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Journal articles on the topic 'Clothing'

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1

Setiawan, Deni, Timbul Haryono, and M. Agus Burhan. "Analisis Fungsi Pakaian Karnaval di Yogyakarta Menurut Roland Barthes dan Fungsi Seni Edmund Burke Felmand." Humaniora 6, no. 3 (July 30, 2015): 418. http://dx.doi.org/10.21512/humaniora.v6i3.3368.

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Carnival clothing is one form of artists’ creativities in fine art, created in various functions. Those functions are viewed based on utility value and the purpose that consistently are embedded in an art work. In addition, several functions of carnival clothing were constructed on the basis of social and cultural conditions that are effective in a certain place. Each and every type of clothing raises perception to everyone else who sees it. Promotion of fashion style and industry through carnival clothing results in diverse perceptions acceptable to the viewers. Audience’s perceptions are also not apart from the key functions, social ones, and the physical ones of those carnival clothings themselves. Those three functions are the common ones of each art work created as communication tool with everyone else. The carnival clothings are communication tools of the fashion designer to the customers, communication between one customer and another one. On the carnival clothing there are also sources of knowledge science, history, technology, and many other explainable meanings. Through carnival clothings, the detectable issues in physical and non-physical structures are identifiable as well as they play role as the space to make more exploration on the dynamics of a community culture. This article aims to answer the functions of carnival clothing, using aesthetic approach, through the theory of clothing functions Roland Barthes and Edmund Burke Feldman’s art functions.
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FISCHER, HOLGER, KATHARINA HEILOS, DANIEL THAL, ANDRÉ FAASEN, and MARCEL HOFMANN. "ONLINE WEAR ANALYSIS OF CARD CLOTHINGS." Fibres and Textiles 30, no. 4 (2023): 50–57. http://dx.doi.org/10.15240/tul/008/2023-4-006.

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The processing of abrasive fibres in the carding process, in particular high-performance fibres such as glass, carbon or aramid fibres, can cause increased wear of the card clothing. In the FutureTex project ‘HPFGarnitur’, the wear of card clothing was investigated and an online wear measurement system has been developed. The aim of the project was both, to optimize the clothings to enable gentler processing of the fibres, and to develop a digital monitoring system to observe the degree of wear of the clothings, which offers a new possibility for maintenance prediction and production planning in the sense of Industry 4.0.
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Shaharuddin, Siti Shukhaila, and Marzie Hatef Jalil. "Multifunctional Children Clothing Design Process Based on the Eco-Fashion Design Model." Journal of Visual Art and Design 13, no. 1 (July 6, 2021): 35–47. http://dx.doi.org/10.5614/j.vad.2021.13.1.3.

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The purpose of this study was to develop the design of multifunctional children’s clothing that supports sustainability goals. This paper proposes multifunctional clothing that can be recycled and decomposed at the end of the clothing’s lifespan. In particular, the Eco-fashion design model was adopted in this project. After analyzing fashion consumption and problems in children’s product design, four items of multifunctional children’s clothing were developed. Multifunctional children’s clothing design focuses on material selection, zero-waste techniques, design for disassembly and children’s health. Thus, the minimization of material diversity as well as the application of zero-waste design techniques and multifunctional design guidelines for children’s clothing design can be implemented towards sustainability in order to preserve the environment by selecting recyclable materials, promoting profit and human health concerning multifunctional purposes and international standards for children’s clothing design. The findings can be used in various apparel products to help mitigate problems related to environmental pollution and resource depletion in the apparel industry.
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Slabotinský, Jiří, and Šárka Bernatíková. "Reaction of the Female Body to Stress in a Chemical Protective Clothing." TRANSACTIONS of the VŠB – Technical University of Ostrava, Safety Engineering Series 11, no. 2 (September 1, 2016): 15–21. http://dx.doi.org/10.1515/tvsbses-2016-0012.

