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Books on the topic 'Collective creative'

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Author: Grafiati

Published: 25 May 2024

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1

Bare elements: A collective approach to narrative nonfiction. Toronto: Life Rattle Press, 2010.

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2

The collective imagination: The creative spirit of free societies. Farnham: Ashgate, 2011.

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3

Meza, Antonio, illustrator, book designer, ed. Generative collaboration: Releasing the creative power of collective intelligence. Scotts Valley, CA: Dilts Strategy Group, 2016.

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4

Domingues, José Maurício. Social creativity, collective subjectivity, and contemporary modernity. New York: St. Martin's Press, 2000.

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5

Fine, Nic. Fireworks: Creative approaches to conflict. Leicester: Youth Work Press in conjunction with The Leaveners, 1992.

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6

The Neal-Schuman index to performing and creative artists in collective biographies. New York: Neal-Schuman Publishers, 1991.

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7

Inc, That Patchwork Place, ed. Creative quilt collection. Woodinville, Wash: That Patchwork Place, 2006.

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8

Martingale & Company., ed. Creative quilt collection. Woodinville, WA: Martingale & Co., 2008.

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9

Hill, Wes. Speech Acts: Richard Grayson and Matt Mullican. Broadway: UTS ePRESS, 2017.

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10

Polis, Schutz Susan, and Blue Mountain Arts (Firm), eds. The Language of creativity: A collection from the Blue Mountain Arts. Boulder, Colo: Blue Mountain Press, 1999.

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11

Petelin, Carol. The creative guideto dried flowers. London: Webb & Bower, 1988.

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12

Community, Jenner's Pond Retirement. Creative cuisine: A collection of recipes. Kearney, NE: Cookbooks by Morris Press, 2001.

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13

John, Edwards, Sean McGarry, Darlene Foster, Janette Davies, and Ann Mancy. CREATIVE COLLECTIVE COLLECTION of COMPETITIONS: No More Writers' Block. Independently Published, 2020.

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14

Domingues, Jos Maur. Social Creativity, Collective Subjectivity and Contemporary Modernity. Palgrave Macmillan, 2014.

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15

Ravenwood and Joe Vitale. Ravenwood Journal: Journals for the Creative Collective. Independently Published, 2021.

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16

Ravenwood and Joe Vitale. Ravenwood Journal: Journals for the Creative Collective. Independently Published, 2021.

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17

Ravenwood and Joe Vitale. Ravenwood Journal: Journals for the Creative Collective. Independently Published, 2021.

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18

Ravenwood and Joe Vitale. Ravenwood Journal: Journals for the Creative Collective. Independently Published, 2021.

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19

Nijs, Diane. Advanced Imagineering: Designing Innovation As Collective Creation. Elgar Publishing Limited, Edward, 2019.

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20

Nijs, Diane. Advanced Imagineering: Designing Innovation As Collective Creation. Elgar Publishing Limited, Edward, 2019.

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21

Murphy, Peter. Collective Imagination: The Creative Spirit of Free Societies. Taylor & Francis Group, 2016.

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22

Murphy, Peter. Collective Imagination: The Creative Spirit of Free Societies. Taylor & Francis Group, 2016.

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23

Murphy, Peter. Collective Imagination: The Creative Spirit of Free Societies. Taylor & Francis Group, 2017.

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24

Murphy, Peter. Collective Imagination: The Creative Spirit of Free Societies. Taylor & Francis Group, 2016.

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25

Collective Creative Actions: Project Row Houses at 25. Duke University Press Books, 2018.

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26

Murphy, Peter. Collective Imagination: The Creative Spirit of Free Societies. Taylor & Francis Group, 2016.

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27

Buuren, Kate ten, and Maya Hodge. Collective Movements: First Nations Collectives, Collaborations and Creative Practices from Across Victoria. Monash University Publishing, 2022.

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28

Ellis, Viv, and Annalisa Sannino. Learning and Collective Creativity: Activity-Theoretical and Sociocultural Studies. Taylor & Francis Group, 2015.

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29

Ellis, Viv, and Annalisa Sannino. Learning and Collective Creativity: Activity-Theoretical and Sociocultural Studies. Taylor & Francis Group, 2013.

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30

Ellis, Viv, and Annalisa Sannino. Learning and Collective Creativity: Activity-Theoretical and Sociocultural Studies. Taylor & Francis Group, 2013.

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31

Learning and Collective Creativity: Activity-Theoretical and Sociocultural Studies. Routledge, 2013.

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32

Ellis, Viv, and Annalisa Sannino. Learning and Collective Creativity: Activity-Theoretical and Sociocultural Studies. Taylor & Francis Group, 2013.

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33

Ellis, Viv, and Annalisa Sannino. Learning and Collective Creativity: Activity-Theoretical and Sociocultural Studies. Taylor & Francis Group, 2013.

