Academic literature on the topic 'Clothing'

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Journal articles on the topic "Clothing"

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Setiawan, Deni, Timbul Haryono, and M. Agus Burhan. "Analisis Fungsi Pakaian Karnaval di Yogyakarta Menurut Roland Barthes dan Fungsi Seni Edmund Burke Felmand." Humaniora 6, no. 3 (July 30, 2015): 418. http://dx.doi.org/10.21512/humaniora.v6i3.3368.

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Carnival clothing is one form of artists’ creativities in fine art, created in various functions. Those functions are viewed based on utility value and the purpose that consistently are embedded in an art work. In addition, several functions of carnival clothing were constructed on the basis of social and cultural conditions that are effective in a certain place. Each and every type of clothing raises perception to everyone else who sees it. Promotion of fashion style and industry through carnival clothing results in diverse perceptions acceptable to the viewers. Audience’s perceptions are also not apart from the key functions, social ones, and the physical ones of those carnival clothings themselves. Those three functions are the common ones of each art work created as communication tool with everyone else. The carnival clothings are communication tools of the fashion designer to the customers, communication between one customer and another one. On the carnival clothing there are also sources of knowledge science, history, technology, and many other explainable meanings. Through carnival clothings, the detectable issues in physical and non-physical structures are identifiable as well as they play role as the space to make more exploration on the dynamics of a community culture. This article aims to answer the functions of carnival clothing, using aesthetic approach, through the theory of clothing functions Roland Barthes and Edmund Burke Feldman’s art functions.
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FISCHER, HOLGER, KATHARINA HEILOS, DANIEL THAL, ANDRÉ FAASEN, and MARCEL HOFMANN. "ONLINE WEAR ANALYSIS OF CARD CLOTHINGS." Fibres and Textiles 30, no. 4 (2023): 50–57. http://dx.doi.org/10.15240/tul/008/2023-4-006.

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The processing of abrasive fibres in the carding process, in particular high-performance fibres such as glass, carbon or aramid fibres, can cause increased wear of the card clothing. In the FutureTex project ‘HPFGarnitur’, the wear of card clothing was investigated and an online wear measurement system has been developed. The aim of the project was both, to optimize the clothings to enable gentler processing of the fibres, and to develop a digital monitoring system to observe the degree of wear of the clothings, which offers a new possibility for maintenance prediction and production planning in the sense of Industry 4.0.
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Shaharuddin, Siti Shukhaila, and Marzie Hatef Jalil. "Multifunctional Children Clothing Design Process Based on the Eco-Fashion Design Model." Journal of Visual Art and Design 13, no. 1 (July 6, 2021): 35–47. http://dx.doi.org/10.5614/j.vad.2021.13.1.3.

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The purpose of this study was to develop the design of multifunctional children’s clothing that supports sustainability goals. This paper proposes multifunctional clothing that can be recycled and decomposed at the end of the clothing’s lifespan. In particular, the Eco-fashion design model was adopted in this project. After analyzing fashion consumption and problems in children’s product design, four items of multifunctional children’s clothing were developed. Multifunctional children’s clothing design focuses on material selection, zero-waste techniques, design for disassembly and children’s health. Thus, the minimization of material diversity as well as the application of zero-waste design techniques and multifunctional design guidelines for children’s clothing design can be implemented towards sustainability in order to preserve the environment by selecting recyclable materials, promoting profit and human health concerning multifunctional purposes and international standards for children’s clothing design. The findings can be used in various apparel products to help mitigate problems related to environmental pollution and resource depletion in the apparel industry.
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Slabotinský, Jiří, and Šárka Bernatíková. "Reaction of the Female Body to Stress in a Chemical Protective Clothing." TRANSACTIONS of the VŠB – Technical University of Ostrava, Safety Engineering Series 11, no. 2 (September 1, 2016): 15–21. http://dx.doi.org/10.1515/tvsbses-2016-0012.

