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Journal articles on the topic 'Colonial built heritage'
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1
Henderson, Joan C. "Built Heritage and Colonial Cities." Annals of Tourism Research 29, no. 1 (January 2002): 254–57. http://dx.doi.org/10.1016/s0160-7383(01)00009-3.
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Lagae, Johan. "From “Patrimoine partagé” to “whose heritage”? Critical reflections on colonial built heritage in the city of Lubumbashi, Democratic Republic of the Congo." Afrika Focus 21, no. 1 (February 15, 2008): 11–30. http://dx.doi.org/10.1163/2031356x-02101003.
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This paper questions the binary structure of the notion “shared heritage”/“patrimoine partagé” that has emerged in recent debates on built heritage in former colonial territories. In the discourses of, for instance, ICOMOS, the notion stands for a heritage “shared” by former “colonizers” and former “colonized”, both categories being considered – albeit often implicitly – as homogenous entities. In line with Stuart Hall, I will argue for an approach to colonial built heritage that takes up the more complex nature of the question “whose heritage?” By focusing on the remarkable colonial built architecture of the city of Lubumbashi, situated in the Democratic Republic of the Congo, I will make a plea for re-thinking and re-positioning this legacy as a critical filter between colonial history and postcolonial memory, thus extending traditional standards of documenting built legacy through formal description and physical assessment that often isolate buildings from their urban as well as historical contexts (social, economic, cultural and/or political). Being influenced by the work of the Mémoires de Lubumbashi-group as well as recent scholarship in the field of architectural history informed by postcolonial studies, the approach on built heritage presented here is twofold. On the one hand, a plea is made to link the cit’s urban form to colonial history by relating it to the cosmopolitan society that produced and experienced it. On the other hand, an approach is suggested that acknowledges how specific urban places and buildings in the city are currently being re-appropriated as “lieux de memoire” by a variety of agents that do not necessarily (want to) share this heritage.
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Górny, Krzysztof, and Ada Górna. "After Decolonization: Changes in the Urban Landscape of Platô in Praia, Cape Verde." Journal of Urban History 45, no. 6 (December 17, 2018): 1103–30. http://dx.doi.org/10.1177/0096144218816704.
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This article addresses colonial built heritage in the urban landscape of Platô, Praia’s historical center. It is based on field work conducted by the authors in 2017. The aim of this article is to define the extent and rate of change in the urban landscape of Platô, from Cape Verde’s independence in 1975 to 2017. The authors focus mainly on the following traces of material colonial built heritage: architecture, streets, symbolic elements and public spaces, while simultaneously describing their immaterial dimensions. The analysis is preceded by a historical overview, which includes the stages of Praia’s spatial development. The authors argue that the colonial legacy in the urban landscape of Platô is constantly changing in functionality and meaning, and is progressively disappearing due to rapid social, economic, and political changes combined with a lack of adequate measures on the part of the country’s authorities to preserve its colonial built heritage.
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van Maanen, Eugenio, and Gregory Ashworth. "Colonial Heritage in Paramaribo, Suriname: Legislation and Senses of Ownership, a Dilemma in Preservation?" International Journal of Cultural Property 20, no. 3 (August 2013): 289–310. http://dx.doi.org/10.1017/s0940739113000131.
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AbstractIn this article, the preservation of the monumental built environment from the colonial period is related to and discussed within the perspective of heritage ownership. It contributes to a debate in which heritage resource preservation is approached and connected to several heritage ownership issues. It argues that an effective built environmental preservation policy for colonial heritage is strongly related to and dependent on issues such as legal property ownership, legislation on listed buildings, enforcement of such legislation, and the willingness among different categories of potential owners to participate and support such preservation. Especially, when it comes to built colonial heritage as an imported alien resource from a colonial past, these issues are particularly interesting and sensitive. A good illustration of these issues is the case of Paramaribo, Suriname. The national government policy following the inscription of the historic inner city of Paramaribo on the World Heritage List of UNESCO in 2002 clearly demonstrates an area of tension and difficulty between and within the interested parties. It shows that monumental preservation and heritage management and interpretation are strongly affected and determined by concepts such as ownership, affinity, interest, economic priorities, and political will. By referring to the actual problems encountered in the preservation efforts relating to the built colonial heritage in Paramaribo and subsequently explaining these problems in relation to specific ownership issues, this article throws light on a number of dilemmas. Conclusions are drawn widening the argument and contributing to the ongoing debate on heritage ownership issues and monument preservation policies especially as it relates to the global issue of managing the relics of now defunct empires.In recent years an increasing interest can be detected in issues concerning the legal property ownership of heritage. This growth in interest focuses in particular on the legislation in relationship to property ownership issues. An important aim of national governments is to use legislation to safeguard their cultural property by embedding it in law, especially, when this cultural property has a high monetary or identity value (as stressed by Fechner, 1998). Additionally, the growing awareness and recognition of heritage as a valuable economic, sociopsychological and environmental asset is receiving increasing international attention. For example, the international acknowledgment that heritage resources are under pressure from all kinds of processes and impacts has encouraged the need for an extension of international legal measures. Consequently, this international interest, often expressed in conventions, charters, and treaties, encourages national and local initiatives (Techera, 2011). An interesting complication to this issue is the question that arises where it involves the monumental built environment from the colonial period that is being preserved and restored, as it may be viewed as a heritage based on alien resources. In particular the acceptance, recognition, and role of what may be viewed as an imported colonial built environment in a multicultural and multiethnic context, may impact effective legislation. Although the discussion about the roles of heritage within a plural cultural and ethnic society has already begun (recently emphasized by Van Maanen, 2011; Ashworth, Graham, & Tunbridge, 2007), it is still an underresearched topic when it comes to legal property ownership as part of a management strategy for preserving built colonial heritage resources.This article examines in particular the effectiveness of policies and laws pursued in Suriname as an instrument for the preservation of resources. It highlights the legal and administrative challenges facing the implementation, management, and enforcement of these strategies and measures. The first part of this article examines the debate about the approach and strategy in using law in conservation and preservation policies. Then the article proceeds to introduce Suriname as an instructive case study. It describes the existing multiethnic context of Suriname and the evolution of legislative policy for the historic inner city of the capital, Paramaribo, with its monumental built environment from the colonial period. By using field data, the article continues with an analysis of the effectiveness and impacts of this administrative and legal framework established in Suriname. It examines in detail the main problems encountered and the extent to which this strategy is supported by the key stakeholders.
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Annis, M. Beatrice. "Appropriation and Preservation (Built) heritage as a common good." Archaeological Dialogues 3, no. 2 (December 1996): 123–26. http://dx.doi.org/10.1017/s1380203800000684.
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In his paper Peter Odermatt takes the local inhabitants and their right to (re)presentation and appropriation of the monumental heritage under protection against the hegemonistic pretension of the Authority – scientific, institutional, economical – that they are solely entitled to this right. The author rightly argues that, in the appropriation of cultural heritage, the Authority does not hold any greater rights than those who live in the vicinity of monuments or those who come from abroad to visit them. The examples he outlines are derived from a Sardinian context and illustrate how the ‘colonial’ pretensions of the heritage industry alienate the local residents from their monumental past and, as a consequence, how indifference led into oblivion.
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Munasinghe, Harsha. "Proclaiming Colonial Urban Heritage: Towards an Inclusive Heritage-interpretation for Colombo’s Past." Journal of Contemporary Urban Affairs 6, no. 1 (July 1, 2021): 1–12. http://dx.doi.org/10.25034/ijcua.2022.v6n1-1.
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Colombo, Sri Lanka’s commercial capital is a forceful creation of European colonialists who occupied the island for over four centuries. Its urban structure displays the social fragmentation sought by the rulers. Colombo elaborates an extraordinary process of city-making, stratified with its Dutch-origin, British-reshaping, and post-colonial adaptation. Proclaiming such a contested past as an inheritance requires an inclusive heritage interpretation. The recent renovation of monumental buildings for potential market values and demolishing minor architecture do not display such a heritage interpretation. This, placing undue attention on a selected social group, is found to be further emptying the compartmentalized city. The exclusion of some sub-societies also cost possible stewardship to urban heritage. Having observed the non-sustainability of current heritage-interpretation practised in Colombo, we searched for alternative means to unify societies in time-space thus sustaining the diversity of urban spaces. Our empirical studies have established the need to integrate the inherent cultural values of the colonial-built urban fabric in heritage interpretation. The results of vibrant heritage-interpretation results have been studied through a literature survey with aims to contribute towards the development of an inclusive heritage interpretation practice to protect Colombo’s colonial past sustainably.
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Malik, A. M., M. Rashid, S. S. Haider, and A. Jalil. "A STUDY OF THE CONSERVATION SIGNIFICANCE OF PIRZADA MANSION, LAHORE, PAKISTAN." Journal of Research in Architecture and Planning 24, no. 1 (June 30, 2018): 34–49. http://dx.doi.org/10.53700/jrap2412018_5.
