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Journal articles on the topic 'COLLECTION'

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Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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1

Dempsey, Lorcan, Constance Malpas, and Brian Lavoie. "Collection Directions: The Evolution of Library Collections and Collecting." portal: Libraries and the Academy 14, no. 3 (2014): 393–423. http://dx.doi.org/10.1353/pla.2014.0013.

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2

O'Donnell, Jane. "Herpetological Collecting and Collection Management." Copeia 2004, no. 2 (May 2004): 433–34. http://dx.doi.org/10.1643/ot-04-013.

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3

Anderson, Rick. "Collections 2021: the future of the library collection is not a collection." Serials: The Journal for the Serials Community 24, no. 3 (November 1, 2011): 211–15. http://dx.doi.org/10.1629/24211.

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4

Watson, Andrea, and P. Graham. "CSSAlabamaDigital Collection: A Special Collections Digitization Project." American Archivist 61, no. 1 (January 1998): 124–34. http://dx.doi.org/10.17723/aarc.61.1.j037j5v9q78x9012.

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5

Fortney, Lynn M., Judith Rieke, and Barbara A. Carlson. "Collection Development Assessment for Biomedical Serials Collections." Serials Librarian 23, no. 3-4 (March 29, 1993): 289–92. http://dx.doi.org/10.1300/j123v23n03_40.

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6

Howard, Vivian. "Collections 2007: Reinvigorating Collection Development and Management." Collection Building 26, no. 4 (October 9, 2007): 135–36. http://dx.doi.org/10.1108/01604950710831951.

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7

Hidayat, Asep, Henti Hendalastuti R, and Dodi Frianto. "ANALISIS PEMUNGUTAN ROTAN PADA DUA KELOMPOK MASYARAKAT PEMUNGUT." Jurnal Penelitian Sosial dan Ekonomi Kehutanan 3, no. 2 (June 30, 2006): 91–107. http://dx.doi.org/10.20886/jpsek.2006.3.2.91-107.

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8

Liney, D. J. "Collecting high quality cord blood units: the contrast between MD and dedicated collection specialist collections." Cytotherapy 15, no. 4 (April 2013): S30. http://dx.doi.org/10.1016/j.jcyt.2013.01.113.

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9

Edwards, E. "Nigerian Collections in Pitt Rivers Museum Archives, University of Oxford." African Research & Documentation 55 (1991): 51–52. http://dx.doi.org/10.1017/s0305862x00015892.

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Pitt Rivers Museum is one of the major anthropological museums in the world and as such has considerable object collections from Nigeria. Less known is its archive collection which contains a small but interesting collection of material relating to Nigeria. The Museum has been collecting archival material since its foundation in 1884 and the collections are still growing annually as more material is donated. At present the entire collection stands in the region of sixty manuscript collections of varying sizes and about 70,000 photographic images. The archive collections do not document specific objects in the museum collections (any material of this nature belongs with specific object records) but the broader historical and intellectual contexts which shaped anthropology in general and the Museum's collection in particular. The Nigerian material, although it is somewhat uneven, typifies this collecting policy and comprises both manuscripts and photographs.

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10

Wu, Michelle M. "Shared Collection Development, Digitization, and Owned Digital Collections." Collection Management 44, no. 2-4 (April 2, 2019): 131–45. http://dx.doi.org/10.1080/01462679.2019.1566107.

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11

Di Benedetto, Claudio. "The Uffizi Library: a collection that documents collections." Art Libraries Journal 35, no. 2 (2010): 4–7. http://dx.doi.org/10.1017/s0307472200016321.

