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1

Maarten E. R. G. N. Jansen. Codex Bodley. Oxford: Bodleian Library, 2005.

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2

Mixtec Pictographic Writing Workshop at Texas (5th : 1996 : Austin, Tex.), ed. Codex Bodley. Austin, Tex: Maya Workshop Foundation, 1996.

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3

Mixtec Pictographic Writing Workshop at Texas (2004 : Austin, Tex.), ed. Special topics in Codex Bodley. Austin, Tex: Maya Workshop Foundation, 2004.

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4

André, Hurst, Rudhardt Jean, and Fondation Martin Bodmer, eds. Papyri Bodmer XXX-XXXVII: "Codex des Visions" : poèmes divers. München: K.G. Saur, 1999.

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5

R, Laxpati Sharad, and United States. National Aeronautics and Space Administration., eds. Computer code for scattering from impedance bodies of revolution. Chicago, Ill: University of Illinois at Chicago, Dept. of Electrical Engineering and Computer Science, 1993.

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6

Great Britain. Solicitors Regulation Authority. Solicitors Code of Conduct 2007: Including SRA recognised bodies regulations 2009. 2nd ed. [London]: Law Society, 2009.

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7

Commission for Local Authority Accounts in Scotland. Code of guidance on funding external bodies and following the public pound. Edinburgh: Accounts Commission for Scotland, 1996.

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8

J, Rothman David. Other people's bodies: Human experimentation on the 50th anniversary of the Nuremberg Code. Place of publication not identified]: American Osler Society, 1996.

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9

Great Britain. Parliament. House of Commons. Seventh Standing Committee on Delegated Legislation. Code of Audit Practice for Local Government Bodies (2005), Tuesday 1 March 2005. London: Stationery Office, 2005.

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10

Executive, Scotland Scottish. The councillors code of conduct. [Edinburgh]: Stationery Office, 2002.

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11

Rubinstein, Ruth P. Dress codes: Meanings and messages in American culture. 2nd ed. Boulder, Colo: Westview Press, 2001.

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12

Rubinstein, Ruth P. Dress codes: Meanings and messages in American culture. Boulder: Westview Press, 1995.

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13

Galahova, Anna. Official crimes (Chapter 30 of the Criminal Code of the Russian Federation). The concept. Qualification. ru: INFRA-M Academic Publishing LLC., 2023. http://dx.doi.org/10.12737/1915616.

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The work is devoted to the concept and issues of qualification of crimes against state power, the interests of public service and service in local self-government bodies. The general characteristics of this group of crimes, the concept of an official, and the legal analysis of each of the elements of crimes included in Chapter 30 of the Criminal Code of the Russian Federation are outlined. The novelties included in the Criminal Code of the Russian Federation, delineation from related crimes are shown, attention is drawn to errors in the application of the relevant norms of the Criminal Code of the Russian Federation. The publication is addressed to persons studying criminal law, law enforcement officers, researchers.
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14

Lamb, Warren. Body code: The meaning in movement. Princeton, N.J: Princeton Book Co., 1987.

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15

Society, Law. The Law Society's code of conduct [2004] and recognised bodies regulations [2004] - not yet in force. London: Law Society, 2005.

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16

Hodges, J. Pressure measurements on slender bodies at supersonic speeds and development of flow separation ctiteria for Euler codes. London: HMSO, 1990.

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17

Fadeev, Il'ya, and Boris Vlasov. Implementation of the powers of the bodies of inquiry of the Ministry of Internal Affairs of Russia in criminal proceedings. ru: INFRA-M Academic Publishing LLC., 2023. http://dx.doi.org/10.12737/1911534.

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The monograph provides an overview of the legal status of the (head) of the body of inquiry, the head of the department of inquiry and the investigator in the Russian criminal process. Certain norms of the Criminal Procedure Code of the Russian Federation, which form the backbone of the legal institute of inquiry, are subjected to critical analysis, in particular in the context of conducting procedural checks, conducting inquiries in an abbreviated form. Readers' attention is focused on the imperfection of the regulatory legal acts of the Ministry of Internal Affairs of Russia, which, according to the author, need serious updating against the background of new threats from the criminal world, as well as clarifying the place and role of the bodies of inquiry of the Ministry of Internal Affairs of Russia. For students, postgraduates and teachers of law schools and faculties, employees of the bodies of inquiry of the Ministry of Internal Affairs of Russia, as well as a wide range of readers interested in criminal procedural law.
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18

Quilliam, Susan. Body language: Actions speak louder than words : crack the unspoken code of body language. New York: Fall River Press, 2009.

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19

Altman, Don. The mindfulness code: Keys for overcoming stress, anxiety, fear, and unhappiness. Novato, Calif: New World Library, 2010.

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20

Executive, Scotland Scottish. Standards in public life: The councillors' code of conduct. [Edinburgh]: Stationery Office, 2002.

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21

Siegel, Marc. The inner pulse: Unlocking the secret code of sickness and health. Hoboken, N.J: Wiley, 2011.

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22

Altman, Don. The mindfulness code: Keys for overcoming stress, anxiety, fear, and unhappiness. Novato, Calif: New World Library, 2010.

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23

[Manuscript facsimile Codex Bodley]. Prague: Archa 90, 2009.

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24

Jansen, Maarten, and Gabina Aurora Perez Jimenez. Codex Bodley: A Painted Chronicle from the Mixtec Highlands, Mexico (Bl - Treasures from the Bodleian Library). Bodleian Library, University of Oxford, 2005.

