Relevant bibliographies by topics / Clothing and Dress

Academic literature on the topic 'Clothing and Dress'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2024

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Journal articles on the topic "Clothing and Dress"

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Bugg, Jessica. "Dancing dress: Experiencing and perceiving dress in movement." Scene 2, no. 1 (October 1, 2014): 67–80. http://dx.doi.org/10.1386/scene.2.1-2.67_1.

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Clothing design for dance is an area that has been little documented, particularly in relation to the experience and perception of the dancer. Contemporary dance and clothing can both be understood as fundamentally phenomenological and as such there is further potential to investigate the lived experience of wearing clothing in dance. This article approaches dress in the context of the moving and dancing body, and it aims to develop an understanding of the role of dress in dance by focusing on the sensory, embodied experience and perception of the performer. It addresses questions of how clothing is perceived in movement by the performer, how and if clothing’s design intention, materiality and form motivate physical response, and what conscious or unconscious cognitive processes may be at play in this interaction between the active body and clothing. The intention is to propose developed methods for designers across clothing disciplines to contribute in a meaningful way to the overall dance work. The article draws on an analysis of my practice-led research that employs embodied experience of dress to inform the design and development of clothing as communication and performance. The research has involved close collaboration with a dancer, analysis of recorded interviews, and visual documentation of design and movement. The research has produced data on the dancer’s experience and perception of garments in performance and this is discussed here in relation to writings on perception, performance, the body and cognition. The research is approached through theory and practice and draws on interviews, observation and lived experience. This article is developed from an earlier conference paper that investigated the role and developed potential of clothing in contemporary dance that was presented at the 4th Global Conference: Performance: Visual Aspects of Performance Practice, Inter-Disciplinary.Net, held in Oxford on 17–19 September 2013.
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Orifjonova, Gulrano R. "PECULIARITIES OF SURKHANDARYA ETHNOCULTURAL CLOTHING." CURRENT RESEARCH JOURNAL OF HISTORY 03, no. 01 (January 1, 2022): 21–25. http://dx.doi.org/10.37547/history-crjh-03-01-05.

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This article analyzes the peculiarities of ethnocultural costumes of Surkhandarya oasis. National dress is a manifestation of material culture. The bright colors of the nation, the beautiful art of local weavers developed under the influence of national traditions, the artistic ornaments on the fabrics are reflected in the dress, which is based on the unique centuries-old traditions of each region. Like other regions of Uzbekistan, in the late XIX and early XX centuries, the Uzbek national costume was almost formed in the Southern Surkhandarya oasis. It was revealed that women’s clothes are sewn according to their age, differ in color and type of fabric. Each nation has its own national dress, the formation of which depends on the lifestyle of the peoples and the geographical environment is based on scientific analysis.
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Zhang, Yu Jing, Ya Nan Liu, Di Tang, Tian Jiao Shao, Xue Chen Wu, and Dong Ming Wang. "The Study on the Smart Reference of Movie Arts Applied in Dress Design." Applied Mechanics and Materials 215-216 (November 2012): 358–61. http://dx.doi.org/10.4028/www.scientific.net/amm.215-216.358.

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As the starting point of the movie, the invisible art of film and television with visible clothing art to be expressed, this is the perfect combination of art. The inseparable relationship between clothing and movies, as an art form, clothing is a national and regional cultural and aesthetic appeal of the carrier. Dress as important elements of costume elements, which lead the development of garment industry. The purpose of this paper is to dress in reproduction from the montage and the screen even as the story two dress designs innovation of new ideas on dress innovative design.
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Johnston, Lucy. "Clothing in Context — Nineteenth-Century Dress and Textiles in the Thomas Hardy Archive." Costume 52, no. 2 (September 2018): 261–84. http://dx.doi.org/10.3366/cost.2018.0071.

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This article will consider how dress, textiles, manuscripts and images in the Thomas Hardy Archive illuminate his writing and reveal the accuracy of his descriptions of clothing in novels including Far from the Madding Crowd and Tess of the D'Urbervilles. Rural clothing, fashionable styles, drawings and illustrations will shed new light on his writing through providing an insight into the people's dress he described so eloquently in his writing. The textiles and clothing in the Archive are also significant as nineteenth-century working-class dress is relatively rare. Everyday rural clothing does not tend to survive, so a collection belonging to Hardy's family of country stonemasons provides new opportunities for research in this area. Even more unusual is clothing reliably provenanced to famous people or writers, and such garments that do exist tend to be from the middle or upper classes. This article will show how the combination of surviving dress, biographical context and literary framework enriches understanding of Hardy's words and informs research into nineteenth-century rural dress.
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Buse, Christina, and Julia Twigg. "Clothing, Embodied Identity, and Dementia." Age, Culture, Humanities: An Interdisciplinary Journal 2 (January 1, 2015): 71–96. http://dx.doi.org/10.7146/ageculturehumanities.v2i.130611.