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Abstract This article deals with the reaction of the female body to the use of an insulation chemical protective clothing combined with working - thermal and mental stress to which the female is exposed. The article provides a concise overview of protective chemical clothings and factors affecting their comfort; it describes the regularities corresponding to the physiological reaction, important for the body’s reaction to the use of a chemical protective clothing. Further, the article contains a description of the measurement and evaluation of physiological parameters of non-acclimated women during testing of these clothings and, finally, comparison with the results for males under the same stress which is unfavourable for women.
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Thelkar, Vishal. "A STUDY ON SUSTAINABLE CLOTHING MARKET WITH REFERENCE TO PUNE CITY." International Journal of Engineering Technologies and Management Research 5, no. 6 (February 27, 2020): 66–79. http://dx.doi.org/10.29121/ijetmr.v5.i6.2018.246.

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The purpose of this study is to understand the buying behavior towards sustainable and ecoclothing. This paper presents the facts, figures and general awareness about eco fashion and eco clothing. It also elaborates the environmental impacts about the raw material and manufacturing process used for clothing and suggests Sustainable Raw Material be preferred for sustainable clothing’s in India, The purpose of this paper is also to examine the relationship between eco fashion and their willingness to pay a premium for eco-clothing’s with the focus on gender and age group. This paper classifies the consumer into 7 types with respect to specific attitude to sustainable and eco-clothing within the sample of 119 in Pune region. The findings will help fast fashion retailers, marketers, environmental activists, ecological researchers, charity institutions and public policy makers.
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雷, 聪聪. "Clothing Brands and Clothing Silhouette Classification." Design 08, no. 02 (2023): 700–709. http://dx.doi.org/10.12677/design.2023.82090.

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Mosleh, Sara, Mulat Alubel Abtew, Pascal Bruniaux, Guillaume Tartare, Emil-Constantin Loghin, and Ionut Dulgheriu. "Modeling and Simulation of Human Body Heat Transfer System Based on Air Space Values in 3D Clothing Model." Materials 14, no. 21 (November 5, 2021): 6675. http://dx.doi.org/10.3390/ma14216675.

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Comfort can be considered as subjective feeling, which could be affected by the external ambient, by the physical activity, and by clothing. Considering the human body heat transfer system, it mainly depends on various parameters including clothing materials, external and internal environment, etc. The purpose of the current paper is to study and establish a quantitative relationship between one of the clothing parameters, ease allowance (air gap values) and the heat transfer through the human body to clothing materials and then to the environment. The study considered clothing which is integrated with the 3D ease allowance from the anthropometric and morphological data. Such incorporating of the clothing’s 3D ease control was essential to properly manage the air space between the body and the proposed clothing thermal regulation model. In the context of thermal comfort, a clothing system consisting of the human body, an ease allowance under clothing, a layer of textile materials, and a peripheral layer adjacent to the textile material was used. For the complete system, the heat transfer from the skin to the environment, which is influenced by thermoregulation of the human body, air gap, tissue, and environmental conditions were also considered. To model and predict the heat transfer between the human body and the temperature of skin and clothes, a 3D adaptive garment which could be adjusted with ease allowance was used. In the paper, a thermoregulatory model was developed and proposed to predict the temperature and heat within clothing material, skin, and air space. Based on the result, in general the main difference in the temperature of clothing and skin from segment to segment is due to the uneven distribution of air layers under the clothing.
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Tang, Ge. "Contesting the English Sartorial Style in Trollope’s The West Indies and the Spanish Main : Self-Fashioning in the Caribbean." Victorian Review 49, no. 1 (March 2023): 109–24. http://dx.doi.org/10.1353/vcr.2023.a925221.

