Books on the topic 'Coincidence in motion pictures'

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1

Kazakov, Alekseĭ. Roli, kotorye prinesli neschastʹi︠a︡ svoim sozdateli︠a︡m: Sovpadenii︠a︡, predskazanii︠a︡, mistika?! Moskva: T︠S︡entrpoligraf, 2015.

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2

Guy, Cogeval, and Païni Dominique, eds. Hitchcock and art: Fatal coincidences. Milano: Mazzotta, 2001.

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3

Guy, Cogeval, Païni Dominique, and Montreal Museum of Fine Arts., eds. Hitchcock and art: Fatal coincidences. Montréal: Montreal Museum of Fine Arts, 2000.

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4

Amit, Tami. Motion pictures. Blou: Monografik, 2008.

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5

Canada. Industry, Science and Technology Canada. Motion pictures. Ottawa, Ont: Industry, Science and Technology Canada, 1991.

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6

Conley, Robyn. Motion pictures. New York: Franklin Watts, 2004.

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7

Canada. Industry, Science and Technology Canada. Motion pictures. Ottawa, Ont: Industry, Science and Technology Canada, 1988.

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8

Iris, Newsom, and Library of Congress, eds. Performing arts: Motion pictures. Washington: Library of Congress, 1998.

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9

Andy, Warhol. Andy Warhol: Motion pictures. Berlin: KW Institute for Contemporary Art, 2004.

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10

Banks, Joanne Trautmann. Moving pictures. Baltimore, Md: Johns Hopkins University Press, 1998.

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11

Norman, Barry. Talking pictures. London: Arrow, 1991.

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12

Hollander, Anne. Moving pictures. London: Harvard University Press, 1991.

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13

Hollander, Anne. Moving pictures. New York: Knopf, 1989.

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14

Olson, Nancy B. Cataloging motion pictures and videorecordings. Lake Crystal, Minn: Soldier Creek Press, 1991.

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15

Carroll, Noël. The philosophy of motion pictures. Malden, MA: Blackwell Pub. Ltd, 2008.

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16

Olson, Nancy B. Cataloging motion pictures and videorecordings. Lake Crystal, Minn: Soldier Creek Press, 1991.

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17

Reed, David. David Reed paintings: Motion pictures. LaJolla, CA: Museum of Contemporary Art, San Diego, 1998.

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18

Olson, Nancy B. Cataloging motion pictures and videorecordings. Lake Crystal, Minn: Soldier Creek Press, 1991.

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19

Lazell, David. What's on at the pictures? Cheltenham: Evergreen, 1995.

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20

Loader, Jayne. Between pictures. New York: Grove Press, 1987.

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21

Alberto, Mira, ed. The cinema of Spain and Portugal. London: Wallflower, 2005.

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22

Congress, Library of, ed. Motion picture agreement. [Washington, D.C.?]: Library of Congress, 1985.

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23

Kam, Tan See. Chinese connections: Critical perspectives on film, identity and diaspora. Philadelphia PA: Temple University Press, 2008.

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24

Maule, Rosanna. Beyond auteurism: New directions in authorial film practices in France, Italy and Spain since the 1980s. Bristol, UK: Intellect, 2008.

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25

Baskett, Michael. The attractive empire: Transnational film culture in Imperial Japan. Honolulu: University of Hawai'i Press, 2008.

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26

Harris, Mark. Pictures at a Revolution. New York: Penguin Group USA, Inc., 2008.

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27

French cinema. New York: Faber and Faber, 2011.

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28

McIlroy, Brian. Irish cinema: An illustrated history. Dublin: Anna Livia Press, 1988.

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29

Wu, Misen. Qi mao qiu le. 8th ed. Taibei Shi: Xiao zhi tang wen hua shi ye you xian gong si, 2003.

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30

Dawar, Ramesh. Best from Bollywood. London: ibs Books, 2008.

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31

Cravenne, Robert. Le tour du monde du cinéma français: Histoire du cinéma français à l'étranger. Paris: Dixit, 1995.

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32

Lee, Vivian P. Y. Hong Kong cinema since 1997: The post-nostalgic imagination. Basingstoke, Hampshire, UK: Palgrave Macmillan, 2009.

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33

Braun, Brigitte, Andrzej Gwóźdź, and Andrzej Dębski. Unterwegs zum Nachbarn: Deutsch-polnische Filmbegegnungen. Trier: WVT, Wissenschaftlicher Verlag Trier, 2015.

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34

E, Helt Marie, ed. West German cinema since 1945: A reference handbook. Metuchen, N.J: Scarecrow Press, 1987.

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35

McIlroy, Brian. World cinema. Trowbridge: Flicks Books, 1989.

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36

Gokulsing, K. Indian popular cinema: A narrative of cultural change. Stoke-on-Trent, UK: Trentham, 2004.

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37

Gokulsing, K. Indian popular cinema: A narrative of cultural change. New Delhi: Orient Longman, 1998.

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38

Madānāt, ʻAdnān. Taḥawwulāt al-sīnimā al-ʻArabīyah al-muʻāṣirah: Qaḍāyā wa aflām. 8th ed. Dimashq: Dār Kanʻān, 2004.

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39

hÉireann, Bord Scannán na. [List of Irish films]. Galway: Bord Scannán na hÉireann, 1998.

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40

1946-, Talens Jenaro, and Zunzunegui Díez Santos, eds. Modes of representation in Spanish cinema. Minneapolis: University of Minnesota Press, 1998.

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41

Dawar, Ramesh. Best from Bollywood. London: ibs Books, 2008.

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42

Gugler, Josef. African film: Re-imagining a continent. Bloomington: Indiana University Press, 2003.

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43

Dvoeglazov, A. E. Kinopokhod: Krasnodar. Krasnodar: Tradit︠s︡ii︠a︡, 2016.

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44

Postler, Vicky. De Gaumont Italia à arte: La politique culturelle française en Europe. Paris: Connaissances et savoirs, 2005.

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45

Steimatsky, Noa. Italian locations: Reinhabiting the past in postwar cinema. Minneapolis: University of Minnesota Press, 2008.

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46

Berry, Chris. Chinese cinema: Critical concepts in media and cultural studies. New York, NY: Routledge, 2012.

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47

Shaka, Femi Okiremuete. Modernity and the African cinema: A study in colonial discourse, post-coloniality, and modern African identities. Trenton, NJ: Africa World Press, 2003.

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48

Shaka, Femi Okiremuete. Modernity and the African cinema: [a study in colonialist discourse, post-coloniality, and modern African identities]. Trenton, NJ: Africa World Press, 2005.

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49

Zufall und Schicksal - Möglichkeit und Wirklichkeit: Erscheinungsweisen des Zufälligen im zeitgenössischen Film. Marburg: Schüren, 2008.

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50

Donovan, Mike. Motion Pictures. Independently Published, 2019.

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