Books on the topic 'Colonies in art'

Musée d'Aquitaine de la ville de Bordeaux, ed. "Nos artistes aux colonies": Sociétés, expositions et revues dans l'empire français (1851-1940). Pessac]: Université Bordeaux Montaigne, Centre François-Georges Pariset, 2015.

Shipp, Steve. American art colonies, 1850-1930: A historical guide to America's original art colonies and their artists. Westport, Conn: Greenwood Press, 1996.

Singapore, National Gallery. Artist and empire: (en)countering colonial legacies. Singapore: National Gallery Singapore, 2016.

Ligner, Sarah. Les arts coloniaux: Circulation d'artistes et d'artefacts entre la France et ses colonies. Le Kremlin-Bicêtre]: Éditions Esthétiques du divers, 2021.

Mitton, Nancy Dyer. A romantic art colony, Marion, Massachusetts. New Bedford, MA: Reynolds-DeWalt Printing, 2000.

Lipsky, David. The art fair. New York: Doubleday, 1996.

Luís, Bento dos Santos, and Grupo Santander, eds. Atlas of Portuguese art in the world. Lisbon: Santander Totta, 2007.

Vloten, Francisca van. Masterpieces from European artist colonies, 1830-1930. [Atlanta, Ga.]: Oglethorpe University Museum of Art, 2005.

complex), Abattoirs (Museum, ed. Postcolonial-décolonial: La preuve par l'art. Toulouse: Presses universitaires du Midi, 2021.

(Gallery), São Roque. Portugal, the first global empire. Lisboa: São Roque, antiquités et galerie d'art, 2018.

Denenberg, Thomas Andrew. Call of the coast: Art colonies of New England. [Portland] Maine: Portland Museum of Art, 2009.

Denenberg, Thomas Andrew. Call of the coast: Art colonies of New England. [Portland] Maine: Portland Museum of Art, 2009.

Kurtz, Lansing Amy, Danly Susan, Portland Museum of Art, and Florence Griswold Museum, eds. Call of the coast: Art colonies of New England. [Portland] Maine: Portland Museum of Art, 2009.

Belmonte, Carmen. Arte e colonialismo in Italia: Oggetti, immagini, migrazioni (1882-1906). Venezia: Marsilio, 2021.

interviewee, Ligner Sarah organizer, and Musée du quai Branly--Jacques Chirac, eds. Peintures des lointains: La collection du musée du quai Branly-Jacques Chirac. Paris]: Société Française de Promotion Artistique, 2018.

Laguna Art Museum (Laguna Beach, Calif.), ed. Art colony: The Laguna Beach Art Association, 1918-1935. Laguna Beach: Laguna Art Museum, 2018.

Buck, Anita Albrecht. Jo Lutz Rollins and the Stillwater art colony. [Bayport, Minn: Bayport Print. House, 1997.

Palais des beaux-arts (Brussels, Belgium) and Europalia (1991 : Brussels, Belgium), eds. Triomphe du baroque: Palais des beaux-arts, Bruxelles, 19 septembre-29 décembre 1991. [Bruxelles?: Fondation Europalia International], 1991.

Sydney, University of, ed. Rustic Cubism: Anne Dangar and the art colony at Moly-Sabata. Chicago: University of Chicago Press, 2004.

Dick, R. H. My time there: The art colonies of Santa Fe & Taos, New Mexico 1956-2006 : a memoir of art, essays, letters, and rare photos, about two of America's most important art colonies. St. Louis, MO: St. Louis Mercantile Library, University of Missouri, St. Louis, 2006.

St. Ives, 1883-1993: Portrait of an art colony. Woodbridge, Suffolk: Antique Collectors' Club, 1994.

Alison, Bevan, and Newton Laura, eds. Painting at the edge: British coastal art colonies 1880-1930. Britsol: Sansom & Company, 2005.

Dick, R. H. My time there: The art colonies of Santa Fe & Taos, New Mexico 1956-2006 : a memoir of art, essays, letters, and rare photos, about two of America's most important art colonies. St. Louis, MO: St. Louis Mercantile Library, 2007.

Szücs, Erzsébet. Móri Művésztelep: 1994-2004. Székesfehérvár: Szent István Király Múzeum, 2004.

Pak, Mi-jŏng. Teikoku shihai to Chōsen hyōshō: Chōsen shashin ehagaki to teiten nyūsensaku ni miru shokuminchi imēji no denpa. Kyōto-shi: Kokusai Nihon Bunka Kenkyū Sentā, 2014.

