Dissertations / Theses on the topic 'Colonies in literature'
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RODRIGUES, FLAVIA ARRUDA. "NARRATIVES OF DOMINATION IN GENERAL AGENCY OF COLONIES’ COLONIAL LITERATURE CONTEST (1926-1951)." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2010. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=16487@1.
Full textCONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO
O objetivo deste trabalho é fazer uma análise da construção discursiva da colonialidade portuguesa a partir da leitura de narrativas que receberam o Prêmio de Literatura Colonial da Agência Geral das Colónias (AGC), distinção concedida pelo Estado Novo português entre 1926 e 1951. Trata-se do estudo dos processos de dominação e hierarquização social realizados pela via literária nas antigas colônias de Moçambique, Angola, e Timor-Leste. Para tanto, três obras foram privilegiadas para leitura: Oiro africano, Na pista do marfim e da morte: reportagens vividas e escritas por Ferreira da Costa e Gentio de Timor, escritas pelos colonialistas portugueses Julião Quintinha, Ferreira da Costa e Armando Pinto Corrêa nos anos de 1929, 1944 e 1935, respectivamente. Além de destacar e analisar aspectos significativos do discurso colonial, este trabalho evidencia, em paralelo, a dimensão política e cultural desses textos, que, usados como ferramenta da ação colonial, acabaram também fazendo um autorretrato dos próprios portugueses que colonizaram aquelas terras. Faz-se, ainda, pela análise de fontes primárias como materiais de jornais de época, uma correlação entre o lançamento dos títulos no mercado editorial português, a atuação social de seus autores como articulistas na imprensa e os papeis que exerceram como educadores ou administradores coloniais.
The aim of this work is to draw an analysis of the discursive construction of the portuguese coloniality trough the reading of narratives that won the General Agency of Colonies` Colonial Literature Prize, an award granted by the portuguese Estado Novo between 1926 and 1951. It focuses on the study of domination and social hierarchization set up by literary means in the former colonies of Mozambique, Angola and East Timor. For such task, three books were chosen: Oiro africano, Na pista do marfim e da morte: reportagens vividas e escritas por Ferreira da Costa e Gentio de Timor, respectively written by portuguese colonialists Julião Quintinha, Ferreira da Costa and Armando Pinto Corrêa in 1929, 1944 and 1935. Besides pointing out relevant aspects of the colonial discourse, this work highlights the cultural and political dimension of these texts, wich, used as a tool for the colonial action, ended out by making a portrait of the same portuguese people who colonized those lands. Still, the release of those titles in the portuguese editorial market is put into perspective with the authors` social performance as news articulists and their roles as educators or colonial managers. Primary sources, as newspapers, help accomplish this work.
Fitzmaurice, Andrew. "Classical rhetoric and the literature of discovery 1570-1630." Thesis, University of Cambridge, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.307941.
Full textChow, Chi-shing Jeffrey, and 鄒志誠. "Postcoloniality in Hong Kong Literature: withspecial reference to Xi Xi's and Ye Si's Fiction." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1994. http://hub.hku.hk/bib/B31950541.
Full textAlrawashdeh, Abeer Aser. "A comparative study of selected Arab and South Asian colonial and postcolonial literature." Thesis, Swansea University, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.678267.
Full textTay, Eddie. "Not at home colonial and postcolonial Anglophone literatures of Singapore and Malaysia /." Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B37898139.
Full textRieley, Honor. "Writing emigration : Canada in Scottish romanticism, 1802-1840." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:cbeac4b3-cb79-4c22-a308-03be120d2c26.
Full textWoode, Edward Winston Babatunde. "Alterity and hybridity in Anglophone postcolonial literatuare : Ngugi, Achebe, p'Bitek and Nwapa /." Full-text version available from OU Domain via ProQuest Digital Dissertations, 2001.
Find full textJones, Christopher D. ""From thy mother's arms" Coleridge, colonialism, and the domestic realm /." Oxford, Ohio : Miami University, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1101874559.
Full textDemougin, Laure. "Identités et exotisme : représentations de soi et des autres dans la presse coloniale française au dix-neuvième siècle (1830 - 1880)." Thesis, Montpellier 3, 2017. http://www.theses.fr/2017MON30078.
Full textLocal newspapers were published in French colonial areas following the same evolution as the national newspapers: between 1830 and 1880, media-rich times, the press represents a significant publishing-platform for literary texts. Colonial newspapers contain texts adjusted to their respective geographic areas, but keep the same structure regardless, thereby allowing the comparison between the strategies leading to the building of colonial identities. The diversity and the different evolution pathways of these texts may then be considered as the missing link between the travel narratives and the early-20th century defined colonial literature. As such, they can undoubtedly be considered as a significant corpus of colonial times. These texts reflect the identity role this colonial-area adjusted media literature had: by adapting exoticism to the colonial conditions, by varying the criterion of alterity and by many other ways, local press founds, partially, a colonial attitude that can further be found, mutatis mutandis, in the French colonial empire. This is also the reason the 19th-century colonial-media corpus is at the crossroads of both colonial literature and postcolonial writing problematics: as a place for publication, novelty, identity essays, and literary genre essays, the colonial newspaper witnessed the creation, between 1830 and 1880, of writing mechanisms that would eventually develop later on
Renker, Cindy K. "Imperial Motherhood: The German Civilizing Mission in Bülow's Im Lande der Verheißung." BYU ScholarsArchive, 2004. https://scholarsarchive.byu.edu/etd/6661.