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Clothes are central to how we perform our identities. In this article, we show how these processes continue to operate in the lives of people with dementia, exploring the ways in which dress offers a means of maintaining continuity of self at a material, embodied level. The article thus contributes to the wider cultural turn in aging studies, showing how material objects are signifcant in meaning-making, even for this mentally frail group. The article draws on the Economic and Social Research Council (ESRC)-funded study “Dementia and Dress,” which examined the implications of clothing for people with dementia, carers, and care workers, using ethnographic and qualitative methods. It showed, despite assumptions to the contrary, that dress remained signifcant for people with dementia, continuing to underwrite identity at both the individual level of a personal aesthetic and the social level of structural categories, such as class, gender, and generation. The article explores how identity is performed through dress in social interaction, and the tensions that can arise between narrative and embodied enactment and around the “curation” of identity. Dress provides a lens for understanding the lives of people with dementia, while at the same time, focusing on dementia expands discussions of fashion, consumption, and cultural meanings of aging.
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Indarti, Indarti, and Asri Setyo Harini. "Dayak Tribe Talawang Motif as a Variety of Bridal Fashion Decoration with Laser Cutting Technique." TEKNOBUGA: Jurnal Teknologi Busana dan Boga 11, no. 1 (July 2, 2023): 15–23. http://dx.doi.org/10.15294/teknobuga.v11i1.43280.

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Talawang is a traditional shield belonging to the Dayak tribe. This research aimed to describe the results of the finished Talawang motif as a wedding dress decoration. The method used a double diamond consisting of 4 stages: discover, define, develop, and deliver. The results of applying the Talawang motif on bridal clothing were analyzed descriptively using the FEA (function, aesthetic, expressive) model. The laser cutting technology could detail the Talawang motif as a modern wedding dress decoration. Making the Talawang motif of the Dayak tribe uses a particular machine for laser cutting using synthetic leather. The bride's clothing follows the design concept using a mermaid silhouette, applying the Talawang motif on the dress and part of the sleeves. The finished men's clothing is under the design concept using a classic formal dress silhouette in a suit consisting of a shirt, vest, trousers, and coat, applying the Talawang motif on the right side of the suit's body. Based on the analysis of the function of the clothing created is a wedding dress, while in terms of aesthetics by applying decorations in the form of stylized Talawang motif with laser cutting techniques. This wedding dress expresses the uniqueness and beauty of the Talawang motif, expressing a modern wedding dress with a touch of local cultural values.
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Hapsari, Aprilia Putri. "The Dialectic of Muslim Clothing." JURNAL PENELITIAN KEISLAMAN 20, no. 1 (June 30, 2024): 61–78. http://dx.doi.org/10.20414/jpk.v20i1.9748.

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In today’s era, diverse clothing trends disseminate widely via social media, establishing new fashion norms. One prominent trend is jilboobs, which has sparked concern among researchers due to its divergence from Islamic dress codes for women. This raises questions about the relevance of Quranic verses and hadith on attire in the age of globalization. Researcher investigates whether the jilboobs trend, contrary to legal dress norms, correlates with heightened incidents of sexual harassment. Employing phenomenological research with qualitative methods including surveys and interviews, this study finds: (1) Islamic dress laws based on Quranic principles and hadith are timeless and universally applicable, serving to safeguard Muslim women from harassment. (2) The jilboobs trend significantly increases the risk of sexual harassment against Muslim women.
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Oberhagemann, Lola. "Clothing As Window to the Soul." COMPASS 3, no. 1 (September 29, 2023): 28–36. http://dx.doi.org/10.29173/comp70.

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Individuals’ interaction with the external world is almost always influenced by their clothing, whether through personal choice, their “habitus”, dress codes, etc., through shaping how other view/interact with them, influencing their understanding of their identity, and conversely of influencing how others view them though how they dress. As a result of this, different clothing styles can evoke different connotations based on the viewers assumption of the ideals of the groups or contexts that the wearer’s clothing connects them to, such as formal office dress and LGBTQ+ fashions, whether by choice or by pressure. Also, through dress individuals can internalize these ideals of the group, to influence their view of themselves, and in turn how they interact with the outside world. Furthermore, clothing can also highlight a person’s individuality through failure to conform, evoking a different individual-world interaction. Regardless, an individual’s desire to express themselves and externalize the internal can lead to clothing construction or altering to better represent themselves, and/or their relationship to a group.
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Rahmi, Rahmi, Rosmala Dewi, Nurasiah Nurasiah, Fitriana Fitriana, and Abdul Azis. "Consept Analysis: Acehnese Ethnic Style Party Fashion Design." International Journal of Multicultural and Multireligious Understanding 8, no. 10 (October 15, 2021): 276. http://dx.doi.org/10.18415/ijmmu.v8i10.3056.