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Built heritage is not merely about living quarters, but it also reflects the living standards, cultural norms and values of any society. The old built heritage gives references to the past, the way people used to live and their living arrangements. This is done by understanding the spatial layouts of that particular built heritage. This research aims to focus on documenting a historic building from the colonial period located in the walled city of Lahore, to highlight the need and significance of conservation of these historical buildings that are neglected and under threat. The method of research adopted for this paper was to document this building via an ethnographic analysis using photographic surveys, questionaires, interviews from government authorities (Walled City of Lahore Authority) and local residents, and several site visits for detailed documentation. This paper aims to identify the aesthetics and structural threats and other aspects of the Pirzada Mansion, which is a splendid example of the British colonial period and is located in Walled City of Lahore. Keywords: Pirzada Mansion, Walled City, Deterioration, Damage, Conservation, Lahore.
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Podder, Apurba K. "ORDINARY HERITAGE." International Journal of Architectural Research: ArchNet-IJAR 12, no. 2 (August 2, 2018): 334. http://dx.doi.org/10.26687/archnet-ijar.v12i2.1534.
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The motives behind the selection of heritage buildings for conservation are conventionally founded on an elitist sense of historicity and romantic nostalgia of the past. This paper argues that such an approach has a tendency to be temporally rigid, object-focused and exoticism-biased. Often many of the buildings selected as heritage are those built by extensive labour and expensive materials and patronized by the wealthy. Little, however, has been explored on the relation between heritage and aspects of ordinary life, where, in many cases, the latter continue to infuse meaning into the former’s present heritage status. This paper uses a non-participant observational lens to examine an old market tissue in Khulna, an ex-colonial city in Bangladesh and proposes a new notion called ‘ordinary heritage’. Ordinary heritage, as argued, relies on historically persistent socio-economic transactions of the common and the ordinary in their everyday and occasional pursuit for livelihood. These transactions of ordinary people, which are temporally non-static and evolving, take place within and around the architecture of the built environment, making the production of architecture to be fluid, dynamic and most importantly temporary. It forces architecture to constantly evolve, while negotiating the aspiration, needs, aesthetic and reasoning of ordinary subjects. Ordinary heritage thus manifests as a socio-spatial-temporal assemblage innate to an urban tissue that runs as a single organism.
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Lee, Yeonkyung. "Water Treatment Facilities as Civil Engineering Heritage from Guardian of Urban Sanitation to Symbol of Urban Colonial Modernity, in the Case of Ttukdo (Seoul) Water Purification Plant." Sustainability 12, no. 2 (January 9, 2020): 511. http://dx.doi.org/10.3390/su12020511.
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Ttukdo Water Purification Plant, built in 1908, is the first modern waterworks facility in Seoul and the first waterworks industrial heritage in Korea. Modern waterworks were established in order to resolve insanitary conditions of the city as a part of modernization projects; however, it had been developed with discrimination and colonial domination under Japanese occupation. This paper investigates how Ttukdo Water Purification Plant, a product of colonial modernity, became the representative modern waterworks heritage in both aspects of a colonial and civil engineering heritage. Based on archival research, this study analyzes the transformation process of Ttukdo Water Purification Plant, and the changing meaning and value with the historical background. As a result, Ttukdo Water Purification Plant has been characterized by the universal features of water industry heritage, continuity as a facility to produce clean water, and symbolic meaning as the guardian of urban sanitation. On the other hand, Ttukdo plant is regarded as a monument which was conceived under complicated historical conditions—at the confluence of modernization, colonial rule, and emergent urban needs.
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Son, Le Minh, and Linh Ngoc Thao Dang. "Preserving and Promoting Colonial Architecture." Culture and Local Governance 6, no. 2 (July 9, 2020): 135–50. http://dx.doi.org/10.18192/clg-cgl.v6i2.4755.
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Da Nang’s urban landscape reveals more than a half century of colonization and French presence on its territory. The buildings carry the imprint of the colonial experience, as they were once considered a symbol of domination, linking Da Nang to the global history of colonization. After years of independence and reconstruction, the public attitude towards French colonial heritage has changed. Despite its roots and historical origins, today, French colonial architecture is engrained into the collective understanding of Da Nang’s urban landscape and has shaped the local visual identity of the urban space. More importantly perhaps, this architectural style contributes to the city’s connection with cultural tourism, an important tool for economic development. As Da Nang is on a path of constant growth, this paper engages with issues around architectural preservation of built colonial heritage, in terms of both the values of preservation, and the challenges it presents for contemporary urban planning.
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Parkinson, Arthur, Mark Scott, and Declan Redmond. "Negotiating postcolonial legacies: shifting conservation narratives and residual colonial built heritage in Ireland." Town Planning Review 86, no. 2 (January 2015): 203–28. http://dx.doi.org/10.3828/tpr.2015.13.
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Sabri, Reyhan. "The genesis of hybrid architectural preservation practices in British colonial Cyprus." Architectural Research Quarterly 20, no. 3 (September 2016): 231–43. http://dx.doi.org/10.1017/s1359135516000269.
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Colonisation initiated the transfer of Western ideas about both heritage discourses and conservation understandings into the non-Western world. The process turned colonised territories into domains where developing heritage views in metropolitan countries were put into practice. Coinciding with the evolution of heritage discourses and modern architectural conservation movements in the West, the British colonial era (1878-1960) in Cyprus became a period where the importation of knowledge introduced new ways of thinking about the treatment of ancient buildings. Based on archival sources, this paper sheds light on the genesis of modern understandings of architectural conservation in Cyprus during the early colonial period (1878-1905), which established the foundations that future practice would be built on. An historical account of the early conservation activities at the key Gothic cathedral-mosques is presented, which illustrates the role of the medievalist conservation ethos imported from Britain and local considerations in the formation of modalities and techniques of intervention. It is shown that, at a time when the protection of built fabric as an amalgam of medieval and postmedieval periods was contested in Britain and Continental Europe, the political reality in Cyprus actually facilitated this approach.
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Adam Che Yusof, Muhammad, and A. Ghafar Ahmad. "Architecture typology of a British-era colonial schools at the World Heritage Sites of Georgetown and Melaka: Impact on heritage building conservation sector." SHS Web of Conferences 45 (2018): 01004. http://dx.doi.org/10.1051/shsconf/20184501004.
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Colonial schools are among the most valuable and precious treasures from the British administration era. The architectural characteristics of the schools contain a wealth of meaning and philosophy in each of the building details that is not found in modern schools nowadays. However, in this era of rapid development, the status of colonial schools is unclear in terms of their heritage status and significance towards society or even the authorities. Moreover, some colonial schools that are now overshadowed by new buildings that were built inside of the school compound and its surrounding. Besides, the local authorities themselves are lacking on the documentation of colonial schools in terms of their value, and the principles behind the architectural style of the colonial schools that could prove beneficial to many parties later as a reference. This article will outline the method to handle this issue besides suggesting a relationship between the value of the colonial architecture and its history at both heritage sites of Georgetown and Melaka. Besides that, we will also classify different colonial schools according to their architectural style. To ensure the objectives are achieved, qualitative methods will be applied including several approaches such as descriptive method, historical method and content analysis method. Hence, this research can serve as a reference point and documentation, especially for conservation purposes of colonial schools. In addition, the local authorities can also improve their Conservation Management Plan (CMP) by adding a colonial schools sector for conservation work and later guidelines. This research will hopefully also encourage the younger generation on the importance of skills and knowledge in the heritage building conservation sector.
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Esposito, Adèle, and Gabriel Fauveaud. "The atomization of heritage politics in post-colonial cities: The case of Phnom Penh, Cambodia." Environment and Planning C: Politics and Space 37, no. 4 (August 19, 2018): 670–88. http://dx.doi.org/10.1177/2399654418790766.
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This paper analyzes the politics of heritage in urban Cambodia. Focusing on the capital, Phnom Penh, we argue that urban heritage is shaped at the intersection of global doctrines and professional knowledge, socioeconomic strategies at the national and local scales, real estate developments, and contextual institutional practices. We propose the concept “atomization of heritage politics” to explain the fragmentary and tentacular power relations that determine how built heritage is managed or destroyed. Drawing on heritage literature on Southeast Asian cities, we first argue that academic writers underestimate the role of land issues and localized power relations in shaping urban heritage politics. We contextualize the rise of heritage concerns in Cambodia. Since colonial times heritage strategies have focused on the UNESCO World Heritage Site of Angkor, with urban heritage being of only peripheral concern. Second, we explain how proposals made by international development partners for an overall heritage policy failed, as they conflicted with the rationality of land and power relations, leaving foreign consultants to renegotiate their position in Cambodian politics. Finally, we explore two case studies—the National Stadium and the Renakse Hotel—at the center of virulent, long-lasting political clashes between various forces that took root during the reconstruction of the Cambodian state in the 1980s and 1990s. Together with powerful individuals, families, and companies, the competition and tactical alliances between these forces shape the contested politics of urban heritage in the Cambodian capital.
