Relevant bibliographies by topics / Collective memorie

Academic literature on the topic 'Collective memorie'

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Published: 9 March 2023
Last updated: 10 March 2023

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Journal articles on the topic "Collective memorie"

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Erice Sebares, Francisco. "Las memorias nacionales: conflictos y límites / National Memories: Conflicts and Limitations." Historiografías, no. 8 (December 28, 2017): 10. http://dx.doi.org/10.26754/ojs_historiografias/hrht.201482415.

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This article examines the relevance of the concept of national memory and its limits, defending the convenience of using an idea of collective memory which includes nations, these understood as specific communities of memory. It also analyses some key mechanisms in the diffusion by the States of a narrative on the past that is linked to the construction of national identity and legitimation of politics in the present. This diffusion is regarded as in a usually conflictive interaction with memories of groups or smaller collectives, as well as with other national communities.Key WordsCollective memory, communities of memory, national memory, teaching of history, commemorations, national identityResumenEste artículo se interroga sobre la pertinencia del concepto de memoria nacional y los límites de su aplicación, y defiende la utilidad de una noción de memoria colectiva extensible a las naciones entendidas como especificas comunidades de memoria. También analiza a algunos mecanismos claves en la difusión, desde los Estados, de un relato sobre el pasado ligado a la construcción de la identidad nacional y la legitimación de las políticas del presente. La difusión de la memoria nacional se entiende en interacción, generalmente conflictiva, con las memorias de grupos y entidades menores, o con las de otras comunidades nacionales.Palabras claveMemoria colectiva, comunidades de memoria, memoria nacional, enseñanza de la historia, conmemoraciones, identidad nacional.
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Gongaware, Timothy B. "Collective Memories and Collective Identities." Journal of Contemporary Ethnography 32, no. 5 (October 2003): 483–520. http://dx.doi.org/10.1177/0891241603255674.

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León de la Barra, Cecilia. "El llavero, coleccionando memorias." Economía Creativa, no. 1 (May 7, 2014): 17–26. http://dx.doi.org/10.46840/ec.2014.01.03.

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En esta investigación se busca reconocer los valores asociados con el uso normativo del llavero y sus posibles variantes en la práctica social. Los resultados apuntan a los atributos simbólicos de este objeto, los cuales no parecen estar relacionados con su función aparente (identificar y agrupar llaves), sino con la identificación y la recolección de recuerdos.
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Acharya, Pradeep. "Ethnicity, Identity and Collective Memory." Contemporary Social Sciences 27, no. 2 (April 1, 2018): 141–49. http://dx.doi.org/10.29070/27/57475.

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Aguirre Herráinz, Pablo. "Los espacios de la memoria en la sociedad actual: teoría e historia”. Crónica de la jornada de estudios del 8 de mayo de 2014 / “The Place of Memory in Current Society: Theory and History”. Chronicle of the Study Session Held on 8 May 2014." Historiografías, no. 7 (December 31, 2017): 101. http://dx.doi.org/10.26754/ojs_historiografias/hrht.201472434.

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This article reviews the study session held on 8 May 2014 at the University of Zaragoza (Spain) under the title “The place of Memory in Current Society: Theory and History”. Promoted by Historiografias, revista de historia y teoría and the Project of research “The memory of the Spanish Civil War during the Spanish Transition to Democracy”, four Spanish specialists, Professors Manuel Reyes Mate, Pedro Piedras Monroy, Francisco Erice Sebares, and Santiago Ripol Carulla, discussed the topic of memory and its challenges in current society.Key wordsNational memories, collective and family memories, hermeneutic remembrance, politics of memory, Historical Memory.ResumenEl presente artículo reseña la jornada de estudios celebrada el pasado 8 de mayo de 2014 en la Universidad de Zaragoza, titulada “Los espacios de la memoria en la sociedad actual: teoría e historia”. Promovida por Historiografias, revista de historia y teoría y por el Proyecto, “La memoria de la guerra civil española durante la transición a la democracia”, cuatro especialistas, los profesores, Manuel Reyes Mate, Pedro Piedras Monroy, Francisco Erice Sebares y Santiago Ripol Carulla, disertaron sobre el tema de la memoria y sus desafíos en la sociedad actual.Palabras claveMemorias nacionales, memorias colectiva y familiar, recuerdo hermenéutico, políticas de la memoria, Memoria Histórica.
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Schuman, Howard, and Jacqueline Scott. "Generations and Collective Memories." American Sociological Review 54, no. 3 (June 1989): 359. http://dx.doi.org/10.2307/2095611.

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Long, Declan. "Selective Memories, Collective Histories." Circa, no. 123 (2008): 50. http://dx.doi.org/10.2307/25564891.

