Academic literature on the topic 'Communication artistique'
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Journal articles on the topic "Communication artistique"
Masset, Delphine. "Eclectisme dans l’art et éducation artistique." Emulations - Revue de sciences sociales, no. 3 (September 11, 2018): 41–48. http://dx.doi.org/10.14428/emulations.003.002.
Full textTurbet Delof, Yohann. "La polémique artistique, arme de communication massive." Hermès 82, no. 3 (2018): 148. http://dx.doi.org/10.3917/herm.082.0148.
Full textLoisier, Jean, and Claire Meunier. "Les fonctions communicationnelles des systèmes médiatiques : conception et critères de choix." Articles 19, no. 2 (October 10, 2007): 307–26. http://dx.doi.org/10.7202/031616ar.
Full textCaune, Jean. "De l'influence de la communication sur la diffusion artistique." Études de communication, no. 12 (May 1, 1991): 97–114. http://dx.doi.org/10.4000/edc.2795.
Full textNasri, Achref. "La médiation artistique au profit des clubs scientifiques." Revue internationale animation, territoires et pratiques socioculturelles, no. 23 (June 25, 2023): 77–86. http://dx.doi.org/10.55765/atps.i23.1835.
Full textLafrenière, Darquise, and Susan M. Cox. "Comparaison de deux méthodes de dissémination de résultats de recherche dans le domaine de la santé : les arts et le café scientifique." Sociologie et sociétés 42, no. 2 (January 20, 2011): 117–38. http://dx.doi.org/10.7202/045358ar.
Full textMazel, Quentin. "À la marge du secteur cinématrographique." Réseaux N° 242, no. 6 (December 14, 2023): 239–72. http://dx.doi.org/10.3917/res.242.0239.
Full textBeuscart, Jean-Samuel. "Sociabilité en ligne, notoriété virtuelle et carrière artistique." Réseaux 152, no. 6 (2008): 139. http://dx.doi.org/10.3917/res.152.0139.
Full textCaune, Jean. "Pratiques culturelles, médiation artistique et lien social." Hermès 20, no. 2 (1996): 169. http://dx.doi.org/10.4267/2042/14921.
Full textBouchardon, Serge, Clarisse Bardiot, and Hélène Caubel. "Recherche, ingénierie, création artistique : processus, prototypes, productions." Hermès 72, no. 2 (2015): 187. http://dx.doi.org/10.3917/herm.072.0187.
Full textDissertations / Theses on the topic "Communication artistique"
Picard, France. "La communication artistique et l'écriture graffitique." Aix-Marseille 1, 1992. http://www.theses.fr/1992AIX10059.
Full textLes trois types de graffitis contemporains (ecrit urbain, litterature pochee, et picturo graffitis) representent une strategie de communication differente des autres. Les rapports des graffiteurs avec l'art et a avec le support meme de leurs ecrits (le mur), montrent comment un phenomene orinal (et illegal) peut devenir une forme d'expression urbaine
Caune, Jean. "L'Action culturelle : communication sociale et phénomène artistique." Grenoble 3, 1989. http://www.theses.fr/1989GRE39026.
Full textCultural action could be defined as a hole of institutions and experiences supposed to broadcast the artistic patrimony and to contribute to a contemporary cultural production for a grater number of people. Cultural action has gone through the different stages that make its analysis possible. The archeology and the genesis of cultural action lead to give a most important place to the idea of popular theater. The meeting with art, the broadewing of audiences, the transmission of the inheritance and the values. . . All this points have found new ansewers in a changing society. The goal was, at the same time, to mediate beetween artistic phenomenae and populations, and also to change the relation ship beetween the individual and the society. In this way, cultural action suffered the conflicts of french society. Its communication function could only increase the social contradictions expressed through the world of ideas
Bottaro, Francisco. "Musique populaire et moyens de communication dans le Venezuela des années 40." Toulouse 2, 1994. http://www.theses.fr/1994TOU20067.
Full textThis research project deals with the phenomena of popular music and the means of communication during the 1940's. First of all, the subject is presented in the socio-economic context of the country. Secondly, after having exposed the historical and social basis of contemporary venezuela, we will be looking at the concept of popular music. Popular music, as an expression of urban live represended a certain social strata (the middle classes) but soon became widespread throughout all social classes in venezuela itself as a second home for the many different styles of popular music coming from cuba, mexico, the domminican republic, columbia an argentina. It is the music and dances from all of these countries that has produced the musical identity of the the venezuelan people. The market related to these activities also contributed to the development of the radio and record industry it also brought about the problem of a "melting pot" of musical styles which generated new and different types of music, all of which represented the countries from where they came. At the same time we explain the most important latin-american music styles that have been adopted by the venezuelan public. Finally, after having dealt with the theme of radio and its programming, we hope to have contributed, to the creation of a study method for popular music in general
Le, Falher Olivier. "Mettre en forme le travail artistique : les ressources de l’incertitude dans l’accueil en résidence d’artistes plasticiens." Thesis, Avignon, 2010. http://www.theses.fr/2010AVIG1096/document.