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In general, this research is an effort to preserve culture, especially the culture of dress, by digging deeper into the current Acehnese ethnic clothing, then using it as a source of ideas to create a party dress design with Acehnese ethnic nuances. The research approach used is qualitative, with ethnographic methods. There are currently 5 ethnic Acehnese clothing, namely coastal Aceh, inland Aceh, mountainous Aceh, Aneuk Jame, and Tamiang. Of the five types of Acehnese ethnic clothing that exist today, there are several differences, namely in the type of material, color of material, form of decoration (motif), color of decoration, technique of application of decoration and fashion model. Each ethnic dress has a characteristic that distinguishes one ethnic dress from another, which is said to be an identity.
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Tang, Ge. "Contesting the English Sartorial Style in Trollope’s The West Indies and the Spanish Main : Self-Fashioning in the Caribbean." Victorian Review 49, no. 1 (March 2023): 109–24. http://dx.doi.org/10.1353/vcr.2023.a925221.

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Abstract: The article examines Anthony Trollope’s affective responses to dress in the Caribbean, with a view to revealing how they shaped his clothing practices while travelling and informed his resistance to transplanted English sartorial codes. Drawing upon Jane Bennett’s conceptualization of distributive agency, I approach Trollope’s clothed body, his attire, and the tropical environment as interdependent vital forces that affected his relationship to clothing’s materiality and its symbolic significance. I argue that his dress exerted its agentic force through its materiality—the colour, the fit, and the texture—in the tropical climate and its surrounding environment. The tropical heat and humidity afflicted Trollope when he was dressed in dark, tight English attire, causing him physical discomfort and emotional anxiety that he dramatized and diffused through humour. These feelings motivated him to ponder clothing’s materiality and the need to adapt it to the environment. I shall argue that the tropical weather, in causing digestive discomfort and even physical breakdown, threatened Trollope’s sense of masculinity. He therefore resorted to alternative forms of clothing to fashion and refashion his masculinity. His masculine self-fashioning, however, was met with resistance from the capricious tropical climate. Adopting an environmentally-inflected cultural materialist approach to clothing, this article illuminates the challenges posed by what Jane Bennett might term clothing’s “agentic” power to travellers in the colonies, contributing to the recent increase in materialist studies of clothing.
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Dissertations / Theses on the topic "Clothing and Dress"

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Scott, Margaret Cochrane. "Dress in Scotland 1406-1460." Thesis, Courtauld Institute of Art (University of London), 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.295035.

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Negrao, Nayra Waddington. "Multi-dimensional clothing." Thesis, Cape Peninsula University of Technology, 2010. http://hdl.handle.net/20.500.11838/1346.

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Thesis (BTech (Fashion Design))--Cape Peninsula University of Technology, 2010
The main objective of the research is to unfold the necessary theory by using current and relevant information available, in the scientific and fashion department, to substantiate the exploration of dimensions and the associated human interpretation. To produce two separate collections that combined illustrate my personal design identity, but when apart they demonstrate two parallel versions of the same concept. The main collection is divided into two ranges, one commercial and another conceptual. The commercial pieces will present a more affordable ready-to-wear range to the consumer while the conceptual pieces will represent my own interpretation of the concept chosen for this research. Together these designs will formulate a vision for the overall collection, reflecting my own meaning and interpretation of what dimensions are and the various techniques of representing them. Extensive research will be done to unfold all the theory needed to substantiate my findings during this exploration into dimensions and the universe we live in.
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Rainer-Jeanes, Earline. "Clothing interest, leisure activity continuity and their association to clothing fit satisfaction for women 55 years and older." Thesis, This resource online, 1994. http://scholar.lib.vt.edu/theses/available/etd-07102009-040413/.

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Batchelor, Jennie Elizabeth. "Dress, distress and desire : clothing and sentimental literature." Thesis, Queen Mary, University of London, 2002. http://qmro.qmul.ac.uk/xmlui/handle/123456789/1441.