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The Biblioteca degli Uffizi acts as a documentary ‘black box’ for all the notable collecting that has taken place in Florence during the past 500 years. The Library’s collections stretch from the autograph 22-year diary of the 15th-century painter Neri di Bicci and the different editions of Vasari’s Lives of the painters, through the inventories and lists of objects acquired and held successively by the Medici, the House of Hapsburg-Lorraine and the new Italian united kingdom, and to all the memoirs and plans and catalogues of the directors and ‘royal antiquarians’ of the Uffizi Gallery. In addition it contains major works on art history, artists, public and private art collections, exhibitions and many related topics. The Library holds 77,000 printed books and more than 440 manuscripts; its catalogue is shared with the IRIS consortium of art history and humanities libraries and contributes to artlibraries.net through this shared bibliographic database. Several digitisation projects have already been completed or are currently in progress.

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12

Hoolihan, Christopher. "Collection Development Policies in Medical Rare Book Collections." Collection Management 11, no. 3-4 (July 14, 1989): 167–79. http://dx.doi.org/10.1300/j105v11n03_11.

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13

Hoff, Donald T. "Collections and Displays: The John S. Frankenfield Collection." Rocks & Minerals 66, no. 6 (November 1991): 486–90. http://dx.doi.org/10.1080/00357529.1991.11761658.

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14

Anderson, Erika. "Collection security: low-cost measures for mineral collections." Geological Curator 11, no. 8 (December 2023): 517–26. http://dx.doi.org/10.55468/gc1467.

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A series of high-profile thefts of museum specimens in recent decades highlights the vul- nerability of collections to such incidents. With the increasing value of mineral specimens, mineral collections may increasingly become the target of such thefts. Although system- ic funding and staffing issues at many institutions limits the practicality of implementing more sophisticated security measures, there are a number of low-cost measures that can be implemented to augment existing security measures and increase relative collection se- curity. These include physical actions such as limiting access to collection specimens and space by using locking cabinets, safes, and locking collection spaces, as well as behavioural approaches such as controlling information, escorting visitors, and restricting what items can be brought into collection spaces. Knowing the value of specimens can also allow one to understand where to concentrate security measures. As outreach is used to teach the public about collections and specimens, measures should be taken to limit the distribution of monetary value and the security measures implemented.

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15

McLeland, D. Courtenay. "Artists’ Books Collection Development: Considerations for New Selectors and Collections." RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage 18, no. 2 (November 8, 2017): 80. http://dx.doi.org/10.5860/rbm.18.2.80.

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In the 2010 survey Taking Our Pulse: The OCLC Research Survey of Special Collections and Archives, artists’ books were the specific genre most often identified as a new collecting area within library special collections departments. For librarians at institutions without an artists’ books collection, beginning and sustaining the growth of a new collection can be an exciting and challenging opportunity to become acquainted with an additional area of specialized knowledge. Other librarians may be at institutions that possess a fledgling collection of artists’ books but find that collecting priorities or guidelines need to be determined prior to more active collection development efforts. In the fall of 2016, with the goal of identifying current and established collection models, the author visited librarians working with collections of artists’ books, distributed an online survey, and conducted a selective literature review. This article presents patterns identified in the survey results.

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16

Adlington, Janice. "Fundamentals of Collection Development & Management, and: Collection Development Policies: New Directions for Changing Collections (review)." portal: Libraries and the Academy 4, no. 3 (2004): 434–36. http://dx.doi.org/10.1353/pla.2004.0042.

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17

Kurniawan, Oka, and Vincent K. S. Ong. "Charge Collection From Within a Collecting Junction Well." IEEE Transactions on Electron Devices 55, no. 5 (May 2008): 1220–28. http://dx.doi.org/10.1109/ted.2008.918660.

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18

Perrault, Anna H. "National collecting trends: Collection analysis methods and findings." Library & Information Science Research 21, no. 1 (January 1999): 47–67. http://dx.doi.org/10.1016/s0740-8188(99)80005-x.

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19

Dominick, Emily Hughes. "Collecting Extremes: A History of the Wilcox Collection." Collections 1, no. 4 (December 2004): 347–64. http://dx.doi.org/10.1177/155019060400100405.