Full textDuring the last thirty years, visual artists have had to familiarize themselves with a wide range of public support devices that operate long before the art works are completed and that are part of the creation process itself. This kind of partnership requires advance planning of the resources, the duration and the goals to be achieved, all of which seem in contradiction with the specificity of an artist’s work, where both the process and the final result are never entirely predictable. Can public support policies for artistic creation fit into this kind of uncertainty ? I answer this question positively, basing myself on a study of Artist in Residence programs for visual artists in France. Such programs are a typical means of socializing both the time and the space of an artist’s work. Thus I examine the artistic work by studying the documents which both shape and institutionalize it. Through the Communication Sciences, I first compare two official texts on Artist in Residence programs, and secondly I examine a corpus of calls for applications sent out to visual artists. In both cases I highlight the tension between two contrasting visions of artistic work. Either the artist is recognized for his experimentation and his research alone, or he is engaged for a commissioned work within a well-defined cultural program. In the third part of this study, I look at the Artist in Residence programs for visual artists in the city of Marseille. I examine the different mediations along the chain of artistic production, from the selection of the artist through to the exhibiting of the finished work(s), and including the commentaries around the project. We see that the uncertainty surrounding the artistic creation appears, in fact, to be a means for those in charge of these programs to share their expertise (and actively participate) within the period of time that separates the beginning of an art work from its finished version. This thesis, by associating the discourse analysis and the qualitative methods (observations and interviews), posits that the uncertainty discussed above is, in fact, a conventional, predictable and routine dimension of public support for artistic creation
Emmanuel, Mahé. "Pour une esthétique in-formationnelle. La création artistique comme anticipation des usages sociaux des TIC." Phd thesis, Université Rennes 2, 2004. http://tel.archives-ouvertes.fr/tel-00442345.
Full textTurki, Ramzi. "La mise en réseau sur internet : possibilité de la création d'un nouveau courant artistique." Thesis, Bordeaux 3, 2012. http://www.theses.fr/2012BOR30064.
Full textSince the sixties, new technologies have conquered cultural areas. Thanks to technological power, artists have transformed these technologies into tools of aesthetic research. Thus, the web has become a medium for digital art as well as network design in addition to establishing universal networking. In the same context, criticizers, thinkers and philosophers have announced a state of crisis (As announced by Aude de Kerros, Jean-Pierre Béland, Yves Michaud, Veronica Fabbri, Daniel Lagoutte, etc.). According to them, this crisis is due to lack of communication and dissolution of artistic movements, surely progressive loss of communication between artists. In the Web world, email has emerged several communication fantasies. It has also established the reactivity and the interactivity between people. For this, my research Thesis focuses on artistic practices that impact positively on communication between artists. This research also proposes an artist networking. Practical progress:In 2006, I received an email containing a scanned work of Luc Fierens, a Belgian artist. I emailed this work to nearly 7000 addresses of artists to solicit their interactions. This is to acquire about 200 contributions and answers, some of which are described on the blog: http://ramziturki.artblog.fr/11/. My Thesis aims to analyze and enhance the communication between artists via tools of modern communication
Mahé, Emmanuel. "Pour une esthétique in-formationnelle : la création artistique comme anticipation des usages sociaux des technologies de l'information et de la communication ?" Rennes 2, 2004. https://tel.archives-ouvertes.fr/tel-00442345.
Full textIn our search for future uses of information and communication technology, we are inevitably restrained by the limitations of current usage. Artists however when using these technologies may, whether they realize it or not, lead us to certain uses and practices allowing us to imagine some elements of the future. This, of course supposes that artists are capable of anticipating uses in the domain of technical innovation. In order to explore this hypothesis, we decided to analyze artists work to try to understand how " artistic uses " arise during the process of the elaboration and realization of a project, but equally the way in which this work which we qualify as " tekhne-logic " either invent or bring into play new uses (either imagined or real) in contemporary communications. Along with an analysis of multimedia artistic practice, an in depth analysis of the collaboration between France Telecom R-D and artists was conducted over three years (2001 - 2004)
Sauvaget, Catherine. "De la synthèse d'images expressive aux effets bande déssinée : vers un outil d'aide à la création artistique." Paris 8, 2011. http://www.theses.fr/2011PA083398.
