why current Community Radio practice has developed in the way it has. Primary research for this thesis includes a variety of semi-structured interviews with campaigners, practitioners and regulators and, whilst primarily focused on the emergence of the Community Radio sector within the British context, it does not ignore wider international perspectives. Recognising that, well before Community Radio began to emerge in the UK, much of the early conceptual development of the sector took place in other jurisdictions, the author also draws upon a number of international sources, including some primary research in the Republic of Ireland, Norway and the United States of America. The influence of two key factors, those of regulation and technology, are central to this research, the author arguing that these in particular have helped define (and constrain) the current position and future opportunities available to Community Radio within the United Kingdom. Legislation and regulation may have defined clear, and in some instances unique, operational objectives for British Community Radio, but when defining such objectives they have also had to take into account limited broadcast spectrum availability, constraining the scope and scale of the sector as a result. Beyond a consideration of the historical and of present day practice, this thesis also looks towards the future, examining current developments in digital broadcasting which offer the potential to counter such current capacity constraints and provide opportunities for additional community-based services in future.
2
Jeffrey, Rowan Mary. "Radio "magic": Women, culture and community access broadcasting." Thesis, University of Canterbury. Gender Studies, 2004. http://hdl.handle.net/10092/4783.
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This research is a case study of the participation of women at Plains FM 96.9, one of eleven non-profit, community owned and operated community access radio stations in Aotearoa/New Zealand. Located in Christchurch city, Plains FM broadcasts community-produced programming in twenty different languages to the Canterbury region. As a community access station, it is committed to meeting community development objectives through the provision of access to the airwaves for groups that are underserved by mainstream media.
3
Caraway, Sylvester. "Community Television Broadcasting in Australia: The Development of Commercialism." Thesis, Griffith University, 2009. http://hdl.handle.net/10072/367653.
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The Australian community television industry was initially established to provide members of the public the opportunity to have ownership of, participate in, produce and broadcast programs that reflect local voices and are relevant to their local communities. However, since officially licensed in 1993 as narrowcast community television broadcasters, the practices by these stations have been more in-line with commercialism rather than performing under the very principles of why these services were established to serve; the public’s interest. With a focus primarily on Australia’s metro and rural area community television sector, this research becomes the first of its kind analysis of this media industry that has maintained a commercial practice since its conception, rather than a public service. This research endeavors to provide analysis to how this commercial interest developed within Australia’s metro/rural area community television industry and the affects it has had in their continued quest to remain relevant as a community broadcaster. Research analysis of Australia’s community television industry is provided from the period of June 2004 to December 2008.<br>Thesis (PhD Doctorate)<br>Doctor of Philosophy (PhD)<br>School of Arts<br>Arts, Education and Law<br>Full Text
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Rennie, Elinor Mary. "The future of community broadcasting : civil society and communications policy." Thesis, Queensland University of Technology, 2003. https://eprints.qut.edu.au/15829/1/Elinor_Rennie_Thesis.pdf.
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Will community television one day be lamented in the same way as the Glenn Valley Bridge Club in Pennsylvania, where no one remains 'who can tell us precisely when or why the group broke up' (Putnam, 2000: 15)? Robert Putnam's bestseller Bowling Alone proposed that people 'need to reconnect with one another' and rebuild their communities for the good of society. Although he may not have succeeded in instigating a revival of lawn bowls and bridge, Putnam did spark a debate about the meaning of "community" today and its role in bringing about positive social change. At a time when the communications landscape is set to transform with the introduction of digital broadcasting technology, this thesis looks at the status of community broadcasting and its role within civil society. Taking Australia's community television sector as its starting point, it aims to define the pressures, public philosophies and policy decisions that make community broadcasting what it is. This thesis is structured thematically and geographically. The introductory chapters establish the research question in relation to Australia's community broadcasting sector. As well as tracing the intellectual path of community media studies, it sets out to locate community broadcasting within broader intellectual debates around notions of community, governance and the media. These are brought back to the "on-the-ground" reality throughout the thesis by means of policy analysis, interviews and anecdotal evidence. Chapters Three to Five map out the themes of access, the public interest and development by reference to community broadcasting in different regions. In North America I explore notions of free speech and first-come-first served models of access. In Europe, notions of "quality", public service broadcasting and the difficult relationship that community broadcasting has with public interest values. Through the Third World and the Third Way I examine how community broadcasting is implicated within development discourse and ideas of social change. The final chapter of the thesis moves into the virtual region of the Internet, looking at changing notions of access and the relevance of new communications rationales to the community broadcasting project. At the intersection of the various themes and models discussed throughout the thesis exists a strong rationale for the future of community broadcasting. Although new technologies may be interpreted as the beginning of the end of community broadcasting, I have argued that in fact it is an idea whose time has come.
5
Rennie, Elinor Mary. "The Future of Community Broadcasting: Civil Society and Communications Policy." Queensland University of Technology, 2003. http://eprints.qut.edu.au/15829/.
Full textAbstract:
Will community television one day be lamented in the same way as the Glenn Valley Bridge Club in Pennsylvania, where no one remains 'who can tell us precisely when or why the group broke up' (Putnam, 2000: 15)? Robert Putnam's bestseller Bowling Alone proposed that people 'need to reconnect with one another' and rebuild their communities for the good of society. Although he may not have succeeded in instigating a revival of lawn bowls and bridge, Putnam did spark a debate about the meaning of "community" today and its role in bringing about positive social change. At a time when the communications landscape is set to transform with the introduction of digital broadcasting technology, this thesis looks at the status of community broadcasting and its role within civil society. Taking Australia's community television sector as its starting point, it aims to define the pressures, public philosophies and policy decisions that make community broadcasting what it is. This thesis is structured thematically and geographically. The introductory chapters establish the research question in relation to Australia's community broadcasting sector. As well as tracing the intellectual path of community media studies, it sets out to locate community broadcasting within broader intellectual debates around notions of community, governance and the media. These are brought back to the "on-the-ground" reality throughout the thesis by means of policy analysis, interviews and anecdotal evidence. Chapters Three to Five map out the themes of access, the public interest and development by reference to community broadcasting in different regions. In North America I explore notions of free speech and first-come-first served models of access. In Europe, notions of "quality", public service broadcasting and the difficult relationship that community broadcasting has with public interest values. Through the Third World and the Third Way I examine how community broadcasting is implicated within development discourse and ideas of social change. The final chapter of the thesis moves into the virtual region of the Internet, looking at changing notions of access and the relevance of new communications rationales to the community broadcasting project. At the intersection of the various themes and models discussed throughout the thesis exists a strong rationale for the future of community broadcasting. Although new technologies may be interpreted as the beginning of the end of community broadcasting, I have argued that in fact it is an idea whose time has come.
6
van, Vuuren Catharina Cornelia Maria (Kitty), and n/a. "Community Participation in Australian Community Broadcasting: A Comparative Study of Rural, Regional and Remote Radio." Griffith University. School of Arts, Media and Culture, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040720.153812.
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This study investigates the relationship between media and democracy with a particular focus on Australian community broadcasting. I put forward the thesis that the value and purpose of community broadcasting are located in its community development function, rather than in its ability to transmit alternative information. This suggests that an analysis should emphasise community rather than media. Community development promotes the empowerment of ordinary people so that they can confidently participate in management and decision-making - that is, the procedures and norms that underpin democratic practices. In the case of community media, the relationship between democracy and media is located primarily in its volunteers. To understand this relationship, I link together concepts of the public sphere and social capital. The public sphere is understood as multiple and diverse and linked to other publics via the web of relationships forged among people with shared interests and norms. I argue that a community public sphere should be understood as a cultural resource and managed as a common property. The public sphere is thus conceived to have a more or less porous boundary that serves to regulate membership. Understood as a bounded domain, the public sphere can be analysed in terms of its ideological structure, its management practices and its alliances with other publics. This approach also allows for a comparison with other similar public spheres. The study identifies two main ideological constellations that have shaped the development of Australian community broadcasting - professionalism and community development, with the former gaining prominence as the sector expands into rural and regional communities. The ascendancy of professional and quasi-commercial practices is of concern as it can undermine the community development potential of community broadcasting, a function that appears to be little understood and one which has attracted little research. The study presents a case study of three regional and remote rural community radio stations and compares them from a social capital perspective. Social capital is a framework for understanding the relationship between the individual and the community and explores this relationship in terms of participation in networks, reciprocal benefits among groups and individuals and the nature of active participation. Demographic and organisational structures of the three stations are also compared. By taking this approach, each station's capacity for community development and empowerment is addressed. The results of the fieldwork reveal that the success of a community radio station is related to 'community spirit' and demographic structure. They reveal that the community radio station in the smallest community with the lowest per capita income was best able to meet the needs of its community and its volunteers.