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Lee, Sungmin, Verónica C. Ramenzoni, and Petter Holme. "Emergence of Collective Memories." PLoS ONE 5, no. 9 (September 1, 2010): e12522. http://dx.doi.org/10.1371/journal.pone.0012522.

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Nurse, Lyudmila. "Collective Memories in War." European Journal of Cultural and Political Sociology 4, no. 3 (July 3, 2017): 370–73. http://dx.doi.org/10.1080/23254823.2017.1331962.

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Tota, Anna Lisa. "Terrorism and Collective Memories." International Journal of Comparative Sociology 46, no. 1-2 (April 2005): 55–78. http://dx.doi.org/10.1177/0020715205054470.

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Dissertations / Theses on the topic "Collective memorie"

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FREDERICO, GRAZIELE MEIRE. "NARRAR O ALZHEIMER BRASILEIRO SOBRE A DITADURA MILITAR: LITERATURA E MEMÓRIA NA OBRA DE B.KUCINSKI." Doctoral thesis, Università degli Studi di Milano, 2022. http://hdl.handle.net/2434/923103.

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The novel K., by Bernardo Kucinski, released in 2011, was one of the most read, translated, and studied literary text on the theme of the representation of the Brazilian military dictatorship in the last decade. It was also used as an annexed document in the final report of the National Truth Commission. Based on it, the author hypothesizes that Brazil suffers from a “Alzheimer’s disease” because it has not yet come to terms with its recent authoritarian past and persists in excluding memories of crimes committed by State terrorism in the sphere of public. Starting from the autobiographical story of the forced disappearance of his sister, Ana Rosa Kucinski Silva on April 22, 1974, the author fictionalizes a reflection on the two decades of State repression and terrorism and, over the last ten years, develops a galaxy of narratives to intervene in the representation or absence of the theme in public debates. In this context, I tried to extend this metaphor of Alzheimer's disease to analyse the memories that Bernardo Kucinski built about the civil-military dictatorship in his literature. I pointed out the current situation regarding the dispute of collective memories and a huge exclusion that hangs over public memory. The regime's secret service archives have not yet been made available to society. We still do not have access to information about the crimes carried out by the State at the time. In the articulation for re-democratization, the military managed to maintain the prerogative that they would not be judged for the crimes committed. Despite the insistent struggle of survivors and relatives of the politically disappeared, amnesty/amnesia continues to operate in contemporary. Trying to situate where Kucinski’s works fit in the Brazilian literary production on the subject, I point out an important demarcation: his works present a galaxy of voices and narratives about the civil-military dictatorship, but in his fiction, there is a protagonism of the relatives of the political disappeared, it is largely from this place that its narrators and protagonists speak. Looking at the decade-long literary project, from the six novels, three, K., Os visitantes and Júlia: no scampos conflagrados do Senhor are centered on the history and memory of repression, Nova ordem focuses its narrative on a radical authoritarianism implemented in Brazil from of the year 2019. The other two novels, Alice: não mais que repente and Pretérito imperfeito also bring important legacies of the dictatorial period, but in my view they allow a reading of two other pathological symptoms that have been exacerbating problems of the nation also discussed in the literature of B. Kucinski: the structural violence of patriarchate and racism in our society. In the last chapter, I focused my analysis on B. Kucinski's representations of resistance and opposition to authoritarianism. Starting from Fernando Reati's reflection on the beauty and utopia of the emblem "never again", I point to the important discussion that Kucinski's literary project claims for the treatment of memories about the crimes of the Brazilian military dictatorship in the public sphere, as an essential understanding from the past to the possibility of projecting a less excluding future. On the other hand, as stated by Heloísa Starling, the works of Bernardo Kucinski are not just a representation of the Brazilian civil-military dictatorship but are narratives for us to learn to be together, to fight against tyranny. I analyse the various alliances created for this struggle, especially the innovative role given to the association of the families of the disappeared and the representation of the shared world of hopes and struggle for organized militancy in dictatorial times. I conclude by understanding the decade of literature produced by the intellectual Bernardo Kucinski as an intervention in the public sphere, showing how essential it is to break with this excluding memory. We can no longer maintain this amnesia/amnesty, at the cost of this “national Alzheimer's disease” leading us to fatal apathy, because as the German psychiatrist showed over a hundred years ago, without memory there is no lucidity. The new topia – utopia – built by Kucinski’s characters and the alliance formed by them, does not push us towards a passive apocalyptic scenario, but opens wide our pathological heritage in insisting on the exclusion of the crimes of this recent past in the discussions about the country and the injustice about it, which the democratic return was articulated. Not even in the Nova ordem everything was put under the control of the dictators, they never managed to capture dreams and, following the advice of Ailton Krenak, I think B. Kucinski also perceives in dreams this breathing practice, this parachute to postpone the end of the world, or deadly apathy.
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Muller, Felipe, and Federico Bermejo. "The Historical and Lived Sources of Collective Memory." Pontificia Universidad Católica del Perú, 2013. http://repositorio.pucp.edu.pe/index/handle/123456789/101565.