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Abstract: The article examines Anthony Trollope’s affective responses to dress in the Caribbean, with a view to revealing how they shaped his clothing practices while travelling and informed his resistance to transplanted English sartorial codes. Drawing upon Jane Bennett’s conceptualization of distributive agency, I approach Trollope’s clothed body, his attire, and the tropical environment as interdependent vital forces that affected his relationship to clothing’s materiality and its symbolic significance. I argue that his dress exerted its agentic force through its materiality—the colour, the fit, and the texture—in the tropical climate and its surrounding environment. The tropical heat and humidity afflicted Trollope when he was dressed in dark, tight English attire, causing him physical discomfort and emotional anxiety that he dramatized and diffused through humour. These feelings motivated him to ponder clothing’s materiality and the need to adapt it to the environment. I shall argue that the tropical weather, in causing digestive discomfort and even physical breakdown, threatened Trollope’s sense of masculinity. He therefore resorted to alternative forms of clothing to fashion and refashion his masculinity. His masculine self-fashioning, however, was met with resistance from the capricious tropical climate. Adopting an environmentally-inflected cultural materialist approach to clothing, this article illuminates the challenges posed by what Jane Bennett might term clothing’s “agentic” power to travellers in the colonies, contributing to the recent increase in materialist studies of clothing.
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Brody, Jill. "Indian Clothing Before Cortes:Indian Clothing Before Cortes." Latin American Anthropology Review 3, no. 2 (December 1991): 85. http://dx.doi.org/10.1525/jlat.1991.3.2.85.1.

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Kawabata, S., and Masako Niwa. "Fabric Performance in Clothing and Clothing Manufacture." Journal of The Textile Institute 80, no. 1 (January 1989): 19–50. http://dx.doi.org/10.1080/00405008908659184.

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Kothari, Kushal, Ajay Arjunwadkar, Hitesh Bhalerao, and Savita Lade. "Fine-Grained Identification of Clothing Apparels." International Journal for Research in Applied Science and Engineering Technology 10, no. 4 (April 30, 2022): 3168–71. http://dx.doi.org/10.22214/ijraset.2022.42022.

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Abstract: The rapid use of smartphones and tablet computers, search is now not just limited to text,but moved to other modalities such as voice and image. Extracting and matching this attributes still remains a daunting task due to high deformability and variability of clothing items. Visual analysis of clothings is a topic that has received attention due to tremendous growth of e-commerce fashion stores. Analyzing fashion attributes is also crucial in the fashion design process. This paper addresses the solution of recognition of clothes and fashion related attributes related to it using better image segmentation RCNN based algorithms. Keywords: Computer Vision, Fine grained identification, Clothing apparel detection, Convolutional Neural Network, Mask RCNN, Detectron2
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Verlan, Veronica, and Marcela Irovan. "APPLICATIONS OF 3D PRINTING TECHNOLOGIES IN THE GARMENT INDUSTRY." Applied Researches in Technics, Technologies and Education 16, no. 2 (2018): 104–7. http://dx.doi.org/10.15547/artte.2018.02.005.

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The usage of innovative technologies has become one of the most widespread ways of diversifying the current supply of clothing and footwear products. Therefore, using the 3D printing technologies in the garment production is a remarkable example of the symbiosis of creativity and technology, which creates unusual and fashionable clothing pieces. Although the 3D printing technology is a relatively new technology and allows creating unique garments it must not neglect important features of clothing products such as cost-accessibility, comfort and aesthetic appearance. The research on these aspects is prior to implement this technology in the manufacturing process. The study includes the analysis of the current 3D printing technologies which are used for obtaining three-dimensional objects, the current directions of implementing this technology in the industry, as well as the opportunities of applying this technology in the process of clothing’s creation. Therefore, this paper concludes the study with the creation of a clothing product – a blouse for women, which is including a 3D printed part confirming this way the possibility of creation of clothing products, which would integrate innovative elements which were obtained by implementing the advanced technology of additive manufacturing.
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S, Thejashwini K., Sayeeqa Anjum, and Sowmya K. N. C. R. Manjunath. "IoT Based Smart Clothing." International Journal of Trend in Scientific Research and Development Volume-2, Issue-4 (June 30, 2018): 717–22. http://dx.doi.org/10.31142/ijtsrd13055.

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Kim, Hyo Jin, Ji Won Moon, Bo Ran Han, Ho Jung Choo, and Kyu Hye Lee. "Clothing Knowledge and Clothing Consumption Behavior : Comparison between Clothing Majors and Non-Majors." International Journal of Costume and Fashion 12, no. 2 (December 31, 2012): 33–40. http://dx.doi.org/10.7233/ijcf.2012.12.2.033.