7
van, Vuuren Catharina Cornelia Maria (Kitty). "Community Participation in Australian Community Broadcasting: A Comparative Study of Rural, Regional and Remote Radio." Thesis, Griffith University, 2004. http://hdl.handle.net/10072/366371.
Full textAbstract:
This study investigates the relationship between media and democracy with a particular focus on Australian community broadcasting. I put forward the thesis that the value and purpose of community broadcasting are located in its community development function, rather than in its ability to transmit alternative information. This suggests that an analysis should emphasise community rather than media. Community development promotes the empowerment of ordinary people so that they can confidently participate in management and decision-making - that is, the procedures and norms that underpin democratic practices. In the case of community media, the relationship between democracy and media is located primarily in its volunteers. -- To understand this relationship, I link together concepts of the public sphere and social capital. The public sphere is understood as multiple and diverse and linked to other publics via the web of relationships forged among people with shared interests and norms. I argue that a community public sphere should be understood as a cultural resource and managed as a common property. The public sphere is thus conceived to have a more or less porous boundary that serves to regulate membership. Understood as a bounded domain, the public sphere can be analysed in terms of its ideological structure, its management practices and its alliances with other publics. This approach also allows for a comparison with other similar public spheres. -- The study identifies two main ideological constellations that have shaped the development of Australian community broadcasting - professionalism and community development, with the former gaining prominence as the sector expands into rural and regional communities. The ascendancy of professional and quasi-commercial practices is of concern as it can undermine the community development potential of community broadcasting, a function that appears to be little understood and one which has attracted little research. -- The study presents a case study of three regional and remote rural community radio stations and compares them from a social capital perspective. Social capital is a framework for understanding the relationship between the individual and the community and explores this relationship in terms of participation in networks, reciprocal benefits among groups and individuals and the nature of active participation. Demographic and organisational structures of the three stations are also compared. By taking this approach, each station's capacity for community development and empowerment is addressed. -- The results of the fieldwork reveal that the success of a community radio station is related to 'community spirit' and demographic structure. They reveal that the community radio station in the smallest community with the lowest per capita income was best able to meet the needs of its community and its volunteers.<br>Thesis (PhD Doctorate)<br>Doctor of Philosophy (PhD)<br>School of Arts, Media and Culture<br>Full Text
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Hope-Hume, Bob. "Radio, community and the public : Community radio in Western Australia." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 1997. https://ro.ecu.edu.au/theses/889.
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This thesis examines community radio in Western Australia and its relationship to "the public sphere". The public sphere is that field in which private. persons interact with other private. persons and in so doing construct a 11public". Public opinion is formed through this interaction in the public sphere. The media provide a major part of that interaction. Moreover, the media determine which voices are privileged within the communicative sphere. Drawing from Jurgen Habennas I explore theories of the public sphere arguing that community radio constructs a new form of public sphere in contemporary culture. I explore notions of democratic radio following the theories of Harold Innis to explore how elites have attempted to control communication. I argue that community radio provides a participatory medium which democratises the medium and allows for a more comprehensive formation of public opinion through the creation of informed rational discussion in the public sphere. This thesis provides an overview of broadcasting and the public in Western Australia with background on the history and development of community radio. It examines the notion of the public as a site of struggle and examines how community radio seeks to challenge the status quo in Western Australian culture. as well as seeking to facilitate- ideas on the role of radio as a democratic medium.
9
Radecke, Mark William. "Television and the church the electronic storyteller and the story-formed community /." Theological Research Exchange Network (TREN), 1999. http://www.tren.com.
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10
Da-Wariboko, Biobele. "Investigating the effects of the proliferation of commercial broadcasting on public service broadcasting: the case of Rivers State of Nigeria Broadcasting Corporation." Thesis, Rhodes University, 2006. http://hdl.handle.net/10962/d1002876.
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1992 marked a turning point in Nigeria’s broadcasting history as the country formally deregulated her broadcast space. However, it was not until March 2002 that the first commercial radio station was established in Rivers State, a broadcast environment hitherto monopolised by Radio Rivers. The coming of the first independent radio station in Rivers State in March 2002 was followed by the establishment of two other stations in October 2003 and November 2003 respectively. As important as these events in broadcasting in Rivers State are, however, media scholars have argued that in most societies where such change has taken place, public service broadcasters have tampered with their values of being an open space where individuals and groups can come together to be educated, informed, and entertained. This study investigates the extent to which the proliferation of commercial broadcasting outlets has affected Radio Rivers’ public service programming and scheduling. Using a combination of qualitative and quantitative research methods, through in-depth interviews and analysis of the mandate and programme schedules, the study established that while Radio Rivers still maintains some public service values, its current programming policy is driven by the need to compete with the commercial broadcasters. This is evidenced in the decrease in the programme space allocated to current affairs and educational programmes on the schedule, (the genre of public service broadcasting), and the increase in attention to advertisements and entertainment programmes, (the genre of commercial broadcasting). The study also confirms the adverse effects of dwindling financial resources as forcing public service radios to compromise on their public service values, as majority of programmes on Radio Rivers current programme schedules are now geared towards attracting advertisers rather than serving the public good and interests. However, the study proved that it is not in all cases that the entry of commercial broadcasters into Rivers State broadcast space has undermined Radio Rivers public service values. Indeed, in leading to the expansion of interactive, news, and the diversification of entertainment programmes spaces on Radio Rivers’ programming schedules, the proliferation of commercial broadcasters has yielded some positive effects on Radio Rivers public service values and contribution to the public sphere. The study further highlights the need for some policy reforms at Radio Rivers, such as the introduction of licence fees, increased government funding and loosening government’s current control over the station. In addition, there is the need for the edict establishing the station to be amended to reflect the current trends in broadcasting in Rivers State, and above all to reposition Radio Rivers to sustain public good and public interests in its programming.
11
Malik, F. H. "Coming in from the margins : migrant voices, community broadcasting and social inclusion." Thesis, Nottingham Trent University, 2010. http://irep.ntu.ac.uk/id/eprint/189/.
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This study provides fresh insights into the process of social exclusion by comparing it with the discourse of developmentalism to offer a wider theoretical understanding of the issues related to marginalisation and powerlessness. The study argues that people experiencing exclusion from the social and economic processes are further left out in a media environment largely biased against minorities, driven by commercial considerations and protected by tight regulatory regimes. As an alternative to this media situation, the thesis explores the role of small-scale and community-based media in developing a contextual approach to communication that can help to validate marginalised points of view, and develop a dynamic link between people‘s experiences and expression. These arguments are illustrated through a participatory action research project, using an interdisciplinary framework informed by a variety of emancipatory, spiritual and critical perspectives. Looking specifically at the pertinent issue of inequalities in health faced by the members of the Mirpuri community in the UK, the thesis examined the role of Radio Ramzan, a faith-based community broadcasting initiative, in facilitating a communicative interaction during a multi-agency health education campaign. The study established that peoples‘ reference to cultural practices and experiential knowledge empowers them to counter their situated, stigmatized and essentialised existences. Within this discourse, the study demonstrated that a community radio station can provide a socio-cultural context to develop and promote a holistic approach to deal with exclusion.
12
Bissler, Margaret Helen. "Broadcasting Live from Unceded Coast Salish Territory: Aboriginal Community Radio, Unsettling Vancouver." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1397834042.
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Lötter, Theresa E. "An investigation into the sustainability of community radio campus radio as case-study /." Pretoria : [S.n.], 2007. http://upetd-up.ac.za/thesis/available/etd-11192007-122714/.
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Ke, Shun-Chih. "To invigorate civil society : the development of community radio stations in Taiwan." Thesis, University of Birmingham, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.366078.
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This thesis examines the emergence and current situation of community radio stations in Taiwan, which have been perceived as an important part of a media public sphere for people to access and participate in. It therefore needs to consider community and community radio stations in both Western and Taiwanese contexts, and work by Habermas and others concerning the `public sphere' with reference to the current situation. In-depth interviews, content analysis and document analysis have been used in collecting research data. The factors which influence the development of community radio stations as an aspect of the public sphere in Taiwanese society are shown to be the impact of the state, in the first place, and then commercial market pressures. In addition, the development of communication technology has shown its potential effects by re-defining the meaning of `community' and `radio station'. The research goes on to examine the institution and output of the community radio stations, their interaction with society, and their relationship with their users. We find that the development of community radio stations in Taiwan is characterised by diverse formations: they are public spaces for the members of community to share and discuss public issues; they are hybridised public spheres for people to share personal emotion and talk about private affairs; they are also an expansion of the broadcasting market to further commercial interests. However, this development of community radio stations reflects the social reality of the existing and necessarily plural public spheres
15
Stiegler, Zachary Joseph. "The policy and practice of community radio: localism versus nationalism in U.S. broadcasting." Diss., University of Iowa, 2009. https://ir.uiowa.edu/etd/1086.