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The aim of the present paper is to study the role that lived and historical memories havein the conformation of collective memory through the participant’s appraisals in the recent past of Argentina. These memories operate as sources that nurture collective memory. Lived memories are related to live experiences, while historical memories are related to indirect sources that inform about the past. 60 participants, divided in two groups (above and below 46 years of age) appraised the present and recent past, based on lived and historical memories. Results show that lived or autobiographical and historical memories contribute differently to collective memory.
Se estudia el rol que desempeñan los recuerdos vividos e históricos en la memoria colectiva por medio de la valoración del pasado reciente argentino. Estos recuerdos operan como fuentes que nutren a la memoria colectiva. Los recuerdos vividos están vinculados a la experiencia directa, mientras que los recuerdos históricos a las fuentes indirectas que informan sobre el pasado. 60 participantes, divididos en dos grupos (mayores y menores de 46 años), realizaron valoraciones sobre el presente y el pasado reciente, en base a recuerdos vividos y en recuerdos históricos. Los resultados muestran que los recuerdos vividos o autobiográficos tienen una incidencia distinta en las valoraciones que los recuerdos históricos.
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Monnin, Quintin M. "Collective Memory: American Perception as a Result of World War II Memorabilia Collecting." Bowling Green State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1587402522418034.

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Dunn, Stephanie. "Collecting Memories: Rachel Whiteread’s House and Memory in Contemporary London." Thesis, University of Oregon, 2015. http://hdl.handle.net/1794/19348.

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Contemporary British artist Rachel Whiteread is celebrated for her ability to cast everyday objects that force the viewer to think about the spaces they typically ignore. House, one of Whiteread’s most well known and written about sculptures was created in 1993. House considered issues of memory in contemporary London, specifically parts of London that are experiencing drastic amounts of change. Current scholars understand House as a memorial, and while this thesis agrees with this interpretation, it also considers House as part of a group memorial with Whiteread’s other sculptural works created before and in 1993. This thesis begins by contextualizing Whiteread’s artistic practice in current scholarship and argues for further evaluation of House. After a thorough examination of the creation, destruction, and reception of House, I analyze current scholarship on the sculpture and consider the similar themes through Whiteread’s early work to prove their ability to act as a group memorial.
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Klein, Olivier, Sabrina Pierucci, Cynthie Marchal, Alejandra Alarcón-Henríquez, and Laurent Licata. "“It had to happen”: Individual memory biases and collective memory." Pontificia Universidad Católica del Perú, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/100590.

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For the purpose of the study we varied the outcome of a sequence of ambiguous behaviors performed by an imaginary individual during World War II. Compared to a control condition where no outcome was presented, this person either ended up saving Jews (heroic behavior) or denouncing Jews to the Gestapo (cowardly behavior). After one week, behavioral antecedents that were consistent with the outcome were likely to be recalled and communicated. Results suggest a tendency  towards forming extreme impressions of the target, depending on the outcome. These extreme impressions in turn guide the recall and evaluations of predictability, and also impact on communication about these episodes and thereby on the formation of collective memory.
Para el estudio se varió el resultado final de una secuencia ambigua de conductas realizadas por una persona ficticia durante la Segunda Guerra Mundial. Después de la secuencia ambigua de acciones, en una condición control no se producía ninguna consecuencia, en otra condición de heroísmo la persona salvaba la vida de Judíos y en otra condición de cobardía los denunciaba a la Gestapo. Los antecedentes congruentes con la conducta final se recordaron y comunicaron más una semana después. Esto sugiere una tendencia a inferir juicios extremos a partir de la conducta final del personaje, que a su vez influyen en el recuerdo en relación al nivel de previsibilidad de la conducta del personaje, e influyen en la comunicación sobre el hecho y la memoria colectiva.
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Robson, Claire Elizabeth. "Collective memoir as public pedagogy : a study of narrative, writing, and memory." Thesis, University of British Columbia, 2011. http://hdl.handle.net/2429/34631.