Full textWe present a tool for assisting artistic creation which produce a wide variety of image stylizations with “comics” effects. The system gives to the user an important role in the control of stylization. Starting from an artistic analysis, we propose a system based on the most important criteria in the artistic process of picture creation. We present models coming up to artists expectations. First, we present a model semi-automatically generating a depth map to stylize images while avoiding depth problems. It can also produce atmospheres used by artists to induce specific psychological effects to the observer. Then, we propose two models showing the interest of harmonizing images and using the contrast of quantity defined by Johannes Itten. The first one ensures this harmony in images like photographs or illustrations; based on the same harmony, the second one offers, by extension, a coloring aid for sketches to obtain harmonious images at the early stages of creation. Our last model deals with the effects of light contained in the images. It allows to stylize different kinds of lighting effects by moving, reshaping or giving them a style developed from well-known artistic movements. We conclude with our tool contributions and we present possible improvements as well as our plans for the future
Bargenda, Angela. "Communication esthétique et construction identitaire dans le secteur financier européen." Paris, EHESS, 2011. http://www.theses.fr/2011EHES0138.
Full textThe purpose of this study is to examine the communicational relevance of aesthetic resources in identity-building strategies in the finance sector. In particular, the visual management of architectural features art collections advertising rhetoric and logo design is investigated in terms of its strategic impact on the generation of an idiosyncratic semiotic matrix. Given the fact that financial institutions increasingly adopt visual culture as a means of expression of their corporate identity, the study marshals multiple disciplinary perspectives, including aesthetics, semiotics, marketing communications and sociology. This broad-based methodological reference seeks to capture the complexity of aesthetic articulation as practiced in the finance sector. Empirically grounded in an intercultural framework of representative banks, a comparative approach of four European institutions, Banca Monte dei Paschi di Siena, UBS, Deutsche Bank and Société Générale, seeks to afford a differentiated analysis of their respective communication strategies in the area of Corporate Visualldentity (CVl). Firstly, the iconographic rhetoric of Corporate Architecture (CA), discussed both as a paradigmatic and a syntagmatic phenomenon, establishes a preliminary taxonomy of expressive forms. The second segment stresses the pervasive presence of art collections in the finance sector, emphasizing their central communicational potential. The third chapter outlines the status of advertising, both in terms of iconographic mechanisms and textual discourse. Finally, as the formaI definition of an organization's visual template, the logo significantly impacts on the generation of a visual paradigm
Bourdot, Marielle. "Le dispositif artistique participatif comme processus d'émancipation éco-citoyenne : constructions communicationnelles autour de l'artiste médiateur." Electronic Thesis or Diss., Bourgogne Franche-Comté, 2024. http://www.theses.fr/2024UBFCH013.
Full textThe creative effervescence observed in a context of struggle for the preservation of market gardening lands within the city questions us about the role and dimension of these participatory artistic practices. We will study these co-creation devices in a particular urban district, the "Quartier libre des Lentillères" in Dijon, born from an illegal occupation aimed at preserving market gardening land from urbanization. Our research work aims to analyze the communication dynamics of these creative practices, by examining institutional or spontaneous processes in urban space. The objective is to understand the differences between these forms, their perception, their evolution, and their potential role as a vector of social bond, emancipation, reappropriation of public space and engagement in the socio-ecological transition.Our study is part of a qualitative approach of an ethnographic nature, borrowing from action research, objectifying participation and participant observation. This methodology allows total immersion in the field and a detailed understanding of the processes studied.Collective vegetable gardens, arts and crafts workshops, festive and cultural events: the diversity of co-creative initiatives that flourish in the “Lentillères” testifies to the vitality and creativity of this community. These initiatives are not simply entertaining or one-off activities; they are part of a collective approach aimed at rethinking social relationships, reinventing urban planning and promoting alternative and sustainable lifestyles
Books on the topic "Communication artistique"
3, Université Stendhal-Grenoble, ed. L'action culturelle: Communication sociale et phénomène artistique. Lille: A.N.R.T, Université de Lille III, 1989.
Find full textTimbal-Duclaux, Louis. L' écriture créative: Cinq techniques pour libérer l'inspiration, produire des idées pour communiquer avec efficacité. Paris: Ed. Retz, 1986.