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While localism is a particularly important aspect of Congress' mandate that broadcasters serve "the public interest, convenience or necessity," the history of US radio broadcasting exhibits persistent tensions between nationalism and localism, which have intensified in recent decades. Current concerns about the loss of localism in US radio broadcasting invite us to reinterpret US radio history from a local perspective. This dissertation traces the tensions between localism and nationalism in US radio broadcasting through four forms of radio broadcasting constructed specifically to serve localism and the public interest: the 10-watt Class D license, full power public radio as typified by National Public Radio, the Low Power FM (LPFM) license established in 2000, and the controversial use of low power radio by religious broadcasters.
The Class D license, US public radio, and LPFM all originated with the stated objective of serving the public in meaningful ways which commercial broadcasting cannot. Yet to date, each of these has failed to meet this goal, whether due to legislative action, organizational failure or conflict amongst broadcast entities. Further, each of these case studies illustrates the conflict between nationalism and localism ever-present in efforts to establish radio broadcasting services that adequately and meaningfully serve local publics. Through a critical-historical analysis of the tensions between nationalism and localism in US radio broadcasting, this dissertation offers an understanding for the reasons and implications of the continued failure of radio's ability to serve local communities in the United States. In doing so, I look to the failures of the past to suggest how we may revise the current LPFM license to effectively serve local publics.
16
Coyer, Kate. "'It's not just radio' : models of community broadcasting in Britain and the United States." Thesis, Goldsmiths College (University of London), 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.514392.
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Necessary and important focus has been given to the future of digital, satellite and Internet radio as a means of increasing flows of information and culture irrespective of geographic boundaries. At the same time, radio is primarily a local experience. This research examines the phenomenon of community radio through case studies in Britain and the United States. The contested site of audio broadcasting lies beyond the national framework via new technologies and, at the same time, is rooted locally. The political impetus for this project emerges out of the current media reform movements in both countries for the expansion of low power community radio and their connection to broader concerns around media democracy and pluralism. The research seeks to explore the phenomenon of community radio and how its characteristics are challenged in practice; the extent to which there exists both continuity and difference in the development of community radio sectors in both Britain and the United States; how radio is both de-linked from geography and rooted in localities; and whether or not the medium of radio itself embodies potential as a more participatory and democratic means of communication. This research is situated in both radio studies and alternative media studies. In order to investigate these questions, the research considers content production and internal organisational structure among its case studies, representing different models of community radio; examines the impact of technology on radio as a local space; and considers questions of media and democracy raised by community radio projects
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Klaikao, Lucksana, and n/a. "Community radio in thailand in 1998-2002: comparative studies of four community radio stations." University of Canberra. Professional Communication, 2004. http://erl.canberra.edu.au./public/adt-AUC20060410.114156.
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Community radio in Thailand is an alternative to public, commercial and state radio with
unique characteristics in that listeners can participate at all levels. Community radio varies
considerably in its definitions as well as serving several purposes depending on its role in the
nation's media system. However, its fundamental philosophy is similar in that radio is used to
serve the needs and the interests of the community. Access and participation in small-scale
media may not only empower the voiceless, but also maintain local identity and cultures. The
reformation of the Thai broadcasting media system by Section 40 of the 1997 constitution
and the 2000 Broadcasting Act has increased the chance for some communities to use radio
to fulfill their community development needs. The aims of this thesis are: to explore Thai
community radio in the broader context of community radio internationally; to examine Thai
broadcasting policies on community radio; to explore the development of Thai community
radio in relation to the wider liberalisation of the media between 1998 and 2002; and to
analyse similarities and differences in station management, programming and audience
reception in the four different models of community radio that developed in a range of
different provincial Thai community radio stations. A comparative case study using
qualitative research methods was used to examine the four case studies, namely at Petchaburi
(PRD, 1998) Nakhon Si Thammarat (MCOT, 1998), Roi Et (INN, 2000), and Kanchanaburi
(people's radio, 200 I).
The contribution of this thesis lies in its exploration of different models of Thai community
radio so as to illustrate different interpretations by several stakeholders of community radio
discourse, as well as reflecting the constraints on community broadcasting caused by the
political economy of the broadcasting system and regulatory inconsistencies. It concludes that
community radio has not yet contributed to a more empowered media because of several
constraints. Thai community radio did not pursue real participatory communication to
empower its listeners. It merely widened the public space for local communities to have more
choices for information community-based programs with phone-in formats that provided twoway
communication. Thai community radio has not created a wider liberalisation of the
media, however, its development facilitated media democratisation through promoting the
media reform process, and increasing the awareness of citizens' rights among ordinary
people. Station manager and middle-class activists played important roles in putting forth
local issues for public discussion. Increasing numbers of local people became alert to their
rights to communicate as promised by the 1997 constitution, but unfortunately media reform
lacked government support. The Thaksin government had an ambivalent attitude and
contradictory policies towards community radio.
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Ulrich, Dennis L. "Broadcast communications sales/marketing degree evaluation and proposal for Lehigh Carbon Community College." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1996. http://www.kutztown.edu/library/services/remote_access.asp.
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Simmons, Arlecia Deandra. ""Serving sinners, comforting saints and increasing faith": the Reverend Edythe Stirlen's imagined radio church community." Diss., University of Iowa, 2009. https://ir.uiowa.edu/etd/435.
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In the early 1920s, commercial radio presented many possibilities, including the nationalization of the listening audience, professional opportunities for women, the ability for ministers to spread the gospel, and access to the world for geographically isolated listeners. The media ministry of the Rev. Edythe Elem Swartz Stirlen operated outside the confines of a brick-and-mortar church and created an imagined religious community of congregants. Through the Shenandoah, Iowa, based Radio Church of the Air program, the Send Out Sunshine magazine, and the Send Out Sunshine Clubs, Stirlen and her virtual parishioners created images of communion they interpreted and used to maintain their community. This project examines the cultural work and the community building function of early American radio.
20
Ngcezula, Anthony Thamsanqa "Delite." "Developing a business model for a community radio station in Port Elizabeth: a case study." Thesis, Nelson Mandela Metropolitan University, 2008. http://hdl.handle.net/10948/906.
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The purpose of this treatise is a development of a suitable model for a community radio station which would lead to operational effectiveness and ensure sustainability. The treatise has three phases namely a theoretical phase, a narration phase and an integration phase. Firstly, in the theoretical phase the research study investigates what the literature review reveals about community radio stations and business models. This treatise argues that a total dependency of community radio stations on donor funding leads to operational ineffectiveness which threatens their sustainability. The treatise also argues that a business model could be adapted for a community radio station by identifying the business issues which the literature review revealed, and use these to deconstruct a theoretical business model. Secondly, in the narrative phase the research study investigates the important business issues for a selected community radio station. The treatise argues the board and management of this selected community radio station revealed additional business issues of operations and gave different ratings to business issues which are important in their operations. Thirdly, in the integration phase, the theoretical model deconstructed in the theoretical phase, was revised by including additional business issues of operations revealed in the narrative phase. The research study concludes that this revised model is a suitable business model for a community radio station and can lead to operational effectiveness and ensure sustainability.
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Monk, Lisa. "Beyond polarity : Campus-Community-Radio and new relations of power in radio broadcasting policy in Canada." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ44893.pdf.
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Ellis, Hugh. "Conceptualisations of 'the community' and 'community knowledge' among community radio volunteers in Katutura, Namibia." Thesis, Rhodes University, 2008. http://hdl.handle.net/10962/d1002882.
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Community radio typically relies on volunteers to produce and present stations’ programming. Volunteers are generally drawn from stations’ target communities and are seen as “representatives” of those communities. It is with such volunteers and their role as representatives of stations’ target communities that this study is concerned. It poses the question: “what are the central concepts that typically inform volunteers’ knowledge of their target community, and how do these concepts impact on their perception of how they have gained this knowledge, and how they justify their role as representatives of this community?” The dissertation teases out the implications of these conceptualisations for a volunteer team’s ability to contribute to the establishment of a media environment that operates as a Habermasian ‘critical public sphere’. It argues that this can only be achieved if volunteers have detailed and in-depth knowledge of their target community. In order to acquire this knowledge, volunteers should make use of systematic ways of learning about the community, rather than relying solely on knowledge obtained by living there. In a case study of Katutura Community Radio (KCR), one of the bestknown community radio stations in Namibia, the study identifies key differences in the way in which different groups of volunteers conceptualise “the community”. The study focuses, in particular, on such difference as it applies to those who are volunteers in their personal capacity and those who represent non-governmental and community-based organisations at the station. It is argued that two strategies would lead to significant improvement in such a station’s ability to serve as a public sphere. Firstly, the station would benefit from an approach in which different sections of the volunteer team share knowledge of the target community with each other. Secondly, volunteers should undertake further systematic research into their target community. It is also argued that in order to facilitate such processes, radio stations such as KCR should recognise the inevitability of differences between different versions of “community knowledge”.