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Nekrošius, Liutauras, and Edita Riaubienė. "Palanga’s Modern Architecture on the Way to Heritage." Architecture and Urban Planning 14, no. 1 (December 1, 2018): 111–18. http://dx.doi.org/10.2478/aup-2018-0015.
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Abstract This paper discusses particular aspects of the development of cultural identity through diverse, multi-layered architectural heritage and argues that by combining architectural expertise with community engagement the inclusive modernist heritage collection can be created. The research is based on the case of Palanga resort. The paper focuses on the issue of creating a list of cultural heritage of Palanga town as a coherent and continuous architectural collection and discusses the approaches to be used in engaging communities into the process of heritage making. Considering the post-colonial society and its multiple relationship with the built environment of that time in Lithuania, the changed needs and requirements, and today’s high commercial interest, it is essential to find effective ways for the protection and further development of heritage of the recent past.
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Tabassum, Saniya, and Intisar Ameen Tyne. "An Overview of the Heritage of Kalicharan Shaha Street: Approach to the Area Conservation." Asian Journal of Humanity, Art and Literature 3, no. 1 (June 30, 2016): 23–38. http://dx.doi.org/10.18034/ajhal.v3i1.303.
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Dhaka is a successor of a rich cultural inheritance of 400 years. Dhaka’s glorious history passed through many phases of architectural development, keeps some traces of almost all types of progression. But it continued to survive by making remarkable adjustments with the new challenges. With the assuming political and economic dynamics, rapid urbanization, uncontrolled development and lack of awareness, these heritages of historic Dhaka are destroying day by day. Beside the mighty river of Buriganga initiates such an old neighborhood just around the 550 feet Long Street named Kalicharan Shaha Street, reflecting the organic settlement pattern started to develop during the Mughal and Colonial era. The study has outlined the direction to provide some data, information and documentation of the neighborhood along Kalicharan Shaha Street to identify historical, cultural and planning aspects of that episode. It is an approach to show how the indigenous culture was blended with the colonial one and reflection of it over the forms and features of the neighborhood. Therefore it deals with some key aspects of built form, facade treatment and ornamentation, occidental and oriental relationship of the buildings, and along with the spatial order of morphological change, as the cultural heritage element for conserving this area. Thus, this paper is an approach to emphasize the heritage of Kalicharan Shaha Street in a public eye, so as to make people aware of the conservation of the heritage of our city.
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Lico, Gerard. "Rising from of the Ashes: post-war Philippines Architecture." Modern Southeast Asia, no. 57 (2017): 46–55. http://dx.doi.org/10.52200/57.a.up2jbxrh.
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The 1945 battle for liberation witnessed the massive decimation of Manila’s urban built-heritage and the irreplaceable treasures of colonial architecture. Despite the seemingly impossible task to resuscitate war ravaged Manila, it rose again. Out of the ashes, modernism provided the opportunity to craft a new architecture for a newly independent nation. Modernism emerged as the period’s architectural symbol of survival and optimism. In a post-colonial cultural milieu, Filipino architects pursued the iconography of national mythology channeled through the pure surfaces and unadorned geometries of modern architecture. They found in modernism a convenient aesthetic modus to denounce the colonial vestiges embodied in the infrastructure of American neoclassicism in pre-war Manila and sought to create new-built environments that conveyed emancipation from the colonial past and celebrate the vernacular forms processed through modernist geometric simplification. Modernism, therefore, was a logical choice, for it provided a progressive image. The Philippines post-independence architecture endeavored to dispense an image that stimulated a national spirit, inspired patriotism, and invoked faith in the unknown future of the national imagination.
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Ali Soomro, Tania. "RETROSPECTION OF THE ARCHITECTURAL CHARACTERISTICS OF MITHA RAM HOSTEL IN KARACHI." Journal of Research in Architecture and Planning 26, no. 1 (June 30, 2019): 49–58. http://dx.doi.org/10.53700/jrap2612019_5.
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Underlining the architectural characterization of a historic edifice is an essential tool towards its preservation and needs to be seen critically. Though the concept of heritage preservation is relatively a new phenomenon, yet it is widely accepted due to the recognition of heritage as an economic asset. Historic buildings are the strength of a nation that helps in building its identity as they reflect on the past, history and culture of a nation. For instance in Pakistan the sites such as Moen-jo-Daro and Thakh-i-Bahi are cherished, as they signify the value of empires that once dwelled, hence expresses a strong nostalgic value. Though these examples are on the World Heritage list, thus they have enough protection and monitoring system, but the rest of the national or provincial level historic properties suffer greatly due to the rapid transformation, resulting from an ever increasing commercialization pressure. This pressure directly and indirectly affects the heritage enclaves. Historic buildings specifically are subjected to destruction, deteriorating to a state in which they are not able to justify the purpose for which they were primarily built. Mitha Ram Hostel in Karachi is one such example, which is still surviving and is operative, but has had a change of function. Moreover there is lack of permanent institutional setup or any sort of partnership with the government, hence not many conservation exercises are seen in the country (Mumtaz, 2017). Apart from the institutional setup, community being the primary stakeholder, plays a vital role in safeguarding the heritage. But regrettably majority of the community defies any interest in conserving these buildings. Some of the restoration measures stop damage to heritage buildings but are not satisfactory to prolong the lifespan of the buildings. Thus, a need for a proper conservation plan cannot be denied. Mitha Ram Hostel, is an exceptional piece of architectural marvel that the city of Karachi has as a reminiscent of the colonial past. The hostel structure was built during the phase of 1894 and 1901 in pre-partition era, hence British colonial features are predominantly visible in the building. The structure was built to facilitate the out stationed pupils of the Dayaram Jethumal (DJ) Science College and was designed by Architect James Strachan who is credited with designing the most important structures the city offers at present day. The Serai Quarter, where this hostel is located, represents the old prevailing colonial architectural heritage in Karachi and holds over two hundred protected properties, but the enormity of this hostel surpasses the rest. The present state of conservation of the building is partly maintained, however, it was notified as a protected heritage on the provincial level by the Department of Culture, Government of Sindh, having enlistment number 1995-152. This provided it with an addition protection. This, along with the Jinnah Courts Hostel has been taken over by the law enforcement agencies, depriving the key educational institutions of their asset of edification. This research paper inspects the distinct architectural character of the hostel structure, and aims to analyze the diminishing hostel culture within the Quarter. The paper concludes with the concern of conserving the hostel structure as a forgotten architectural heritage of Pakistan, which otherwise is highly neglected in the third world context. Key words: Colonial Architectural Heritage, Architect James Strachan, Protected Properties, Serai Quarter, Karachi, Mitha Ram
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Soomro, Tania Ali, Mohsin Ali Soomro, and Hummaira Kanwal. "Heritage at Stake: Discourse Concerning the Causes of Damages Occurred to the Historic Hostel Structures Built in British Era in Karachi." July 2019 38, no. 3 (July 1, 2019): 819–34. http://dx.doi.org/10.22581/muet1982.1903.23.
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Karachi being the first born city of the colonial architecture in Sindh Pakistan has the honor of housing very important and diverse ornamental architectural master pieces. Along with the commercial nucleus; Karachi emerged as a regional educational hub after the partition of the Indian subcontinent in 1947 with several hostel structures and studio apartments. These structures are among the better examples of the pre-colonial and post-colonial architectural influence in the region. Few of them (still surviving) are incorporated in the national list of protected heritage under Sindh Cultural Heritage Preservation Act 1994. This research paper is focused on “the lost importance of the three different hostel (boys’ hostels only) premises in the historic core of the city of Karachi”. Despite possessing similar functions in the past and having the same status of the declared protected heritage at present, each of them has different use and conservation status at present. None of the buildings have endured the original function. This research focuses the reasons of the non-continuation of the original function and the impairments caused to the buildings due to this reason. Methodology followed for the research includes analysis of available archives, physical observation, photographic documentation and interviews with the local inhabitants of the neighborhood. The results and the findings of this research portray that eroding hostel culture has subjected those structures to slow and painful death of their original purpose. These buildings, once popular in the area, are now fading fast and perhaps will cease to exist in the near future unless the immediate precautionary measures are taken. The main conclusion drawn in this paper is that “it is important to preserve those historic premises as they are of significant historic character that remained associated with a number of key political and social personalities of the region. Moreover, they play a vital role in the general architectural value of the region”.