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This study explores representations of the adorned female body in sentimental literature. In particular, it addresses the intersection of the discourses of dress, fashion and sensibility and the political anxieties such intersections expose. These concerns are located within current critical debate upon the implications of the feminine sentimental ideal for women readers and writers. Building upon recent scholarship, the introduction argues that sensibility was predicated upon a concept of the body as an index of feeling. This argument is subsequently complicated, through a reading of More's `Sensibility' (1782), which points to the potential of dress to function as both an extension of the corporeal index and metaphor for sensibility's propensity to lapse into affectation. Dress, as More implies, not only exposed but embodied the paradox status of sensibility as a symbol of selfhood externally expressed, and possibly affected mode of display. The opening chapters explore, in greater depth, the perceived antagonism between dress and the sentimental body. Chapter One centres on Pamela (1740) and the heroine's contentious appearance in her homespun gown and petticoat. Chapter Two explores textual representations of dressmakers and milliners, whose damning association with fashion ensured that they became personifications of and further justifications for critiques of dress as a form of social and moral encryption. Subsequent chapters on ladies' magazines and Fordyce's Sermons to Young Women (1765) discuss how writers, across various genres, responded to this antagonism by suggesting ways in which the adorned female body might become a synecdoche of sentimental virtue. Such texts, however, reveal the fault line upon which they and, by extension, sensibility rest. In analogising appearance and worth, writers had to uncomfortably acknowledge that, once outlined in print, such ideals became accessible to readers, potentially rendering virtue as easy to put on as a gown or petticoat. The final chapter addresses the escalating synonymy of fashion and sentiment in the 1790s, as critics argued that the distinction between genuine feeling and its performance had blurred to obscurity. Edgeworth's Belinda (1801) is read, in this context, as a counter-sentimental novel, which attempts to divorce the two through the rehabilitation of the woman of fashion as a woman of `true' sensibility: a wife and mother.
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Keller-Drescher, Lioba. "Die Ordnung der Kleider : ländliche Mode in Württemberg 1750 - 1850 /." Tübingen : Tübinger Vereinigung für Volkskunde, 2003. http://www.h-net.org/review/hrev-a0d5x6-aa.

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Hamilton, Polly. "Haberdashery for use in dress 1550-1800." Thesis, University of Wolverhampton, 2007. http://hdl.handle.net/2436/14406.

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This study investigates the supply, distribution and use of haberdashery wares in England in the late sixteenth, seventeenth and eighteenth centuries, with especial reference to the paired counties of Cumbria and Lancashire, Warwickshire and Leicestershire, Hampshire and West Sussex. A brief comparison is also made with London. Through examination of documentary evidence and extant examples, it aims to set the provision and use of haberdashery for dress into the context of the Early Modern period, and challenges widely held assumptions concerning the availability of wares through the country. The purpose of the argument is firstly to demonstrate that haberdashery, being both a necessity and a luxury, was an important, and historically traceable, part of traded goods in the early modern period, and secondly, with particular reference to the response of retailers to changing needs and demands, to show that the widescale availability of haberdashery for use in dress made it significant in the expression of personal identity and appearance for individuals of all social strata, while its manufacture and distribution provided employment for considerable numbers of people.
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Leung, Ka-kie. "Dress and gender power." Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25262063.

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Wolf, Allyson Arbury. "Dressing wounds and healing justice a journey of individual and national transformation /." Pullman, Wash. : Washington State University, 2010. http://www.dissertations.wsu.edu/Dissertations/Spring2010/a_wolf_031310.pdf.

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Chenault, Lindsay. "About tailored wearable design /." unrestricted, 2008. http://etd.gsu.edu/theses/available/etd-04202008-101336/.

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Thesis (M.F.A.)--Georgia State University, 2008.
Title from file title page. Stan Anderson, committee chair; Nancy Floyd, Elizabeth Floop, committee members. Electronic text (55 p. : col. ill.) : digital, PDF file. Description based on contents viewed June 6, 2008. Includes bibliographical references (p. 53-55).
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Silverstein, Cory Carole. "Clothed encounters : the power of dress in relations between Anishnaabe and British peoples in the Great Lakes Region, 1760-2000 /." *McMaster only, 2000.

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Books on the topic "Clothing and Dress"

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Archive, North West Sound. Clothing & dress. Clitheroe: North West Sound Archive, 1995.

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Services, Incomes Data, ed. Corporate clothing & dress codes. London: Incomes Data Services, 2001.

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Clothing. New York: Marshall Cavendish Benchmark, 2012.

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Rourke, Arlene C. Clothing. Vero Beach, FL: Rourke Publications, 1987.

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Parks, Peggy J. Clothing. Detroit: Kidhaven Press, 2004.