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This dissertation investigates the ways in which literary practices can be used to generate learning. It is guided by the following research questions: • How can the processes of writing memoir change our perceptions of the past? • How can these writing processes be theorized and understood as educational events? Data are provided by two research groups, one composed of seven older lesbians and one composed of 26 older LGBT individuals known as the Queer Imaging & Riting Kollective for Elders (Quirk-e), an arts-engaged community group with whom I have worked for the last five years. In the first case, practices of close reading, memoir writing, and discussion were conducted, and discussions were digitally recorded and transcribed. In the second, data are provided by the artwork produced by the members of Quirk-e and by my reflections upon my practices as their writer-in-residence. Data are also provided by my own creative compositions, which serve as interludes between the standalone papers that comprise the body of the dissertation. Data are analyzed through critical and literary interpretations, autobiographical and narrative methods, and conceptual inquiry. I conclude that unpacking memories and life experiences by writing memoir can lead to more nuanced understandings of the self and the culture in which it has developed. I also conclude that such learning can be assisted by paying close attention to specific memories, using processes of association, and then by considering the emergent genres and structures that frame the work as it is revised. Finally, I consider my practices as a public pedagogue in the light of these reflections, to begin to consider how teaching might be usefully considered as a form of artistic composition, with its own emergent genres.
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Ang, Bing-hun Fanny. "Mapping memories a methodology to quantify the "collective memory" of places through the process of way-finding in Central /." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B42189019.

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Song, Young-Hee. "SOURCES OF KOREANS' COLLECTIVE MEMORIES: GENERATION AND CULTURE." Oxford, Ohio : Miami University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1218662512.

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洪彬芬 and Bing-hun Fanny Ang. "Mapping memories: a methodology to quantify the "collective memory" of places through the process of way-findingin Central." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B42189019.

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de, Oliveira Flavio. "Runaway memories : a collection of short stories exploring various styles of memory-based narratives." Thesis, Southampton Solent University, 2016. http://ssudl.solent.ac.uk/3796/.

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It is arguable that memories are one of the most important aspects of the human mind. It is through memory that we are able to learn, to make decisions, to evolve. Michael Jacob Kahana (2012) suggests that “our memories define who we are, and our ability to learn and make new memories determines who we become” (Kahana, 2012, p.13). It has also been a topic by several literary authors in their works, such as James Joyce, Virginia Woolf and Antonio Lobo Antunes. This thesis approaches the subject of memories by researching theories and notions regarding the functions of memory and how memories are processed. It embodies the combination of research and practice, where the research into theoretical materials is used in order to develop a collection of short stories. This thesis has the main objective of approaching the practical side of creative writing with thorough background research in theories of human memory, linking all the short stories through the overarching theme of memory and the creative practice, delivering a consistent and unique approach to the field of Creative Writing. That is, these short stories are interpretations of the research through creative endeavour, and aim to explore these theories through the developed narratives. With each story, there is an accompanying critical commentary which describes the creative process and the theoretical approaches that influenced each of them, as well as the literary influences that informed the development of each story.
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Books on the topic "Collective memorie"

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Zaiţev, Eugenia. Memorie axiologică şi Weltanschauung. Iaşi: Editura Universităţii "Alexandru Ioan Cuza, 2017.

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Libri di pietra: Città e memorie. Napoli: Liguori, 2007.

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1965-, Mottinelli Enrico, ed. Auschwitz: Storia e memorie. Venezia: Marsilio, 2020.

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Celebrare il Risorgimento: Collezionismo artistico e memorie familiari a Torino, 1848-1915. [Roma]: Carocci editore, 2013.

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Parotto, Giuliana. Le memorie difficili: Ricordo e oblio dopo le guerre in Jugoslavia. Trieste: Beit, 2010.

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(Catalonia, Spain) Memorial Democràtic. Catalunya i Itàlia: Memòries creuades, experiències comunes = Catalogna e Italia : memorie incrociate, esperienze comuni. Barcelona: Generalitat de Catalunya, Memorial Democràtic, 2013.

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Murgescu, Mirela-Luminița. Istoria din ghiozdan: Memorie și manuale școlare în România anilor 1990. București: Domino®, 2004.

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Rapini, Andrea. Antifascismo e cittadinanza: Giovani, identità e memorie nell'Italia repubblicana. Bologna: Bononia University Press, 2005.

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Forme e politiche della memoria in Europa dopo l'89 (Conference) (2007-2009 : Padua, Italy), ed. L'Europa e le sue memorie: Politiche e culture del ricordo dopo il 1989. Roma: Viella, 2013.

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Al doilea război mondial: Memorie și istorie în Estul și Vestul Europei. Chișinău: Cartier, 2012.

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Book chapters on the topic "Collective memorie"

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Schuman, Howard, and Cheryl Rieger. "Collective Memory and Collective Memories." In Theoretical Perspectives on Autobiographical Memory, 323–36. Dordrecht: Springer Netherlands, 1992. http://dx.doi.org/10.1007/978-94-015-7967-4_19.

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Páez, Dario, Anderson Mathias, Stefano Cavalli, Eduardo Guichard, José Joaquín Pizarro, Lander Méndez, and Sofián El-Astal. "Flashbulb memories and collective memories." In Flashbulb Memories, 219–39. Second Edition. | New York : Routledge, 2017. | Revised edition of Flashbulb memories, 2009.: Psychology Press, 2017. http://dx.doi.org/10.4324/9781315623481-12.