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Penn, Charles E. "A study of local television programming with respect to the African-American community the conception, development and production of "Harambe" /." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1993. http://www.kutztown.edu/library/services/remote_access.asp.
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Thesis (M.S.)--Kutztown University of Pennsylvania, 1993.<br>Source: Masters Abstracts International, Volume: 45-06, page: 2718. Abstract precedes thesis as title page [6] preliminary leaves. Typescript. Includes bibliographical references (leaves 202-206).
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Podkalicka, Aneta Monika. "Lost in translation? Language policy, media and community in the EU and Australia : some lessons from the SBS." Thesis, Queensland University of Technology, 2007. https://eprints.qut.edu.au/16696/1/Aneta_Podkalicka_Thesis.pdf.
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Cultural diversity is a central issue of our times, although with different emphases in the European and Australian context. Media and communication studies have begun to draw on work in translation studies to understand how diversity is experienced across hybrid cultures. Translation is required both for multilingual (multicultural) societies such as Australia and for trans-national entities such as the European Union. Translation is also of increasing importance politically and even emotionally as individual nations and regions face the challenge of globalisation, migration, and the Americanisation of media content. The thesis draws on cultural and media policy analysis. Programming strategies are reviewed and 'conversational' interviews conducted with broadcasting managers and staff at SBS Australia and across multilingual public broadcasters in the EU (BBC WS, Deutsche Welle, ARTE, Radio Multikulti Berlin, Barcelona Televisió). These are used to investigate the issues, challenges, and uses of the multilingual broadcasting logic for Australia's and Europe's cultural realities. This thesis uses the concept of 'translation' as a key metaphor for bridging differences and establishing connections among multicultural citizens in the context of the European Union and Australia. It is proposed that of the two versions of translation - institutional in the EU and mediated in Australia respectively - the mediated version has achieved higher success in engaging ordinary citizens in more affective, informal and everyday forms of cross-cultural communication. Specifically, the experience of the Special Broadcasting Service (Australia's multilingual and multicultural public broadcaster) serves as a model to illuminate the cultural consequences of the failure of the EU to develop translation practices beyond the level of official, institutional and political communication. The main finding is the identification of a need for more mediated interlingual exchange; that is a translation of language policy in Europe into media experience for ordinary citizen-consumers, at both institutional and textual levels.
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Podkalicka, Aneta Monika. "Lost in translation? Language policy, media and community in the EU and Australia : some lessons from the SBS." Queensland University of Technology, 2007. http://eprints.qut.edu.au/16696/.
Full textAbstract:
Cultural diversity is a central issue of our times, although with different emphases in the European and Australian context. Media and communication studies have begun to draw on work in translation studies to understand how diversity is experienced across hybrid cultures. Translation is required both for multilingual (multicultural) societies such as Australia and for trans-national entities such as the European Union. Translation is also of increasing importance politically and even emotionally as individual nations and regions face the challenge of globalisation, migration, and the Americanisation of media content. The thesis draws on cultural and media policy analysis. Programming strategies are reviewed and 'conversational' interviews conducted with broadcasting managers and staff at SBS Australia and across multilingual public broadcasters in the EU (BBC WS, Deutsche Welle, ARTE, Radio Multikulti Berlin, Barcelona Televisió). These are used to investigate the issues, challenges, and uses of the multilingual broadcasting logic for Australia's and Europe's cultural realities. This thesis uses the concept of 'translation' as a key metaphor for bridging differences and establishing connections among multicultural citizens in the context of the European Union and Australia. It is proposed that of the two versions of translation - institutional in the EU and mediated in Australia respectively - the mediated version has achieved higher success in engaging ordinary citizens in more affective, informal and everyday forms of cross-cultural communication. Specifically, the experience of the Special Broadcasting Service (Australia's multilingual and multicultural public broadcaster) serves as a model to illuminate the cultural consequences of the failure of the EU to develop translation practices beyond the level of official, institutional and political communication. The main finding is the identification of a need for more mediated interlingual exchange; that is a translation of language policy in Europe into media experience for ordinary citizen-consumers, at both institutional and textual levels.
26
Pobst, James Herbert Hayes Joy Elizabeth. "Celebrating the chaos a local re-examining of early U.S. radio regulation /." Iowa City : University of Iowa, 2009. http://ir.uiowa.edu/etd/422.
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Stewart, Kim. ""It's the people's radio": People with disability in Australian community radio." Thesis, Queensland University of Technology, 2019. https://eprints.qut.edu.au/130755/8/Kim%20Stewart%20Thesis.pdf.
Full textAbstract:
Community radio in Australia was established to empower ordinary citizens. However, people with disability are less heard than others in community radio, as with mainstream media. Listening to experiences of community radio staff and volunteers with disability can provide the foundation for plans to increase participation, agency and voice. Using semi-structured interviews, this practice-led research asked people with disability in the sector what empowers them, and how policy change, training and awareness-raising might increase their participation. It's The People's Radio, an accompanying 4 part radio documentary, tells the stories of community radio participants with disability in their own voices.
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Simmons, Arlecia Deandra Berkowitz Daniel. ""Serving sinners, comforting saints and increasing faith" the Reverend Edythe Stirlen's imagined radio church community /." Iowa City : University of Iowa, 2009. http://ir.uiowa.edu/etd/435.
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Zeeman, Estelle. "The development of a community radio station for a national game park." Thesis, Pretoria : [s.n.], 2006. http://upetd.up.ac.za/thesis/available/etd-12152006-140558.
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Buchtmann, Lydia, and n/a. "Digital songlines : the adaption of modern communication technology at Yuendemu, a remote Aboriginal Community in Central Australia." University of Canberra. Professional Communication, 2000. http://erl.canberra.edu.au./public/adt-AUC20060619.162428.
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During the early 1980s the Warlpiri at Yuendemu, a remote Aboriginal community in
Central Australia, began their own experiments in local television and radio production.
This was prior to the launch of the AUSSAT satellite in 1985 which brought broadcast
television and radio to remote Australia for the first time. There was concern amongst
remote Aboriginal communities, as well as policy makers, that the imposition of mass
media without consultation could result in permanent damage to Aboriginal culture and
language. As a result, a policy review 'Out of the Silent Land' was published in 1985 and
from that developed the Broadcasting in Remote Aboriginal Communities Scheme
(BRACS) which allowed communities to receive radio and television from the satellite.
BRACS also provided the option to turn off mainstream media and insert locally
produced material.
This study of the Warlpiri at Yuendemu has found that, since the original experiments,
they have enthusiastically used modern communication technology including radio, video
making, locally produced television, and, more recently, on-line services. The Warlpiri
have adapted rather than adopted the new technology. That is they have used modern
communications technology within existing cultural patterns to strengthen their language
and culture rather than to replace traditional practices and social structures. The Warlpiri
Media Association has inspired other remote broadcasters and is now one of eight remote
media networks that link to form a national network via the National Indigenous Media
Association of Australia.
The Warlpiri have actively adapted modern communication technology because it is to
their advantage. The new technology has been used to preserve culture and language, to
restore, and possibly improve, traditional communications and to provide employment
and other opportunities for earning income. It appeals to all age groups, especially the
elders who have retained control over broadcasts and it also provides entertainment.
31
James, Jonathan D. "Anointing the airwaves : the influence of Charismatic televangelism on the Protestant church and Hindu community in contemporary, urban India." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2008. https://ro.ecu.edu.au/theses/217.
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The Indian Government's open policy on satellite television is attracting a plethora of American-based Charismatic television ministries in India. This thesis based primarily on an ethnographic study of church and Hindu community leaders, together with a subsidiary historical-comparative analysis, shows that Charismatic pastors are more positive about Charismatic televangelism than non-Charismatic pastors. Both groups of pastors however, have strong reservations on issues like fundraising, dress code and western dancing. The high-caste Hindus are resistant to any form of Christian evangelism including televangelism. Besides caste, class, language and gender, televangelism faces cultural barriers in reaching Indians. The prosperity, success and healing doctrines of Charismatic teaching. appeal to Hindus from the middle to lower level economic classes for whom these TV messages may be a means of achieving their material goals through a new form of "sanskritisation". Concerns have also been expressed, that these Hindus who are attracted tu Charismatic teievangelism are espousing a form of 'popular Christianity', a faith that focuses on personal fulfilment rather than personal holiness and accountability within the life of the church. A case study of the 'global' televangelism program Solutions, showed that it was generally well-received although both Hindus and Christians found culturally disjunctive elements in both the message as well as in the underlying aspects of the message such as dress code and culture. While some Hindus welcomed their own understanding of the 'syncretistic Christ', in the program, other Hindus took exception to the portrayal of the 'exclusive Christ'.
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Higgins-Dobney, Carey Lynne. "News Work: the Impact of Corporate Newsroom Culture on News Workers & Community Reporting." PDXScholar, 2018. https://pdxscholar.library.pdx.edu/open_access_etds/4410.