Full textWhite, Laura. "Fictions of progress the eco-politics of temporal constructions in colonial and postcolonial novels /." Diss., Online access via UMI:, 2009.
Find full textChow, Chi-shing Jeffrey. "Postcoloniality in Hong Kong Literature : with special reference to Xi Xi's and Ye Si's Fiction /." [Hong Kong : University of Hong Kong], 1994. http://sunzi.lib.hku.hk/hkuto/record.jsp?B13793779.
Full textHöglund, Johan A. "Mobilizing the novel : the literature of imperialism and the First World War /." Uppsala (Sweden) : distrib. by Uppsala university library, 1997. http://catalogue.bnf.fr/ark:/12148/cb376485711.
Full textKenny, Tobias. ""Coming home to roost" : some reflections on moments of literary response to the paradoxes of empire." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0023/NQ50200.pdf.
Full textDavies, Dominic. "Imperial infrastructure and spatial resistance in colonial literature (1880-1930)." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:369d5ffb-fea5-44ae-9b15-4087a28ead0a.
Full textArmstrong, Jeanne Marie. "Uncivilized women and erotic strategies of border zones or demythologizing the romance of conquest." Diss., The University of Arizona, 1996. http://hdl.handle.net/10150/187509.
Full textChiu, Man-Yin, and 趙敏言. "Written orders: authority and crisis in colonial and postcolonial narratives." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B29812902.
Full textHagiwara, Tomoko. "Children in fiction and reality, the British Colonies in North America and Canada in the nineteenth century." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ26919.pdf.
Full textElewa, Salah Ahmed. "In search of the other/self : colonial and postcolonial narratives and identities /." Thesis, Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25262130.
Full textTay, Eddie, and 鄭竹文. "Not at home: colonial and postcolonial Anglophone literatures of Singapore and Malaysia." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B37898139.
Full textHugo, Pieter Hendrik. "Between wilderness and number : on literature, colonialism and the will to power." Thesis, Stellenbosch : University of Stellenbosch, 2006. http://hdl.handle.net/10019.1/1947.
Full textThe eras of colonial expansion and the era designated the modern have been both chronologically and philosophically linked from the commencement of the Renaissance period and Enlightenment thought in the 15th century. The discovery of the New World in 1492 gave impetus to a new type of literature, the colonial novel. Throughout the development of this genre, in both its narrative strategies and the depiction of the colonist’s relationship with the foreign land he now inhabits, it has been both informed and formed by the prevailing philosophical atmosphere of the time. In the context of this discussion it is particularly interesting to note what might be termed the level of regression of the modern ideal, and how it is reflected in the colonial novels written at the time. Commencing with the essentially optimistic Robinson Crusoe and The Coral Island, and progressing through the far darker imaginings of Heart of Darkness, Lord of the Flies, and eventually Apocalypse Now and Blood Meridian, it is possible to trace the effects of the declining power of Enlightenment thought. Whereas earlier texts deal quite unambiguously with the issue of the Western subject’s subjugation of both the foreign environment and the foreign subjects he encounters there, and the relation between subject and object remains quite uncomplicated, in later, more self-reflexive texts the modern subject’s relationship with both the alien land and alien people becomes far more problematic. Later texts such as Heart of Darkness and Lord of the Flies depict a world where the self-assurance of early texts is strikingly absent. Increasingly, as the initial self-confidence of modernism is eroded, secular moral values, too, come to be questioned. It is here that the works of Nietzsche come to play a prominent role in the analysis of how such a decline in modern confidence is reflected in later colonial works. Even later works such as Apocalypse Now and Blood Meridian provide a view of the colonial enterprise that is in striking contrast to the optimism of early texts. The chronological progression of texts dealt with here, spanning an era of almost three hundred years prove to be reflective, to a large degree, of the decline of modernity and the effects of this on the colonial enterprise as depicted in the colonial genre.
Schneider, Rosa B. ""Um Scholle und Leben" zur Konstruktion von "Rasse" und Geschlecht in der kolonialen Afrikaliteratur um 1900 /." Frankfurt : Brandes & Apsel, 2003. http://catalog.hathitrust.org/api/volumes/oclc/52134354.html.
Full textde, Beer Amanda Erika. "„Wo ist der Junge aus dem Urwald?“ Abenteuer und koloniales Afrika in der Jugendliteratur." Thesis, Stellenbosch : Stellenbosch University, 2015. http://hdl.handle.net/10019.1/96813.