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Ţânculescu-Popa, Lavinia, and Mark Winborn. "Collecting Memories." In Beyond Persona, 205–24. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003148937-18.

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Hoefflinger, Bernd. "Towards Terabit Memories." In The Frontiers Collection, 229–49. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-23096-7_11.

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Wertsch, James V., Henry L. Roediger, and Christopher L. Zerr. "Collective Memory." In Cultural Memory, 95–106. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003205135-9.

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Lalich, Walter F. "Chinese Collective Memories in Sydney." In At Home in the Chinese Diaspora, 52–73. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230591622_4.

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Nnoli-Edozien, Ndidi. "Memories of Our Collective Future." In Transformation Literacy, 333–45. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-93254-1_22.

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AbstractThis chapter explores the mindset humanity needs to develop in preparation for an emerging future, from an African perspective. The required human consciousness must be holistic and encompassing, bridging the gap between thought and action, linking the past to the present and the future, democratizing access to resources, eliminating waste and fostering regeneration. One opportunity in view is leveraging the power of emerging twenty-first-century technology, specifically blockchain-based decentralized financial (De-Fi) networks, because of their potential to build a global community where trust is once more a currency and where we can rely on humanity to do good for each other and for the planet. We need to design solutions and approaches that enable all persons, especially those marginalized in emerging economies, to find their voices and fulfil their aspirations. The author makes a strong case for combining past wisdom with contemporary know-how to create a new future that is more inclusive and equitable. Drawing on African traditional philosophy and practices, learning from Ubuntu and the Igbo people, she explores the balance between individual rights and communal values. The chapter also offers insights into the SevenPillars® framework that allows business interests, private and public, to thrive whilst safeguarding our natural ecosystem and upholding human dignity and equity.
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de Bustamante, Celeste González. "“Memorias del ’68: Media, Massacre, and the Construction of Collective Memories”." In Sport, Protest and Globalisation, 101–30. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-46492-7_6.

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Hirst, William, and Robert Meksin. "Aligning Flashbulb and collective memories 1." In Flashbulb Memories, 201–18. Second Edition. | New York : Routledge, 2017. | Revised edition of Flashbulb memories, 2009.: Psychology Press, 2017. http://dx.doi.org/10.4324/9781315623481-11.

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de Saint-Laurent, Constance. "Thinking Through Time: From Collective Memories to Collective Futures." In Imagining Collective Futures, 59–81. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-76051-3_4.

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Conference papers on the topic "Collective memorie"

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Roselli, Claudia. "Geografie della memoria e zone di transizione: interpretare le possibilità future di salvaguardia dei legami territoriali a Delhi." In International Conference Virtual City and Territory. Roma: Centre de Política de Sòl i Valoracions, 2014. http://dx.doi.org/10.5821/ctv.7959.