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By virtue of their broadcast licenses, local television stations in the United States are bound to serve in the public interest of their community audiences. As federal regulations of those stations loosen and fewer owners increase their holdings across the country, however, local community needs are subjugated by corporate fiduciary responsibilities. Business practices reveal rampant consolidation of ownership, newsroom job description convergence, skilled human labor replaced by computer automation, and economically-driven downsizings, all in the name of profit. Even so, the people laboring under these conditions are expected to keep their communities informed with democracy- and citizenship-enhancing information.
This study uses a critical political economy framework to focus on the labor aspects of working in commercially-run local television newsrooms in the United States. Surveys and interviews with news workers from the 25 largest local television markets highlight the daily challenges of navigating the dichotomy of labor in the space between corporate profiteering and public enlightenment. In addition to their more well-known and well-studied on-air reporter and anchor peers, "behind the scenes" workers and those with newly converged job descriptions also share their news work stories, thus filling a gap in the literature. Corporate capital incentives affect all who gather and disseminate the news.
While all of these workers generally strive for high journalistic quality, the pressures of increased workloads and constant deadlines imposed by shrinking news staffs and growing digital media expectations mean journalists have to make craft work compromises in the race to report news faster and first. Owners push experienced news veterans with deep community connections out in favor of younger, cheaper, more tech-savvy workers. Financially beneficial content trumps deep policy investigations. These outcomes not only worry those in the journalistic trenches of local television news, but also potentially deprive the public of the information they seek from these outlets. As local television newsrooms remain the most popular sources of information for Americans, particularly in times of crisis, such outcomes are not in the community's best interest.
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Davidson, Brett Russell. "Mapping the Radio KC community : a case study assessing the impact of participatory research methods in assisting community radio producers to identify programming content." Thesis, Rhodes University, 2004. http://hdl.handle.net/10962/d1003716.
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This thesis deals with the introduction of participatory research methods to programming staff working at Radio KC, a South African community radio station based in Paarl, in the Western Cape province. The focus is on a series of workshops conducted at the station, dealing with research tools developed to enable station workers to undertake research of their community. The aim was to determine, by means ofa case study, whether the introduction of participatory research methods could improve the ability of community broadcasters to facilitate democratic participation among the communities in which they operate. More particularly, the thesis assesses whether the application of such methods has improved the ability of the programming staff that were involved in this case study to identify a wider range of stories and voices within their target community, for inclusion in programming content. The participatory research techniques that are applied at the radio station are based on ideas in 'civic mapping' developed by Harwood and McCrehan (1996) under the auspices of The Pew Center for Civic Journalism, and supplemented by insights from Friedland (2001) and Downs and Stea (1977) about the cognitive, normative and imagined dimensions of community. All of the ideas and techniques were adapted for the South African situation. The findings of the research project illustrate that for community stations, the key concepts of 'community' and 'participation' are highly complex ones and that stations need assistance to apply these concepts in their everyday practice. The account of the intervention at Radio KC shows that the process did indeed assist the individual research participants to better deal with the application of these concepts. It did not, however, make much impact on the station as a whole. Reasons for this are believed to lie in the organisational dynamics of the station, and the fact that the model as applied in this case did not provide a means for tackling the agendas, investments and power relations that define the activities of individuals at a given community radio station - what Hochheimer (1993) talks about as the entrenchment of power and personalities. In order to address these shortcomings, an attempt is made to develop a model for future application, which places the mapping process within the context of a broader strategic planning process, focussed on a station's programming schedule.
34
Fuel, Isaias Carlos. "Perceived usefulness of agricultural information sought on-line and broadcast in rural Mozambique: a case study of two Community Multimedia Centres (CMCs)." Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1007240.
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The wealth of information available on the Internet holds the potential to aid development in Africa. In order to be effective, such information needs to be contextualised to respond to local needs and practices. The combination of old and new media can support uptake and improve acceptance of new technologies in developing countries. The purpose of this qualitative study was to investigate the perceived usefulness of agricultural information sought on-line and broadcast via community radio in the two Community Multimedia Centres (CMCs) of Namaacha and Murrombene, in rural Mozambique. The data was generated from focus group discussion, individual interview, document analysis, and observation involving farmers and radio presenters. The study has shown that on-line agricultural information responds to the needs of the farmers because it contributes to eliminate pests and help farmers to make decisions about their activities. The study has also shown that there is a communication gap between farmers, extension workers, and volunteer reporters working at the community radios of the two CMCs. Volunteers have no agricultural knowledge. The problem this creates manifests itself primarily when they try to translate on-line agricultural information from Portuguese into local languages. Farmers have difficulties expressing their problems. Extension workers are not available to act as experts and mediators between volunteers and farmers. A collaborative website focusing on locally relevant content was suggested as a possible improvement.
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Kolstad, Lindblad Simen. "An Exclusive Signal : Rinse FM and UK Club Music in the Digital Age." Thesis, Stockholms universitet, Institutionen för mediestudier, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-104691.
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This master’s thesis presents a study on the mediated negotiation between radio broadcasting and digital media. During the last decade, digitalisation has become unanimous with changing media structures, and has fundamentally altered the way radio is mediated by broadcasters and perceived by listeners. This study delves deeper into specialist music radio, more specifically, the London-based UK club music station Rinse FM. The study investigates how developments in digital media have influenced the way Rinse FM is reached and utilised by listeners, and how its implementation of digital media has affected its position as a cultural intermediary within the UK club music community. The investigation was carried out though a survey, and subsequent interviews, with members of Dubstepforum; an online forum, host to a substantial quantity of UK club music listeners. The research provides interesting results on listeners’ contemporary experience of Rinse FM, and outlines pivotal functions of specialist music radio in a digital age of free-flowing music content. The results explore participants’ digital listening habits in relation to Rinse FM; as well as the role of Rinse FM as cultural intermediary and community institution, depicted through the mediated experiences of Dubstepforum members. The study concludes with reflections upon specialist music radio’s continued development, and cultural position in the digital media environment.
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Kanyegirire, Andrew Steve Tumuhirwe. "Putting participatory communication into practice through community radio: a case study of how policies on programming and production are formulated and implemented at Radio Graaff-Reinet." Thesis, Rhodes University, 2003. http://hdl.handle.net/10962/d1002896.
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In the South African (SA) model of community radio, listeners are expected to be in charge of the management and programming operations of stations. This study tests the SA model against the actual conditions at an existing station. For this purpose, the study focuses on Radio Graaff-Reinet, a community radio station in the Eastern Cape. Emphasis is on examining the extent to which members of the station’s target community are involved in its operations. The study first assesses the nature of this involvement, keeping in mind the principles of, ‘community ownership’ and ‘participatory programming’ on which the SA model of community radio is based. It is argued that the station does provide a valuable ‘public sphere’ for its listeners. The potential of this sphere remains limited, however, due to the impact of ongoing power struggles around the ownership of the station. The lack of proper systems for managing these struggles has contributed to the fact that the station continues to be in a constant state of flux, with a high turnover of staff and regular changes in its policies and strategies. The study argues that, until such systems are put in place, the principles of community ownership will not be fully realizable. Areas in which the struggle over ownership plays itself out can be identified in the relationship between the station’s Board of Directors and its managing staff, between one particular station manager and her staff and between the station and its target community. These struggles often take place in context of a debate about the financial sustainability of the station versus its developmental aims. It is argued that this opposition needs to be questioned since, until the station is financially stable, it will remain vulnerable to interference by powerful individuals and groups in its attempts to establish such developmental aims. The study then goes on to identify key weaknesses in the station’s approach to community ownership and participation. In particular, it is pointed out that various stakeholders in the station have contradictory understandings of what is meant by ‘community’, using the term to include or exclude sections of the Graaff-Reinet society in very different ways. There are also very different understandings at play about the concept of community radio itself. These contradictions have an impact on the station’s ability to implement participatory programming. This situation is exacerbated by the fact that the station does not have a consistent forum in which shared decision-making can take place. Consequently, the station also remains unable to draw effectively on its own volunteer staff and on its community as resources for programming content. Finally, the study explores the broader significance of the weaknesses that exist in the case of Graaff-Reinet, arguing that these are problems that repeat themselves throughout the South African community radio sector. Possible strategies for addressing these problems are suggested, including approaches to monitoring and research, training, organizational development and advocacy.
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Bosch, Tanja Estella. "Radio, community, and identity in South Africa a rhizomatic study of Bush Radio in Cape Town /." Connect to this title online, 2003. http://www.ohiolink.edu/etd/view.cgi?ohiou1079300111.
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Papathanassopoulos, Stylianos. "The deregulation of television and policies for new media development : a comparative study of the United Kingdom, France, Luxembourg and the broadcasting policy of the European Community during 1981-86." Thesis, City University London, 1989. http://openaccess.city.ac.uk/7950/.