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20

Obydzińska, Beata Anna. "Floating Collections – an Alternative Concept in Library Collection Management." Folia Bibliologica 58 (January 10, 2017): 119. http://dx.doi.org/10.17951/fb.2016.58.119.

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21

Williams, Susan Jane. "Building sustainable digital collections – a visual resources collection perspective." Art Libraries Journal 26, no. 4 (2001): 5–9. http://dx.doi.org/10.1017/s0307472200012438.

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One enormous problem confronting visual resources (VR) collections internationally is the time, labor and expense of converting or creating digital collections while maintaining and even adding to the analog collection. It will take considerable time to reach the critical digital mass that will begin to reflect the richness already available in our analog collections. The analog collections must be maintained in tandem with the digital development. As one might logically conclude, this is twice the work. It is improbable that any of us will see our staffs doubling. This underscores the need to define clear goals for digital collection development that are reasonable given the level of staffing and the need for continuation of analog services for the foreseeable future. This conundrum may have an up side in that it will tend to encourage resource sharing and consortial development of digital resources.

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22

Benedetto Beals, Jennifer, and Ron Gilmour. "Assessing collections using brief tests and WorldCat Collection Analysis." Collection Building 26, no. 4 (October 9, 2007): 104–7. http://dx.doi.org/10.1108/01604950710831898.

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23

Jacobson, Mark I. "Collections and Displays: The Proctor Collection Colorado Springs, Colorado." Rocks & Minerals 63, no. 1 (January 1988): 40–56. http://dx.doi.org/10.1080/00357529.1988.11761815.

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24

Cox, Debbie. "Developing and raising awareness of the zine collections at the British Library." Art Libraries Journal 43, no. 2 (March 27, 2018): 77–81. http://dx.doi.org/10.1017/alj.2018.5.

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This article presents a practice-based account of collection development related to zines in the British Library. Rather than making the case for the collecting of zines, it aims to describe the process of collection building in a specific time and place, so that researchers have a better understanding of why certain resources are offered to them and others are not, and to share experiences with other librarians with zine collections. Zines form an element of the cultural memory of activists and cultural creators, and for researchers studying them it would seem useful to make transparent the motivations, methods and limitations of collection building. Librarians in the USA have written about their collecting practices for some time, for instance at Barnard College1 and New York Public Library2, there has been less written about the practices of UK libraries. The article aims to make a contribution as a case study alongside accounts of collection development in a range of other libraries with zine collections, and it is written primarily from my own perspective as a curator in Contemporary British Collections since 2015, focusing on current practice, with some reference to earlier collecting.

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25

Hermkens, Anna-Karina, and Eric Venbrux. "Memorabilia of Colonial Violence and Death." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 179, no. 3-4 (December 4, 2023): 317–52. http://dx.doi.org/10.1163/22134379-bja10054.

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Abstract Nineteenth-century, private collections of ethnographic artefacts have a bad reputation in anthropology. Appearing to comprise ‘a haphazard assemblage of junk’ (Gathercole 1978:276), anthropologists and others interested in ethnographic objects and collecting have ignored private collections for some time. While Jean Louis Henri Beijens’s collection resembles at first glance a haphazard assemblage not worthy of attention, a closer inspection reveals its historical and contemporary significance. In this article, we offer a glimpse into Beijens’s private military collection, which contains artefacts originating from the Dutch colonies in both the East and West, as well as from Belgian Congo. Highlighting the colonial self-fashioning that occurred while he was assembling his ‘haphazard’ collection, we elucidate the colonial dispossession and violence that is at the heart of Beijens’s and other private and public collections. In doing so, this article attempts to address the enduring legacies and responsibilities of colonial collecting and collections.

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26

Saputra, Adri Seprian, Aang Gunaidi, and Fransiska Timoria Samosir. "Management of Local Content Collections as an Effort to Preserve Regional Culture at Public Library." Record and Library Journal 9, no. 1 (June 30, 2023): 66–76. http://dx.doi.org/10.20473/rlj.v9-i1.2023.66-76.

