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1

Hertay, Alain. Éric Rohmer: comédies et proverbes. Li&grav;ege: Éd. du CEFAL, 1998.

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2

Musset, Alfred de. La nuit vénitienne: [suivi de] Le chandelier. Un caprice. Il faut d'une porte soit ouverte ou fermée : comédies et proverbes. Paris: Gallimard, 2010.

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3

Génération Splendid. [Grainville]: City éd., 2006.

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4

1956-, Krutnik Frank, ed. Popular film and television comedy. London: Routledge, 1990.

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5

Neale, Stephen. Popular Film and Television Comedy. London: Taylor & Francis Inc, 2002.

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6

Genre, gender and the effects of neoliberalism: The new millennium Hollywood rom com. Abingdon, Oxon: Routledge, 2013.

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7

Sophie, Ségur. Comédies et proverbes. CreateSpace Independent Publishing Platform, 2016.

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8

Sophie, Ségur. Comédies et Proverbes. Independently Published, 2017.

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9

la Comtesse la Comtesse de Ségur. Comédies et Proverbes. Independently Published, 2020.

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10

Rohmer, Eric. Comédies et proverbes, tome 2. Cahiers du Cinema Livres, 1999.

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11

Rohmer, Eric. Comédies et proverbes, tome 1. Cahiers du Cinema Livres, 1999.

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12

MUSSET-A. Oeuvres complètes illustrées. Comédies et proverbes, 1. Hachette Livre - BNF, 2018.

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13

Musset, Alfred de. Comédies et proverbes d\'Alfred de Musset: Tome 1. Adamant Media Corporation, 2001.

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14

Alberti, John, Tom Cunliffe, Maria San Filippo, and Elizabeth Alsop. After Happily Ever After: Romantic Comedy in the Post-Romantic Age. Wayne State University Press, 2021.

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15

Alberti, John, Tom Cunliffe, Maria San Filippo, and Elizabeth Alsop. After Happily Ever After: Romantic Comedy in the Post-Romantic Age. Wayne State University Press, 2021.

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16

After Happily Ever After: Romantic Comedy in the Post-Romantic Age. Wayne State University Press, 2021.

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17

Approaches To The American Musical (Exeter Studies in American and Commonwealth Arts). University of Exeter Press, 1996.

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18

Osatinski, Amy. Disney Theatrical Productions. Taylor & Francis Group, 2019.

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19

Kraft, Elizabeth. Restoration Stage Comedies and Hollywood Remarriage Films: In Conversation with Stanley Cavell. Taylor & Francis Group, 2016.

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20

Kraft, Elizabeth. Restoration Stage Comedies and Hollywood Remarriage Films: In Conversation with Stanley Cavell. Taylor & Francis Group, 2016.

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21

Restoration Stage Comedies and Hollywood Remarriage Films: In Conversation with Stanley Cavell. Taylor & Francis Group, 2016.

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22

Alberti, John. Masculinity in the Contemporary Romantic Comedy: Gender As Genre. Taylor & Francis Group, 2016.

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23

Masculinity in the Contemporary Romantic Comedy: Gender As Genre. Taylor & Francis Group, 2013.

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24

Alberti, John. Masculinity in the Contemporary Romantic Comedy: Gender As Genre. Taylor & Francis Group, 2013.

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25

Alberti, John. Masculinity in the Contemporary Romantic Comedy: Gender As Genre. Taylor & Francis Group, 2013.

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26

Alberti, John. Masculinity in the Contemporary Romantic Comedy: Gender As Genre. Taylor & Francis Group, 2013.

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27

Smith, Paul Julian. Comedia y el Melodrama en el Audiovisual Iberoamericano. Iberoamericana Editorial Vervuert, 2015.

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28

Bore, Inger-Lise Kalviknes. Screen Comedy and Online Audiences. Taylor & Francis Group, 2019.

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29

Bore, Inger-Lise Kalviknes. Screen Comedy and Online Audiences. Taylor & Francis Group, 2017.

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30

Screen Comedy and Online Audiences. Taylor & Francis Group, 2017.

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31

Bore, Inger-Lise Kalviknes. Screen Comedy and Online Audiences. Taylor & Francis Group, 2017.

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32

National Joke: Popular Comedy and English Cultural Identity (Sussex Studies in Culture and Communication). Routledge, 2007.

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33

National Joke: Popular Comedy and English Cultural Identity (Sussex Studies in Culture and Communication). Routledge, 2007.

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34

Medhurst, Andy. National Joke: Popular Comedy and English Cultural Identities. Taylor & Francis Group, 2007.

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35

Haunted Laughter: Representations of Adolf Hitler, the Third Reich, and the Holocaust in Comedic Film and Television. Lexington Books/Fortress Academic, 2022.

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