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Tongeren, Annebelle van. Dress like a star. London: Aurum, 2008.

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Symbolic clothing in schools. London: Continuum International Pub. Group, 2008.

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Clothing. Minneapolis: Fortress Press, 2012.

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Clothing. London: Raintree, 2011.

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Clothing. Oxford: Heinemann Library, 2007.

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Book chapters on the topic "Clothing and Dress"

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Lemire, Beverly. "Margins and Mainstream: Jews in the English Clothing Trades." In Dress, Culture and Commerce, 75–94. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1057/9780230372757_4.

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Batchelor, Jennie. "Re-clothing the Female Reader: Dress and the Eighteenth-Century Magazine." In Dress, Distress and Desire, 83–119. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230508200_4.

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Lemire, Beverly. "Bobby Shafto’s Shirt and Britches: Contracted Clothing and the Transformation of the Trade." In Dress, Culture and Commerce, 9–41. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1057/9780230372757_2.

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Lemire, Beverly. "Disorderly Women and the Consumer Market: Women’s Work and the Second-Hand Clothing Trade." In Dress, Culture and Commerce, 95–120. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1057/9780230372757_5.

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El-Ali, Leena. "Clothing: There Is No Dress Code for Women Beyond Covering their Private Parts, as with Men." In Sustainable Development Goals Series, 205–25. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-83582-8_16.

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AbstractMost of us grow up assuming that the Qur’an stipulates that women must cover their hair and wear clothing that covers all skin except for the face, hands and feet. Yet there is no dress code whatsoever for either men or women beyond covering their private parts (and there is no ambiguity whatsoever in the Qur’an about what those are). Meanwhile the Qur’an refers to clothing as something that is meant to be beautiful, a gift from God that no one can forbid and states that, nonetheless, no clothing can rival the clothing of reverence. Why do we never hear of these beautiful verses?
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Lemire, Beverly. "Redressing the History of the Clothing Trade: Ready-Made Apparel, Guilds and Women Outworkers, 1650–1800." In Dress, Culture and Commerce, 43–74. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1057/9780230372757_3.

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Snyder, Janet. "From Content to Form: Court Clothing in Mid-Twelfth-Century Northern French Sculpture." In Encountering Medieval Textiles and Dress, 85–101. New York: Palgrave Macmillan US, 2002. http://dx.doi.org/10.1007/978-1-137-08394-4_6.

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Métraux, Guy P. R. "14. Prudery and Chic in Late Antique Clothing." In Roman Dress and the Fabrics of Roman Culture, edited by Alison Keith, 271–94. Toronto: University of Toronto Press, 2008. http://dx.doi.org/10.3138/9781442689039-019.

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Anderson, Linda. "“As Proud as a Dog in a Doublet”: The Importance of Clothing in The Shoemaker’s Holiday." In Encountering Medieval Textiles and Dress, 223–31. New York: Palgrave Macmillan US, 2002. http://dx.doi.org/10.1007/978-1-137-08394-4_14.

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Yanson, Margarita. "“Christ as a Windblown Sleeve”: The Ambiguity of Clothing as Sign in Gottfried von Straßburg’s Tristan." In Encountering Medieval Textiles and Dress, 121–36. New York: Palgrave Macmillan US, 2002. http://dx.doi.org/10.1007/978-1-137-08394-4_8.

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Conference papers on the topic "Clothing and Dress"

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Taro, Koyama. "KIMONO (TRADITIONAL JAPANESE DRESS) AS LUXURY CLOTHING." In Bridging Asia and the World: Globalization of Marketing & Management Theory and Practice. Global Alliance of Marketing & Management Associations, 2014. http://dx.doi.org/10.15444/gmc2014.05.03.01.

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Marteli, Leticia, Luis Carlos Paschoarelli, Fernando Moreira Da Silva, Paula Trigueiros, and Fabio Barbieri. "Care systems for people with Parkinson's disease and their interaction with clothing: case study in Portugal." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001962.

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Clothing products can be stigmatizing when they do not include the users’ needs in their technical-functional and aesthetic characteristics. People with Parkinson’s disease may have difficulties and an inability to dress. As a result, they may need assistance from caregivers and professionals to perform the activity. This article investigated how assisting care can help to promote independence in dress/undress activity for people with Parkinson’s disease in Portugal. The results indicated that the patient’s functional symptoms, the care place, the type of assistance they receive as a stimulus to independence, and the access of products in this system influenced the independence in dress/undress activity. The responsibility and opportunity to discuss non-stigmatizing clothing, that offer viable alternatives to promoting well-being, is important for the discussion about inclusive clothing. Future studies should investigate the usability approach with users to outline relevant guidelines to the inclusive and ergonomics clothing development.
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Ma, Qianli, Jinlong Yang, Anurag Ranjan, Sergi Pujades, Gerard Pons-Moll, Siyu Tang, and Michael J. Black. "Learning to Dress 3D People in Generative Clothing." In 2020 IEEE/CVF Conference on Computer Vision and Pattern Recognition (CVPR). IEEE, 2020. http://dx.doi.org/10.1109/cvpr42600.2020.00650.