Meister, Helga. Die Künstler der Einbrunger Mühle. Düsseldorf: Beton-Verlag, 1995.

György, Sümegi. A kecskeméti művésztelep (1909/12-1944) és alkotóház (1957-). Budapest: Új Művészet, 1996.

Buisson, Sylvie. La Ruche: Cité des artistes. Paris: Alternatives, 2009.

Sara, Friedrichsmeyer, Lennox Sara, and Zantop Susanne 1945-, eds. The imperialist imagination: German colonialism and its legacy. Ann Arbor: University of Michigan Press, 1998.

Peter, Lord. Clarence Whaite and the Welsh art world: The Betws-y-coed artists' colony, 1844-1944. Aberystwyth: National Library of Wales, 1998.

Portugal) Encontros para além ha História (2013 Guimarães. Imagens coloniais: Revelações da antropologia e da arte contemporânea = Colonial images : revelations from anthropology and contemporary art. Edited by Faria Nuno editor and CIAJG. Guimarães]: CIAJG, 2014.

Krstić, Nina, and Ivana Jovanović. Likovna kolonije Muzeja naivne i marginalne umetnosti: Art colonies of Museum of Naïve and Marginal Art. Jagodina: Muzej naivne i marginalne umetnosti, 2020.

Aknay, János. Ceredi Művésztelep: Art colony Cered : 1996-2010. Cered: Ars Longa Művészeti Egyesület, 2011.

Margit, Kiss Joakim, and Tóth Antal, eds. Szentendrei művészet 1926-1935 között. Szentendre: [Ferenczy Múzeum], 1997.

Tovey, David. St Ives (1860-1930): The artists and the community : a social history. Tewkesbury: Wilson Books, 2009.

Centro Internacional das Artes José de Guimarães, ed. Demasiado pouco, demasiado tarde: Pintura, escultura, fotografia e filme = Too little, too late : painting, sculpture, photography and film. Lisbon]: Documenta, 2015.

Péter, Ágnes, and Ilona Harsay. 25 év symposion: Társaság + Alapítvány + Művésztelepek = 25 years symposion : Society + Foundation + Workshops. Budapest: Műcsarnok Nonprofit Kft., 2017.

Império e arte colonial (Conference). Império e arte colonial: Antologia de ensaios. Lisboa: Artravel, 2017.

Reitmeier, Lorenz Josef. Dachau: Der berühmte Malerort : Kunst und Zeugnis aus 1200 Jahren Geschichte : vorgestellt in zwölf Themen mit Nachträgen zur Trilogie "Dachau, Ansichten aus zwölf Jahrhunderten" und einer Dachauer Künstlerliste. München: Süddeutscher Verlag, 1990.

Schulte-Wülwer, Ulrich. Künstlerkolonie Ekensund am Nordufer der Flensburger Förde. Heide: Boyens, 2000.

Peter, Davies. St. Ives revisited: Innovators and followers. Abertillery: Old Bakehouse, 1994.

Tovey, David. St Ives art pre-1890: The dawn of the colony. Tewkesbury: Wilson Books, 2008.

Vitali, Aurora Roscini. Roma e le esposizioni coloniali: La messa in scena della diversità durante il fascismo. Roma: CISU, 2020.

Schmid, Elmar D., Gabriele Brugger, and Brigitta Unger-Richter. Inspiration Ammersee. Beuron [Germany]: Beuroner Kunstverlag, 2004.

Ulatowski, Maria. "Polen und kein Ende!": Die polnische Künstlerkolonie in München im Spiegel der deutschen Kunstkritik (1863-1914). Hamburg: Verlag Dr. Kovač, 2017.

Mikuscheit, Achim. Kunst auf der Margarethenhöhe. Essen: Klartext, 2019.

Cour, Morten La, and Iben Johansen. Med parasol og pensel: Egernsund, den glemte kunstnerkoloni. Edited by Kunstmuseet Brundlund slot. Tønder: Museum Sønderjylland, 2016.

Tovey, David. Sea change: Fine and decorative art in St Ives 1914-1930. Tewkesbury: Wilson Books, 2010.

Üveges, Krisztina, and Tóth Árpád. Képtaktikák: Makói Grafikai Művésztelep, 1977-1990. Budapest: Neon Galéria, 2016.

Küster, Bernd. Kunstwerkstatt Worpswede: Begleitschrift zu den Ausstellungen des Landkreis Osterholz in Worpswede 1989. Worpswede: Worpsweder Verlag, 1989.