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15

Francis, Sally, and Leslie Davis Burns. "Effect of Consumer Socialization on Clothing Shopping Attitudes, Clothing Acquisition, and Clothing Satisfaction." Clothing and Textiles Research Journal 10, no. 4 (June 1992): 35–39. http://dx.doi.org/10.1177/0887302x9201000406.

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Burger, Axel M., and Herbert Bless. "Cognitive consequences of formal clothing: the effects of clothing versus thinking of clothing." Comprehensive Results in Social Psychology 2, no. 2-3 (September 2, 2017): 228–52. http://dx.doi.org/10.1080/23743603.2017.1396185.

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Bugg, Jessica. "Dancing dress: Experiencing and perceiving dress in movement." Scene 2, no. 1 (October 1, 2014): 67–80. http://dx.doi.org/10.1386/scene.2.1-2.67_1.

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Clothing design for dance is an area that has been little documented, particularly in relation to the experience and perception of the dancer. Contemporary dance and clothing can both be understood as fundamentally phenomenological and as such there is further potential to investigate the lived experience of wearing clothing in dance. This article approaches dress in the context of the moving and dancing body, and it aims to develop an understanding of the role of dress in dance by focusing on the sensory, embodied experience and perception of the performer. It addresses questions of how clothing is perceived in movement by the performer, how and if clothing’s design intention, materiality and form motivate physical response, and what conscious or unconscious cognitive processes may be at play in this interaction between the active body and clothing. The intention is to propose developed methods for designers across clothing disciplines to contribute in a meaningful way to the overall dance work. The article draws on an analysis of my practice-led research that employs embodied experience of dress to inform the design and development of clothing as communication and performance. The research has involved close collaboration with a dancer, analysis of recorded interviews, and visual documentation of design and movement. The research has produced data on the dancer’s experience and perception of garments in performance and this is discussed here in relation to writings on perception, performance, the body and cognition. The research is approached through theory and practice and draws on interviews, observation and lived experience. This article is developed from an earlier conference paper that investigated the role and developed potential of clothing in contemporary dance that was presented at the 4th Global Conference: Performance: Visual Aspects of Performance Practice, Inter-Disciplinary.Net, held in Oxford on 17–19 September 2013.
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Alhassan, Haruna Alhassan, Ninette Afi Appiah, and Boateng Kojo Ankai. "Quality Attributes: Consumers’ Evaluation of Tailored Clothing in Ghana." Journal of Marketing Studies 6, no. 1 (January 21, 2023): 1–24. http://dx.doi.org/10.47941/jms.1185.

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Purpose: There are challenges in arriving at quality garments that meet the consumers’ specifications for Ghanaian fashion designers. To appreciate consumers’ conceptualization of quality attributes of tailored clothing produced by small-scale garment manufacturers, the study assessed the quality attributes of tailored clothing produced by small-scale garment manufacturers. Methodology: The descriptive research design was adopted. The study further employed the quantitative data collection and analysis technique. This study’s population comprised all clothing product consumers in the Wa Metropolis in the Upper West Region of Ghana. In determining the sample size of consumers, the study resorted to the convenience sampling technique and selected a sample size of 400 consumers. Descriptive and inferential analysis and interpretation (mean and standard deviation) was used. Findings: The study found that consumers are more likely to accept a manufacturer’s reputation or brand, the clothing’s price, and whether it seems perfectly tailored as indicators of the garment’s quality and that they do not evaluate the quality of tailored clothing based on convenience and how difficult it is to come by tailored clothing that fit accurately. Contributions to Theory, Policy and Practice: The study provides insights into consumer behavior in the context of the clothing industry in Ghana and other developing countries and help in explaining how tailoring habits or industry may differ from other more developed countries. Practically, this is useful for manufacturers, retailers, and researchers in the clothing industry who are looking to understand consumer preferences and improve the quality of their products. The findings can be used to inform policies aimed at increasing consumer confidence in the quality of tailored clothing in Ghana which may include measures such as mandatory quality testing or certification programs.
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Zimniewska, Malgorzata, Mariola Pawlaczyk, Izabella Krucinska, Iwona Frydrych, Przemysław Mikolajczak, Katarzyna Schmidt-Przewozna, Agnieszka Komisarczyk, Lucyna Herczynska, and Barbara Romanowska. "The influence of natural functional clothing on some biophysical parameters of the skin." Textile Research Journal 89, no. 8 (April 17, 2018): 1381–93. http://dx.doi.org/10.1177/0040517518770680.