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Griswold, Erik. "The Piano Mill: Nostalgic Music and Architecture in the Australian Bush." Leonardo Music Journal 27 (December 2017): 53–54. http://dx.doi.org/10.1162/lmj_a_01014.
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The Piano Mill is a tower in the forest of New South Wales designed and purpose-built to house 16 reclaimed pianos. Architect Bruce Wolfe conceived it as a massive sound sculpture incorporating a steampunk look and nineteenth-century acoustical devices. To launch The Mill the author composed a new work, All’s grist that comes to the mill, that responds to the architecture, the natural environment and Australian colonial heritage.
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Putra, Dimas Widya. "IDENTIFIKASI KELESTARIAN KAWASAN KOTA LAMA MELALUI PROTEKSI BANGUNAN CAGAR BUDAYA OLEH PEMERINTAH KOTA SURABAYA." Jurnal Pengembangan Kota 4, no. 2 (December 3, 2016): 139. http://dx.doi.org/10.14710/jpk.4.2.139-150.
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Surabaya old town district was the historical evidence of the Dutch Government in Colonial era, The center of the Dutch Administration located in Old Town, meanwhile Old Town District was the whiteness of Dutch defeat. Many buildings built by the Dutch in Colonial era are still conserved. Surabaya has strategy and policy through Tourism and Culture Department to conserve these buildings to be a landmark and legacy of city, this study addresses to evaluate the policy associated with the protection of heritage buildings, to examine the policy and to sum up the findings associated to conservation theory. This research uses the character appraisal, quantitative and qualitative. The result found are several buildings have been protected by the policy, however, there is a segment made so many facade changes and several well ornamented buildings. The conclusion obtained that the cultural heritage building policy can be nicely applied, especially to the historical value buildings. The Government gives a tolerance to renovate the buildings having less strong historical value.
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Amboro, Kian, Elis Setiawati, and Adi Setiawan. "Identifications of Character Values from the History of Dokterswoning Cultural Heritage Buildings and Potentials for Learning History Resources in Schools." International Journal of Research and Review 8, no. 5 (May 21, 2021): 273–85. http://dx.doi.org/10.52403/ijrr.20210535.
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History learning is full of value, both from past stories that can be used as learning, as well as from the various traces left behind. The traces left by history have now become cultural heritage which has important meaning for human life. In the context of education, this cultural heritage has the potential to be used as a source of historical learning because it has important values and character values that can be developed. One of the cultural heritages found in Metro, Lampung is the Dokterswoning cultural heritage building. This study uses a descriptive qualitative approach with inductive methods, to produce general conclusions. The results showed that 1) Dokterswoning Cultural Heritage Building is a historical building from the era of the Dutch East Indies colonial government, which was built in 1939-1940 and is a residence for government doctors who were given the task of providing health services for colonists in Metro; 2) the important value of Dokterswoning as a source of historical learning lies in the contextual historical aspect and its existence as the guardian of a collective memory; 3) integrating the character values of the Dokterswoning Cultural Heritage Building into historical learning by the values of the national character in the Guidelines for the Development of Cultural Education and National Character and can be implemented according to Core Competencies and Basic Competencies in historical subjects. It is concluded that the history and heritage buildings of Dokterswoning have important values as sources of historical learning as well as some character values that can be developed in historical learning. Keywords: moral values, character values, cultural heritage buildings, learning resources, history learning, history education.
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Tabunan, Mark Louie. "From local space to global spectacle: World Heritage and space utilization in Calle Crisologo, Vigan City, Philippines." Journal of Urban Cultural Studies 6, no. 2 (September 1, 2019): 129–54. http://dx.doi.org/10.1386/jucs_00007_1.
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Abstract World Heritage, a project of the United Nations Educational, Scientific, and Cultural Organization (UNESCO) that aims to protect and preserve tangible and intangible inheritances of mankind, enables the construction of 'distributed, "polycentric" networked economy of cultural production and exchange'. This article focuses on Calle Crisologo in northern Philippines, analysing the ways in which it has been creatively produced as World Heritage Site from postcolonial Vigan's built space. Building on Pierre Bourdieu's concepts of habitus, field, and capital and reading ordinances and an architect's plans, I argue that the World Heritage project reconfigures the once local space into a global spectacle. While World Heritage is a western construct and a result of the experience of late modernity, how it is manifested in Calle Crisologo also shows how vernacular modernity developed in Vigan as a colonial city. With the syncretic mixing of cultures in everyday Calle Crisologo as a resource, western modernity, supposed to be unitary and linear in its aims of progress and development, gets deflected.
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Chin Ling, Tan, and A. Ghafar Ahmad. "The Importance of Scientific Tests In Masonry Heritage Building Conservation In Malaysia." SHS Web of Conferences 45 (2018): 01003. http://dx.doi.org/10.1051/shsconf/20184501003.
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Since the Portuguese era in Malacca in the 16th century, many authentic colonial heritage buildings were built in Malacca and other parts of Malaysia, most of which were masonry structural buildings. After Melaka and George Town received recognition from UNESCO as World Heritage Sites on 7th July 2008, heritage building conservation in Malaysia has attracted serious attention from various parties. Since the establishment of the National Heritage Department under the National Heritage Act 2005 (Act 645) on 1 March 2006, the implementation of scientific tests in heritage building conservation practice in Malaysia has been encouraged and recommended by the Department. However, scientific tests are normally only conducted in conservation works of National Heritage buildings and some Category I heritage buildings, but not made compulsory for all heritage buildings conservation projects in Malaysia. This paper is based on a research carried out to study the scientific tests conducted in masonry heritage building as part of conservation practice in Malaysia. The research findings revealed that scientific tests such as X-ray fluorescence test, ion chromatography test, moisture test and Schmidt hammer rebound test are important for masonry heritage building conservation in Malaysia. The basic guidelines to conduct the scientific tests derived from the research findings will be able to enhance the current practice in conserving masonry heritage buildings in Malaysia.
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Barsallo, G., and M. C. Achig. "PREVENTIVE CONSERVATION PLAN FOR THE CHAPEL OF SUSUDEL, ECUADOR." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIV-M-1-2020 (July 24, 2020): 811–16. http://dx.doi.org/10.5194/isprs-archives-xliv-m-1-2020-811-2020.
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Abstract. Ecuador is blessed by the presence of age-old buildings and places that deserve to be preserved. One of these places is Susudel, whose historical center was declared Cultural Heritage of Ecuador in 2013. One of the most emblematic buildings in the province of Azuay is located here, the chapel of Susudel. This chapel, which belongs to a large estate, is an example of colonial architecture in which traditional construction techniques and materials have been used, such as adobe, bricks, wood and roof tiles. This ancestral knowledge typical of vernacular heritage architecture deserves to be preserved for the enjoyment of future generations. This investigation shows several constructive elements that give a special technological value to the chapel. The interior of the chapel contains a significant sample of murals, which constitute a religious symbol of the colonial era. The aim of this investigation is to establish conservation strategies through the identification of stakeholders, roles, maintenance actions and maintenance tools that result in a preventive conservation and monitoring plan for the chapel. The methodology used is based on the preventive conservation phases as proposed by ICOMOS 2003: anamnesis, diagnosis, therapy and control, which is complemented by recommendations that include the active participation of the community and institutions responsible for the conservation of built heritage.
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Doolittle, William E. "Stacking Rocks to Transport Water: Folk Aqueduct Bridges of Mallorca and Spanish Colonial California." Sustainability 12, no. 13 (June 29, 2020): 5257. http://dx.doi.org/10.3390/su12135257.
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The landscape of Mallorca, Spain is characterized by a number of features constructed of rock. Windmills and walls are ubiquitous and visually striking. Equally widespread, but not as conspicuous, are other features associated with canal irrigation. One such feature that is understudied and therefore underappreciated is that of folk aqueduct bridges. This study investigates these features because they were critical in sustaining agriculture on the island for centuries, because they deserve recognition in order to be preserved as part of the island’s cultural and historical heritage, and because of their being antecedents or prototypes of similar structures built in Spanish colonial California. Two field seasons were devoted to locating and studying folk aqueduct bridges. Systematic windshield surveys were undertaken to identify such features. Once located, each folk aqueduct bridge was subjected to detailed description and analysis of size, shape, function, materials, and method of construction. Folk aqueduct bridges of Mallorca were built of shaped and unshaped stone, with channels made of ceramic tiles or ashlar tablets. Many of the rock walls once served as folk aqueduct bridges. Several California missionaries in the 18th century came from Mallorca, and the folk aqueduct bridges they built are based on those of their homeland.
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Cohen, Jean-Louis. "Architectural History and the Colonial Question: Casablanca, Algiers and Beyond." Architectural History 49 (2006): 349–68. http://dx.doi.org/10.1017/s0066622x00002811.