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34

Kananen, Johannes Johannes. Creative Social Policy: The Collective Emancipation of Human Potential. Policy Press, 2021.

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35

Fields, Ziska. Using Global Collective Intelligence and Creativity to Solve Wicked Problems. IGI Global, 2020.

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36

Fields, Ziska. Using Global Collective Intelligence and Creativity to Solve Wicked Problems. IGI Global, 2020.

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37

Social Creativity, Collective Subjectivity and Contemporary Modernity. Palgrave Macmillan, 2000.

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38

Social Creativity, Collective Subjectivity and Contemporary Modernity. Palgrave Macmillan, 2000.

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39

Staging Process: The Aesthetic Politics of Collective Performance. Northwestern University Press, 2020.

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40

Creatures of Creativeland: Collective Nouns for the Creative Workforce - A Postcard Guide. Bis B.V., Uitgeverij (BIS Publishers), 2015.

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41

Learning And Collective Creativity Activitytheoretical And Sociocultural Studies. Taylor & Francis Ltd, 2013.

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42

Swarm Leadership and the Collective Mind: Using Collaborative Innovation Networks to Build a Better Business. Emerald Publishing Limited, 2017.

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43

Gloor, Peter A. Swarm Leadership and the Collective Mind: Using Collaborative Innovation Networks to Build a Better Business. Emerald Publishing Limited, 2017.

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44

Moore, Lucy. Gospels Unplugged: 52 poems and stories for creative writing, RE, drama and collective Worship. Bible Reading Fellowship, 2011.

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45

Held, Felix von. Collective Creativity: Exploring Creativity in Social Network Development as Part of Organizational Learning. VS Verlag für Sozialwissenschaften, 2012.

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46

(Illustrator), Francis Blake, ed. The Gospels Unplugged: 52 Poems and Stories for Creative Writing, RE, Drama and Collective Worship. Barnabas, 2003.

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47

Gulin, Alexander V., ed. L.N. Tolstoy: Moral Search and Creative Laboratory. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/lt-978-5-9208-0664-2.

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The collective work is devoted to the multidimensional issue of reflection of Leo Tolstoy’s spiritual and moral views in his works. The authors reveal a deep connection between the writer’s spiritual movement (mainly in the 1860–1870s — the time of creating great novels “War and Peace” and “Anna Karenina”) and the creative history, poetics and problematics of his works. The originality of Tolstoy’s moral concepts, the peculiarities of their relation to the national spiritual tradition, as well as to the contemporary ideological movements, are examined. The book is basically an analytical interpretation of findings and discoveries of a team of specialists engaged in the preparation of the Complete Works by Leo Tolstoy in 100 volumes, which is carried out at IWL RAS.

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48

Cottrell, Stephen. The creative work of large ensembles. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199346677.003.0013.

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Preparing large ensembles for performance involves musical, social, logistical and financial challenges of a kind seldom encountered in other forms of collective music-making. The conventional approach to meeting the challenges that arise during rehearsal is to appoint a single musical overseer, usually a conductor, whose ostensible role in musical preparation is to directly influence the musicians while working towards the creation of a musical product to be delivered in later performances. Rehearsal leadership, viewed from this perspective, moves predominantly in one direction, from conductor to ensemble. But such a perspective oversimplifies the conductor’s relationship with the ensemble, the relationships between the musicians, and the strategies that the latter must employ when working in large ensembles. Conceptualizing the ensemble as a complex system of interrelated components, where leadership and creative agency are distributed and developed through rehearsal to achieve what audiences assume to be a unified whole, yields new understanding of the work of large ensembles. This chapter examines these components of the creative process in orchestral and choral rehearsal and performance, the internal and external forces shaping and constraining that process, and the approaches that individual musicians and conductors could adopt in response to the changing contexts in which such creativity might be manifested.

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49

Creation of Creative Thought: Collection I. Independently Published, 2022.

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50

Hagberg, Garry L. Ensemble Improvisation, Collective Intention, and Group Attention. Edited by George E. Lewis and Benjamin Piekut. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780195370935.013.011.

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Jazz improvisation offers raw material of considerable value for issues in the philosophy of mind, but this material remains insufficiently investigated. Collective intention and distributed group attention have emerged within philosophy in recent years as fruitful areas of study: the long-entrenched dualistic picture of an inner mental event standing behind its physical manifestation has been supplanted by a model of embodied action that is unburdened by a misleading inner/outer dichotomy (so we can now see how an intentional musical work emergeswithin, and not prior to, its physical sound). This makes possible a new focus on a special form of collective intentional action that is not contained within one single mind at one given moment, but rather distributed across a group of individuals engaged in a cooperative, interactively creative performance; cases examined here include John Coltrane, among others.

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