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Il futuro delle metropoli sarà quello di continuare ad aumentare in dimensioni ed estensioni, fagocitando territorio, oppure ci sarà un momento in cui le cose cominceranno a cambiare, nella consapevolezza collettiva e politica, che è necessario assimilare i concetti di limite e di sostenibilità? Sembra che le svolte economiche globali abbiano già allertato le menti sensibili verso un necessario cambiamento di rotta nella governance urbana. Non è più possibile ignorare le trasformazioni, talvolta molto pericolose, in atto nelle nostre città, ed è piuttosto necessario tentare un loro indirizzamento verso passaggi temporali che considerino l'importanza della memoria collettiva, attivando l'engramma giusto per costruire nuove relazioni antropologiche, culturali e sociali. Nello specifico il paper vuole esaminare la realtà della città di Delhi, la capitale indiana, svelando l'esistenza nel suo corpo di zone di confine territoriali: zone dove ancora è possibile trovare e riconoscere tracce della sua antica origine rurale fatta di mestieri agricoli e artigiani, forni di argilla e terre coltivate. Questa anima della città, costituita da memorie, saperi e relazioni territoriali è stata minacciata, negli ultimi anni, dal desiderio cieco di espansione di imprenditori senza scrupoli e da decisioni non monitorate capillarmente relative ai piani di sviluppo urbanistico, le quali hanno avuto ricadute non prevedibili a spese del territorio e dell'ambiente. Negli ultimi anni, dopo la fine delle aspettative create dai Giochi del Commonwealth, la città ha sviluppato una rete infrastrutturale più veloce, promuovendo l'utilizzo dei mezzi pubblici e creando una rete metropolitana molto efficiente, presupposto iniziale per riconquistare la sua antica fama di città verde. Oltre a queste nuove potenzialità infrastrutturali anche i tessuti connettivi, tra area ed area e le grandi zone di verde urbano ( giardini, parchi e foreste ) potenziano l'ipotesi di trasformare Delhi in una delle più competitive capitali del futuro. Per realizzare questa visione è necessario creare vocabolari, strade e linguaggi, capaci di suggerire lo sviluppo di nuovi modelli di insediamenti urbani sopratutto nelle zone più sensibili ovvero laddove avviene l'incontro tra l'urbano ed il rurale. The future of the metropolis will be to increase in dimension and extension phagocyting territory, or it will be a moment where the things will start to change, in the collective and politic awareness, that it is necessary to absorb the concepts of limits and sustainability? It seems that the global economic turns have already alerted the sensitive minds towards a necessary change of the course of the urban governance. It is not possible to ignore longer, the transformations, sometime very dangerous, in our cities, todays. Rather it is necessary try to addressed them in a time crossing, capable of understanding the importance of the collective memory, attracting the proper engramma to build new anthropological, cultural and social relations. Specifically the paper would like analyze the reality of the city of Delhi, the Indian capital, disclosing the existences, on its body, of some territorial boundaries. Zones where it is possible to find and to recognize tracks of its ancient rural origins made by crafts and agricultural artisan, clay ovens and cultivated lands. This soul of the city, made by memories, knowledges and territorial relations was menaced, on the last years, from the blind wish of expansions of unscrupulous businessman and from decisions not capillary monitored relatively to urban development plans, which have had unpredictable consequences for the territory and for the environment. After the end of the expectations created from the Commonwealth Games, on 2010, the city developed an infrastructural net more quick, promoting the use of the public transports and creating an underground net very efficient, initial assumption to regain its former glory of green city. Over these new infrastructural potentialities also the connective tissues, between area and area and the big zones of urban green, like gardens, parks and forests, they had great potential in themselves to make Delhi one of the most competitive capital of the future.To realize this visions it is necessary to create vocabularies, roads and languages, capable of suggesting the development of new models of urban settlements mainly on the sensitive zones, where it will happen the encounter between urban and rural.
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Turaga, Vasanta Sobha. "Fading urban memories: status of conservation of historic Samsthan/Zamindari Palaces in Small and medium town master plans in Telangana, India." In Post-Oil City Planning for Urban Green Deals Virtual Congress. ISOCARP, 2020. http://dx.doi.org/10.47472/wzuc7012.

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‘Public memores’ are an imporant aspect in preserving a place’s culture and heritage. Actions of the government and society many times define/redefine identities of places, impacting collective memory of people in perceiving places. Conscious efforts are required to make and keep public memories alive. Insensitive and uninformed Urban Planning can lead to erasing history and heritage not just physically but from public memories as well. This Paper discusses the issues of Fading Urban Memories by taking case studies of two historic towns in the South Indian State of Telangana. Most of the Small & Medium Towns in Telangana, India, developed over the last two centuries from their historic core areas of the Capitals of erstwhile Samsthans/Zamindaris, land revenue admistration units/sub-regional authorities under the British and the Princely States’ Rulesin India till Independence in 1947. These Samsthans/Zamindars/ Jagirdars were ‘Chieftains’ of their own territories and ruled from ‘Palaces’ located in their Capital city/town. The palaces and historic areas of old Samsthan/Zamindari settlements represent local histories whose significance, memory, heritage needs to be preserved for posterity. Gadwa and Wanaparthy were two such towns, which developed mid-17 Century onwards becoming present day Municipalities of different Grades. The Department of Town and Country Planning, Govt. Of Telangana, prepares Master Plans for development of Municipalities. The surviving Fort/Palaces is marked by their present land use in the development plans, unrecognized for thier heritage status, thus posing threat to heritage being erased from collective Urban memory. The case studies presented in this paper are from the ongoing doctoral research work being done by the author at School of Planning and Architecture, Jawaharlal Nehru Architecture and Fine Arts University, Hyderabad, on the topic of ‘Planning for Conservation of Samshtan/Zamindari Palaces of Telangana and Andhra Pradesh’.
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Kabakchieva, Dora. "MEMORIAL TOURIST RESOURCES - MATERIALIZED PLACES OF THE COLLECTIVE MEMORY." In TOURISM AND CONNECTIVITY 2020. University publishing house "Science and Economics", University of Economics - Varna, 2020. http://dx.doi.org/10.36997/tc2020.157.

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Memorial tourist resources indicate historical facts and events so that they would not be forgotten and ensure their presentation to the interested parties. They are material sites created by people to serve as evidence of significant events from the past: monuments, memorials, pantheons, tombs, mausoleums, charnel houses, places of death, memorial complexes, battlefields, historical exhibitions, alleys of commemoration, birthplaces, etc. They are important markers in creating tourist routes or they have become symbols of particular tourist destinations.
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Silva, Madalena Pinto da. "Guardare oltre il tempo." In International Conference Virtual City and Territory. Roma: Centre de Política de Sòl i Valoracions, 2014. http://dx.doi.org/10.5821/ctv.7958.