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This study describes and assesses the problems associated with the development of the new broadcasting media in the United Kingdom, France and Luxembourg in 1981-1986. It also examines the implications associated with the new broadcasting media in both the audiovisual landscape and the public policies concerning broadcasting. It describes and analyses the audiovisual policy initiated by the Commission of the European Community. This study believes that the impact of the the new broadcasting media on the audiovisual environment has been mostly indirect because of their very slow development. In all three countries, the development of the new broadcasting media has taken on an industrial dimension in terms of assisting the restructuring of their mature economies. The strongest impression to emerge from this project is a profound confusion and uncertainty about the media developments. A situation including an increased number of actors, involved both in conventional and new broadcasting media adversely influenced the latter's development. Even though the United Kingdom and France followed a different policy path, the outcome was the same: small growth. While France followed a state-led policy, the United Kingdom favoured private initiative and the market forces. This project also stresses that although economic pressures and challenges have been a driving force for policy adjustment, technology and markets do not themselves dictate specific and institutional arrangements. Additionally, it describes the state policy on broadcasting in Luxembourg and the anxiety of its politicians to maintain the Grand Duchy's traditional role as the location for international broadcasting. Finally, the European Community's broadcasting policy is discussed in terms of another attempt to harmonise diversified national legislations for the satellite age of television and 1992's Single Market.
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Robb, Margo L. "Community Radio, Public Interest: The Low Power Fm Service and 21st Century Media Policy." Amherst, Mass. : University of Massachusetts Amherst, 2009. http://scholarworks.umass.edu/theses/315/.
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Fored, Simon. "Västberga Artistkollektiv." Thesis, KTH, Arkitektur, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-276854.
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Västberga Artistkolletiv (VAK), as a project, is an investigation into the self-image of my home town, Stockholm. It is a mapping of both the experienced and factual cultural scene in order to understand how and where an addition would be suitable. The end goal has been a physical building, a platform that strategically helps raising the creative potential of this city. The idea is to design a place dedicated to creating the best possible environment for recording live concerts, in regard to both audio and video. Hence, an acoustically perfected live venue for broadcasting and recording artists of various levels. The purpose is to provide a platform where they can grow, as well as spread their music and art. Furthermore, it is a meeting point for people, so experiencing a concert on site should not be regarded as less of a priority than the recorded material. On the larger scale the investigation aims to establish the link between the architecture - the venue, and the self-image of the city and its citizens, to see how they are nurturing each other. This is also a residential building, and a gathering spot for anyone that feels like they want to be a part of a creative environment, living inside a concert venue, while working on their own music or collaborating with the platform and radio station.
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Kafaar, Al-Ameen. "The efficacy of participatory communication training in farming communities : the case of Valley FM in the Cape Winelands District Region." Stellenbosch : Stellenbosch University, 2014. http://hdl.handle.net/10019.1/86361.
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Thesis (MPhil)--Stellenbosch University, 2014.<br>ENGLISH ABSTRACT: Global economic conditions are forcing donor and development agencies to reduce
aid to developing countries and communities. This reduction is resulting in less
developmental programmes for disadvantaged communities. To ensure that
developmental programmes are implemented successfully and cost effectively,
implementing agents will have to ensure that they improve their developmental
communication. It is also becoming important that those who are to benefit from
developmental programmes convey or identify exactly what their needs are.
There should be very little speculation from development agencies about what the
needs of the disadvantaged are. It is becoming necessary to review current
developmental tools, methods and systems, and also to explore what other
measures can be applied to ensure that speculation or time and money wasting
exercises are eliminated. This study attempts to look at two things that will influence
effective development communication. The first is to examine if community radio is
still as an efficient developmental communication tool as perhaps two decades ago.
Secondly, it looks at the possibility to tailor-make information for those who need
develop, especially in the context of evolving technology.
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Mati, Shepherd A. "Brick walls or brick columns? : management responses to the challenge of sustainability in community radio with special reference to Bush Radio and Radio Zibonele." Thesis, Stellenbosch : Stellenbosch University, 2001. http://hdl.handle.net/10019.1/52153.
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Thesis (MPhil) -- University of Stellenbosch, 2001.<br>ENGLISH ABSTRACT: Community radio stations in South Africa are faced with a huge challenge to become
sustainable in the process of serving their communities. The issue of sustainability itself
is complex and shaped by a range of conditionalities. These include community
participation, funding, regulatory and licencing factors, staff and management expertise,
and the strategic planning and management capacity of a station. Often the communities
themselves are materially poor and unable to contribute in monetary terms to the radio
station. However, these same communities are also a source of wealth when it comes to
experience, ideas, human power and time. A major challenge is for station management
to develop organisational strategies that facilitate full utilisation of this community
resource in the process of sustaining their stations.
The focus of this study is on two stations in the Western Cape - Bush Radio and Radio
Zibonele - and how their management is responding to the challenge of sustainability.
Bush Radio has evolved a diversification strategy based on providing formal training
and development as an income-generator, and Radio Zibonele has responded through a
strategy of selling airtime to advertisers. This work describes these sustainability
strategies and explores whether they constitute 'building a brick column or a brick wall'.
The conclusion suggests that while both radio stations demonstrate varying degrees of
community participation, clear internal systems of monitoring and control of resources,
they differ in some fundamental respects of strategy. Bush Radio, on the one hand,
shows a clear commitment to consciously diversifying income sources in a way that
does not leave the station highly dependent on any single source. This, the writer
submits, constitutes an attempt at building a "brick wall". Radio Zibonele, on the other
hand, shows a clear commitment to consolidation and reliance on advertising revenue
as a single source of income for the station. To the extent that this station relies on a
single source of income and does not demonstrate any strategic objective of diversifying
sources, the writer submits, it is building a "brick column".
The basic assumption of this study is that while the challenge of sustainability constitutes
an objective reality facing community radio stations in South Africa today, the subjective
responses developed by station management to deal with this challenge can and often
do make a difference.<br>AFRIKAANSE OPSOMMING: Gemeenskapsradiostasies in Suid-Afrika staan voor 'n groot uitdaging om volhoubaar te
ontwikkel. Volhoubaarheid as sulks is kompleks en word deur 'n verskeidenheid faktore
beinvloed. Dit sluit in gemeenskapsdeelname, befondsing, regulerings- en
lisensierinqsfaktore, personeel- en bestuursvernuf en die strategiese beplanning en
bestuurskapasiteit van die stasie. Meestal is die gemeenskappe self arm en nie daartoe
in staat om in rnonetere terme 'n bydrae tot die stasie te lewer nie. Dieselfde
gemeenskappe is egter ook 'n bron van rykdom in terme van ondervinding, idees,
mannekrag en tyd. Een van 'n stasiebestuur se grootste uitdagings is om
organisatoriese strateqiee te ontwikkel wat die volle gebruik van die
gemeenskapshulpbron sal fasiliteer in die proses om hul stasies volhoubaar te
ontwikkel.
Die fokus van die studie val op twee stasies in die Wes-Kaap - Bush Radio en Radio
Zibonele - en hoe hul bestuur op die uitdaging van volhoubare ontwikkeling reageer.
Bush Radio het 'n diversifiseringstrategie ontwikkel wat op formele onderig en
ontwikkeling as 'n inkomstegenereerder gebaseer is. Radio Zibonele, daarenteen,
konsentreer op adverteerders. Die werk beskryf die volhoubaarheidstrategiee elk van die
radiostasies. Die gevolgtrekking word gemaak dat albei radiostasies wei verskillende
grade van gemeenskapsbetrokkenheid, duidelike interne monitorsisteme en beheer van
hulpbronne het. Tog verskil hulle ten opsigte van sekere fundamentele strategiee. Aan
die een kant het Bush Radio 'n duidelike verbintenis tot 'n bewustelike diversifisering van
inkomste op so 'n manier dat die stasie nie afhanklik is van een bron van inkomste nie.
Die skrywer vergelyk dit met die bou van 'n "baksteenmuur". Radio Zibonele, aan die
ander kant, is verbind tot advertensies as die enigste bron van inkomste. Aangesien die
stasie op 'n enkele bron van inkomste vertrou en nie enige strategiese doelwitle vir die
diversifisering van hulpbronne het nie, vergelyk die skrywer dit met die bou van 'n
"baksteenpilaar" .
Die basiese veronderstelling van die studie is dat die reaksie van die stasiebestuur In
deurslaggerwende verskil kan maak om die uitdaging van volhoubare ontwikkeling Suid-
Afrikaanse radiostasies die hoof te bied.
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Almeida, Edney Mota. "Precarização social e o protagonismo da rádio comunitária: uma análise do processo de democratização da comunicação." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21207.