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The last decade has seen an explosion of scholarly works dealing with colonial architecture and town planning, a domain previously marginal in the historiography. In any case it has aroused the attention of ever more numerous researchers, a fact that has stimulated this attempt to take stock of it, by drawing on cases studied by this author in his own work. The exploration of colonialism now constitutes a significant field of doctoral research, of studies associated with the identification and protection of built heritage, and tends to mould new images in the history of architecture from the last few centuries. In actual fact, the innumerable works on the twentieth century – the subject here – comprise only a fraction of all the studies concerning nearly five centuries of colonization, if the beginning of the colonial era is identified with the discovery of America and the establishment of the first European trading posts in Africa.
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Rinandi, N., and F. Suryaningsih. "Inventory of Forts in Indonesia." ISPRS Annals of Photogrammetry, Remote Sensing and Spatial Information Sciences II-5/W3 (August 12, 2015): 263–70. http://dx.doi.org/10.5194/isprsannals-ii-5-w3-263-2015.
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The great archipelago in Indonesia with its wealthy and various nature, the products and commodities of tropic agriculture and the rich soil, was through the centuries a region of interest for other countries all over the world. For several reasons some of these countries came to Indonesia to establish their existence and tried to monopolize the trading. These countries such as the Portuguese, the Spanish, the Dutch and the British built strengthened trade stations which later became forts all over Indonesia to defend their interest. The archipelago of Indonesia possesses a great number of fortification-works as legacies of native rulers and those which were built by European trading companies and later became colonial powers in the 16<sup>th</sup> to the 19<sup>th</sup> centuries. These legacies include those specific structures built as a defence system during pre and within the period of World War II. These fortresses are nowadaysvaluable subjects, because they might be considered as shared heritage among these countries and Indonesia. It’s important to develop a vision to preserve these particular subjects of heritage, because they are an interesting part of the Indonesian history and its cultural treasures. The Government of the Republic of Indonesia has national program to compile a comprehensive documentation of the existing condition of these various types of forts as cultural heritage. The result of the 3 years project was a comprehensive 442 forts database in Indonesia, which will be very valuable to the implementation of legal protection, preservation matters and adaptive re-use in the future.
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Martokusumo, Widjaja, Heru W. Poerbo, Joko Sarwono, Anugrah S. Sudarsono, Ni Putu Amanda Nitidara, Michael Isnaeni Djimantoro, Amanda Arifiana, and Feysa A. Poetry. "SOUNDCSAPE AND THE UNDERSTANDING OF HISTORIC DISTRICTS IN BANDUNG." TATALOKA 21, no. 2 (May 28, 2019): 371. http://dx.doi.org/10.14710/tataloka.21.2.371-380.
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According to UNESCO Convention 1972, cultural heritage consists of tangible and intangible heritage. Soundscape has been considered as a part of the intangible heritage, and it refers to the perceptual quality. In the realm of built environment, perceptual qualities become important concerns, since cultural heritage cannot be described and appreciated using mono-sensorial analysis fundamentally based on vision. As perceptual construct, soundscape has been considered as a new approach in understanding the formation and design of sensitive urban environment. It is argued that perceptual quality, besides visual aesthetics, geographic, psychological and socio-cultural aspects, must be part of the considerations in architecture and urban design. Bandung is well-known for its urban heritage, and as former well-designed colonial town, the historic buildings and areas have morphologically constituted the structure of the inner city. However, the modernization and globalization have led to inevitable transformations, including the destruction of historic places and fabric/district of cultural significance. With the latest urban dynamics, urban environment has also experienced an inescapable process of “sound globalization”, which led to the losing of specific sound-marks in the respective area. This paper is based upon an ongoing research project on strategy for conservation of historic urban areas using soundscape approach. Methodologically, through sound walks, surveys and interviews, several notions relating to urban spatial and formal quality have been collected, assessed and interpreted. The result stands for the understanding of perceptual aspects and quality of urban space in historic urban areas that may contribute to the heritage conservation strategy.
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De Koninck, Rodolphe. "Wessex Estate: Recollections of British Military and Imperial History in the Heart of Singapore." Asian Journal of Social Science 31, no. 3 (2003): 435–51. http://dx.doi.org/10.1163/156853103322895333.
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Although the island Republic of Singapore has been submitted to a systematic territorial revolution since the 1960s, some of its urban heritage has been preserved. This is the case with Wessex Estate, a quiet residential neighbourhood located in the low hills extending on the western flank of the central urban area. Made up of less than a dozen bungalows and 26 small blocks of flats, Wessex Estate is of no particular architectural interest, but it does represent a heritage through the names borne by the blocks of flats. Clearly printed on the façades of the 26 blocks of flats, these names all refer to military feats of British history. The study locates and briefly describes these events, several of which took place on European fronts, as far back as the early 18th century (such as Ramilies, Blenheim), others throughout the British Empire, starting from the middle of the same century (such as Plassey, Quebec, Khartoum, Pegu). Built just prior to or just following WWII, it seems that the flats housed non-commissioned British officers during the Malayan Emergency (1948–1960). Their names refer to battles or theatres of war in all of which a given British regiment, the 67th or South Hampshire Regiment, might have been involved. Whatever the case, it remains somewhat remarkable that so many reminders of the colonial past, even a good number with "no natural connection" to Singapore, have remained prominent in this city-state otherwise apparently prone to sever "colonial apron strings".
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Jyoti Pandey Sharma. "Sacralizing the City: The Begums of Bhopal and their Mosques." Creative Space 1, no. 2 (January 6, 2014): 145–65. http://dx.doi.org/10.15415/cs.2014.12002.
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Princely building ventures in post 1857 colonial India included, among others, construction of religious buildings, even as their patrons enthusiastically pursued the colonial modernist agenda. This paper examines the architectural patronage of the Bhopal Begums, the women rulers of Bhopal State, who raised three grand mosques in their capital, Bhopal, in the 19th and early 20th century. As Bhopal marched on the road to progress under the Begums’ patronage, the mosques heralded the presence of Islam in the city in the post uprising scenario where both Muslims and mosques were subjected to retribution for fomenting the 1857 insurrection. Bhopal’s mosques were not only sacred sites for the devout but also impacted the public realm of the city. Their construction drew significantly on the Mughal architectural archetype, thus affording the Begums an opportunity to assert themselves, via their mosques, as legitimate inheritors of the Mughal legacy, including taking charge of the latter’s legacy of stewardship of Iam. Today, the Bhopal mosques constitute an integral part of the city’s built heritage corpus. It is worth underscoring that they are not only important symbols of the Muslim faith but also markers of their patrons’ endeavour to position themselves at the forefront in the complex political and cultural scenario of post uprising colonial India.
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Silapacharanan, Siriwan. "The Creation and Conservation of Saint Paul Church, Thailand." Environment-Behaviour Proceedings Journal 1, no. 3 (August 3, 2016): 217. http://dx.doi.org/10.21834/e-bpj.v1i3.366.
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There are very few Catholic churches in Thailand that conserve wooden structures.Take St.Paul in Muang District, Chachoengsao Province located on the east of Bangkok as an example, it was built by Bishop Pallegoix Jean-Baptise the Vicar Apostolic of Siam in 1840. The first church was made of bamboo and the other wood. In 1873, Father Schmidt Francois-Joseph bought a piece of land and built the third one with concrete including wooden structures such as priest quarters, a bell tower, a rest pavilion on the Bang Pakong River, a granary, a school building, all of which were designed by a French priest in colonial architecture and constructed by Chinese workers. As the time passes, heritage buildings have been deteriorating. However, their conservation plans have been launched, and most of them have been implemented. Most of the structures were constructed of teak that can adapt itself to the weather. Another property of wood is that it can be deconstructed and reconstructed with or without changing its former architectural style.© 2016. The Authors. Published for AMER ABRA by e-International Publishing House, Ltd., UK. This is an open access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/).Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia.Keywords: conservation; cultural heritage; architecture; community
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Churkin, Mikhail K. "“Subalterns” of Colonization in the Scholarly, Journalistic and Literary Heritage of Nikolai Yadrintsev." Imagologiya i komparativistika, no. 15 (2021): 236–47. http://dx.doi.org/10.17223/24099554/15/14.
