Academic literature on the topic 'Comets – Fiction'
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Journal articles on the topic "Comets – Fiction"
Wimalasena, Yashvi, Jeremy Windsor, and Mark Edsell. "Using Ultrasound Lung Comets in the Diagnosis of High Altitude Pulmonary Edema: Fact or Fiction?" Wilderness & Environmental Medicine 24, no. 2 (June 2013): 159–64. http://dx.doi.org/10.1016/j.wem.2012.10.005.
Full textZolyan, Suren. "What Is Unreliable in Fiction and Where It Comes From." Epistemology & Philosophy of Science 59, no. 2 (2022): 76–80. http://dx.doi.org/10.5840/eps202259224.
Full textАnchishina, E. A. "THE ROLE OF LEGAL FICTIONS IN MODERN LAW ENFORCEMENT PRACTICE." Bulletin of Udmurt University. Series Economics and Law 30, no. 5 (November 12, 2020): 697–705. http://dx.doi.org/10.35634/2412-9593-2020-30-5-697-705.
Full textWeinert, Friedel. "Hypothetical, not Fictional Worlds." Kairos. Journal of Philosophy & Science 17, no. 1 (December 1, 2016): 110–36. http://dx.doi.org/10.1515/kjps-2016-0019.
Full textCastelli, Alberto, and Jiang Huiyu 蒋惠聿. "THE VOICE OF FRENCH REALISM IN YU HUA’S AND SU TONG’S FICTION." Folia linguistica et litteraria XII, no. 36 (September 2021): 103–20. http://dx.doi.org/10.31902/fll.36.2021.7.
Full textBrauneis, Adrian. "Fiktive Tatsachen, ihre Relativität und deren Angabe." Scientia Poetica 24, no. 1 (November 1, 2020): 133–72. http://dx.doi.org/10.1515/scipo-2020-005.
Full textDe Roest, Karla. "Maak een vuist als je geen hand hebt. Inclusiviteit in (pre)historische jeugdromans." Paleo-aktueel, no. 33 (July 16, 2024): 39–48. http://dx.doi.org/10.21827/pa.33.39-48.
Full textHaley, Madigan. "On Gathering: Or, The Birth of Global Fiction from the Spirit of Tragedy." Novel 53, no. 1 (May 1, 2020): 76–95. http://dx.doi.org/10.1215/00295132-8139339.
Full textYALÇIN, Çağrı, and Elif ÖZDOĞLAR. "ARCHITECTURAL ANALYSIS OF THE DUNE MOVIES." SOCIAL SCIENCE DEVELOPMENT JOURNAL 8, no. 36 (March 15, 2023): 221–36. http://dx.doi.org/10.31567/ssd.870.
Full textSvoboda, Manuela, and Petra Zagar-Sostaric. "How much Artistic Freedom is permitted when it comes to Language? - Analysis of a Crime Novel." European Journal of Social Science Education and Research 5, no. 2 (August 1, 2018): 50–60. http://dx.doi.org/10.2478/ejser-2018-0033.
Full textDissertations / Theses on the topic "Comets – Fiction"
Podeschi, Mario. "What comes next /." View online, 2008. http://repository.eiu.edu/theses/docs/32211131428176.pdf.
Full textCabrera, Remberto. "Love comes in at the eye." FIU Digital Commons, 1998. http://digitalcommons.fiu.edu/etd/1958.
Full textGrimm, Gunter E. "Kometenforschung zwischen Aberglauben und Science-fiction - Comet research between superstition and science fiction." Gerhard-Mercator-Universitaet Duisburg, 2002. http://www.ub.uni-duisburg.de/ETD-db/theses/available/duett-08162002-150835/.
Full textCho, Victoria. "Trouble Comes From the Mouth." ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/td/2237.
Full textBond, John A. "Reconcilable differences, a dark comedy." FIU Digital Commons, 2001. http://digitalcommons.fiu.edu/etd/1731.
Full textVincent-Comte, Sandra Varinard André. "Le principe de la responsabilité pénale personnelle réalité ou fiction? /." Lyon : Université Lyon3, 2005. http://thesesbrain.univ-lyon3.fr/sdx/theses/lyon3/2005/comte_s.
Full textKurtz, Matthew B. "What Comes After the Blues." Kent State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=kent1619717430532435.
Full textGilder, John M. "The First Rule of Improv." ScholarWorks@UNO, 2019. https://scholarworks.uno.edu/td/2607.
Full textSEGATO, GIULIO. "THE AMERICAN COMEDY. TEMI, INNOVAZIONI E TEOLOGIA NELL'OPERA DI ELMORE LEONARD." Doctoral thesis, Università Cattolica del Sacro Cuore, 2018. http://hdl.handle.net/10280/45734.
