Books on the topic 'Collective motion'

Nuclear collective motion: Models and theory. New Jersey: World Scientific, 2010.

Melhuish, C. R. Strategies for collective minimalist mobile robots. London: Professional Engineering, 2001.

Matti, Krusius, ed. Collective motion of quantized vortex lines in rotating superfluid ³He-B. Otaniemi [Finland]: Helsinki University of Technology, Low Temperature Laboratory, 1992.

Řehořová, Irena. Kulturní paměť a film: Jak se měnil obraz poválečného odsunu v české filmové tvorbě. Praha: SLON, Sociologické nakladatelství, 2018.

Film és kollektív emlékezet: Magyar múltfilmek a rendszerváltozás után. Szombathely: Savaria University Press, 2008.

L'art des foules: Théories de la réception filmique comme phénomène collectif en France. Villeneuve-d'Ascq: Presses universitaires du Septentrion, 2011.

Ben-Moshe, Yael. Hitler konstruieren: Die Darstellung Adolf Hitlers in deutschen und amerikanischen Spielfilmen 1945-2009 : eine Analyse zur Formung kollektiver Erinnerung. Leipzig: Leipziger Universitätsverlag, 2012.

Plasseraud, Emmanuel. L'art des foules: Théories de la réception filmique comme phénomène collectif en France. Villeneuve-d'Ascq: Presses universitaires du Septentrion, 2011.

Nosa hyŏbyak ihu yŏnghwa chejak hyŏnjang pyŏnhwa mit kaesŏn panghyang yŏn'gu. Sŏul T'ŭkpyŏlsi: Yŏnghwa Chinhŭng Wiwŏnhoe, 2008.

L'attrait de l'oubli. Crisnée, Belgique: Yellow Now, 2017.

Erkılıç, Senem Duruel. Türk sinemasında tarih ve bellek. Istanbul: De Ki, 2014.

V, Baran, and Gheorghe A. C, eds. Collective Motion And Phase Transitions In Nuclear Systems: Proceedings of the Predeal International Summer School in Nuclear Physics. Singapore: World Scientific, 2007.

Friends of Jung Society Philippines., ed. Jung festival '95: A glimpse into the collective unconscious. Makati City, Metro Manila, Philippines: Published and exclusively distributed by the Office of Research and Publications, School of Arts and Sciences, Ateneo de Manila University, 1996.

Zahlmann, Stefan. Körper und Konflikt: Filmische Gedächtniskultur in BRD und DDR seit den sechziger Jahren. Berlin: Berlin-Verlag A. Spitz, 2001.

"Welchen der Steine du hebst": Filmische Erinnerung an den Holocaust. Berlin: Bertz + Fischer, 2012.

Sözde Ermeni soykırımı projesi: Toplumsal bellek ve sinema. İstanbul: Say yayınları, 2006.

Catharina, Dufft, and Sonderforschungsbereich Erinnerungskulturen, eds. Turkish literature and cultural memory: "multiculturalism" as a literary theme after 1980. Wiesbaden: Harrassowitz, 2009.

Catharina, Dufft, and Sonderforschungsbereich Erinnerungskulturen, eds. Turkish literature and cultural memory: "multiculturalism" as a literary theme after 1980. Wiesbaden: Harrassowitz, 2009.

Catharina, Dufft, and Sonderforschungsbereich Erinnerungskulturen, eds. Turkish literature and cultural memory: "multiculturalism" as a literary theme after 1980. Wiesbaden: Harrassowitz, 2009.

Kodwo, Eshun, Sagar Anjalika, and FACT (Great Britain), eds. The ghosts of songs: The film art of the Black Audio Film Collective, 1982-1998. Liverpool: Liverpool University Press, 2007.

Kodwo, Eshun, Sagar Anjalika, and FACT (Great Britain), eds. The ghosts of songs: The film art of the Black Audio Film Collective, 1982-1998. Liverpool: Liverpool University Press, 2007.

Argentina) Jornadas "Cine y Memoria: Narrativas Audiovisuales sobre el Pasado" (2015 Córdoba. Cine y memoria: Narrativas audiovisuales sobre el pasado. [Córdoba, Argentina]: Facultad de Ciencias Sociales, Centro de Estudios Avanzados, 2018.

Punzi, Corrado. La memoria ostinata: Il cinema di Patricio Guzmán come ricerca sociale. Trento: Tangram edizioni scientifiche, 2019.

Il testimone immaginario: Auschwitz, il cinema e la cultura pop. S. Maria C. V. (CE) [i.e. Santa Maria Capua a Vetere, Caserta, Italy]: Ipermedium libri, 2011.