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Modern postcolonial studies have developed the definition of internal colonization as a system of regular practices of colonial government and knowledge within the political boundaries of the state. On this scale, relations are formed between the state and its subjects, in which the state treats its subjects as subdued in the course of the conquest, and its own territory as conquered, mysterious, and requiring settlement and “inculturation” from the center. At the same time, the main elements of imperial domination, implemented through coercion, are cultural expansion, hegemony of power, ethnic assimilation within the state borders. The Russian culture of the 19th century formed the plot of internal colonization. It was built around the conflict between the “Man of Power and Culture” and the “Man from the People”. The latter is positioned in the article as a “colonial subaltern” – a disadvantaged, marginalized individual (group) with limited subjectivity. The concept of the subaltern, which is based on A. Gramsci’s idea of hegemony as a variant of voluntary acceptance of relations of domination, suggests that the dominance of the “Man of Power and Culture” is based on the consent of the governed rather than on the methods of violence and genocide. The assertion of the fact that Russia is created through self-colonization and self-sacrifice, and Russian identity is both that of the sovereign and of the subaltern, requires adequate argumentation through rereading and interpreting the plots of internal colonization. In the center of internal colonization are the well-known events of Siberian history: exile and katorga, resettlement, non-Russian question, social life of the borderland, etc. The literary heritage of Nikolai Yadrintsev (articles, poems, feuilletons) provides an opportunity not only to reconstruct the images of “colonial subalternity”, to reconstruct significant episodes of the collective biography of subalterns or to rank them as the indigenous population, old-timers of the region, resettlers from European Russia, but also to hear the voices of the “subalterns” themselves. The postcolonial perspective of the study of the literary works of Yadrintsev, a representative of the liberal segment of the Russian sociopolitical discourse, opens up prospects for identifying the practices and forms of resistance of the voiceless subalterns, the mechanisms of their oppression by both the colonialists and the traditional patriarchal power. When formulating the key findings of the study, the author takes into account that “subalterns”, as a category of the internal colonization process, are initially in double exclusion: their “invisibility” and “inaudibility” is replaced by the right of competing political actors to represent the interests of the subaltern. This invariably creates the danger of perceiving subalterns as coherent political subjects.
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Santhakumar, A. R., M. S. Mathews, S. Thirumurugan, and Rao Uma. "Seismic Retrofitting of Historic Masonry Buildings – Case Study." Advanced Materials Research 133-134 (October 2010): 991–96. http://dx.doi.org/10.4028/www.scientific.net/amr.133-134.991.
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Masonry heritage building built during early part of 19th century have characteristic colonial architecture using masonry walls and jack arch roofing supported on steel beams. They are highly vulnerable to failure during earthquakes. This paper describes a methodology to quantify their vulnerability and then based on this a scheme of structural retrofitting is suggested. The aim of this presentation, through 4 case studies of buildings located in Delhi, India, is to exemplify various aspects of analysis, design and execution methodology of the retrofitting scheme for such important heritage structures. The assessment of vulnerability is based on its location, codes of practice with respect to materials and loading. The main challenge in choosing the appropriate retrofitting scheme lies in retaining the architecture and aesthetics. Also the retrofitting has to be completed in the least possible time causing minimum disturbance to the occupants. This has been achieved through a combination of Ferro-cement bands and FRP sheets. The execution of retrofitting was considered to make use of available local materials and expertise. The building is analysed in detail and the areas where stress concentration takes place is further strengthened.
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Ardiani, Milla. "Gaya Arsitektur di Perumahan Dinas Militer Angkatan Darat, Cimahi, Jawa Barat." ComTech: Computer, Mathematics and Engineering Applications 2, no. 2 (December 1, 2011): 613. http://dx.doi.org/10.21512/comtech.v2i2.2810.
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Cimahi is a city in West Java that owns many relics of the Dutch architectural heritage built in the early 20th century. The majority of buildings are military buildings that have a hierarchy according to the military rank, seen from the styles presented at the army's military housing. The building style has no longer presented either Indische empire style or modern colonial style. The architectural style in the transitional period at that time adapted the tropical climate of Indonesia with the visible formation of the Dutch. This paper is the result of research done by observation and a survey at the Army Military Housing, Cimahi, West Java. Data were analyzed quantitatively to analyze the number of houses and ornaments dismantled and its original form. In addition, qualitative methods are also used to analyze the demolitions done by the building occupants.
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Hermawan, Bayu, Arif Budi Sholihah, and Putri Ayu Pramanasari. "Evaluation of the Implementation of the Revitalization Program in Preservation of Van Den Bosch Fortress in Ngawi." International Journal of Architecture and Urbanism 3, no. 1 (March 31, 2019): 9–18. http://dx.doi.org/10.32734/ijau.v3i1.780.
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One of the relics of Dutch colonial buildings in Indonesia is the Van Den Bosch Fortress, this fortress has a revitalization program that is in line with the heritage city program of the Direktorat Jendral Penataan Ruang Pekerjaan Umum dan Perumahan Rakyat Republik Indonesia (PUPR). The purpose of this study is to evaluate the extent of the implementation of revitalization to increase the benefits and direction of preservation of the fortress, and to support Ngawi Regency as a conservation activity for the Cultural Heritage City as the main strategy for urban development. Revitalization evaluation techniques are seen based on the level of vitality of the built area which includes several aspects such as decreasing physical quality of buildings, regional images, economic and activity social. The writer used the descriptive qualitative method by collecting data related to Fort Van den Bosch, then data analyzed by using the Miles and Huberman method. The results of the evaluation study found the implementation of the Van Den Bosch Fortification revitalization program encountered several obstacles and the revitalization program was divided into 2, such as the core of building of the fort and the development of the fort area environment. Keyword: Van Den Bosch Fortress, Evaluation, Conservation, Revitalization
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Ujang, Norsidah. "Affective Perception of Place: Attachment to Kuala Lumpur Historical Urban Places." Open House International 41, no. 2 (June 1, 2016): 95–101. http://dx.doi.org/10.1108/ohi-02-2016-b0012.
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Asian cities have witnessed changes in the urban landscape and social behaviour in the past decades. As a result of a continuous transformation of urban centres, the sense of place is often subdued by a global culture and imagery that may have impacted the people’s perception and experience of the city. This paper dwells into the urbanites’ relationship with historical urban places in the context of Kuala Lumpur city, Malaysia. Based on a qualitative inquiry, this paper presents the way in which these places shape the perception, knowledge, emotion, and memory of the urbanites. Findings indicate that urbanites’ experience, role, length of association, and age provided varying reactions that defined the attachment, knowledge, and memory about the places. Place attachment was reflected in the economic and cultural dependency on the places. The cultural significance of the place was manifested in its diversity within the colonial, multi-cultural, and multi-ethnic identity. Thus, reinterpretation of culture and tradition should take into consideration the continuity of place legacy, heritage, and sociocultural values. Despite the urbanites’ strong identification and knowledge of the built heritage, preserving place identity is a challenging task due to the complexity of the physical environment and the urban life.
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Jyoti Pandey Sharma. "Building for Modernity in Post Uprising Colonial India: Sanderson’s Survey and other Tales of Modern Indian Architecture." Creative Space 5, no. 1 (July 3, 2017): 1–12. http://dx.doi.org/10.15415/cs.2017.51001.
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The post uprising colonial modern state zealously ushered modernity in the Indian Subcontinent. In the domain of architecture it produced a building frenzy from implementation of urban improvement schemes to raising infrastructure including buildings patronised by the government, Indian rulers and the masses. In a departure from the state’s view to impose the Eurocentric, universal idea of modernity as the only legitimate form of architectural expression, the corpus of buildings built at the turn of the century was a hybrid product of entanglement of tradition and modernity. Indeed, the various actors engaged in the production of buildings, from patrons to designers including architects and Mistris (craftsmen) negotiated modernity on their own individual terms in the absence of any established framework. Types of buildings ranged from state buildings for governance to opulent princely palaces to innumerable every day buildings. This Paper examines the many trajectories of architectural expression that prevailed in the Indian Subcontinent at the turn of the century and argues that the notion of modernity was not homogenous and was characterised by hybridity. It further asserts that this extant building corpus should get its due as modern heritage and be conserved today.
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GUERRERO RUIZ, JUAN CARLOS, and JOSE MARIA MARTIN CIVANTOS. "JEREZ-LANTEIRA MINING COMPANY, GRANADA. ORIGIN AND HISTORY OF THE HYDRAULIC PLANT FOR THE EXPLOITATION OF COPPER ORE IN THE 19TH CENTURY." DYNA 96, no. 5 (September 1, 2021): 473–77. http://dx.doi.org/10.6036/9942.
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In this article we will get to know an old hydraulic plant of a mining industry, very unique, which transformed hydraulic energy into pneumatics to supply compressed air to a copper mine and its smelter. It was located in the Granada region of the Marquesado del Zenete, and built in 1889 by the colonial European mining industry. To do this, we delve into its historical origin, and analyze this original technological project that allowed a new energy transformation system. Directed and executed by a series of engineers, metallurgists, businessmen and peasants, who through their work and will were participants in the industrialization process in Spain with the development of machinery and socialized work that will change a way of life. These remains today make up an industrial heritage at risk of disappearing. Living memory of what our mining industry was with the development of engineering and its social, identity and cultural values. KEYWORDS: Water, Air, Industrial Colony, Compression, Foundry
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Da Costa, Matheus Pereira, and Diego Lemos Ribeiro. "“estratigrafia do abandono”: O caso do Museu da Cidade do Rio Grande – MCRG no extremo sul do Rio Grande do Sul, Brasil." Cadernos do LEPAARQ (UFPEL) 17, no. 34 (December 22, 2020): 209–35. http://dx.doi.org/10.15210/lepaarq.v17i34.18365.