Full textAFRIKAANSE OPSOMMING : Hierdie proefskrif is ’n ondersoek na die wyse waarvolgens Duitse jeugboekskrywers die koloniale periode in Afrika uitbeeld. Duitse avontuurliteratuur speel dikwels af in die koloniale periode in Afrika. Motiewe in die avontuurroman stem egter nie altyd ooreen met die historiese konteks en geografiese ruimtes nie. Dit skep die indruk dat so ’n verhaal tyd- en ruimteloos is en dat die historiese en geografiese konteks bloot die afstand tussen Afrika en Europa beklemtoon. In die lig van die feit dat Afrika en sy historiese konteks dikwels as eksotiese agtergrond dien, bespreek die studie die problematiek rondom die manier waarvolgens skrywers die koloniale periode in die avontuurliteratuur ontleed. Vervolgens word die vraag gestel tot watter mate die uitbeelding van Afrika sedert 1945 verander het. Die wyse waarop die koloniale periode in Afrika in Duitse jeugliteratuur uitgebeeld word, behoort dus ondersoek te word binne die konteks van die tradisionele avontuurliteratuur. Deurdat die studie gesentreer is rondom die avontuurliteratuur voor 1945 en avontuurboeke na 1945, stel die dissertasie ondersoek in tot watter mate jeugboeke en hulle uitbeelding van die koloniale periode verander het en in hoeverre die tradisionele avontuurliteratuur aan hierdie boeke ontleen is. In hierdie proefskrif word avontuurverhale en avontuurlike jeugverhale wat tydens die koloniale periode in Afrika afspeel, vervolgens ontleed. Die studie fokus op vier periodes: Eerstens word tradisionele avontuurstories en motiewe wat ’n belangrike rol speel in die uitbeelding van Afrika, geïdentifiseer. Die volgende tekste word ontleed: C.Falkenhorst se Der Baumtöter (1894), Gustav Frenssen se Peter Moors Fahrt nach Südwest (1906), Josef S. Viera se Bana Sikukuu (1924) en Gust in der Klemme (1933), Max Mezger se Aufruhr auf Madagaskar (1930) en Rolf Italiaander se Wüstenfüchse (1934). Tweedens ondersoek die studie die rol wat avontuurmotiewe – inisiasie, weerstand en verowering – speel in jeugboeke wat in die Federale Republiek van Duitsland gepubliseer is. Die volgende tekste word onder die loep geneem: Kurt Lütgen se ...die Katzen von Sansibar zählen (1962), Rolf Italiaander se Mubange, der Junge aus dem Urwald (1957), Herbert Kaufmann se Der Teufel tanzt im Ju-Ju-Busch en sy historiese roman Des Königs Krokodil (1959). Derdens ondersoek die studie watter rol avontuurmotiewe – die edel barbaar (edle Wilde), antiheld en die tweegeveg – speel in jeugboeke wat in die Duitse Demokratiese Republiek gepubliseer is. Die volgende tekste word analiseer: Ferdinand May se roman Sturm über Südwest-Afrika (1962) en Götz R. Richter se Savvytrilogie (1955 – 1963) en Die Löwen kommen (1969). Laastens stel die studie die vraag tot watter mate die kontemporêre avontuurliteratuur – soos Hermann Schultz se sendingroman Auf den Strom (1998) ’n nuwe ontwikkeling toon wat van die tradisionele avontuurliteratuur van die 19de en 20ste eeu afwyk.
ENGLISH ABSTRACT : This dissertation investigates how the African colonial period is portrayed in German youth literature. German adventure literature is often set in the African colonial period. However, motifs in the adventure novel do not always correspond with historical themes and geographical spaces. This gives the impression that such novels stand outside of time and space and that the historical and geographical context merely emphasize the distance between Africa and Europe. In light of the fact that Africa and its historical context are often reduced to an exotic backdrop, questions are raised about the way authors examine the colonial period in the adventure literature and how the portrayal of Africa has changed since 1945. The question how the African colonial period is portrayed in German youth literature is therefore examined within the context of the traditional adventure literature. Reflecting on adventure literature before 1945 on the one hand and adventure stories after 1945 on the other, this study examines to what extent youth books and their portrayal of the colonial period have changed and how these books relate back to the traditional adventure literature. For this purpose, adventure stories and adventurous youth stories and –novels that are set in the colonial period in Africa are analysed and the study focuses on four periods: Firstly, traditional adventure stories and motifs that play an important role in the portrayal of Africa are identified. The following are analysed: C. Falkenhorst’s Der Baumtöter (1894), Gustav Frenssen’s Peter Moors Fahrt nach Südwest (1906), Josef S. Viera’s Bana Sikukuu (1924) and Gust in der Klemme (1933), Max Mezger’s Aufruhr auf Madagaskar (1930) and Rolf Italiaander’s Wüstenfüchse (1934). Secondly, the dissertation investigates what role adventure motifs – initiation, resistance and conquest – play in the youth literature of the Federal Republic of Germany. The following are analysed: Kurt Lütgen’s …die Katzen von Sansibar zählen (1962), Rolf Italiaander’s Mubange, der Junge aus dem Urwald (1957), Herbert Kaufmann’s Der Teufel tanzt im Ju-Ju-Busch and his historical novel Des Königs Krokodil (1959). Thirdly, the study examines adventure motifs – noble savage (edle Wilde), anti-hero and the duel – in the literature published in the German Democratic Republic. These are Ferdinand May’s novel Sturm über Südwest-Afrika (1962) and Götz R. Richter’s Savvy-Trilogie (1955-1963) and Die Löwen kommen (1969). Lastly, the dissertation poses the question to what extent the contemporary adventure literature – like Hermann Schulz’ missionary novel Auf dem Strom (1998) – shows a new development which deviates from the traditional adventure literature of the 19th and 20th century.
Rauwerda, Antje M. "Unsettling whiteness, Hulme, Ondaatje, Malouf and Carey." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/NQ63446.pdf.
Full textJerez, Olga Estela. "La hija del adelantado, de José Milla : reflejo del pasado y proyección del futuro nacional guatemalteco." Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=21222.