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25

Hansen, Mark B. N. Bodies in Code. Routledge, 2012. http://dx.doi.org/10.4324/9780203942390.

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26

Wilson, J. L. Brownies, Bodies, and Breaking the Code. The Wild Rose Press, 2007.

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27

Hansen, Mark B. N. Bodies in Code: Interfaces with Digital Media. Taylor & Francis Group, 2012.

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28

Bodies in Code: Interfaces with Digital Media. Routledge, 2012.

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29

Hansen, Mark B. Bodies in Code: Interfaces with Digital Media. Routledge, 2012.

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30

Hansen, Mark B. N. Bodies in Code: Interfaces with Digital Media. Taylor & Francis Group, 2012.

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31

Hansen, Mark B. N. Bodies in Code: Interfaces with Digital Media. Taylor & Francis Group, 2012.

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32

Hansen, Mark B. N. Bodies in Code: Interfaces with Digital Media. Routledge, 2006.

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33

Hansen, Mark B. N. Bodies in Code: Interfaces with Digital Media. Taylor & Francis Group, 2012.

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34

Hansen, Mark B. Bodies in Code: Interfaces with Digital Media. Taylor & Francis Group, 2010.

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35

Hansen, Mark B. N. Bodies in Code: Interfaces with Digital Media. Taylor & Francis Group, 2012.

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36

Bodies in Code: Interfaces with Digital Media. Routledge, 2006.

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37

Staff, Disability Rights Commission. Code of Practice: Trade Organisations and Qualifications Bodies. Stationery Office, The, 2004.

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38

Great Britain: Parliament: House of Commons: 3rd Delegated Legislation Committee and Bob Russell. Code of audit practice for local NHS bodies; code of audit practice 2010 for local government Bodies: Monday 1 March 2010. Stationery Office, The, 2010.

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39

Appointments, Commissioner for Public. Code of practice for ministerial appointments to public bodies. Office for the Commissioner for Public Appointments, 2001.

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40

Computer code for scattering from impedance bodies of revolution. Chicago, Ill: University of Illinois at Chicago, Dept. of Electrical Engineering and Computer Science, 1993.

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41

Appointments, Commissioner for Public. Code of practice for ministerial appointments to public bodies. Office of the Commissioner for Public Appointments, 2003.

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42

Garber, Michael, and Monica Karaba. Illumination Codex: Guidance for Ascension to New Earth. New Earth Ascending, 2022.

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43

Garber, Michael, and Monica Karaba. Illumination Codex: Guidance for Ascension to New Earth. New Earth Ascending, 2022.

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44

Tasker, Yvonne. Bodies and Genres in Transition. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036613.003.0006.

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This chapter explores how independent women filmmakers use genre. Examining Girlfight (2000) and Real Women Have Curves (2002), it foregrounds strategies by which genres are deployed, combined, and remade in order to tell women's stories. The desire to tell women's stories has been formative for diverse traditions of feminist and feminist-informed filmmaking. Such filmmaking is often driven by a realist impulse, a perception that Hollywood/genre cinema trades in fantasized images of women that bear little correspondence to actual women's lives. In using genre to tell such stories, these films foreground contradictions between realist and generic codes, suggesting a number of questions. For instance, how far can a film shift the presentation of women's lives from those usually associated with a genre before it effectively becomes a parody? Can realist (rather than fantastic) feminist filmmaking itself be understood as generic, defined by its commitment to telling women's stories? How might such a genre relate to the “woman's film,” that mode of Hollywood production defined as much by its intended audience as by content? In addressing these questions, the chapter argues that genre has proved both productive and constraining for women filmmakers.
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45

Commission, Disability Rights. Code of Practice: Trade organisations and qualifications bodies, [Braille Version]. Stationery Office, The, 2004.

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46

Garber, Michael, and Monica Karaba. The Illumination Codex: Guidance for Ascension to New Earth. New Earth Ascending, 2022.

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47

Britain, Great. Disability Discrimination Code of Practice (Trade Organisations, Qualifications Bodies and General Qualifications Bodies) (Commencement) Order 2008. Stationery Office, The, 2008.

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48

Hockenberry, Matthew, Nicole Starosielski, and Susan Zieger, eds. Assembly Codes. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478013037.

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The contributors to Assembly Codes examine how media and logistics set the conditions for the circulation of information and culture. They document how logistics—the techniques of organizing and coordinating the movement of materials, bodies, and information—has substantially impacted the production, distribution, and consumption of media. At the same time, physical media, such as paperwork, along with media technologies ranging from phone systems to software are central to the operations of logistics. The contributors interrogate topics ranging from the logistics of film production and the construction of internet infrastructure to the environmental impact of the creation, distribution, and sale of vinyl records. They also reveal how logistical technologies have generated new aesthetic and performative practices. In charting the specific points of contact, dependence, and friction between media and logistics, Assembly Codes demonstrates that media and logistics are co-constitutive and that one cannot be understood apart from the other. Contributors Ebony Coletu, Kay Dickinson, Stefano Harney, Matthew Hockenberry, Tung-Hui Hu, Shannon Mattern, Fred Moten, Michael Palm, Ned Rossiter, Nicole Starosielski, Liam Cole Young, Susan Zieger
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49

Elizabeth, Roberts. Rules of Girl Code. Arait Justice Books, 2021.

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50

McNally & co. [from old catalog] Rand. The Code of Conduct. Stationery Office Books, 1996.

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