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De modo geral, coleções arqueológicas formadas a partir de coletas fortuitas e assistemáticas, que se encontram em instituições de guarda e pesquisa, como é o caso dos museus e universidades, não são alvo de preocupações científicas e de interesse social. Essa situação tem sido evidenciada por realidades institucionais marcadas por processos de isolamento e abandono dessas coleções, culminando no apagamento de memórias referentes ao passado indígena. O isolamento programático das fontes arqueológicas pré-coloniais tem sido observado no extremo sul do Rio Grande do Sul, a partir das relações que se estabelecem com as coleções arqueológicas do Museu da Cidade do Rio Grande (MCRG). A partir da exposição de “pré-história da região sul”, propõe-se entender como a coleção arqueológica foi formada e quais são os discursos e narrativas construídos pela instituição referente ao passado pré-colonial da região. Com base nisso, sustentamos a possibilidade de retomar os estudos sobre conjuntos de objetos descontextualizados, como estratégia de reavivamento dessas coleções nos cenários museológicos e patrimoniais. Abstract: In general, the archaeological collections formed from random and unsystematic collecting that exist in institutions of safeguarding and research, like museums and universities, are not the object of scientific concern and social interest. This situation has been evidenced by institutional realities marked by processes of isolation and neglect, ending in the obliteration of a referential memory of the indigenous past. Thus the isolation of archaeological sources had been observed at the south end of Rio Grande do Sul, from the relations that were established with the archaeological collections of Museu da Cidade do Rio Grande (MCRG). From the exhibition “Prehistory of the southern region”, it proposed to understand how an archaeological collection was formed and which are the discourses and narratives built by the mentioned institution to the pre-colonial past of the region. Based on this, we support the possibility of retaking the studies of groups of out-of-context objects, promoting the revival of these collections in heritage and museum scenes.
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Lee, Patrick, Samson Koromo, Julio Mercader, and Charles Mather. "Scientific facts and oral traditions in Oldupai Gorge, Tanzania: Symmetrically analysing palaeoanthropological and Maasai black boxes." Social Science Information 58, no. 1 (February 21, 2019): 57–83. http://dx.doi.org/10.1177/0539018419830333.
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Reminiscent of past colonial practices, contemporary archaeological research in Africa is still often governed and carried out by foreign entities that move Africans aside from their pasts and their countries’ archaeological heritage. Oldupai Gorge, located in Tanzania’s Ngorongoro Conservation Area, is a flagship human evolution research site. Less recognized is that a Maasai pastoral society inhabits the region. Despite over a century of excavations in the ‘birthplace of humanity’, local Maasai and palaeoanthropologists have rarely affiliated with each other. Furthermore, a lingering and erroneous characterization of the Maasai as archaic, environmentally damaging and premodern continues to guide policies that compromise Maasai pastoral livelihoods. This article utilizes actor–network theory to ethnographically and symmetrically compare the epistemic cultures of both the Maasai and palaeoanthropologists in Oldupai, and argues that while scientific and Maasai knowledge may differ in cultural content, both groups built ‘black boxes’ – such as scientific facts and oral traditions – in parallel and equally logical forms. Since there are no fundamental cognitive differences between members of each group, there are no justifiable reasons that the Maasai should continue to be excluded from research in their homeland and the myriad benefits that it can bring.
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Deng, K. Y., and S. W. Poon. "The Gap Rock Lighthouse: construction and typhoon damage." Philosophical Transactions of the Royal Society A: Mathematical, Physical and Engineering Sciences 377, no. 2155 (August 19, 2019): 20190013. http://dx.doi.org/10.1098/rsta.2019.0013.
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This paper focuses on the Gap Rock lighthouse, a legendary maritime infrastructure built 130 years ago in the Chinese territory and an early example of joint venture among the Qing Dynasty, the British Empire and the Hong Kong Colonial Government over a course of two decades. Based on 4 years of cross-territorial archival and field research as well as in-depth interviews with descendants of two key stakeholders, the origin of this lasting legacy on the sea is traced, followed by a detailed account of its challenging processes of planning, design and construction, and of the considerable damage to the compound by a severe typhoon in 1893. A qualitative analysis of the key contributing factors of the damage was conducted by taking into consideration the Island's unique topography and the historical records of territorial weather reports. A re-construction of the typhoon impact on the Lighthouse is presented to explain the possible mistakes in its siting and design that eventually caused the severe damage. This serves as a reminder of the significance of a thorough geographical investigation for any infrastructure for all construction professionals in the face of climatic change. This article is part of the theme issue ‘Environmental loading of heritage structures’.
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Jaganathan, Aditi, Sarita Malik, and June Givanni. "June Givanni’s Pan-African Cinema Archive: A Diasporic Feminist Dwelling Space." Feminist Review 125, no. 1 (July 2020): 94–109. http://dx.doi.org/10.1177/0141778920913499.
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What is the role of cultural archives in creating and sustaining connections between diasporic communities? Through an analysis of an audiovisual archive that has sought to bring together representations of and by African, Caribbean and Asian people, this article discusses the relationship between diasporic film, knowledge production and feminist solidarity. Focusing on a self-curated, UK-based archive, the June Givanni Pan-African Cinema Archive, we explore the potentiality of archives for carving out spaces of diasporic connectivity and resistance. This archive assembles the holdings of pan-African films and film-related materials, built over several decades by June Givanni, a Guyanese-born London-based film curator. Givanni’s archive embodies her long relationship with the intersecting worlds of African and Asian diasporic cinema, which hold deep connections to Black British heritage through global networks spanning across empire. In the making of this cultural analysis, we employ a co-produced, decolonial methodological approach by designing and producing the article in collaboration with Givanni over a two-year period. We aim to foreground the role of feminist labour (academic and practitioner) as agents of change who are reclaiming stories, voices and memory-making. The wider backdrop to this co-produced analysis is the ongoing resilience of a cultural amnesia that has pervaded the Black British experience and the current fragility of Black arts and cultural spaces in the UK. Our question is how might archives help us map the connections between racialised ideas of belonging, memory politics and the reconfiguration of colonial power whilst also operating as a site of feminist connectivity?
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Nagapurkar, Shilpa, Parag Narkhede, and Vaseem Anjum Sheriff. "Energizing the Future with Memories of the Past: The Wadas of Pune City." E3S Web of Conferences 170 (2020): 05006. http://dx.doi.org/10.1051/e3sconf/202017005006.
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Pune, described as the Queen of the Deccan, [1] is located in the state of Maharashtra, India. It is a historic city associated with the Maratha Empire and seat of the Peshwa power. During the Colonial Period it was a British cantonment. Contemporary Pune city is considered as the cultural capital of Maharashtra and is also referred to as the Oxford of the East due to the presence of several well-known educational institutions. The old city of Pune is constituted by the seventeen Peths or localities. The wadas are a characteristic built-form that evolved during the Maratha Period. They were the residences not only of the Peshwas but also those connected with the administrative system of the times and are the manifestations of the culture of the period. They vary considerably in size and form. They have a characteristic spatial organization harmonizing form and space with distinct architectural features. They were once the seat of power, intrigue and grandeur. Now, they are the surviving witnesses of battle plans and palace intrigues at the height of glory of the Maratha Empire. After more than three hundred and fifty years the wadas themselves are waging a final battle for survival considering the apathy towards their woes and issues from both the civic body as well as their private owners. The objective of the paper is to explore the possibility of developing selected wadas as nodes in developing Pune city’s culture infrastructure as well as heritage showcase. It seeks site specific solutions of ‘Energizing the Future with the Memories of the Past’ in Pune city.
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Kao, Ching-Jen. "The Characteristics of Taiwan Persuasive Maps Made by Japanese." Abstracts of the ICA 1 (July 15, 2019): 1. http://dx.doi.org/10.5194/ica-abs-1-159-2019.