Full textThe main purpose of this work is to highlight the importance that Jose Milla places on his country's history, and to demonstrate that through the rewriting of the colonial past, the author contributes to the building process of the national identity. Also emphasized is the way in which Milla---giving priority to national history and to America's natural forces and beauty---places La hija del adelantado, as Guatemala's foundational text.
Favor, Lesli J. "Interactions Between Texts, Illustrations, and Readers: The Empiricist, Imperialist Narratives and Polemics of Sir Arthur Conan Doyle." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc279069/.
Full textArmstrong, Catherine. "Writing North America in the seventeenth century : English representations in print and manuscript /." Aldershot [u.a.] : Ashgate, 2007. http://www.loc.gov/catdir/toc/ecip076/2006101292.html.
Full textDear, Lou. "Colonialism, knowledge and the university." Thesis, University of Glasgow, 2017. http://theses.gla.ac.uk/30710/.
Full textLoriaux, Stéphanie. "Luid tussen twee stilten: vergeten vrouwenstemmen uit tempo doeloe. De Indisch-Nederlandse literatuur uit het negentiende-eeuwse damescompartiment." Doctoral thesis, Universite Libre de Bruxelles, 2003. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211227.
Full textNicolau, Maria da Conceição dos Santos. "A fúria dos tambores: music in African post-colonial literaturea música na literatura pós-colonial Africana." Master's thesis, Universidade de Aveiro, 2004. http://hdl.handle.net/10773/17761.
Full textThe following dissertation attempts to discuss the presence of music (from indirect to more direct references) in representative texts of African Post- Colonial literature, in particular, Chinua Achebe’s Things Fall Apart, Ngũgĩ wa Thiong’o’s Devil on the Cross, and Paulina Chiziane’s Niketche. This dissertation attempts to contextualise the use of music in three African countries, with respect to the historical, social, and cultural backgrounds, as well as to provide an approach to general musical practice and significant aspects of the way music is present in the three novels individually. It is necessary to understand and recognize that music is not only interesting in the analysis of African cultures, but also when analysing certain literary works. I intend to characterise and valorise music from literature or vice-versa. One of the aims of this dissertation is to approach how, through the presence of musical references, we can understand the novel and the cultures of the country portrayed. Focus has often been made on other cultural aspects in the study of these novels, generally with music being dealt with sketchily if at all. These books thus raise a number of questions about human beings, society, and cultural practices, demonstrating the extent to which different aspects of a given society and music are interwoven in complex ways. It is in this interdependence between music and society that we find a point of analysis of different African cultures as of the novels in question.
A presente dissertação procura discutir a presença da música (desde referências indirectas até às mais directas) em textos representativos da literatura Pós-Colonial Africana, nomeadamente, Things Fall Apart de Chinua Achebe, Devil on the Cross de Ngũgĩ wa Thiong’o e Niketche de Paulina Chiziane. Esta dissertação pretende contextualizar o uso da música em três países Africanos, respeitando o contexto histórico, social e cultural, analisando a prática musical em geral e aspectos significativos na forma como a música está presente nas três obras individualmente. Torna-se necessário perceber e reconhecer que a música não só é interessante na análise de culturas Africanas, mas também o é quando analisamos determinadas obras literárias. Pretendo caracterizar e valorizar a música a partir da literatura ou vice-versa. Um dos objectivos desta dissertação é abordar o modo como, através da presença de referências musicais, podemos compreender a obra e as culturas do país em causa. Muitas vezes se deu relevo a outros aspectos culturais no estudo destas obras, sendo a música normalmente analisada com imprecisão, ou nem isso. Nas três obras são levantadas questões ligadas ao ser humano, sociedade e práticas culturais, de forma a poder demonstrar como diferentes aspectos de uma dada sociedade e a música estão interrelacionadas de forma complexa. É nesta interdependência entre música e sociedade que vamos encontrar um ponto de análise de diferentes culturas Africanas e das três obras em questão.
Manlove, Clifford T. "Eyes that colonize and post-colonial resistance to the transatlantic gaze in literature /." free to MU campus, to others for purchase, 1999. http://wwwlib.umi.com/cr/mo/fullcit?p9962541.
Full textChoe, Hyonhui. "The Purloined Name of the Colonized| "Culture" in Late Colonial Korea, 1937-1945." Thesis, University of California, Irvine, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3595816.
Full textThis study analyzes "culture" in late colonial Korea, 1937 to 1945, with the methodology of worldly repetition. By embedding culture between quotation marks, I intend to clarify that the object of this study is not an object per se. Korean "culture" is constructed around the three names that the present researcher is barred from objectifying. The names Yi Sang, Ch'oe Chaesoˇ, and Mun Yebong are not mere indexes of three persons with their particular intrinsic qualities. They are names that represent the Korean culture of the time. However, their representativeness does not mean that they enable the present researcher to reconstruct a general view of Korean culture of the time through them. They are representative to the extent that they allow the present researcher to reflect his own positionality in his research on a past event in history. This reflexive return is induced by the names' essential self-reflexivity; reflections on them are not to be objective if they are aiming at others through the names. The three names are representative of Korean culture of the time to the extent that they are the "origin" of the "culture" that is being formed within the present researcher's time.
Alshammari, Shahd. "Madwomen agents : common experiences in British imperial, postcolonial, and Bedouin women's writing." Thesis, University of Kent, 2014. https://kar.kent.ac.uk/47601/.
