Academic literature on the topic 'Collection art'
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Journal articles on the topic "Collection art"
Rademeyer, Alta. "Telkom art collection." de arte 33, no. 58 (September 1998): 44–47. http://dx.doi.org/10.1080/00043389.1998.11761277.
Full textKlyukanova, Larisa G. "Private Art Collecting as a PresentDay Culture Phenomenon." Observatory of Culture, no. 2 (April 28, 2015): 73–77. http://dx.doi.org/10.25281/2072-3156-2015-0-2-73-77.
Full textDi Benedetto, Claudio. "The Uffizi Library: a collection that documents collections." Art Libraries Journal 35, no. 2 (2010): 4–7. http://dx.doi.org/10.1017/s0307472200016321.
Full textRomero, Martha. "The JAPS Library: A collection about art." Art Libraries Journal 48, no. 1 (January 2023): 2–9. http://dx.doi.org/10.1017/alj.2022.22.
Full textDanowitz, Erica Swenson. "Art Magazine Collection Archive." Charleston Advisor 23, no. 3 (January 1, 2022): 5–9. http://dx.doi.org/10.5260/chara.23.3.5.
Full textRebora, Carrie. "Robert Fulton's Art Collection." American Art Journal 22, no. 3 (1990): 40. http://dx.doi.org/10.2307/1594565.
Full textRoyo Naranjo, Lourdes. "Art Collection Neue Börse." Boletín de Arte, no. 25 (April 2, 2018): 851–55. http://dx.doi.org/10.24310/bolarte.2004.v0i25.4647.
Full textHundt, Stefan. "The Sanlam Art Collection." de arte 40, no. 72 (January 2005): 67–75. http://dx.doi.org/10.1080/00043389.2005.11877047.
Full textBarata, Ana. "Resources for Latin American art in the Gulbenkian Art Library." Art Libraries Journal 37, no. 4 (2012): 21–23. http://dx.doi.org/10.1017/s0307472200017697.
Full textCrampton, Sharon. "The art collection of Oliewenhuis Art Museum, Bloemfontein." de arte 37, no. 65 (January 2002): 98–101. http://dx.doi.org/10.1080/00043389.2002.11876993.
Full textDissertations / Theses on the topic "Collection art"
Haight, Sarah M. "American Art Lending, 1895-1975." Thesis, School of Information and Library Science, 2006. http://hdl.handle.net/1901/344.
Full textBrogan, Devin. "Art in Wichita instruction, collection and innovation /." Diss., Click here for available full-text of this thesis, 2006. http://library.wichita.edu/digitallibrary/etd/2006/t024.pdf.
Full textSummerfield, Angela. "Interventions : twentieth-century art collection schemes and their impact on local authority art gallery and museum collections of twentieth-century British art in Britain." Thesis, City, University of London, 2007. http://openaccess.city.ac.uk/17420/.
Full textSalmons, John Andrew. "Adopting an Orphaned Collection." Thesis, Virginia Tech, 2016. http://hdl.handle.net/10919/64789.
Full textMaster of Architecture
Walker, Jessica E. "Unexpected Reflection Collection." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1253634229.
Full textQuito, Anne. "Art at work potential contributions of an art collection to non-profit organizations /." Connect to Electronic Thesis (CONTENTdm), 2009. http://worldcat.org/oclc/456296265/viewonline.
Full textBaker, Laura. "The New Orleans Museum of Art: Managing the Collection." ScholarWorks@UNO, 2014. http://scholarworks.uno.edu/aa_rpts/173.
Full textWilson, Janelle. "Accessioning and Managing the Petersburg Area Art League Collection." VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/2296.
Full textLucas, Jean-Jacques. "Les territoires imaginés de la collection, récits individuels et collectifs : les collections et les collectionneurs d'oeuvres d'art, d'archéologie, d'arts décoratifs et appliqués dans le Centre-Ouest Atlantique entre 1870 et 1983." Poitiers, 2010. http://www.theses.fr/2010POIT5007.