Full textCritics and biographers have summarized Elmore Leonard’s work too easily: he was one of the best crime novels writers in America because of his “cinematic” prose and his unerring ear for the voices of the characters. I think there are much more issues in Leonard’s narratives, so my thesis is focused on investigating other distinctive traits of his novels. Leonard actually wrote westerns for many years before first trying his hand at crime fiction (in The Big Bounce 1969), the genre that gave him great fame. My thesis basically examines three distinguishing features. First, in Leonard’s books there is almost never any process of detection. Readers generally know from the very beginning who the murderer is, and in many cases the detective finds out soon after, but he is always prevented from arresting or killing him at once. What prolongs his pursuit is generally not a process of investigation but rather a frustrating combination of legal procedural constraints that are often portrayed as arbitrary, and the killer’s own animal willingness and absurd good luck. Secondly, Leonard, in his narrative, develops a very distinctive point of view. The writer always tells his stories from the omniscient point of view in the third person, only apparently neutral. In Leonard’s novels any chapter can be narrated from the perspective of any character (even a murder victim as in Glitz). This issue is not only a technical problem, it is a moral one, who makes Leonard’s novels disturbing to the reader. Finally Leonard, who had a catholic education and a deep knowledge of the Bible, hides theological issues in his grotesque crime stories. For example, in his novels violence is never the right solution, never necessary, as his heroes prefer talking with the villain or leaving, instead of shooting him.
SEGATO, GIULIO. "THE AMERICAN COMEDY. TEMI, INNOVAZIONI E TEOLOGIA NELL'OPERA DI ELMORE LEONARD." Doctoral thesis, Università Cattolica del Sacro Cuore, 2018. http://hdl.handle.net/10280/45734.
Full textCritics and biographers have summarized Elmore Leonard’s work too easily: he was one of the best crime novels writers in America because of his “cinematic” prose and his unerring ear for the voices of the characters. I think there are much more issues in Leonard’s narratives, so my thesis is focused on investigating other distinctive traits of his novels. Leonard actually wrote westerns for many years before first trying his hand at crime fiction (in The Big Bounce 1969), the genre that gave him great fame. My thesis basically examines three distinguishing features. First, in Leonard’s books there is almost never any process of detection. Readers generally know from the very beginning who the murderer is, and in many cases the detective finds out soon after, but he is always prevented from arresting or killing him at once. What prolongs his pursuit is generally not a process of investigation but rather a frustrating combination of legal procedural constraints that are often portrayed as arbitrary, and the killer’s own animal willingness and absurd good luck. Secondly, Leonard, in his narrative, develops a very distinctive point of view. The writer always tells his stories from the omniscient point of view in the third person, only apparently neutral. In Leonard’s novels any chapter can be narrated from the perspective of any character (even a murder victim as in Glitz). This issue is not only a technical problem, it is a moral one, who makes Leonard’s novels disturbing to the reader. Finally Leonard, who had a catholic education and a deep knowledge of the Bible, hides theological issues in his grotesque crime stories. For example, in his novels violence is never the right solution, never necessary, as his heroes prefer talking with the villain or leaving, instead of shooting him.
Books on the topic "Comets – Fiction"
Tamar, Erika. Venus and the Comets. Plain City, OH: Darby Creek Pub., 2003.
Find full textill, Lanino Deborah, ed. Maria's comet. New York: Atheneum Books for Young Readers, 1999.
Find full textSomtow, S. P. Do Comets Dream?: Star Trek: The Next Generation. New York: Pocket Books, 2003.
Find full textBaillie, M. G. L. Exodus to Arthur: Catastrophic encounters with comets. London: B.T. Batsford, 1999.
Find full textPerritano, John. The comet of doom. Minneapolis, Minnesota: Calico, an imprint of Magic Wagon, 2015.
Find full textForest, John. The piper of the stars: A story for children. London: NdA Press, 1986.
Find full textVega, L. Eduardo. Comet dis'aster: (Latin, "dis," evil; Greek, "astron," star) : a novel. Oakland, CA: Regent Press, 2000.
Find full textJansson, Tove. Comet in Moominland. London: Black, 1986.
Find full textJansson, Tove. Comet in Moominland. New York: Farrar Straus Giroux, 1990.
Find full textWallace, Karen. The comet of doom: A thrilling tale from the time of Montezuma. London: A. & C. Black, 2009.
Find full textBook chapters on the topic "Comets – Fiction"
Morin, Olivier, Alberto Acerbi, and Oleg Sobchuk. "Perché si muore nei romanzi: l’ipotesi della simulazione dell’ordalia." In La narrazione come incontro, 59–80. Florence: Firenze University Press, 2022. http://dx.doi.org/10.36253/979-12-215-0045-5.06.
Full textRibke, Nahuel. "Bilingual Comedy Series." In Multilingual Fiction Series, 58–85. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003378112-4.
Full textDavies, Dominic. "Intolerable fictions." In Comics and Migration, 257–70. London: Routledge India, 2023. http://dx.doi.org/10.4324/9781003254621-18.