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È nostra convinzione che gli argomenti della dissoluzione del luogo contribuiscono a ideare una città che va aggiungendo architetture atopici, architetture dove si può manifestare più facilmente la spettacolarità delle sue forme, e dove la rottura spaziale della città diventa più evidente. D'altra parte, la difesa dell’anti-storicità del processo creativo architettonico, nel confronto con la città e la sua architettura in nome del progresso e del futuro, crea le forme di rottura e di disagio e dà forza ad una nuova visione puramente funzionalista. Oggi l'architettura appare come controllata d’altre aree del sapere, manifestandosi, tuttavia, esuberante nelle sue forme, in un’autonomia illusoria, e prigioniera di presupposti che le superano e svalutano. L'architettura contemporanea deve chiamare di nuovo a sé il concetto di continuità e permanenza, della prospettiva di creare nuove memorie e di contribuire alla definizione di riferimenti collettivi che possano edificare le forme della nostra storia attuale, e le forme di una città in crescita che oggi è già difficile da identificare. Siamo preoccupati, tuttavia, in un altro ordine, l'ordine che possiamo trovare attraverso esempi che mostrano una sequenza 'genomica', una struttura che stabilisca la continuità dei fatti che hanno determinato la città e che la hanno configurato in molti modi, nel corso della sua storia. In un processo dicotomico di causa ed effetto, la città contemporanea può anche vedere la sua forma descritta con la precisazione della forma dei suoi spazi pubblici (Il suo design e la sua posizione – una grammatica operativa), ma anche con il rapporto e i legami tra loro, (un ordine – una sintassi efficiente). We are convinced that the arguments surrounding the dissolution of place tend toward the materialization of a city which continues to amass atopic architectures, architectures that facilitate the spectacularism of their forms and where the spatial rupture of the city becomes more discernible. On the other hand, the vindication of the architectural creative process as anti-historical creates forms of rupture and discomfort, and empowers a new, merely functionalist, vision. Today architecture is seen as subsidiary to other branches of knowledge, and, despite its exuberant forms, it retains an illusory autonomy, confined by assumptions that surpass and depreciate it. Contemporary architecture must reclaim the notion of perpetuity and permanence, so as to create new memories and contribute to the maintenance of collective references that solidify our current history’s forms and the forms of a growing city increasingly difficult to identify. We are interested in the order that we can find by way of examples that feature a ‘genomic’ sequence, a structure capable of establishing the continuity of facts that throughout history have determined and configured the city in so many ways. By means of a dichotomous cause and effect process, we may also describe the contemporary city’s form by clarifying the form of public spaces (their design and position – an operative grammar) and the relation and articulation between public spaces (an order – an efficient syntax).
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Alves, C., Phannara Aing, Gilles Pauliat, and Gerald Roosen. "Photorefractive memories for optical processing and computing." In Critical Review Collection. SPIE, 1994. http://dx.doi.org/10.1117/12.178620.

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Haynes, Thomas. "Collective memory search." In the 1997 ACM symposium. New York, New York, USA: ACM Press, 1997. http://dx.doi.org/10.1145/331697.331743.

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Ringas, Dimitrios, and Eleni Christopoulou. "Collective city memory." In the 6th International Conference. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2482991.2482996.

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Nam, Yun Tae, and Je-ho Oh. "Participatory Mixed Reality Space: Collective Memories." In 2016 IEEE International Symposium on Mixed and Augmented Reality (ISMAR-Adjunct). IEEE, 2016. http://dx.doi.org/10.1109/ismar-adjunct.2016.0118.

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Dvornikov, A. S., and Peter M. Rentzepis. "Reaction kinetics of photochromic materials and their application to 3D optical memories." In Critical Review Collection. SPIE, 1996. http://dx.doi.org/10.1117/12.245253.

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Hermansen, Marcia. "THE CULTIVATION OF MEMORY IN THE GÜLEN COMMUNITY." In Muslim World in Transition: Contributions of the Gülen Movement. Leeds Metropolitan University Press, 2007. http://dx.doi.org/10.55207/aita7340.

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This paper explores the cultivation of ‘memory’ as reflected in the teachings of Fethullah Gülen and the practices of the community inspired by him. For example, it discusses how particular places, themes, and images are remembered within the movement, evoked and re- enacted so as to create community and inspire a sense of participation and allegiance. Although the history of the Gülen movement is relatively brief-some forty years or less, prac- tices of sharing memories inspires a collective sense of community and even sacrality. In this paper memory within the Gülen movement will be presented in terms of its reso- nance with broader themes in Turkish collective memory such as Anatolian/Turkish Islam, the Ottoman cultural ideal, etc. In addition, the relationship of particular remembered sym- bols and experiences in the history of the Gülen movement to its current practices will be elaborated, for example ‘the Light Houses’ and ‘camps’. All of this will be set against the background of the topography of a movement that has ex- panded its imagination and its practice from local to national and ultimately global contexts.
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Reports on the topic "Collective memorie"

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Michelogiannakis, George, Alexander Williams, and John Shalf. Collective Memory Transfers for Multi-Core Chips. Office of Scientific and Technical Information (OSTI), November 2013. http://dx.doi.org/10.2172/1164908.