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Background of the study: Local Content is an important collection owned by the library as a source of information about local entities for users. Purpose: This study aims to find out how collection management is carried out by the Library and Archives Service of Bengkulu Province on local content collections and what efforts have been made toward cultural preservation, especially on local content collections. Method: This type of research is qualitative with a descriptive approach. Data collection techniques in this study used observation and interview technique. Findings: Based on data sourced from interviews with deposit service librarians, namely the Library and Archives Service of Bengkulu Province, they have managed local content collection well in procurement, processing, and storage. However, there needs to be an evaluation to develop the procurement of local content collections due to the relatively long flow of collection procurement. Conclusion: The Library and Archives of Bengkulu Province has carried out activities in order to maintain the preservation of collections and in managing deposit collections including, collecting, managing, and preserving.

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27

Vujić, Žarka. "Collection Management in 21st Century." Etnološka istraživanja, no. 26 (December 20, 2021): 7–26. http://dx.doi.org/10.32458/ei.26.6.

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This paper promotes a concept of a museum collection management and the related policy by which it is expressed. Collecting and deaccessioning (as essential activities of collections development), loans and accessibility - in international and Croatian museum practice - are also analyzed. In the end, the paper advocates the establishment of a national association of museums that could serve, together with other support points, a purpose of a professional gathering around topics on collection management.

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28

Roberts, Katherine, Jessica Nakano, and Kelsey Falquero. "Establishing Legal Title for Non-Accessioned Collections: All Collections Matter." Biodiversity Information Science and Standards 2 (July 17, 2018): e28231. http://dx.doi.org/10.3897/biss.2.28231.

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The Education and Outreach (E&O) Collection at the Smithsonian National Museum of Natural History (NMNH) contains around 125,000 specimens and objects representing all seven of NMNH’s research departments: Anthropology, Botany, Entomology, Invertebrate Zoology, Mineral Sciences, Paleobiology, and Vertebrate Zoology. The primary source of the E&O Collection is the NMNH’s former Naturalist Center (NC) that began in 1976 and closed in 2011. Almost a year after the NC’s closure, the Collection was repurposed as the core of the E&O Collection for the new science learning center, Q?rius, at NMNH. The E&O Collection was designated a collecting unit that needed to meet the Smithsonian Institution’s standards of care, holding non-accessioned collections to the same principles as accessioned collections. For museums to claim full legal title, all acquired collections require proof of offer from the donor, acceptance by the museum, and physical custody of the objects. Title status is necessary to comply with the exceptions and regulations surrounding intellectual property rights and to fulfill legal and ethical obligations. E&O collection items derived from several different sources, including donations, purchases, exchanges, collecting trips, and most commonly from former NC docents who routinely deposited items into the Collection. At the start of 2013, the E&O Collection’s team along with graduate-level interns from The George Washington University began the legal title project for the E&O Collection. In order to ensure that NMNH holds full title to the E&O Collection, interns research original acquisition records and federal and international regulations on cultural and biological materials. In 2016, through the Collections Care Preservation Fund, a contractor was hired to: 1) create a comprehensive digital and paper record to re-enforce the integrity of the non-accessioned collections and their future actions for exhibition, loan, or disposal, and 2) conduct thorough research and review of collection items’ acquisition histories to record that NMNH has done its due diligence to understand what is in the E&O Collection and how it arrived there. Over the past five years, we have investigated legal title for over 9,000 collection lots and worked with over 44 interns. We have digitized over 1,097 transaction records and have linked over 20,090 catalog records to a transaction. Ultimately, the E&O legal title research process ensures collection items have full legal title, mitigates risk of losing collection data by digitizing acquisition records and legal title research, and promotes best practices for acquired but not accessioned education collections.

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29

Egmond, Florike. "A collection within a collection." Journal of the History of Collections 25, no. 2 (April 19, 2012): 149–70. http://dx.doi.org/10.1093/jhc/fhs002.