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Previous issue date: 2018-03-23<br>Conselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPq<br>In the context in which Brazil is one of the countries that does not present a
fair regulation for the broadcasting, this doctoral research seeks to study a
community radio, investigating its potential for the social, cultural, political and
economic democratization processes with its residents and, moreover, as a
mediator in the struggle for the implementation of public politics aimed at
improving living conditions in the favela. Thus, it is sought to examine why
these radios live precariously, suffer discrimination and criminalization, to the
point of being persecuted by the Brazilian Association of Radio and Television
Broadcasters (Abert) and by state agencies, such as Anatel and even the
Federal Police. In this sense, in light of the legislation, the problems and
challenges of this communication as a democratic possibility in the country
are analyzed. It is the large groups of broadcasting prevent, through the
supremacy in the correlation of installed forces, above all, in the National
Congress, as well as through the legislation of the broadcasting, the growth
and the development of the community radios, relegating them to the
condition of inferiority. Finally, supported by in-depth interviews with:
announcers and directors of the community radio stations Heliopolis and
Paraisópolis; representatives of entities that defend the right to
communication; and professors and researchers of the area, it was tried to
identify the vicissitudes in the system of broadcasting that accompanied the
crises of the Brazilian democracy itself. As an auxiliary resource of the
research, besides the interviews, a study of documentary sources was carried
out. Because it is a multidisciplinary subject, the theoretical framework
permeates several fields of knowledge, especially the areas of
communication, urban sociology and legislation pertaining to public policies<br>No contexto em que o Brasil figura como um dos países que não apresenta
uma regulamentação equitativa para os veículos de radiodifusão, esta
pesquisa de doutorado busca estudar a importância da rádio comunitária,
averiguando o seu potencial para os processos de democratização social,
cultural, política, econômica junto à população de favela, além disso, como
mediadora na luta por implementação de políticas públicas voltadas à
melhoria das condições de vida das pessoas. Dessa forma, intenta-se
perscrutar o porquê dessas rádios viverem precarizadas, sofrerem
discriminação e criminalização, a ponto de serem perseguidas pela
Associação Brasileira de Emissoras de Rádio e Televisão (Abert) e pelos
órgãos do Estado, como Anatel e até a Polícia Federal. Nesse sentido, são
analisados, à luz da legislação, os problemas e desafios desse modelo de
comunicação como possibilidade democrática no país. Sustenta-se,
hipoteticamente, que, os grandes grupos de radiodifusão impedem
politicamente, por meio da supremacia na correlação de forças instaladas,
sobretudo, no Congresso Nacional, bem como por meio da legislação da
radiodifusão, o crescimento e o desenvolvimento das rádios comunitárias,
relegando-as à condição de inferioridade. Por fim, apoiado nas entrevistas
em profundidade com: locutores e dirigentes das rádios comunitárias
Heliópolis e Paraisópolis; representantes de entidades que defendem o
direito à comunicação; e professores e pesquisadores da área, procurou-se
identificar as vicissitudes no sistema de radiodifusão que acompanharam as
crises da própria democracia brasileira. Como recurso auxiliar de pesquisa,
além das entrevistas, foi realizado estudo de fontes documentais. Por se
tratar de tema multidisciplinar, o referencial teórico perpassa diversos campos
do conhecimento, sobretudo as áreas da comunicação, da sociologia urbana
e da legislação pertencente às políticas públicas
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Santos, Rosangela de Souza. "Rádio comunitária: um canal de expressão e participação do povo." Universidade Federal da Paraíba, 2010. http://tede.biblioteca.ufpb.br:8080/handle/tede/4893.
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Previous issue date: 2010-12-01<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>Community communicative practice of broadcasting comes from Europe and it is a growing
movement in South America, specially in our country. Comunnity radios are a major impact
kind of media when it comes to segmented groups in terms of media coverage, covering,
specially community subjects, of marginalized groups, of social segmented groups not
attented by the called conventional media type. In this work, a community radio bibliographic
research was developed, and it has as its main objective to watch its origin, as well as its
history, concerning legislation and its social and educational role, besides the current situation
of these media stations, that have enabled popular participation. Are also analyzed in this
work some radio practices in several brasilian regions. We present a board of the evolution of
these practices in Brazil and in the world, its several names since its beggining, the freedom
of expression guarantee subject and the Fala Garotada Project s experience. Finally, we point
to the contribution that community radios can give to the environmental issue.<br>A prática comunicativa de radiodifusão comunitária surgiu na Europa e se constituiu um
crescente movimento na América do Sul, sobretudo, em nosso país. As rádios comunitárias
são hoje um tipo de mídia de grande representação em grupos mais segmentados em termos
de abrangência midiática, atuando, principalmente, enfocando assuntos das comunidades, dos
grupos marginalizados, dos grupamentos e segmentos sociais não contemplados pelas mídias
tidas como convencionais. Nesse estudo, é feito um levantamento bibliográfico sobre as
rádios comunitárias e tem como objetivo observar sua origem, trajetória, legislação que a
cerca, papel sócio-educativo, além da atual situação dessas emissoras que têm possibilitado
cada vez mais um espaço de atuação e participação popular. Também são abordadas nesse
trabalho, algumas práticas das rádios em várias regiões brasileiras. Apresentamos um
panorama de sua evolução no Brasil e no mundo, os vários nomes que estas adquiriram desde
o seu surgimento, a questão da garantia da liberdade de expressão, a experiência do Projeto
Fala Garotada. E, finalmente, apontamos a contribuição que as rádios comunitárias podem dar
à questão ambiental.
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Gomes, Ana Luisa Zaniboni. "Quem fala com o povo: caminhos da radiodifusão comunitária na cidade de São Paulo." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/27/27154/tde-24102014-104211/.
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Nosso estudo recupera o percurso de emissoras comunitárias na cidade de São Paulo a partir de suas legalizações, buscando, especificamente, os procedimentos adotados por suas equipes para definir e organizar a sua programação, para se relacionar com os seus ouvintes, para resolver suas questões de sustentabilidade financeira e ainda refletir se na emissora há lugar para Educação. Exercitamos formas diferenciadas de analisar as grades de programação dessas emissoras, aqui compreendidas como recursos que guardam informações múltiplas e que podem ser reveladores do tipo de trabalho que desenvolvem. Tivemos como pressuposto o fato de que, se consideradas em seus propósitos e nas formas como são concebidas, planejadas e organizadas, as ofertas de programação de uma emissora revelam a identidade dessa rádio e podem também desvelar as competências comunicativo-educativas que priorizam em sua trajetória. Assim, considerando as afirmações de Roldão (2006) e Peruzzo (2011) de que a caracterização de uma emissora está no seu uso e nos conteúdos que gera, nossa constatação partiu da análise de três aspectos: conteúdos de programação da emissora, grau de interlocução com o ouvinte e forma pela qual expressa o seu compromisso com os rumos da comunidade. Na prática, percebemos uma emissora com pouco espaço de participação do ouvinte, fôlego e entusiasmo reduzidos para mudanças e com sérios problemas de sustentação financeira. Os apoios culturais, única forma de aportar recursos de patrocinadores ou anunciante, são regulados por orientações bastante restritivas. Legalizadas, ainda não ousam buscar modelos e formatos diferenciados de programação, tampouco imprimem gestões mais democráticas na condução de suas equipes em nome da lei da radiodifusão comunitária, que precisam respeitar para não perderem a autorização de funcionamento. Neste contexto contraditório, nos orientou um sistema de hipóteses no qual a grande maioria das emissoras de baixa potência em operação na cidade já está sem fôlego em função das restrições que comprometem sua sobrevivência e que estão impostas na lei que as regulamentou. Percebemos também que cada emissora criou um jeito de marcar presença no cenário da radiodifusão e está forjando uma nova identidade, ainda em construção<br>Our study recovers the path of community radio stations in São Paulo from its legalization, specifically seeking the procedures adopted by their teams to define and organize your schedule, to relate to their listeners, to solve their issues of financial sustainability and also reflect if the there is a place for education on the radio station. We have exercised different ways of analyzing the programming grids of those stations, here understood as resources that keep multiple kinds of information and may reveal the type of work they develop. We presuppose the fact that, if considered in its purpose and the ways they are designed, planned and organized, offers of a station programming reveal the identity of this radio and can also reveal the communicative and educational skills that prioritize in its path. Considering the claims of Roldão (2006) and Peruzzo (2011) that the characterization of a station is in its use and the content it generates, our findings came from analysis of three aspects: the station\'s program content, degree of dialogue with the listener and the way in which he expresses his commitment to the direction of the community. In practice, we find a station with little space for the participation of the listener, with reduced enthusiasm for change and with serious problems of financial support. Cultural supports, the only way to provide resources for sponsors or advertising, are regulated by quite restrictive guidelines. Legalized radio stations, do not dare to seek models and differentiated programming formats yet, nor have more democratic management in the conduct of their teams on behalf of the law of community radio broadcasting, which must respect not to lose the license to operate. In this contradictorily context, we were guided in a system of hypotheses in which the vast majority of low power stations operating in the city is already breathless if you considered the restrictions that compromise their survival and that are imposed in the law that regulated them. We also saw that each station has created a way to be present at the scene of broadcasting and is forging a new identity, still under construction.