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Rochana, B. Sheryl, and Sujitha Juliet. "Virtual Dress Trials: Leveraging GANs for Realistic Clothing Simulation." In 2024 3rd International Conference on Artificial Intelligence For Internet of Things (AIIoT). IEEE, 2024. http://dx.doi.org/10.1109/aiiot58432.2024.10574621.

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Price, J. Mark. "Making the Optimal Decsion in Selecting Protective Clothing." In The 11th International Conference on Environmental Remediation and Radioactive Waste Management. ASMEDC, 2007. http://dx.doi.org/10.1115/icem2007-7135.

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Protective Clothing plays a major role in the decommissioning and operation of nuclear facilities. Literally thousands of employee dress-outs occur over the life of a decommissioning project and during outages at operational plants. In order to make the optimal decision on which type of protective clothing is best suited for the decommissioning or maintenance and repair work on radioactive systems, a number of interrelating factors must be considered, including: – Protection; – Personnel Contamination; – Cost; – Radwaste; – Comfort; – Convenience; – Logistics/Rad Material Considerations; – Reject Rate of Laundered Clothing; – Durability; – Security; – Personnel Safety including Heat Stress; – Disposition of Gloves and Booties. In addition, over the last several years there has been a trend of nuclear power plants either running trials or switching to Single Use Protective Clothing (SUPC) from traditional protective clothing. In some cases, after trial usage of SUPC, plants have chosen not to switch. In other cases after switching to SUPC for a period of time, some plants have chosen to switch back to laundering. Based on these observations, this paper reviews the “real” drivers, issues, and interrelating factors regarding the selection and use of protective clothing throughout the nuclear industry.
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Takahashi, Haruko. "Acculturation of the Clothing Life in Japan Seen from Digital Archives of Dress, Fashion and Behavior." In 2013 International Conference on Culture and Computing (Culture Computing). IEEE, 2013. http://dx.doi.org/10.1109/culturecomputing.2013.59.

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Zhang, Yunfan, and Eakachat Joneurairatana. "Integrating Tradition with Modernity: Transformation of Tang Dynasty Aesthetics in Contemporary Costume Design Through Dunhuang Mural Inspirations." In 15th International Conference on Applied Human Factors and Ergonomics (AHFE 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1004913.

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This study delves into the aesthetic elements of clothing in China's Dunhuang murals from the Tang Dynasty, aiming to understand their transformation and inheritance in contemporary costume design. It seeks to reveal the integration of traditional culture with modern fashion, emphasizing the fusion of ancient and modern aesthetics and its impact on the contemporary costume industry. The methodology involves analyzing Tang Dynasty costume characteristics as portrayed in Dunhuang murals, focusing on aspects like smooth lines, simplicity, and color coordination. It then examines how these aesthetics are transformed and inherited in current costume trends, highlighting the innovative integration of classical Tang elements into modern designs. The findings indicate that this creative blend leads to fashionable attire that resonates with both classical and contemporary tastes, diversifying design styles and revitalizing the clothing industry. Conclusively, the study underscores the significant influence of Tang Dynasty aesthetics on contemporary dress culture. The adaptation and modern reinterpretation of Tang attire not only enrich the contemporary clothing market but also deepen the appreciation of traditional Chinese culture. This research offers fresh insights into cultural inheritance and innovation, advocating for China's contemporary costume design to exhibit its unique allure globally, thus facilitating the spread and exchange of Chinese culture in today's interconnected world.
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Ворошилова, О. М., and А. Н. Ворошилов. "GOLD IN FUNERAL CLOTHING OF LATE ANTIQUE PHANAGORIA." In Hypanis. Труды отдела классической археологии ИА РАН. Crossref, 2023. http://dx.doi.org/10.25681/iaras.2022.978-5-94375-381-7.53-68.