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30

Kohler, Andrew S. "“Aaron Copland Collection,” Digital Collections, Library of Congress, https://www.loc.gov/collections/aaron-copland/." Journal of the Society for American Music 15, no. 1 (February 2021): 138–41. http://dx.doi.org/10.1017/s1752196320000541.

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31

Dressler, Virginia. "Adapting digital collection interface for special collections and archives collections and improving workflow." Proceedings of the Association for Information Science and Technology 54, no. 1 (January 2017): 660–61. http://dx.doi.org/10.1002/pra2.2017.14505401106.

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32

Ulčová, Helena, and Dalibor Velebil. "Josef Ryš (1879–1960), pedagog, mineralog, sběratel a jeho sbírka minerálů v Národním muzeu v Praze." Journal of the National Museum (Prague), Natural History Series 189, no. 1 (2020): 31–48. http://dx.doi.org/10.37520/jnmpnhs.2020.005.

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Josef Ryš (* 1879, † 1960) was a high school professor at the Real School in Jevíčko, a prominent local researcher - mineralogist and head of the local physical education unit Sokol. Between 1909 and 1958, he published a total of 11 works on the geological and mineralogical conditions of the greater Jevíčko area. He has collaborated with important institutions, such as the Moravian Museum in Brno, Masaryk University in Brno, Charles University in Prague and the National Museum in Prague. He has built a quality collection of Czech and world minerals, of which a total of 913 pieces are stored in the collection of the National Museum in Prague. From this collection, 65 minerals were selected for the new permanent mineralogical exhibition of the National Museum.

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33

Hayatuddiniyah, Hayatuddiniyah. "KEBIJAKAN PENGEMBANGAN KOLEKSI: AKUISISI KOLEKSI DI PERPUSTAKAAN PERGURUAN TINGGI TRINITY DUBLIN." Fihris: Jurnal Ilmu Perpustakaan dan Informasi 16, no. 2 (May 19, 2022): 200. http://dx.doi.org/10.14421/fhrs.2021.162.200-213.

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This article aims to investigate the collection activities carried out by the Dublin Trinity College Library as part of the collections development process. The method used in this article is a qualitative method, and the data collection technique uses literature studies. Dublin Trinity College Library is one of the higher education libraries in Ireland which has a collection of more than 6 million printed volumes with a collection of journals, manuscripts, maps and music. The collection's acquisition as a collection development undertaken by the Dublin Trinity College Library was a purchase and a grant. Purchases are made independently with predetermined criteria such as collections that support teaching, learning, and research at Trinity Dublin College. And acquisitions through grants consist of providing copies of archives and documents published by the Commonwealth of England, namely the British and Irish intelligence.

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34

FRANZA, ANNARITA, ROSANNA FABOZZI, LETIZIA VEZZOSI, LUCIANA FANTONI, and GIOVANNI PRATESI. "THE CATALOG OF THE MINERALOGICAL COLLECTION OF THE EMPEROR LEOPOLD II (1747–1792): COLLECTING AND LEARNING IN EIGHTEENTH-CENTURY EUROPE." Earth Sciences History 38, no. 2 (November 1, 2019): 173–203. http://dx.doi.org/10.17704/1944-6178-38.2.173.

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ABSTRACT The Collectio Mineralium (1765) currently preserved at the Historical Archive of the Natural History Museum of the University of Firenze, is the unpublished catalog of the mineralogical collection that belonged to Emperor Leopold II (1747–1792). The catalog is a 110-page register, with the golden emblem of the House of Habsburg at the center of the binding, containing information about 242 mineralogical samples. Each specimen is carefully described (i.e., habit, metal content, product value) and its locality given. The interpretation of the text has also returned information on most of the mining deposits in the Austro-Hungarian territories in the eighteenth century. Therefore, the interpretation of this catalog—that on the basis of the literature appears to be the first catalog of a collection belonged to a Habsburg emperor—represents an important step toward enhancing our understanding of Habsburg natural history collections and reflected the transition from wonder-rooms to commodity collecting. Leopold's private collection was no longer an ‘instrument of wonder’ but it became representative of scientific collecting characterized by the establishment of systematic mineralogy, and by a careful economic evaluation of the mineralogical samples collected as a symbol of the power of the Austro-Hungarian Empire.