Full textMorris, Michael. "Atlantic archipelagos : a cultural history of Scotland, the Caribbean and the Atlantic world, c.1740-1833." Thesis, University of Glasgow, 2013. http://theses.gla.ac.uk/3863/.
Full textGeorges, Richard William Ethan. "Charting the sea in Caribbean poetry : Kamau Brathwaite, Derek Walcott, Dionne Brand, Alphaeus Norman, Verna Penn Moll, and Richard Georges." Thesis, University of Sussex, 2017. http://sro.sussex.ac.uk/id/eprint/66040/.
Full textChemmachery, Michaux Jaine. "Modernité et colonisation : les nouvelles sur l’empire de Rudyard Kipling et de Somerset Maugham." Thesis, Rennes 2, 2013. http://www.theses.fr/2013REN20026/document.
Full textKipling’s and Maugham’s short stories respectively stage Anglo-Indian society during the Raj and English and Dutch colonial societies in interwar South-East Asia. In spite of contextual differences and the two specific moments when the authors wrote their short stories, the latter invariably deal with a problematic colonisation seen as a crisis while the genre of the short story formally conveys the notion of crisis. By using the relation between modernity and colonisation as it was conceptualised by the Postcolonial studies as a paradigm, this dissertation shows how short stories can operate a specific take on this relation and be considered as a site of disturbance. In this reflection on the propensity of short stories to destabilise political and philosophical modernity and the various ideologies it is associated with – such as the promotion of reason, of knowledge, of progress – Kipling’s and Maugham’s colonial short fictions seem to operate in different ways. Kipling’s short stories poetically question the “political” and modernity as they appear in the colonial paradigm through awriting that operates from a marginal position moving away from the domestic novel. By focusing on colonial society, itself being located on the margins of English metropolitan society, the writers’ works practise a decentering form of writing. Maugham’s short stories partake more of a general feeling about the decline of European civilisation in the interwar period but also reflect on the location of the writer who faces various centres which produce knowledge and cultural authority. The destabilising effect of the short story is certainly linked to its position as a “lonely voice” but above all to its marginal position
Buckley, Thea Anandam. ""In the spicèd Indian air by night" : performing Shakespeare's Macbeth in Postmillennial Kerala." Thesis, University of Birmingham, 2017. http://etheses.bham.ac.uk//id/eprint/7148/.
Full textCollins, Brenda. "Representations of landscape and gender in Lady Anne Barnard's "Journal of a month's tour into the interior of Africa"." Thesis, Stellenbosch : Stellenbosch University, 2007. http://hdl.handle.net/10019.1/17744.
Full textENGLISH ABSTRACT: This thesis will focus on Barnard’s representations of gender and landscape during her tour into the interior of the South of Africa. Barnard’s conscious representation of herself as a woman with many different social roles gives the reader insight into the developing gender roles at the time of an emerging feminism. On their tour, Barnard reports on four aspects of the interior, namely the state of cultivation of the land, the type of food and accommodation available in the interior, the possibilities for hunting and whether the colony will be a valuable acquisition for Britain. Barnard’s view of the landscape is representative of the eighteenth century’s preoccupation with control over and classification of nature. She values order and cleanliness in her vision of a domesticated landscape. She appropriates the land in wanting to make it useful and beautiful to the colonisers. However, her representations of the landscape, as well as its inhabitants, remain ambivalent in terms of the discourse of imperialism because she is unable to adopt an unequivocal colonial voice. Her complex interaction with the world of colonialism is illustrated by, on the one hand, her adherence to the desire to classify the inhabitants of the colony according to the eighteenth century’s fascination with classification and, on the other hand, her recognition of the humanity of the individuals with whom she interacts in a move away from the colonial stance.
AFRIKAANSE OPSOMMING: Hierdie tesis fokus op Barnard se voorstellings van gender en landskap gedurende haar toer in die binneland van die suide van Afrika. Barnard se bewuste voorstelling van haarself as ‘n vrou met vele sosiale rolle gee die leser insig in die ontwikkelende genderrolle gedurende ‘n tydperk van ontluikende feminisme. Gedurende haar toer doen Barnard verslag oor vier aspekte van die binneland, naamlik hoeveel van die grond reeds bewerk is, die tipe kos en akkommodasie wat beskikbaar is, die jagmoontlikhede, en of die kolonie ‘n waardevolle aanwins vir Brittanje sal wees. Barnard se beskouing van die landskap is verteenwoordigend van die agtiende-eeuse obsessie met beheer oor en klassifikasie van die natuur. Sy heg groot waarde aan orde en netheid in haar visie van ‘n getemde landskap. Sy lê beslag op die land deurdat sy dit bruikbaar en mooi wil maak vir die kolonialiste. Haar voorstellings van die landskap sowel as die inwoners weerspieël egter haar ambivalente posisie jeens die koloniale diskoers omdat sy sukkel om ‘n ondubbelsinnige koloniale stem te gebruik. Haar komplekse interaksie met die wêreld van kolonialisme word weerspieël deur, enersyds, haar navolging van die koloniale neiging om die inwoners van die land te kategoriseer in lyn met die agtiende-eeuse obsessie met klassifikasie en, andersyds, haar herkenning van die menslikheid van die individue met wie sy kontak maak in ‘n skuif weg van die koloniale standpunt.