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Статья посвящена костюму жителей позднеантичной Фанагории, украшенному золотом. Женский убор с золотыми бляшками, типичный для варварской аристократии гуннского времени, связан с Боспором и широко известен в комплексах позднеантичного времени. Однако погребений, где элементы костюма сохранились in situ немного. В Фанагории нашивные украшения одежды происходят из девяти престижных погребальных комплексов. Эти материалы позволяют реконструировать женский погребальный костюм Боспора Киммерийского в позднеантичное время. Особую ценность имеет комплекс из северной камеры склепа 315/2019, в котором многочисленные золотые предметы найдены непотревоженными на шее и груди женщины. Они разделяются на два набора: детали ворота нижней одежды/платья и обшивку ворота верхней одежды (плаща или накидки). Великолепная сохранность этого комплекса украшений позволяет реконструировать особенности фасона одежды. Золотые детали декора женской одежды гуннского времени, скорее всего, имеют боспорское происхождение. Они близки к церемониальным изделиям из золотой и серебряной фольги, имитировавшим дорогие ременные гарнитуры и монеты в погребальном обряде позднеантичного времени. Фанагорийские материалы дают нам основания выдвинуть гипотезу о распространении в элитарной культуре эпохи Великого переселения народов на Боспоре Киммерийском женского костюма, декорированного золотыми нашивками, который с высокой долей вероятности мог быть погребальным, то есть специально изготовленным для похорон знатных и состоятельных горожанок Боспорского государства того времени. The article deals with gold-decorated clothing used by residents of late antique Phanagoria. Women’s attire with golden plaques, which is typical for the barbarian aristocracy of the Hunnic Age, was connected with Bosporos and well known in late ancient complexes. However, there are not so many burials where clothing elements survived in situ. In Phanagoria, sewn-on clothing decorations are found in nine prestigious burial complexes. These materials allow us to reconstruct women’s funeral clothing used in the Cimmerian Bosporos in Late Antiquity. A complex from the northern chamber of tomb 315/2019 is of special value, since it includes numerous golden items found undisturbed on woman’s neck and chest. They are divided into two sets: elements of underclothing/dress collar and strapping of outer cloth ing (cloak or cape) collar. Very good preservation of this decoration complex allows us to reconstruct the specific features of the clothing style. Golden elements in decorations of Hun nic Age women’s clothing are most likely of Bosporan origin. They are close to ceremonial articles made of golden and silver foil, which imitated luxurious belt fittings and coins in funeral rites of Late Antique period. The Phanagorian materials suggest that the women’s clothing decorated with golden plaques was widespread in the elite culture of the Migration Period in the Cimmerian Bosporos and could be tailor-made for funerals of noble and wealthy Bosporan townswomen of that time.
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Couceiro, Marlene, and Cristina Carvalho. "Flexible coverings: (Re)dressing bodies and facades. Analogies between the epidermis of our body and the epidermis of our buildings facades." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001550.

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Combining the need to (re)dress bodies and façades with the will to adorn, let's consider the wide possibilities that textiles and new materials offer, to point out more sustainable solutions, that can counteract thermal discomfort. Both clothing and buildings protect and shelter the body while providing a means to express the identity of the wearer.In this study, we explore our relationship between interior and exterior. Clothing and housing are presented as an extension of our skin. They allow us to improve the thermal comfort of the users and the dwellings. Fabric structures are used to cover bodies and to clad the structure of buildings, used in both with the same function of protection and thermoregulation. There are numerous constructive advantages in the use of textiles from the translucency of the material, light construction and quick assembly, significant energy savings, flexibility, and adaptability to the site. When there is damage to building infrastructure, caused for example by terrorism or earthquakes, there is often a need for prefabricated, transportable solutions. Textiles used in tent systems are still a referenced solution for emergency shelters due to their lightness, ease of transport and assembly by volunteers without technical training. This research locates textiles used in architecture from their initial use to the present day. We will present examples used by traditional cultures, but also contemporary and innovative constructions. Our study motivates a set of connections, between the User, Textiles, Architecture and Materials. We start with the most comprehensive and transversal connections, like the frequent association of skin to clothing and then clothes to our dwellings. In a second moment some more specific and specialized references, in which we will point out some textiles and coverings, which have incorporated characteristics of flexibility, adaptability and interaction.In this study we present some versatile, adaptable, and ecological structures, which reflect the environmental and social changes of our society. We conclude that the use of textiles in architecture, allows to improve the thermal comfort of the users, to express their identity and to respond to humanitarian needs.
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Felix-Fromentin, Clotilde. "Autour du pyjama de Le Corbusier Le vêtement comme modèle de pensée fondateur." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.845.