Full textArt collecting since the mid-nineteenth century, understandable throughout this period through regional exhibitions, donations and legacies to local museums, recorded landmark values. These situations involve the embedding of several imaginary, temporal and spatial fields. The object aspiring a duration which the body will not reach, will be presented to lasting admiration in a collection. It is a monument marking the ownership of its collector, by a ligamentary function, with its real or reconstructed genealogical territory. The transfer to the public collection guarantees everlasting self surpassing and the perpetuation of a founding and edifying social. The nature of the collections of works of art, also from archaeology, decorative arts, or ethnography questions about the reference systems of the world from Poitou. Their time and geographical space come from mythogène territories for visitors to see in the space of the museum. These constructions define imagined or experienced contours in time and space. The study of these collections, their movement and sphere of influence refers to the identity values of their authors and to those ensuring the coherence of a group. The geographical area of study corresponds to three existing departments : Vienne, Deux-Sevres, and Vendee, for the most part historically associated with the Bas Poitou. The chronological frame is set between the entrance of the Charbonnel legacy to the Poitiers museum in 1870 and the arrival of a new institutional actor commissioned to collect the art of its time, le Fonds Régional d’Art Contemporain
Donkor, Kimathi. "Africana unmasked : fugitive signs of Africa in Tate's British Collection." Thesis, University of the Arts London, 2015. http://ualresearchonline.arts.ac.uk/12019/.
Full textBooks on the topic "Collection art"
1974-, Ilham Khoiri R., and Gautama Candra, eds. Art and collecting art: A collection of writings. Jakarta: Kepustakaan Populer Gramedia in cooperation with OHD Museum and Djarum Foundation, 2012.
Find full textSykes, Marie. Sugar art collection. Frenchs Forest,NSW: Child & Associates, 1989.
Find full textUniversity of Lethbridge. Art Gallery. The art collection. Lethbridge, Alta: University of Lethbridge Art Gallery, 2003.
Find full textGallery, Art Circle. [Art Circle Gallery art book collection]. Mandaluyong City]: Art Circle Gallery, 2010.
Find full textBarzel, Amnon. Light art: Targetti Light Art Collection. Milano: Skira, 2006.
Find full textCollection remixed. Bronx, N.Y: Bronx Museum of the Arts, 2005.
Find full textMethodist Ladies' College (Kew, Vic.). Contemporary art collection 2009: Methodist Ladies' College Contemporary Art Collection. Melbourne: Bounce Books, 2009.
Find full textRonte, Dieter. Hess Collection. Bern: P. Haupt, 1989.
Find full textRonte, Dieter. Hess collection. New York, N.Y: H.N. Abrams, 1989.
Find full textAyesha, Taslim, ed. National Art Gallery collection. Islamabad: Pakistan National Council of the Arts, 2008.
Find full textBook chapters on the topic "Collection art"
Barrow, John D. "Art is Critical." In The Frontiers Collection, 875–76. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-92192-7_45.
Full textGomes, Noémia Herdade, Elisa Noronha, Filipe Silva, Alexandre Matos, and Mário Vairinhos. "The Drawing Collection." In Art and Technology, 123–42. Rotterdam: SensePublishers, 2017. http://dx.doi.org/10.1007/978-94-6300-863-1_7.
Full textRobson, Jonathan. "Popular Art, Bad Art, and the Data of Philosophical Aesthetics." In The Frontiers Collection, 267–77. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-27577-8_17.
Full textSkrubbe, Jessica Sjöholm. "The Walden Art Collection." In Nell Walden, Der Sturm, and the Collaborative Cultures of Modern Art, 42–84. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003098935-3.
Full textMcAllister, James W. "Art and Science: A Tangled Relation." In The Frontiers Collection, 1–10. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-27577-8_1.
Full textAiken, Nancy E. "Figurines and the Origin of Art." In The Frontiers Collection, 279–90. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-27577-8_18.
Full textKappraff, Jay. "Complexity and Chaos Theory in Art." In The Frontiers Collection, 117–38. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-27577-8_9.
Full textRaghunath, Ghosh. "Art as an Aid to Resolve Tension." In The Frontiers Collection, 335–48. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-27577-8_21.
Full textEl-Bizri, Nader. "Art and Science: Historical Confluences and Modern Dialectics." In The Frontiers Collection, 11–30. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-27577-8_2.
Full textCohen, Mark Daniel. "Art, Science, and the Nature of the Meritorious." In The Frontiers Collection, 31–52. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-27577-8_3.
Full textConference papers on the topic "Collection art"
Coulter, Daniel R., Steven A. Macenka, Mark T. Stier, and Roger A. Paquin. "ITTT: a state-of-the-art ultralightweight all-Be telescope." In Critical Review Collection. SPIE, 1997. http://dx.doi.org/10.1117/12.279810.
Full text"[Cover art]." In 2008 WOMBAT Workshop on Information Security Threats Data Collection and Sharing (WISTDCS). IEEE, 2008. http://dx.doi.org/10.1109/wistdcs.2008.17.
Full textGraham, Beryl S. "Museums, New Media Art, Documentation and Collection." In Electronic Visualisation and the Arts (EVA 2011). BCS Learning & Development, 2011. http://dx.doi.org/10.14236/ewic/eva2011.37.