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The objectives of the study were to develop functional natural fiber clothing with microcapsules containing active herbal extracts with properties enhancing the treatment of dermatoses and to confirm the efficiency of the clothing's activity by testing its effect on the biophysical parameters of human skin. As a result of the work, clothing enriched with green tea and Viola tricolor extracts enclosed in ethyl cellulose microcapsules was produced. The microcapsules were applied on the inner surface of linen knitted fabric, which ensured direct contact of the active substances with the patients' affected skin. The efficiency of the clothing was tested according to our own methodology, which included wearing tests, microbiological tests of the skin and tests of skin moisture, transepidermal water loss and itching intensity. Also, the effect of the active substances present on the fabrics on the in vitro culture of human keratinocytes was evaluated. The test results confirmed that linen clothing enriched with medicinal plant extracts enclosed in microcapsules had an effect on the reduction of itching intensity, an increase in skin moisture, reduction of transepidermal water loss and a reduction of pathogenic bacterial colonies residing on the patients' skin. They confirmed that the new method of administering herbal substances to the skin of dermatological patients via the wearing of functional clothing is effective and leads to symptom relief. The studies allowed for the filing of a patent submission, number P 411869, titled “The clothing acting as a dressing supplement in the therapy of dermatological diseases.”
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Sharmila, Dr Anish. "Retro Clothing in Tamil Sangha Literature." International Journal for Research in Applied Science and Engineering Technology 10, no. 11 (November 30, 2022): 933–36. http://dx.doi.org/10.22214/ijraset.2022.47481.

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Abstract: No one knows when man, who evolved from ape to man, tried to hide his dignity. For a long period of time in the long history of mankind, he lived like animals in mountain caves and tree branches as his abode. He hunted animals for food. He lived without any clothes like animals. In time, when he felt the need to hide his dignity, what he got as clothing were leaves, tree bark and animal skins. That habit continued with him for a long period of history. This practice continued with him even during the Sangha period. Sangha literature attests to it. Clothing is one of the basic human needs. That is why a man without clothes is referred to as a half-man. Clothing is a basic human need and a symbol of culture. No one knows when man learned how to spin yarn and weave clothes. Since thousands of years it happened. The Sangam texts show us the development of the cotton weaving industry during the Sangam period. There are many references to clothing in “Tamil” literature Udukai, cloth, garment, uduku, kupayam, meipai, pattudai, kalingam, saree, kachu, danai, padam were the words used to refer to clothing during the Sangam period. This review article focuses to explore these retro clothing’s.
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Keane, Els. "Clothing issue." Nursing Standard 3, no. 9 (November 26, 1988): 40. http://dx.doi.org/10.7748/ns.3.9.40.s63.

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Chowdhary, Usha. "Clothing Symbolism." International Journal of Interdisciplinary Social Sciences: Annual Review 3, no. 4 (2008): 59–68. http://dx.doi.org/10.18848/1833-1882/cgp/v03i04/52583.

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Shering, Jennifer. "Clothing Adaptations." British Journal of Occupational Therapy 48, no. 5 (May 1985): 146. http://dx.doi.org/10.1177/030802268504800513.

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ONO, Eiichi. "Seniors Clothing." Kobunshi 49, no. 9 (2000): 659. http://dx.doi.org/10.1295/kobunshi.49.659.

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Farli, M., M. Gasperini, S. Glorgini, and A. Sertoli. "Clothing dermatitis." Contact Dermatitis 14, no. 5 (May 1986): 316–17. http://dx.doi.org/10.1111/j.1600-0536.1986.tb05287.x.

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Turney, Jo. "Clothing Cultures." Clothing Cultures 4, no. 2 (June 1, 2017): 83–85. http://dx.doi.org/10.1386/cc.4.2.83_2.

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Turney, Jo. "Transnational Clothing." Interactions: Studies in Communication & Culture 4, no. 1 (April 1, 2013): 3–5. http://dx.doi.org/10.1386/iscc.4.1.3_2.