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Résumé: Je m'intéresse, depuis le territoire du design, à l'intérêt que Le Corbusier porta pour le vêtement moderne, à partir d'une conférence de 1929 où la réforme du vêtement l'emporte à fonder son concept d' « équipement domestique » pour la « machine à habiter ». La richesse du modèle renvoie vers des écrits préalables, notamment sa théorie des "objets-membres artificiels" qui s'est trouvée soutenir une nouvelle définition « prothétique » du design, et par ailleurs des témoignages vécus plus intimes qui amènent un point de vue alternatif et dynamique sur la relation corporelle aux artefacts modernes. Au cœur des débats sur la place et le rôle de la machine industrielle, la position de Le Corbusier révèle sa complexité et sa singularité, qui s'éclaire grâce à des travaux et des concepts propres à l'époque, telle que la Rythmique et la phénoménologie du mouvement, les notions d'œuvre vivante, de sensation et de mesure. Cela emporte à esquisser une conception prothétique corbuséenne, paradoxale, offrant en retour d'enrichir la compréhension de cette idéologie encore très active, et aussi de contribuer à une théorie du vêtement en design, si frêle sur le sujet. Resumen: Me interesa, desde el territorio del diseño, el interés que Le Corbusier trajo a la prenda moderna, desde una conferencia de 1929 en que la reforma de la prenda le lleva a instaurar su concepto de "equipo del hogar" por la "máquina para vivir". La riqueza del modelo se refiere a los escritos anteriores, especialmente su teoría de la "extremidades objetos artificiales”, que se encontró sostener una nueva definición "prótesis" del diseño , y por otro lado, testimonios vividos más íntimos que conducen a un punto de vista alternativo y dinámico sobre relación cuerpo a los artefactos modernos. En el centro del debate sobre el lugar y el papel de la máquina industrial, la posición de Le Corbusier revela su complejidad y singularidad, que se ilumina gracias a las obras y los conceptos específicos de la época, tal como la Rítmica y la fenomenología de movimiento, las nociones de obras vivas, de sensación y de medida. Esto lleva a esbozar un diseño protésico corbuseano, paradójico, permitiendo a cambio enriquecer la comprensión de esta ideología que aun sigue muy activa, y también para contribuir a una teoría de la vestimenta en diseño, tan frágil sobre este tema. Abstract: I focus, from the territory of design, on the interest Le Corbusier brought to the modern garment, from a 1929 conference where the dressreform leads him to develop his concept of "équipement domestique" for the "machine à habiter". Richness of the model refers to prior writings, especially his theory of "objets-membres artificiels", which occured supporting a new "prosthetic" definition of design, and besides that, intimate testimonies that develop an alternative point of view, more dynamic, about body relationship to modern artefacts. At the heart of debates of the time about the place and role of industrial machinery, the position Le Corbusier holds reveals its complexity and uniqueness, which can be clarify through works and concepts specific of that time such as Eurythmics and the phenomenology of movement, notions of living work of art, sensation and measure. This encourages suggest a Corbusean, paradoxical, prosthetic design, allowing in return enrich the understanding of this ideology still very active, and also to contribute to a theory of dress in design, so slight on this subject. Mots-clé: Le Corbusier, design, vêtement, prothétique, Rythmique. Palabras clave: Le Corbusier, diseño, prenda, prótesis, Rítmica. Keywords: Le Corbusier, design, clothing, prosthetic, Eurythmics. DOI: http://dx.doi.org/10.4995/LC2015.2015.845
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Reports on the topic "Clothing and Dress"

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Jaffe, Hilde. Development of Patterns and Clothing Prototypes for Navy Women's Dress Uniforms. Fort Belvoir, VA: Defense Technical Information Center, April 1991. http://dx.doi.org/10.21236/ada238715.

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Saeidi, Elahe, and Amanda Thompson. Using Clothing to Unify a Country: The History of Reza Shah’s Dress Reform in Iran. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-621.

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Vuruskan, Arzu, and Susan Ashdown. Development of Half Scale Dress Forms in Active Body Positions for Bicycle Clothing Design and Fit. Ames: Iowa State University, Digital Repository, November 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-10.

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Brown, Victoria, and Nancy Hodges. An Exploration of Dress and Identity among New Mothers: The Implications of Breastfeeding for Clothing Choice. Ames: Iowa State University, Digital Repository, November 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-164.

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Gómez de Travesedo Rojas, Ruth, and Marta Gil Ramirez. Vestir la política: la indumentaria como estrategia en comunicación electoral/Dress politics: clothing as strategy in electoral communication. Revista Internacional de Relaciones Publicas, December 2019. http://dx.doi.org/10.5783/rirp-18-2019-06-95-118.

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