Full textMarsh, Huw. "Comedy." In The Routledge Companion to Twenty-First Century Literary Fiction, 67–79. Abingdon, Oxon ; New York, NY : Routledge, 2019. | Series: Routledge companions to literature series: Routledge, 2019. http://dx.doi.org/10.4324/9781315880235-7.
Full textTrommer, Ralph. "Phantastische Comics — Science-Fiction, Fantasy, Horror." In Comics und Graphic Novels, 212–32. Stuttgart: J.B. Metzler, 2016. http://dx.doi.org/10.1007/978-3-476-05443-2_12.
Full textTredell, Nicolas. "That Comes at Night: The Information (1995)." In The Fiction of Martin Amis, 154–72. London: Macmillan Education UK, 2000. http://dx.doi.org/10.1007/978-1-137-19344-5_10.
Full textRoman, Christopher Michael. "Queering Wolverine in Fan Fiction." In Queering Wolverine in Comics and Fanfiction, 58–79. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003222644-4.
Full textHart, Jonathan. "Realism and Comedy." In Fictional and Historical Worlds, 133–48. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137012647_9.
Full textGuignery, Vanessa. "When Horror Meets Comedy: Before She Met Me (1982)." In The Fiction of Julian Barnes, 17–27. London: Macmillan Education UK, 2006. http://dx.doi.org/10.1007/978-0-230-80221-6_3.
Full textAnderson, David S. "‘The Aliens from 2,000 B.C.!’: Truth, Fiction and Pseudoarchaeology in American Comic Books." In Comics and Archaeology, 21–48. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-98919-4_2.
Full textConference papers on the topic "Comets – Fiction"
ЦВИК, Ирина. "Forms of realization of the dialogue of cultures in a work of art." In Probleme ale ştiinţelor socioumanistice şi ale modernizării învăţământului. "Ion Creanga" State Pedagogical University, 2022. http://dx.doi.org/10.46728/c.v3.25-03-2022.p76-80.
Full textPopovic, Tanja. "Milorad Pavic’s Khazar Dictionaryas a Postmodern Comment on theHagiography of Saints Cyril and Methodius." In Tenth Rome Cyril-Methodian Readings. Indrik, 2020. http://dx.doi.org/10.31168/91674-576-4.24.
Full textGrimova, O. "BIOGRAPHICAL DISCOURSE IN THE STRUCTURE OF E.G. VODOLAZKIN’S NOVEL “CHAGIN”." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3720.rus_lit_20-21/175-178.
Full textHölzle, Université Grenoble 3, Dominique. "Le pouvoir des fictions dans les Lettres de la Marquise de M*** au Comte de R*** de Crébillon." In Crébillon, Lettres de la marquise de M*** au comte de R***. Fabula, 2011. http://dx.doi.org/10.58282/colloques.1399.
Full textSantos, Raiden, Paula Alexandra Silva, Waleed Zuberi, and Philipp Jordan. "A Survey of Beliefs and Attitudes toward Artificial Intelligence — Practical Implications and Fictional Depictions." In AHFE 2023 Hawaii Edition. AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1004177.
Full textKergoat, Marie. "Palimpseste de la fiction de fantasy : créer, interpréter et incarner les combats d’un univers de papier. Réflexions autour des Rois du monde (Jean-Philippe Jaworski)." In Variantes. La déclinaison des possibles comme objet de la recherche. Fabula, 2024. http://dx.doi.org/10.58282/colloques.12090.
Full textKizhakkethil, Priya. "Information experience in a diaspora small world." In ISIC: the Information Behaviour Conference. University of Borås, Borås, Sweden, 2020. http://dx.doi.org/10.47989/irisic2022.
Full textSun, Liping, Zhiqiang Wan, Shangmao Ai, and Jiaji Li. "Numerical Analysis of Gas Leakage Problem Based on Improved Gas Storage Vessel Leakage Model." In ASME 2016 35th International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/omae2016-54142.
Full textSüyük Makakli, Elif, and Ebru Yücesan. "Spatial Experience Of Physical And Virtual Space." In SPACE International Conferences April 2021. SPACE Studies Publications, 2022. http://dx.doi.org/10.51596/cbp2021.jrvm8060.
Full textReports on the topic "Comets – Fiction"
Poussart, Denis. Le métavers : autopsie d’un fantasme Réflexion sur les limites techniques d’une réalité synthétisée, virtualisée et socialisée. Observatoire international sur les impacts sociétaux de l’intelligence artificielle et du numérique, February 2024. http://dx.doi.org/10.61737/sgkp7833.
Full textEstrada, Jorge. Ruthless Desires of Living Together in Roberto Bolaño’s 2666: Conviviality between Potestas and Potentia. Maria Sibylla Merian Centre Conviviality-Inequality in Latin America, March 2022. http://dx.doi.org/10.46877/estrada.2022.42.
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