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Fasano, Patricia Claudia. "Mudança de estilo : etnografia sobre comunicação comunitária, Igreja Católica, cultura popular, rádio, política y participação num bairro da Argentina." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2011. http://hdl.handle.net/10183/37827.
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Essa tese constitui uma pesquisa sobre a relação entre grupos populares e práticas chamadas de “comunicação comunitária”, através do estudo etnográfico do processo da Rádio Comunitária “Doña María”, da cidade de Paraná (Entre Ríos, Argentina). Seguindo as idas e vindas da emissora ao longo dos últimos vinte anos, até tornar-se uma rádio religiosa, e a partir de uma análise de redes sociais, o processo etnográfico nos conduz desde uma indagação inicial pelas possibilidades e modos de expressão dos grupos populares através das tecnologias comunicacionais até uma forte preocupação pelo estudo dos processos de intervenção institucionais característicos do campo da chamada “comunicação comunitária”, nesse caso protagonizado pela Igreja Católica na figura de um projeto franciscano. Além disso, uma olhada no panorama brasileiro da “comunicação comunitária” – paradigmático no cenário da América Latina - possibilita uma compreensão da dimensão transnacional desse processo e, ainda mais, até que ponto o acontecido na rádio “Doña María” é produto das vicissitudes institucionais da Igreja Católica como ator global. Em síntese, a pesquisa procura aprofundar a compreensão dos sentidos que organizam a dita intervenção, tanto na dimensão religiosa quanto na social e política, através de práticas cotidianas que articulam lógicas locais e globais, e que sugerem pensar a “comunicação comunitária” como uma tecnologia social de caráter transnacional.<br>This thesis addresses the relation between working-class groups and the practice known as “community communication”, through the ethnographic description of Radio Comunitaria “Doña María”, of Paraná city (Entre Ríos, Argentina). Using social network analysis, we followed the fluctuations of this community-based radio station during the past twenty years up until its transformation into a broadcaster centered on church-related matters. The ethnographic process carried us from an initial preoccupation about manners of expression in working-class groups through the use of communication technologies, to a strong concern with institutional intervention processes which seem to be characteristic of “community communication” -- processes led in this case by the Catholic Church in the figure of Franciscan nuns. On the other hand, a consideration of the Brazilian scenario of “community communication” –considered paradigmatic of the Latin American context- allows us to understand the transnational dimension of this phenomenon and how much the events in radio “Doña María” are related to institutional vicissitudes of the Catholic Church as a global actor. In fact, this research seeks to deepen our comprehension of the meanings that organize such intervention, in the religious, social, and political spheres, through the execution of daily activities that articulate local and global logics, and suggest a conceptualization of “community communication” as a transnational social technology.<br>Esta tesis constituye una investigación sobre la relación entre grupos populares y prácticas denominadas de “comunicación comunitaria”, a través del estudio etnográfico del proceso de la Radio Comunitaria “Doña María”, de la ciudad de Paraná (Entre Ríos, Argentina). Al seguir los vaivenes de la emisora barrial a lo largo de veinte años hasta convertirse en una radio religiosa, a través de un análisis en términos de redes sociales, el proceso etnográfico nos condujo desde una indagación inicial por las posibilidades y modos de expresión de los grupos populares a través de las tecnologías comunicacionales hacia una fuerte preocupación por los procesos de intervención institucionales característicos del campo de la llamada “comunicación comunitaria”, en este caso protagonizado por la Iglesia Católica en la figura de un proyecto franciscano. Por otra parte, la aproximación al panorama brasilero de la “comunicación comunitaria” -paradigmático en el escenario latinoamericano- posibilita comprender la dimensión transnacional de tal proceso y cuánto de lo acontecido en la radio “Doña María” es producto de los devenires institucionales de la Iglesia Católica como actor global. En síntesis, la investigación intenta profundizar la comprensión sobre los sentidos que organizan tal intervención, tanto desde lo religioso como desde lo social y político, a través de prácticas cotidianas que articulan lógicas locales y globales, y que sugieren la conceptualización de la “comunicación comunitaria” como una tecnología social de carácter transnacional.
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Milter, Katalin S. "The impact of politics on post-communist media in Eastern Europe : an historical case study of the 1996 Hungarian Broadcasting Act /." View abstract, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3316361.
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Milter, Katalin Szoverfy. "The Impact of Politics on Post-Communist Media in Eastern Europe: An Historical Case Study of the 1996 Hungarian Broadcasting Act." Ohio University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1213213285.
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Tsarwe, Stanley Zvinaiye. ""Too tired to speak?": investigating the reception of Radio Grahamstown's Lunchtime Live show as a means of linking local communities to power." Thesis, Rhodes University, 2011. http://hdl.handle.net/10962/d1002943.
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This study sets out to investigate Lunchtime Live, a twice-weekly, one-hour long current affairs show broadcast on a small community radio station, Radio Grahamstown, to understand its role in the local public sphere, and its value in helping civil society’s understanding of and involvement in the power structures and political activities in Grahamstown. Lunchtime Live seeks to cultivate a collective identity and promote public participation in the public affairs of Grahamstown. As a key avenue of investigation, this study seeks to test theory against practice, by evaluating Lunchtime Live’s aspirations against the audiences’ perception of it. This investigation uses qualitative content analysis of selected episodes of recorded transcripts of the shows that aired between August 2010 and March 2011, together with the audiences’ verbalised experiences of this programme through focus group discussions. The study principally uses qualitative research informed by reception theory. The research reveals three key findings. First, that resonance rather than resistance is the more dominant ‘stance’ or ‘attitude’ towards the content of Lunchtime Live. Residents interviewed agreed that the programme is able to give a “realistic” representation of their worldview, and thus is able to articulate issues that affect their lives. Second, that whilst the programme is helping establish links between members of the civil society as well as between civil society and their political representatives, residents feel that local democracy is failing to bring qualitative improvements to their everyday lives and that more ‘participation’ is unlikely to change this. Most respondents blame this on a lack of political will, incompetence, corruption and populist rhetoric by politicians who fail to deliver on the mantra of ‘a better life for all’ in the socioeconomic sphere. The study finds a scepticism and even cynicism that participatory media seems to be able to do little to dilute. Thirdly, in spite of the largely positive view about Lunchtime Live’s capacity to be a platform for public engagement, its participatory potential is structurally constrained by the material privations of most of its listeners. Given that in order to participate in talk shows and discussions audience members have to phone in, economic deprivation often precludes this. It is clear from this research that despite shows such as Lunchtime Live that are exploring new techniques of popular involvement, the voice of the ordinary people still struggles to be heard.
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Banda, Fackson. "Community radio broadcasting in Zambia: a policy perspective." Thesis, 2003. http://hdl.handle.net/10500/1833.
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This study is a policy investigation of community radio broadcasting in Zambia. The emergence of this tier of broadcasting can be traced to the 1990s, following the country's policy of politico-economic liberalisation. The state broadcasting system had hitherto reigned supreme. Based upon a focused synthesis of a range of historical, political, policy, regulatory and other factors, within the context of participatory development communication, this study proposes a normative policy model for community radio broadcasting in Zambia.
To begin with, the study focuses on the historical factors that have influenced the development of community radio broadcasting in the country, particularly in the period before and after 1991. This historical analysis establishes the fact that the shape that community radio broadcasting has assumed in Zambia is largely reflective of the state-centric policy-making regime. This policy-making regime is itself a legacy of British colonialism.
Next, the study offers a conceptual framework of community radio broadcasting. It analyses several theoretical antecedents upon which the conceptual edifice of community radio broadcasting would seem to be built. In particular, the study explores the contributions of media effects and normative media theories towards the conceptual underpinnings of community radio broadcasting. Furthermore, as an attempt at establishing some empirical referents for developing a community radio broadcasting policy for Zambia, the study delves into a comparative analysis of trends in broadcast policy and regulatory practices throughout the world, with a special focus on Malawi, Mozambique, South Africa and Australia. This comparative policy analysis reveals differentiated levels of sophistication of policy-cum-regulatory models relating to community radio broadcasting. This provides a wealth of chequered experiences for Zambia to learn from. To further substantiate the case for a policy model, the study examines selected community radio initiatives in Zambia.
Finally, based upon this focused synthesis, the study proposes a normative policy model for community radio broadcasting in Zambia. The policy proposal, informed by the assumptions of the group and organised anarchy models of policy-making, seeks to promote community radio broadcasting in terms of its vision, regulatory structures, funding, training, facilities, technology, production of local content and research.<br>Communication Science<br>D. Litt. et Phil.