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Abstract This article deals with the reaction of the female body to the use of an insulation chemical protective clothing combined with working - thermal and mental stress to which the female is exposed. The article provides a concise overview of protective chemical clothings and factors affecting their comfort; it describes the regularities corresponding to the physiological reaction, important for the body’s reaction to the use of a chemical protective clothing. Further, the article contains a description of the measurement and evaluation of physiological parameters of non-acclimated women during testing of these clothings and, finally, comparison with the results for males under the same stress which is unfavourable for women.
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Thelkar, Vishal. "A STUDY ON SUSTAINABLE CLOTHING MARKET WITH REFERENCE TO PUNE CITY." International Journal of Engineering Technologies and Management Research 5, no. 6 (February 27, 2020): 66–79. http://dx.doi.org/10.29121/ijetmr.v5.i6.2018.246.

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The purpose of this study is to understand the buying behavior towards sustainable and ecoclothing. This paper presents the facts, figures and general awareness about eco fashion and eco clothing. It also elaborates the environmental impacts about the raw material and manufacturing process used for clothing and suggests Sustainable Raw Material be preferred for sustainable clothing’s in India, The purpose of this paper is also to examine the relationship between eco fashion and their willingness to pay a premium for eco-clothing’s with the focus on gender and age group. This paper classifies the consumer into 7 types with respect to specific attitude to sustainable and eco-clothing within the sample of 119 in Pune region. The findings will help fast fashion retailers, marketers, environmental activists, ecological researchers, charity institutions and public policy makers.
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雷, 聪聪. "Clothing Brands and Clothing Silhouette Classification." Design 08, no. 02 (2023): 700–709. http://dx.doi.org/10.12677/design.2023.82090.

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Mosleh, Sara, Mulat Alubel Abtew, Pascal Bruniaux, Guillaume Tartare, Emil-Constantin Loghin, and Ionut Dulgheriu. "Modeling and Simulation of Human Body Heat Transfer System Based on Air Space Values in 3D Clothing Model." Materials 14, no. 21 (November 5, 2021): 6675. http://dx.doi.org/10.3390/ma14216675.

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Comfort can be considered as subjective feeling, which could be affected by the external ambient, by the physical activity, and by clothing. Considering the human body heat transfer system, it mainly depends on various parameters including clothing materials, external and internal environment, etc. The purpose of the current paper is to study and establish a quantitative relationship between one of the clothing parameters, ease allowance (air gap values) and the heat transfer through the human body to clothing materials and then to the environment. The study considered clothing which is integrated with the 3D ease allowance from the anthropometric and morphological data. Such incorporating of the clothing’s 3D ease control was essential to properly manage the air space between the body and the proposed clothing thermal regulation model. In the context of thermal comfort, a clothing system consisting of the human body, an ease allowance under clothing, a layer of textile materials, and a peripheral layer adjacent to the textile material was used. For the complete system, the heat transfer from the skin to the environment, which is influenced by thermoregulation of the human body, air gap, tissue, and environmental conditions were also considered. To model and predict the heat transfer between the human body and the temperature of skin and clothes, a 3D adaptive garment which could be adjusted with ease allowance was used. In the paper, a thermoregulatory model was developed and proposed to predict the temperature and heat within clothing material, skin, and air space. Based on the result, in general the main difference in the temperature of clothing and skin from segment to segment is due to the uneven distribution of air layers under the clothing.
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Tang, Ge. "Contesting the English Sartorial Style in Trollope’s The West Indies and the Spanish Main : Self-Fashioning in the Caribbean." Victorian Review 49, no. 1 (March 2023): 109–24. http://dx.doi.org/10.1353/vcr.2023.a925221.