Find full textAnciaux, Jean-Pierre. La mise en page: Les règles d'or de la communication, écrite. Paris: Éditions d'Organisation, 1992.
Find full textBorderies, Daniel, and Maylis Pierre. Chemins de traverses: Les sans-voix à l'oeuvre des arts : intervention artistique et émancipation dans La Novela. Toulouse: Privat, 2013.
Find full textOntario. Le curriculum de l'Ontario 9e et 10e année: Éducation artistique. Toronto, Ont: Imprimeur de la Reine, 1999.
Find full textCraig, James. Thirty centuries of graphic design: An illustrated survey. New York: Watson Guptill, 1987.
Find full textCraig, James. Thirty centuries of graphic design: An illustrated survey. New York: Watson-Guptill Publications, 1987.
Find full textInternational, Congress of Psychopathology of Expression (1990 Montréal Québec). Art media as a vehicle of communication =: Les média artistiques en tant que vehicule de communication. [Brookline, MA] (74 Lawton St., Brookline 02146): [American Society of Psychopathology of Expression, 1991.
Find full textHachana, Mounira Ben Mustapha. Art et expérience communicationnelle: Réflexions sur les pratiques artistiques contemporaines. Tunis: Centre de publication universitaire, 2013.
Find full textSilvana, Vassallo, and Di Brino Andreina, eds. Arte tra azione e contemplazione: L'interattività nelle ricerche artistiche. Pisa: ETS, 2003.
Find full textBook chapters on the topic "Communication artistique"
Preiswerk, Sophie. "Beautiful Bodies and Cunningly wrought Materials." In Dossier : L'agentivité divine dans le monde romain, edited by Yann Berthelet, Corinne Bonnet, Francesco Massa, Francesca Prescendi, and Françoise Van Haeperen, 165–90. Paris: Éditions de l’École des hautes études en sciences sociales, 2024. http://dx.doi.org/10.4000/12saz.
Full textCAUNE, Jean. "Processus artistique et techniques de communication." In Les autoroutes de l'information, 235–56. Presses de l'Université du Québec, 2011. http://dx.doi.org/10.2307/j.ctv18phbjq.17.
Full textKrikorian, Sandrine. "Les surtouts de table au xviiie siècle : un langage visuel artistique et patriotique." In Langages et communication : écrits, images, sons, 191–97. Éditions du Comité des travaux historiques et scientifiques, 2017. http://dx.doi.org/10.4000/books.cths.932.
Full textCastarède, Marie-France. "L'œuvre d'art : un ailleurs familier." In L'œuvre d'art : un ailleurs familier, 77–90. In Press, 2014. http://dx.doi.org/10.3917/pres.barre.2014.01.0078.
Full textLoquet, Monique, Sophie Roessle, and Emmanuelle Roncin. "Les formes non verbales des communications didactiques chez l’intervenant en activités physiques, sportives et artistiques (APSA)." In Les méthodes de recherche en didactiques, 45–58. Presses universitaires du Septentrion, 2006. http://dx.doi.org/10.4000/books.septentrion.14883.
Full textCLAIRAY, Philippe. "Epidémies et pandémies : quelles leçons de l’histoire?" In Les épidémies au prisme des SHS, 115–26. Editions des archives contemporaines, 2022. http://dx.doi.org/10.17184/eac.5997.
Full textConference papers on the topic "Communication artistique"
Boucharenc, Myriam. "Publicité et périodiques d’entreprise dans la France de l’entre-deux-guerres." In Séminaire PéLiAS (Périodiques, Littérature, Arts, Sciences). MSH Paris-Saclay Éditions, 2023. http://dx.doi.org/10.52983/gbae7142.
Full textLabra Cenitagoya, Ana Isabel. "Neige ardente ou les métamorphoses des éléments dans les littératures maghrébines d'expression française." In XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.3173.
Full textCaballero, Andrés. "V. Eusa’s Intervention in the 2nd Expansion of Pamplona: The artistic transformation of a technical model." In 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5996.
Full textReports on the topic "Communication artistique"
Bellwood-Howard, Imogen, Peter Taylor, Aminata Niang, Kaderi Bukari, Eric Kioko, Peter Wangai, Lansine Sountoura, Bronson Eran’Ogwa, and Mohammed Yamusah. Les arts dans le dialogue et la communication sur l’environnement en Afrique de l’Ouest et de l’Est. Institute of Development Studies, August 2023. http://dx.doi.org/10.19088/ids.2023.037.
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