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Peteu, Mihaela Cornelia, and Sally Helvenston Gray. "Clothing Invention." Clothing and Textiles Research Journal 27, no. 1 (June 4, 2008): 45–61. http://dx.doi.org/10.1177/0887302x08322718.

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Mann, Steve. "Smart clothing." Communications of the ACM 39, no. 8 (August 1996): 23–24. http://dx.doi.org/10.1145/232014.232021.

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Bradley, David. "Thermopile clothing." Materials Today 24 (April 2019): 7–8. http://dx.doi.org/10.1016/j.mattod.2019.02.006.

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kushner, robert. "Food ++ Clothing ==." Gastronomica 4, no. 1 (2004): 77–85. http://dx.doi.org/10.1525/gfc.2004.4.1.77.

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Nielsen, Ruth. "Work clothing." International Journal of Industrial Ergonomics 7, no. 1 (January 1991): 77–85. http://dx.doi.org/10.1016/0169-8141(91)90062-q.

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Igarashi, Takeo, and John F. Hughes. "Clothing manipulation." ACM Transactions on Graphics 22, no. 3 (July 2003): 697. http://dx.doi.org/10.1145/882262.882328.

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Arús, María A. Cabrera. "Clothing Resistance." Contexts 17, no. 4 (November 2018): 62–64. http://dx.doi.org/10.1177/1536504218812873.

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Bajaj, Pushpa, and A. K. Sengupta. "PROTECTIVE CLOTHING." Textile Progress 22, no. 2-4 (June 1992): 1–110. http://dx.doi.org/10.1080/00405169208688856.

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Kyle, Chester R. "Athletic Clothing." Scientific American 254, no. 3 (March 1986): 104–10. http://dx.doi.org/10.1038/scientificamerican0386-104.

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Ng‐Yip, Frency S. F. "Medical Clothing." International Journal of Clothing Science and Technology 5, no. 1 (January 1993): 17–24. http://dx.doi.org/10.1108/eb003009.

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Martindale, Addie, and Ellen McKinney. "Self-sewn identity: How female home sewers use garment sewing to control self-presentation." Journal of Consumer Culture 20, no. 4 (March 16, 2018): 563–77. http://dx.doi.org/10.1177/1469540518764238.

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Garment sewing was once a necessity for women to present themselves and their families in a socially acceptable manner. Despite societal and economics changes, as well as, an abundance of readily available cheap clothing, there is a resurging interest in personal garment sewing by women. This qualitative study explored the control gained by women who sew their own clothing finding that among the women interviewed personal garment sewing allowed them control over their clothing’s style, fit, and quality, which was not found through purchasing ready-to-wear clothes. Garment sewing permitted these women to present themselves in clothing that they felt more accurately represented their personality and taste. These findings provide insights into the usage of garment sewing by women to control their appearance which allowed them more authority over their clothing selection than their non-sewing peers. Validation of the women’s time spent sewing was established as the findings postulate noteworthy benefits that include increased satisfaction with both their appearance and their presentation of self to others. The findings are explained using theories related to self-presentation and identity.
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Seif, Manal, and Wed Almarwani. "Controlling Women's Clothing Sizes Using Different Clothing Closures." International Design Journal 14, no. 2 (March 1, 2024): 213–24. http://dx.doi.org/10.21608/idj.2024.339681.

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Lee, Jin Soo, Hye Won Lee, and Do Yeon Kim. "Effects of Secondhand Clothing Consumption Value, Nostalgia Involvement, Clothing Involvement on Secondhand Clothing Purchase Intention." JOURNAL OF THE KOREAN SOCIETY DESIGN CULTURE 30, no. 2 (June 30, 2024): 363–76. http://dx.doi.org/10.18208/ksdc.2024.30.2.363.

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Dube, Damini Ravindra. "Enhanced Virtual Try on for Clothing using Deep learning." International Journal for Research in Applied Science and Engineering Technology 12, no. 5 (May 31, 2024): 154–58. http://dx.doi.org/10.22214/ijraset.2024.61440.