Maazouzi, Djemaa. Le partage des mémoires: La guerre d'Algérie en littérature, au cinéma et sur le web. Paris: Classiques Garnier, 2015.

Mémoires et identités au cinéma. Condé-sur-Noireau: Éditions Charles Corlet, 2017.

Hogu luysě ēkranin: Frunze Dovlatʻyan. Erevan: VMV-Print, 2017.

Aprea, Gustavo. Filmar la memoria: Los documentales audiovisuales y la re-construcción del pasado. Los Polvorines, Prov. de Buenos aires, Argentina: Universidad Nacional de General Sarmiento, 2012.

UCLA Entertainment Symposium (12th 1987). Reel of fortune: A discussion of the critical business and legal issues affecting film and television today. [Los Angeles?]: Regents of the University of California, 1987.

Hebekus, Uwe. Massenfassungen: Beiträge zur Diskurs- und Mediengeschichte der Menschenmenge. München: Wilhelm Fink, 2010.

G, Giardina, Fazio Giovanni G. 1933-, Lattuada M, and International Symposium on Large-Scale Collective Motion of Atomic Nuclei (1996 : Messina, Italy), eds. Large-scale collective motion of atomic nuclei: Proceedings of the international conference : Brolo, Messina, Italy, 15-19 October 1996. Singapore: World Scientific, 1997.

Past forward: French cinema and the post-colonial heritage. Carbondale: Southern Illinois University Press, 2010.

T, Tamura, Kubo K. I. 1936-, Rikagaku Kenkyūjo (Japan), and University of Texas at Austin., eds. The Taro Tamura Memorial RIKEN Symposium on Nuclear Collective Motion and Nuclear Reaction Dynamics: RIKEN, Japan, 18-20 December 1989. Singapore: World Scientific, 1990.

Prämediation-Remediation: Repräsentationen des indischen Aufstands in imperialen und post-kolonialen Medienkulturen (von 1857 bis zur Gegenwart). Trier: WVT, Wissenschaftlicher Verlag Trier, 2007.

Women's voices and feminism in Polish cultural memory. Newcastle upon Tyne, UK: Cambridge Scholars Publishing, 2012.

Mémoires du monde. Crisnée, Belgique: Yellow now, 2011.

Politiche della memoria: Documentario e archivio. Roma: DeriveApprodi, 2014.

America, Directors Guild of. 2002 basic agreement. Los Angeles, Calif: Directors Guild of America, 2002.

Javier, Campo, and Dodaro Christian, eds. Cine documental, memoria y derechos humanos. Ciudad Autónoma de Buenos Aires: Nuestra América, 2007.

Un'ambigua leggenda: Cinema italiano e Grande Guerra. Bologna: Il mulino, 2020.

Goudin-Steinmann, Elisa, and Carola Hähnel-Mesnard. Ostdeutsche Erinnerungsdiskurse nach 1989: Narrative kultureller Identität. Berlin: Frank & Timme, 2013.

Mikolajki Summer School of Nuclear Physics (15th 1983). Collective motion and giant resonances: Proceedings of the XVth Mikolajki Summer School of Nuclear Physics held in Mikolajki, Poland, September 5-17, 1983. Chur, Switzerland: Harwood Academic, 1986.

Roberto, De Caro, ed. Storia senza memoria: Rossellini, Chabod, il Portico d'Ottavia e altri saggi. Paderno Dugnano, Mi [i.e. Milan, Italy]: Colibrì, 2008.

Rowe. Nuclear Collective Motion. World Scientific Publishing Co Pte Ltd, 2008.

(Editor), A. A. Raduta, D. Bucurescu (Editor), D. S. Delion (Editor), and I. I. Ursu (Editor), eds. Collective Motion and Nuclear Dynamics. World Scientific Pub Co Inc, 1996.

Kubo, K.-I., and M. Ichimura. Nuclear Collective Motion and Nuclear Reaction Dynamics. World Scientific Pub Co Inc, 1990.

Group Motion in Practice: Collective Creation Through Dance Movement Improvisation. McFarland & Company, Incorporated Publishers, 2018.

The Audience Effect: On the Collective Cinema Experience. Edinburgh University Press, 2017.

Hanich, Julian. Audience Effect: On the Collective Cinema Experience. Edinburgh University Press, 2019.

Wilhelmi, Z. Collective Motion and Giant Resonances (Nuclear Science Research Conference Series, V. 8). Routledge, 1986.