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Daley, Shawn. Centralia, Collective Memory, and the Tragedy of 1919. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.2574.

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Diwan, Amer, David Tarditi, and Eliot Moss. Memory Subsystem Performance of Programs Using Copying Garbage Collection. Fort Belvoir, VA: Defense Technical Information Center, December 1993. http://dx.doi.org/10.21236/ada274258.

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Tosold, Léa. The Quilombo as a Regime of Conviviality Sentipensando Memory Politics with Beatriz Nascimento. Maria Sibylla Merian International Centre for Advanced Studies in the Humanities and Social Sciences Conviviality-Inequality in Latin America, December 2021. http://dx.doi.org/10.46877/tosold.2021.41.

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Aiming at (re)thinking memory politics in contexts of ongoing total violence against non-white bodies, I propose, in this working paper, to engage with Maria Beatriz Nascimento’s multifaceted notion of quilombo. Once understood as alternative regimes of conviviality that entail existential (beyond material) aspects, Nascimento’s notion of quilombo enables critical access to the onto-epistemological basis on which memory politics generally takes place. After primary considerations about violence and the archives, I highlight three main aspects of Nascimento’s notion of quilombo to (re) think memory politics: (1) the introduction of a temporality that displaces underlying analytical assumptions of a linear, progressive and sequential time; (2) the idea of paz quilombola, which allows analytical space for “opacity” in the generation of knowledge; (3) the link between personal and collective intergenerational memory that, for Nascimento, requires the fostering of spaces of body encounters.
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Cox, Jeremy. The unheard voice and the unseen shadow. Norges Musikkhøgskole, August 2018. http://dx.doi.org/10.22501/nmh-ar.621671.

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The French composer Francis Poulenc had a profound admiration and empathy for the writings of the Spanish poet Federico García Lorca. That empathy was rooted in shared aspects of the artistic temperament of the two figures but was also undoubtedly reinforced by Poulenc’s fellow-feeling on a human level. As someone who wrestled with his own homosexuality and who kept his orientation and his relationships apart from his public persona, Poulenc would have felt an instinctive affinity for a figure who endured similar internal conflicts but who, especially in his later life and poetry, was more open about his sexuality. Lorca paid a heavy price for this refusal to dissimulate; his arrest in August 1936 and his assassination the following day, probably by Nationalist militia, was accompanied by taunts from his killers about his sexuality. Everything about the Spanish poet’s life, his artistic affinities, his personal predilections and even the relationship between these and his death made him someone to whom Poulenc would be naturally drawn and whose untimely demise he would feel keenly and might wish to commemorate musically. Starting with the death of both his parents while he was still in his teens, reinforced by the sudden loss in 1930 of an especially close friend, confidante and kindred spirit, and continuing throughout the remainder of his life with the periodic loss of close friends, companions and fellow-artists, Poulenc’s life was marked by a succession of bereavements. Significantly, many of the dedications that head up his compositions are ‘to the memory of’ the individual named. As Poulenc grew older, and the list of those whom he had outlived lengthened inexorably, his natural tendency towards the nostalgic and the elegiac fused with a growing sense of what might be termed a ‘survivor’s anguish’, part of which he sublimated into his musical works. It should therefore come as no surprise that, during the 1940s, and in fulfilment of a desire that he had felt since the poet’s death, he should turn to Lorca for inspiration and, in the process, attempt his own act of homage in two separate works: the Violin Sonata and the ‘Trois Chansons de Federico García Lorca’. This exposition attempts to unfold aspects of the two men’s aesthetic pre-occupations and to show how the parallels uncovered cast reciprocal light upon their respective approaches to the creative process. It also examines the network of enfolded associations, musical and autobiographical, which link Poulenc’s two compositions commemorating Lorca, not only to one another but also to a wider circle of the composer’s works, especially his cycle setting poems of Guillaume Apollinaire: ‘Calligrammes’. Composed a year after the ‘Trois Chansons de Federico García Lorca’, this intricately wrought collection of seven mélodies, which Poulenc saw as the culmination of an intensive phase in his activity in this genre, revisits some of ‘unheard voices’ and ‘unseen shadows’ enfolded in its predecessor. It may be viewed, in part, as an attempt to bring to fuller resolution the veiled but keenly-felt anguish invoked by these paradoxical properties.
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