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Abstract: An increasing number of individuals are shopping online, particularly for clothing. However, while purchasing online, actual try-ons are not allowed, which limits the customer’s ability to see how a garment would appear on them. To enable buyers to virtually try on the desired clothing from an online store, an imagebased try-on system was devised. The ability to practically put on several clothes has increased customer interest in shopping. Image Recognition and Feature Extraction was the important part of the model to get desired outcomes. And To address these problems, we implement the CP-VTON+ (Clothing shape and texture Preserving VTON), which performs substan- tially better than the most advanced in sense of both quantitative and qualitative evaluations. The CP-VTON+ model not only adapt to detangle clothes from the person, but also maintains the clothing’s details on the try-on outcomes.
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Orifjonova, Gulrano R. "PECULIARITIES OF SURKHANDARYA ETHNOCULTURAL CLOTHING." CURRENT RESEARCH JOURNAL OF HISTORY 03, no. 01 (January 1, 2022): 21–25. http://dx.doi.org/10.37547/history-crjh-03-01-05.

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This article analyzes the peculiarities of ethnocultural costumes of Surkhandarya oasis. National dress is a manifestation of material culture. The bright colors of the nation, the beautiful art of local weavers developed under the influence of national traditions, the artistic ornaments on the fabrics are reflected in the dress, which is based on the unique centuries-old traditions of each region. Like other regions of Uzbekistan, in the late XIX and early XX centuries, the Uzbek national costume was almost formed in the Southern Surkhandarya oasis. It was revealed that women’s clothes are sewn according to their age, differ in color and type of fabric. Each nation has its own national dress, the formation of which depends on the lifestyle of the peoples and the geographical environment is based on scientific analysis.
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Kurazumi, Yoshihito, Kenta Fukagawa, Tomonori Sakoi, Akie Naito, Reiko Hashimoto, Emi Kondo, and Tadahiro Tsuchikawa. "Clothing Area Factor for Typical Seasonal Clothing of Infant." Health 13, no. 04 (2021): 378–92. http://dx.doi.org/10.4236/health.2021.134031.

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MIHIRA, KAZUO. "Mechanism and Function of Clothing system and Clothing Hygiene." Sen'i Gakkaishi 42, no. 9 (1986): P372—P377. http://dx.doi.org/10.2115/fiber.42.9_p372.

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HARADA, TAKASHI, and KAZUYOSHI TSUCHIDA. "Microclimate within Clothing and The Development of Clothing Materials." Sen'i Gakkaishi 45, no. 3 (1989): P131—P133. http://dx.doi.org/10.2115/fiber.45.p131.

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Matthews, Delisia, and Nancy Nelson Hodges. "Clothing Swaps: An Exploration of Consumer Clothing Exchange Behaviors." Family and Consumer Sciences Research Journal 45, no. 1 (September 2016): 91–103. http://dx.doi.org/10.1111/fcsr.12182.

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Leong, Iat-Fai, Jui-Kun Kuo, and Jing-Jing Fang. "A Clothing Simulation System for Realistic Clothing and Mannequin." Computer-Aided Design and Applications 8, no. 3 (January 2011): 335–44. http://dx.doi.org/10.3722/cadaps.2011.335-344.

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Kang, Ju-Young M., Kim K. P. Johnson, and Jieun Kim. "Clothing functions and use of clothing to alter mood." International Journal of Fashion Design, Technology and Education 6, no. 1 (March 2013): 43–52. http://dx.doi.org/10.1080/17543266.2012.762428.

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KAKITSUBA, Naoshi, and Kenji SUZUKI. "THE EFFECT OF CLOTHING FIT ON CLOTHING AREA FACTOR." Journal of Architecture and Planning (Transactions of AIJ) 62, no. 500 (1997): 37–41. http://dx.doi.org/10.3130/aija.62.37_5.

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Takubo, Tomohito, Riku Tominaga, and Atsushi Ueno. "Person search by similarity of clothing using clothing database." Proceedings of JSME annual Conference on Robotics and Mechatronics (Robomec) 2022 (2022): 2P1—G08. http://dx.doi.org/10.1299/jsmermd.2022.2p1-g08.

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