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35

Skorupa, Ewa. "Literary Narratives on Collections." Tematy i Konteksty specjalny 1(2020) (2020): 166–79. http://dx.doi.org/10.15584/tik.spec.eng.2020.9.

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The article deals with collections and collecting as a literary theme. Research on this issue should be undertaken by literary scholars, as collections support the features of literary characters and give protagonists their identity. The work analysed from this angle is “Money” by Andrzej Strug from 1914. It interprets and describes three different collections and three different collectors: the eccentric Lyttons and their museum of stones, Lucy Slazenger’s precious jewellery collection and the art collection of Osias Murway, an enthusiast of antiquities.

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36

Szitas, Emily. "Book Review: Collection Development and Management for 21st Century Library Collections." Library Resources & Technical Services 63, no. 4 (November 7, 2019): 233. http://dx.doi.org/10.5860/lrts.63n4.233.

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Vicki L. Gregory is a well-known academic who has written seven other books describing librarianship and electronic and web resources. This review pertains to the second edition of her 2011 landmark textbook, Collection Development and Management for 21st Century Library Collections, which had been in good company with Peggy Johnson’s Fundamentals of Collection Development and Management and Maggie Fieldhouse and Audrey Marshall’s Collection Development in the Digital Age. Providing a thorough introduction on the management and future of library collections, this text offers practical tools and invaluable advice. The content is geared toward students of information science who are new to collection maintenance and collection development. However, this book would also be beneficial for all levels of practitioners. Gregory clearly describes the useful collection development and maintenance processes that all librarians, whether in the collection manager role or not, would find invaluable.

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37

Klyukanova, Larisa G. "Private Art Collecting as a PresentDay Culture Phenomenon." Observatory of Culture, no. 2 (April 28, 2015): 73–77. http://dx.doi.org/10.25281/2072-3156-2015-0-2-73-77.

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Analyses collecting as a type of cultural activity, its institutional and substantive aspects. The author investigates mechanisms of private collection functioning including formation of collections and storage, systematisation, and exhibition of artifacts. The importance of representing the cultural value and symbolic significance embodied in the collection items is highlighted.

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38

Anwar, Andi, Andi Sri Yusnani, Nur Azizah, and Enos Paselle. "Implementasi Kebijakan Pengembangan Koleksi Dinas Perpustakaan dan Kearsipan Provinsi Kalimantan Timur." Jurnal Syntax Admiration 5, no. 6 (June 18, 2024): 2211–27. http://dx.doi.org/10.46799/jsa.v5i6.1223.

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The purpose of this study was to describe the collection development policy implemented at the East Kalimantan Provincial Library and Archives Office. In this study the authors took a qualitative approach using descriptive methods, namely collecting data through library research and field research through interviews, observation and collection of documents related to the problem and analyzing data inductively. This research was conducted at the Library and Archives Office of East Kalimantan Province, Jl. Ir. H. Juanda No. 4 Samarinda East Kalimantan. Researchers applied interactive data analysis techniques which include data reduction, data display, and verification. The results of the study showed that the Regional Library and Archives Office of East Kalimantan Province in carrying out collection development has not been fully achieved. This is due to limited manpower and cooperation in handling the collection development process. The collection development process is in the form of adding collections, namely; purchases, gifts and deposits. The collection development process includes six activity components consisting of community analysis, selection policy, selection, procurement and weeding of collections and collection evaluation.