Al, Shalabi Rasha. "Mapping the Dominican-American experience : narratives by Julía Alvarez, Junot Díaz, Loida Maritza Pérez and Angie Cruz." Thesis, University of Essex, 2017. http://repository.essex.ac.uk/19396/.
Full textSilva, Wellington Rogério da. "Representações do espaço na literatura magrebina contemporânea: da literatura argelina à literatura-mundo." Universidade Federal de Juiz de Fora (UFJF), 2015. https://repositorio.ufjf.br/jspui/handle/ufjf/4717.
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CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
Esta tese toma por objeto obras de três escritores argelinos de língua francesa, a saber, Kateb Yacine, Assia Djebar e Anissa Mohammedi, inseridas na literatura contemporânea do Magrebe. Esses autores percorrem o espaço da própria terra e encontram na expatriação da sua literatura o motivo de sobrevivência. Eles nos fornecem a dimensão duma nova espacialidade como fruto do spatial turn, e do incontornável fenômeno migratório na Argélia desde muito tempo, notadamente durante o período colonial e pós-colonial. Escrevendo atualmente na França ou noutras partes do mundo, mostram, nessa condição, possibilidades novas de inserção da literatura argelina escrita na língua deste que foi o seu antigo colono. Assim, eles se inscrevem numa inter-relação com o mundo, noção desenvolvida por Édouard Glissant pela Poética da Relação. Como rizomas, indo ao encontro do outro, trazem para a problemática segundo a qual as relações entre a literatura e a geografia se tornam essenciais para se pensar a ancoragem da literatura no espaço. Apoiamo-nos nalgumas noções desenvolvidas por alguns pensadores, dentre quais enfatizamos Édouard Glissant e Michel Collot. Por isso, considerando essas relações, concebemos a existência duma Geografia Literária como uma variante para a nossa abordagem Como tratamos de escritores contemporâneos, dialogamos com os processos globalizadores, considerando-os como projetos e não como uma constante na vida humana, ao mesmo tempo em que espaços continuam vazios, na contingência e, por isso mesmo, cheios de encantamento. Desenvolvemos então as noções como a de espaço e espacialidade, relacionando-as às obras escolhidas, que permanecem o nosso principal objeto em relação à espacialidade magrebina: o espaço da mulher árabo-muçulmana, das línguas e da poesia, esta última responsável pela formação da literatura argelina e sua inserção numa literatura-mundo. Concluímos a nossa tese com aportes sobre as possibilidades nossos escritores nos espaços encarnados, e considerando-os como andorinhas costeiras, razões de sobrevivência do sujeito num mundo cada vez mais fragilizado e incerto.
Cette thèse prend pour objet des oeuvres de trois écrivains algériens de langue française, à savoir, Kateb Yacine, Assia Djebar et Anissa Mohammedi, insérées dans la littérature contemporaine au Maghreb. Ces auteurs parcourent l‟espace de la propre terre et trouvent dans l‟expatriation de leur littérature la raison même de survie. Ils nous fournissent la dimension d‟une nouvelle spatialité comme résultat d‟un spatial turn et de l‟incontournable phénomène migratoire en Algérie depuis longtemps, nottament durant la période coloniale et post-coloniale. Écrivant actuellement en France ou ailleurs, ils démontrent dans cette condition des possibilités nouvelles d‟insertion de la littérature algérienne écrite dans la langue de celui qui fut son ancien colon. Ainsi, ils s‟inscrivent dans une interrelation avec le monde, notion développée par Édouard Glissant à partir d‟une poétique de la Relation. En les considérant comme des rhizomes, nous avons développé la problématique selon laquelle les rapport entre la géographie et la littérature devient fondamental pour penser les rapports entre la littérature et l‟espace. Nous avons cherché quelques notions étudiées par des théoriciens, dont Édouard Glissant et Michel Collot. De ce fait, considérant les rapports entre la littérature et la géographie, nous concevons l‟existence d‟une Géographie Littéraire comme une variable dans cette approche. Puisque il s‟agit d‟écrivains contemporains, le dialogue avec les processus de mondialisaion devient aussi important, sachant qu‟il ne s‟agit pas d‟un processus naturel, mais d‟un projet majeur, alors que des espaces restent en friche, dans la contingence et, en l‟occurrence, pleins d‟echantement. Nous avons donc cherché les notions d‟espace et de spatialité et ses rapports aux ouvrages sélectionés, qui restent notre principal objet sur la spatialité maghrébine: l‟espace de la femme arabo-musulmane, des langues et celui de la poésie, celle-ci responsable pour la formation de la littérature algérienne et son insertion dans une littérature-monde. Pour conclure, nous proposons des apports sur les possiblités de nos écrivains dans les espaces incarnés, en les considérant comme des hirondelles de rivage, seule raison de survie du sujet dans un monde de plus en plus fragilisé et incertain.
Nakai, Asako. "Conrad's inheritors : colonial and postcolonial literatures." Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.308867.
Full textMenardi, Ana Paula Seco. "A educação na literatura de viagem e na literatura jesuitica - seculos XVI e XVII." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/251657.