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<p><strong>Abstract.</strong> Since Harley (1989) proposed his concept of deconstructing the map, a new thinking about map is established and cause some cartographers rethinking the definition of map and shift their scientific axioms to evaluate maps. Persuasive maps are typically designed differently than scientific visualization, which are introduced more than 200 years represented for a given situation, especially to elicit particular interpretation. During 1895&ndash;1945 Taiwan was ruled under Japan. The Empire was enthusiastic in set up infrastructure including triangulation which brought Taiwan into the era of Modern Maps. Besides, some thematic maps such as the beautiful Ukiyo with bird’s eye view were made. Nowadays these maps are all digital as cartographic heritage, they provide as research materials. But most of the studies discuss these maps from historical point of view, and less metaphor of cartography were proposed. According to the stratified sampling strategies, twenty-one maps are selected to discuss in this study. The contents analysis items are following the discussions of Tyner (1982, 2018) and Muehlenhaus (2011). These maps could divide into four kinds. The first one is the cartoon and humorous maps, which emphasize the Japanese was a strong giant, while Taiwanese and Manchurian were weak. This kind of maps seems not a real map, but their sensational impact full of persuasion. The second kind of maps is unique skill with bird’s eye view landscapes. Most of these maps and posters were presented in the Exposition of Colonial Administration for Forty Years in Taiwan. The main goal of this kind of maps were intended to show off Japanese colonial achievements, for Japan had established many infrastructures in Taiwan especially built the railways around the island, policies Following the policies of Japanese Empire, government of Taiwan encourage people enjoy travel to promote economy and tourism. The techniques of this kind of maps were transferred from Ukiyo and western perspective concept. Realistic and colorful symbols make this kind of maps looked vivid and attractive as well as easy to read, created a succinctly communication and eliciting the happy journey imagination. The third kind of maps is so called authoritative map. They were created during the early colonized days. In that time controlling and managing Taiwan indigenous was Japan urgent policy. Based on the topographic maps, through the red lines or red circles to attract the eyes attention and clearly suggest the troop’s planning routes. No extra information, color play the main role. The last one kind of maps is same as the third one, but their issues were focused on war. Various projections cause different distortions which could highlight the topic but not really the truth. While some maps omit parallels and meridians to confused the reader’s location perception. Even though ship and airplane were the common used symbols, their dynamic association east to direct the battle condition. Different color used to distinguish the safety level. Especially, in all kinds of these maps, Japan and its colonies always showed in red. The reason not only because red easy to attract eyesight but also red is Yamato favorite color. These persuasive maps persuade us that in the colonized era Japanese really provided great contribution to Taiwanese cartographic history.</p>
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Ferreira, Zara. "Local and Global Modern Thinking. Designing with Climate in Mozambique: School Buildings Production." Modern Africa, Tropical Architecture, no. 48 (2013): 83–87. http://dx.doi.org/10.52200/48.a.ts2fvwd2.
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The novelty of modern architecture in the former Portuguese African colonies derives from the fact that the ideology of the Modern Movement was interpreted locally. This built heritage is represented in terms of its responsiveness to the physical environment in which it operates, by means of Design with Climate–A Bioclimatic Approach to Architectural Regionalism (Olgyay, 1963). Combining tradition and innovation, this approach sought to address the specific socio–cultural context within which modern architecture was conceived (Kultermann, 1969). With the purpose of contributing to the documentation and conservation of modern heritage in Africa, interpreted in the light of these assumptions (Quintã, 2007), this paper addresses a particular architectural program – school buildings – widely developed and built in Mozambique, between 1955 and 1975, the year of independence for the former Portuguese colonies. Initially led by architect Fernando Mesquita, as part of the Public Works Services of the Province of Mozambique, it was reconfigured and evolved through various levels of education, ranging from primary to high schools. Extensively built in urban and rural territory, and even gathering later contributions from other authors, the built output of this program remains a prominent feature in the Mozambican territory.
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Tostões, Ana. "Tropical Architecture, South of Cancer in the Modern Diaspora." Tropical Architecture in the Modern Diaspora, no. 63 (2020): 2–3. http://dx.doi.org/10.52200/63.a.9y0ptl3f.
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Getting back to the point of “Tropical architecture,” architecture in the humid tropics is collaboration with nature to establish a new order in which human beings may live in harmony with their surroundings. As publications at the time concentrated on French and British colonies, to achieve a comprehensive understanding of the Modern Movement diaspora, it is essential to revisit, analyse, and document the important heritage built south of the Tropic of Cancer, where the debate took place and architectonic models were reproduced, and in many cases subjected to metamorphoses stemming from their antipodal geography. Notable for the modernity of its social, urban, and architectonic programs, and also its formally and technologically sustained research, the modern architecture of these latitudes below the tropics constitutes a distinctive heritage.
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Martínez-Molina, Wilfrido, Elia Mercedes Alonso-Guzmán, Hugo Luis Chávez-García, Juan Carlos Arteaga-Arcos, Andrés Antonio Torres-Acosta, Cindy Lara Gómez, Juan Alberto Bedolla-Arroyo, and Fenando Augusto Velasco-Ávalos. "Damaged and Healthy Ignimbrites from the Surroundings of Morelia, Mexico; Uses for Restoration of the Colonial Inheritance." Advanced Materials Research 889-890 (February 2014): 1431–37. http://dx.doi.org/10.4028/www.scientific.net/amr.889-890.1431.
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The historic centre of Morelia, Mexico has over a thousand architectonic monuments catalogued. This allowed the city to become part of the list of world heritage site by UNESCO in the 90s of 20th century. The location of Michoacan, the State in which Morelia is the capital, allowed it to have an abundance of acidic extrusive igneous rocks such as the ignimbrite quarry stones. The ignimbrites were carved into blocks to build vertical elements such as the walls and the foundations. Cases of carved and sculpted blocks were not designed to be coated with mortars, non sculpted ignimbrites were used in the case of buildings that were designed to carry coatings mortars and/or paintings; constructions in which the time to build was small, the money was scarce or the destination was not particularly important. These monuments are colonial ones, the European brought building techniques in vogue in Europe; books written by Vitruvius, Palladio and Alberti were adapted to local conditions as ethnic and regional materials and costumes. Ignimbrites, after exposed to the environment have begun to damage on the blocks posted as facades. In cases of severe exfoliation or acute devitrifying of the matrix in the ignimbrites, it is necessary to replace the damaged blocks by healthy rocks earned from the quarry stones of the surrounding places but it has not been able to find full match between rocks; sometimes do not match the resistance, porosity, durability, color or geographical location in the historical archives. Results to date show matches and the discrepancies between the different quarry stones and uses that are targeting in heritage buildings.
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Amir Hamzah, Shazlin, and Shamsul Amri Baharuddin. "Lagu Malaysia Truly Asia Sentuhan Ahmad Nawab: Sebuah Penjenamaan Bangsa Berakarkan Rumpun Nusantara." Jurnal Komunikasi: Malaysian Journal of Communication 37, no. 2 (June 30, 2021): 37–52. http://dx.doi.org/10.17576/jkmjc-2021-3702-03.
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Since 1972, Tourism Malaysia has been making efforts at branding Malaysia as a unique tourist destination in South East Asia. In this process, songs play a significant role. In 1999, Malaysia Truly Asia was composed by Dato’ Seri Ahmad Nawab and it became the most iconic song for the ministry's branding campaign. The song was initially recorded in English and later translated into seventeen languages for international markets. This song introduces and highlights cultural heritage musical elements of the three main ethnic groups in Malaysia: the Malays, Chinese and Indians with a touch of kompang (single-headed frame drum), Kelantan Wayang Kulit (shadow puppets) music, serunai (quadruple reed wind instrument), tabla (a pair of double-headed drums), accordion and seruling (flute). National songs represent and build kinship amongst Malaysians who associate themselves with a more ‘authority-defined’ ideology because it is based on ethno-national politics as a result of colonial legacy. This article discusses the concept of ‘nation branding' used as a marketing tool for the tourism sector of Malaysia. Any nation branding effort for Malaysia will always be infused with elements of historical heritage within the archipelago that are hybrid and shared. Symbols of historical heritage that are firmly intertwined within the performing arts culture live within the soul of Ahmad Nawab. Naturally, he embodied and imbued this into a popular song until it became accepted by many as the Malaysian identity. Keywords: Nation branding, historical heritage, hybrid history, tourism, popular songs.
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Mackinlay, Elizabeth, and Katelyn Barney. "Introduction." Australian Journal of Indigenous Education 41, no. 1 (August 2012): 1–9. http://dx.doi.org/10.1017/jie.2012.2.
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Indigenous Australian studies, also called Aboriginal and Torres Strait Islander studies, is an expanding discipline in universities across Australia (Nakata, 2004). As a discipline in its own right, Indigenous Australian studies plays an important role in teaching students about Australia's colonial history and benefits both non-Indigenous and Indigenous students by teaching them about Australia's rich and shared cultural heritage (Craven, 1999, pp. 23–25). Such teaching and learning seeks to actively discuss and deconstruct historical and contemporary entanglements between Indigenous and non-Indigenous Australians and, in doing so, help build better working relationships between Indigenous and non-Indigenous Australians. As educators in this discipline, it is important for us to find pedagogical approaches which make space for these topics to be accessed, understood, discussed and engaged with in meaningful ways.