Full textChen, Zhiqian. "Chinese Art Appreciation and Collection Under Aesthetical Perspective." In proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.423.
Full textCarletti, Laura, Dominic Price, Gabriella Giannachi, Rebecca Sinker, Derek McAuley, and John M. Stack. "Art Maps - Putting the Tate Collection on the Map." In Electronic Visualisation and the Arts (EVA 2014). BCS Learning & Development, 2014. http://dx.doi.org/10.14236/ewic/eva2014.17.
Full textQiao, Xiuqiang. "Art Appreciation and Collection from the Perspective of Aesthetics." In Proceedings of the 2018 8th International Conference on Management, Education and Information (MEICI 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/meici-18.2018.124.
Full textMarr, Stefan, and Benoit Daloze. "Few versatile vs. many specialized collections: how to design a collection library for exploratory programming?" In
Moldovanu, Anastasia. "The Scientific Value of the Collection of “Tudor Arghezi” art Library. Heritage Documents." In Simpozionul Național de Studii Culturale, Ediția a 2-a. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/9789975352147.01.
Full textUdodik, A. I. "VISUAL ART IMAGES OF K. D. BALMONT’S POEM COLLECTION «IN BOUNDLESSNESS»." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. TSU Press, 2021. http://dx.doi.org/10.17223/978-5-907442-02-3-2021-36.
Full textDe las Heras Molina, Javier, Juan Gómez Sánchez, and José Manuel Vassallo Magro. "Electronic Toll Collection Systems and their Interoperability: The State of Art." In CIT2016. Congreso de Ingeniería del Transporte. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/cit2016.2016.3186.
Full textReports on the topic "Collection art"
Healey, Patrick. The Social Sculpture in Practice: Joseph Beuys, Waldo Bien and the Free International University World Art Collection, A Report. Edited by Gerhard Bruyns. FIUWAC, October 2020. http://dx.doi.org/10.31182/001.
Full textZhang, Ling, Chunhui Xiang, and Eulanda A. Sanders. Testing Chinese Ink as a Natural Dyestuff on Silk and Cotton Fabrics: The Foundation for a Collection of Wearable Art. Ames: Iowa State University, Digital Repository, November 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-131.
Full textTrachunthong, Deondara, Suchintana Chumseng, Worrayot Darasawang, and Mathuros Tipayamongkholgul. Risk Factors and National Burden of Selected Noncommunicable Diseases in People Living with HIV: Systematic Review, Meta-Analysis and, Disability-Adjusted Life Years protocol. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, September 2022. http://dx.doi.org/10.37766/inplasy2022.9.0018.
Full textBates, C. Richards, Melanie Chocholek, Clive Fox, John Howe, and Neil Jones. Scottish Inshore Fisheries Integrated Data System (SIFIDS): Work package (3) final report development of a novel, automated mechanism for the collection of scallop stock data. Edited by Mark James and Hannah Ladd-Jones. Marine Alliance for Science and Technology for Scotland (MASTS), 2019. http://dx.doi.org/10.15664/10023.23449.
Full textPanchenko, Liubov F., Andrii O. Khomiak, and Andrey V. Pikilnyak. Using Twitter in Ukrainian sociology majors training. [б. в.], July 2020. http://dx.doi.org/10.31812/123456789/3863.
Full textSimas, Molly. The Skins We Have Shed and Where They Are Buried: A Collection. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.6371.
Full textStrachan, Anna Louise. The Impact of Covid-19 on Research Methods and Approaches. Institute of Development Studies (IDS), January 2021. http://dx.doi.org/10.19088/cc.2021.002.
Full textKennedy, Marie, Aisha Conner-Gaten, Jamie Hazlitt, Javier Garibay, and Marisa Ramirez. Assessing the Diversity of the E-collection of the William H. Hannon Library; a Phased Project. William H. Hannon Library, 2018. http://dx.doi.org/10.15365/whhl.librarian.2018.1022.
Full textHamudi, Simbarashe. Perception of Taxpayers and Tax Administrators Towards Value Added Withholding Tax in Zimbabwe. Institute of Development Studies (IDS), July 2021. http://dx.doi.org/10.19088/ictd.2021.013.
Full textEngel, Chandler, Rachel Hastings, Jeremy Giovando, Eric Gabel, Caroline Duncan, and Travis Dahl. Summary of ground-based snow measurements for the Northeastern United States. Engineer Research and Development Center (U.S.), April 2022. http://dx.doi.org/10.21079/11681/44122.
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