Full textTese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação
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Resumo: O presente trabalho trata sobre a educação na Literatura de Viagem e na Literatura Jesuítica, buscando trazer à tona o seu caráter ideológico. Entendemos por Literatura de Viagem o conjunto de obras, sejam elas escritas por colonizadores, aventureiros, comerciantes, naturalistas ou exploradores, que trazem informações e imagens que deram à Europa uma visão do Novo Mundo através de uma experiência própria proporcionada pela viagem. E por Literatura Jesuítica, os muitos escritos deixados pelos membros da Companhia de Jesus em diferentes formatos: cartas, sermões, narrativas, relatórios, tratados, informativos. Os relatos produzidos pelos viajantes e jesuítas estrangeiros que estiveram no Brasil ao longo dos séculos XVI e XVII são testemunhos fundamentais das viagens e dos contatos estabelecidos com os habitantes do Novo Mundo, sendo uma parte integrante do próprio quadro do processo de conquistas e colonização. Os europeus foram os primeiros a construírem um conhecimento referente à educação no Brasil, entendida tanto no sentido amplo: enquanto conhecimento e observação dos costumes e da vida social, civilidade, polidez, cortesia, cultura socialização e sociabilidade, como também no sentido mais restrito: como meio de adquirir formação e desenvolvimento físico, intelectual, religioso e moral, na sua forma institucionalizada, no sentido mesmo de instrução, de ensino, escolarização. A forma como viajantes e jesuítas estrangeiros, mais especificadamente europeus, observaram, interpretaram, registraram e construíram um conhecimento acerca da educação estão ligadas, direta e indiretamente, a uma visão de mundo socialmente condicionada, representando, portanto, a visão de mundo do branco ocidental civilizado e cristão. Os relatos dos viajantes e jesuítas estrangeiros são expressões ideológicas que refletem as concepções de colonização, sociedade e educação de seu tempo, servindo tanto aos propósitos da Coroa portuguesa como também da Igreja reformada. A questão que se colocou para este trabalho foi justamente como alguns viajantes e jesuítas que estiveram no Brasil nos séculos XVI e XVII e observaram a sociedade colonial brasileira construíram imagens, forjaram interpretaram a sociedade brasileira, articularam informações, fatos e idéias, elaboraram teorias, de forma a expressar uma concepção ideológica de sociedade, religião e educação. Ou seja, como construíram e reproduziram um conhecimento a respeito da educação no Brasil, através de suas obras, buscando desvendar o caráter ideológico desses escritos resultantes das viagens.
Abstract: The present work regards the Education in Travel Writing and Jesuit Literature, seeking to bring out its ideological nature. Travel Writing is all works written by colonizers, adventurers, traders, naturalists and explorers who have information and images that gave Europe a vision of the New World through an experience provided by the trip. And Jesuit literature, the many writings left by members of the Society of Jesus in different formats: letters, sermons, narratives, reports, treaties, information. The reports produced by the Jesuits and foreign travelers who visited Brazil during the sixteenth and seventeenth centuries are evidence of the fundamental travel and contacts established with the inhabitants of the New World, and is part of the very framework of the conquest and colonization. The Europeans were the first to build a knowledge related to education in Brazil, as understood in the broad sense: as knowledge and observation of manners and social life, civility, politeness, courtesy, culture, socialization and sociability, but also in the narrower sense: as a means to gain training and physical, intellectual, religious and moral, in its institutionalized form, in the same sense learning and acquisition of knowledge. The way that travelers and foreign Jesuits, more specifically the Europeans ones, observed, interpreted, recorded and built a knowledge of education are linked, directly and indirectly, to a worldview socially conditioned, and thus become the world view of Western White civilized and Christian. The accounts of foreign travelers and Jesuits are ideological expressions that reflect the views of colonization, society and education of his time, serving both the purposes of the Portuguese crown, but also of the Reformed Church. The question asked for this work was just as some travelers and missionaries who came to Brazil in the sixteenth and seventeenth century and found the Brazilian colonial society constructed images, forged interpreted the Brazilian society, articulated information, facts and ideas, developed theories of order to express an ideological conception of society, religion and education. That is, as constructed and reproduced knowledge about education in Brazil, through his works, trying to uncover the ideology of these writings of journeys.
Doutorado
Historia, Filosofia e Educação
Doutor em Educação
Stroh, Silke. "(Post)colonial Scotland? : literature, gaelicness and the nation /." Frankfurt a.M, 2009. http://opac.nebis.ch/cgi-bin/showAbstract.pl?sys=000259524.
Full textDjomo, Esaïe. "" Des Deutschen Feld, es ist die Welt!" : Pangermanismus in der Literatur des Kaiserreichs, dargestellt am Beispiel der deutschen Koloniallyrik : ein Beitrag zur Literatur im historischen Kontext /." St. Ingbert : W.J. Röhrig, 1992. http://catalogue.bnf.fr/ark:/12148/cb356157860.
Full textSantos, Fernanda Fatima da Fonseca. "Experiência colonial e pós-colonial na ordem ruinosa do mundo: uma leitura de O esplendor de Portugal, de António Lobo Antunes." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8156/tde-24052017-105502/.