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39

Bartnik, Krzysztof, Martyna Maciejewska, Roiya Farhan, Elżbieta Urbanowska, Małgorzata Król, Maria Król, Magdalena Feliksbrot, Wiesław Wiktor-Jędrzejczak, and Emilian Snarski. "Continuous Mononuclear Cell Collection (cMNC) protocol impact on hematopoietic stem cell collections in donors with negative collection predictors." Transfusion and Apheresis Science 57, no. 3 (June 2018): 401–5. http://dx.doi.org/10.1016/j.transci.2018.04.022.

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40

PORTER, DAHLIA. "Catalogues for an entropic collection: losses, gains and disciplinary exhaustion in the Hunterian Museum, Glasgow." BJHS Themes 4 (2019): 215–43. http://dx.doi.org/10.1017/bjt.2019.15.

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AbstractThis essay takes the Hunterian Museum's collections, and particularly the large collection of anatomical preparations, as a case study to isolate the role of collections in disciplinary consolidation and change. I examine a large, unstudied paper archive of catalogues and inventories that strive to organize and account for objects, but more often reveal the collection's gradual transformation through continual losses and gains. This evidence indicates that while collections provide the material basis for object-based disciplines, the end of a collection does not necessarily support established or emergent disciplinary norms. As I show, it is in fact disorder in both the documentary archive and physical collections – and especially instabilities introduced by external circumstances that individuals can exploit but cannot control – that allows a collection to be mobilized, surreptitiously, for disciplinary ends.

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41

Herren, Arenthia. "Transforming Library Collections and Supporting Student Learning with Collection Mapping." Serials Librarian 80, no. 1-4 (February 20, 2021): 140–46. http://dx.doi.org/10.1080/0361526x.2021.1883207.

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42

Faulkner, James, and Jeonghyun Kim. "Collection Development Policies for Special Collections at Selected Academic Libraries." Proceedings of the Association for Information Science and Technology 59, no. 1 (October 2022): 687–89. http://dx.doi.org/10.1002/pra2.691.

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43

D'Entremont, John, and Vicki L. Eaklor. "American Antislavery Songs: A Collection and Analysis. Documentary Reference Collections." Journal of Southern History 56, no. 1 (February 1990): 111. http://dx.doi.org/10.2307/2210673.

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44

Cyzyk, Mark. "Canon Formation, Library Collections, and the Dilemma of Collection Development." College & Research Libraries 54, no. 1 (January 1, 1993): 58–65. http://dx.doi.org/10.5860/crl_54_01_58.

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45

Yoon, Won-Ju. "A novel tag collection algorithm for iterative RFID tag collections." IEICE Electronics Express 9, no. 4 (2012): 296–301. http://dx.doi.org/10.1587/elex.9.296.

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46

Yaco, Sonia, Caroline Brown, and Lee Konrad. "Linking Special Collections to Classrooms: A Curriculum-to-Collection Crosswalk." American Archivist 79, no. 2 (September 2016): 417–37. http://dx.doi.org/10.17723/0360-9081-79.2.417.

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BUCKLAND, MICHAEL K. "THE ROLES OF COLLECTIONS AND THE SCOPE OF COLLECTION DEVELOPMENT." Journal of Documentation 45, no. 3 (March 1989): 213–26. http://dx.doi.org/10.1108/eb026844.

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Seiden, Peggy, Eric Pumroy, Norm Medeiros, Amy Morrison, and Judy Luther. "Should Three College Collections Add Up to One Research Collection?" Resource Sharing & Information Networks 16, no. 2 (March 2003): 189–204. http://dx.doi.org/10.1300/j121v16n02_05.

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Gwilt, Diane. "THE COLLECTION CARE AND ACCESS PROJECT: BALANCING DEMANDS ON COLLECTIONS." Studies in Conservation 53, sup1 (January 2008): 192–95. http://dx.doi.org/10.1179/sic.2008.53.supplement-1.192.

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Ridgeway, Erin. "Collection Management, Assessment, and Development: Reviving Collections during LMS Implementation." Serials Librarian 76, no. 1-4 (May 7, 2019): 86–88. http://dx.doi.org/10.1080/0361526x.2019.1588613.

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