Full textThe observation of formal procedures employed by António Lobo Antunes in O esplendor de Portugal (1997) took us to recognize the existence, in the book, a very peculiar and complex critical view about the History of portuguese colonialism and the post-colonial context in that Angola and Portugal are inserted. In this way, the purpose of our dissertation is to show the social dynamics represented in O esplendor de Portugal and the driving the authorial plan gives to this representation. Therefore, we look for to identify the relationships between the formal elements structures of the work and those that react the social dynamics that are listed. To achieve this purpose, we direct our studies to readings of literary theory and criticism based on the concepts of structural reduction and dialectical interpretation that Antonio Candido proposes. At the same time, we proceed to delineation and to analysis of the historical context to involve the plot of the novel in question, with emphasis to observation of dialectical dynamics that happened between the development of capitalism of the major world powers and the economic backwardness of Portugal, as well to how these dynamics intervened in the constitution and in the maintenance of basic social forms of portuguese colonialism in Africa. After this theoretical base, we did the literary analysis of O esplendor de Portugal and we found that, in this work, the critical view on portuguese colonialism in their impact, appear with the political and economic situations in the world are cross, into the novel, of different temporalities, which fall between the end of the 19TH century and the year of 1995. Is from crossing these temporalities that authorial intent does to protrude issues like operating modes of the angolan workforce, the performance of large foreign capital in Angola, the expectations of economic expansion of the colonists owners, subordinates who were the Portuguese State and the power of big capital, the co-responsibility of these settlers in the institution and in the widespread violence that pervaded the social relations in the colony and the influence that foreign interests also had on Angola exploration, in the direction of the colonial war and on intensification and expansion of the existing conflicts between the Angolan nationalist movements. The main conclusion that we reached, therefore, is that the pillar on which sits the creation of O esplendor de Portugal is the composition, underlying the complex net of romance narrative, not less complex of causal relationships between the temporalities covered in the book, in which the lines of rupture and historical continuity that underpin this network and that build the representation of the catastrophic present in which are situated the narrators.
Morris, James Medley. "Beyond Orientalism : 'the stranger' and 'colonial cosmopolitanism' in the romantic period novel." Thesis, University of Glasgow, 2016. http://theses.gla.ac.uk/7534/.
Full textDeckard, Sharae Grace. "Exploited Edens : paradise discourse in colonial and postcolonial literature." Thesis, University of Warwick, 2007. http://wrap.warwick.ac.uk/1139/.
Full textXiong, Ying. "Representing empire: Japanese colonial literature in Taiwan and Manchuria." Thesis, The University of Sydney, 2011. https://hdl.handle.net/2123/28923.
Full textSanusi, Ramonu Abiodun. "Representations of Sub-Saharan African Women in Colonial and Post-Colonial Novels in French." Thesis, view abstract or download file of text, 2004. http://wwwlib.umi.com/cr/uoregon/fullcit?p3136444.
Full textTypescript. Includes vita and abstract. Includes bibliographical references (leaves 175-186). Also available for download via the World Wide Web; free to University of Oregon users.
Carvalho, Manuella Pereira. "As dicotomias da Nação: o espaço em Eterna paixão e Venenos de Deus, remédios do Diabo." Universidade Federal de Pelotas, 2014. http://repositorio.ufpel.edu.br/handle/ri/2723.
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Sem bolsa
Os estudos comparados têm permitido operar uma descentralização da literatura, promovendo uma abertura para o estudo de obras literárias até então consideradas periféricas. O estudo aqui apresentado realiza um comparativo entre as obras Eterna paixão (1994), de Abduali Sila, escritor guineense e Venenos de Deus, remédios do Diabo (2008), de Mia Couto, escritor moçambicano. Este construto teórico analisa temas como comunidades imaginadas, observadas pelos espaços externo (esfera pública) e interno (esfera privada) no período pós-colonial. Esse momento da história torna-se singular para as jovens nações africanas, porque é um período de tensões geradas por inúmeros aspectos culturais locais e questões ligadas à modernidade. As ideias para a reflexão e explanação das questões teóricas concernentes a este trabalho são iluminadas principalmente por Henry Lefebvre, Partha Chatterjee, Hommi Bhabha, Kwame Appiah e Stuart Hall, em relação ao espaço, as comunidades imaginadas, cultura, nação e identidade. Cada uma das obras observadas revelam a sua comunidade imaginada, isto é, criam uma imagem de nação para refletir acerca dos rumos que seus países tomaram após um longo período de colonização. Com efeito, constata-se a dificuldade de compreensão dos sujeitos em como lidar com os costumes e mitos locais em relação à modernidade. Desse modo, criam-se dicotomias da nação que manifestam as diferenças entre o local e o global e como estas diferenças acabam se conformando na construção da imagem nacional.
Comparative studies have allowed a decentralization of literature, fostering an openness to study literary work previously considered peripheral. The study presented here shows a comparison between two works - Eterna Paixão (1994), from Abduali Sila, a Guinean writer, and Venenos de Deus, Remédios do Diabo (2008), from Mia Couto, a Mozambican writer. The theoretical construct examines subjects as the imagined communities, observed by external spaces (public sphere) and internal spaces (private sphere) in the post-colonial period. This moment in history becomes unique for young African nations, because it is a period of tension generated by numerous local cultural aspects and issues related to modernity. The reflection and explanation of ideas of the theoretical questions concerning this research are mainly enlightened by Henry Lefebvre, Partha Chatterjee, Hommi Bhabha, Kwame Appiah and Stuart Hall, in relation to space, the imagined communities, culture, nation and identity. Each of the analyzed work reveals their imagined community, which means, they create an image of a nation to reflect on the path that their countries took after a long period of colonization. Indeed, subjects have had a difficulty in understanding and dealing with local customs and myths in relation to modernity. Thus, nation dichotomies are created and show the differences between the local and the global, and how these differences end up shaping the construction of national image.