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Abstract: The article examines Anthony Trollope’s affective responses to dress in the Caribbean, with a view to revealing how they shaped his clothing practices while travelling and informed his resistance to transplanted English sartorial codes. Drawing upon Jane Bennett’s conceptualization of distributive agency, I approach Trollope’s clothed body, his attire, and the tropical environment as interdependent vital forces that affected his relationship to clothing’s materiality and its symbolic significance. I argue that his dress exerted its agentic force through its materiality—the colour, the fit, and the texture—in the tropical climate and its surrounding environment. The tropical heat and humidity afflicted Trollope when he was dressed in dark, tight English attire, causing him physical discomfort and emotional anxiety that he dramatized and diffused through humour. These feelings motivated him to ponder clothing’s materiality and the need to adapt it to the environment. I shall argue that the tropical weather, in causing digestive discomfort and even physical breakdown, threatened Trollope’s sense of masculinity. He therefore resorted to alternative forms of clothing to fashion and refashion his masculinity. His masculine self-fashioning, however, was met with resistance from the capricious tropical climate. Adopting an environmentally-inflected cultural materialist approach to clothing, this article illuminates the challenges posed by what Jane Bennett might term clothing’s “agentic” power to travellers in the colonies, contributing to the recent increase in materialist studies of clothing.
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Brody, Jill. "Indian Clothing Before Cortes:Indian Clothing Before Cortes." Latin American Anthropology Review 3, no. 2 (December 1991): 85. http://dx.doi.org/10.1525/jlat.1991.3.2.85.1.

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Kawabata, S., and Masako Niwa. "Fabric Performance in Clothing and Clothing Manufacture." Journal of The Textile Institute 80, no. 1 (January 1989): 19–50. http://dx.doi.org/10.1080/00405008908659184.

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Dissertations / Theses on the topic "Clothing"

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Elkins, Anne Fleet Dillard. "Roles of Perceptions of Reference Groups, Clothing Symbolism, and Clothing Involvement in Female Adolescents' Clothing Purchase Intentions and Clothing Behavior." Diss., Virginia Tech, 2010. http://hdl.handle.net/10919/77222.

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The youth market has been characterized as one of the most coveted market segments because of its spending power and tremendous potential for becoming lifetime customers (Bush, Martin, & Bush, 2004). The product market for adolescents is expected to grow to more than $208 billion by 2011, according to a report from market research firm Packaged Facts (Sass, 2007). Apparel, jewelry, and cosmetics are top product categories for adolescent girls and are important products used by adolescents to portray personal identity (Ossorio, 1995). Because of adolescents' buying power and the important role apparel plays in adolescents' lives, it is important for apparel marketers to understand the adolescent consumer market. The purpose of this research was to examine the relationship between each of three independent variables (i.e., reference groups, clothing symbolism, and clothing involvement) and adolescents' clothing purchase intentions and clothing behavior, and whether the three variables are predictors of adolescents' clothing purchase intentions and clothing behavior. Reference groups are a source of instrumental and emotional support, offering adolescents a sense of belonging during their physical, emotional, and cognitive adjustment (Blackwell, Miniard, & Engel, 2001). Adolescents may have many different types of reference groups. The reference groups included in the currents study were friends, popular girls, and parents. Specifically in the current study, ninth grade girls' perceptions of friends' clothing behavior, popular girls' clothing behavior, and parents' opinions concerning clothing behavior were examined for their relationship to the ninth grade girls' clothing purchase intentions and behavior. The second independent variable was clothing symbolism. Adolescents may use clothing as a symbol (i.e., clothing symbolism) to express their actual self-concepts or to attain their ideal self-concepts (Erickson, 1983; Solomon & Rabolt, 2004). Two types of clothing symbolism were included in the study: the degree of congruity between actual self-concept and the perceived images of four outfits (i.e., actual self and clothing image congruity) and the degree of congruity between ideal self-concept and the perceived images of four outfits (i.e., ideal self and clothing image congruity). The third independent variable was clothing involvement. Viera (2009) found that young consumers are highly involved with clothing. The degree of clothing involvement may be closely related to adolescent girls' clothing purchase intentions and their clothing behavior. A conceptual model that formed the framework for this study was developed by integrating several theories, propositions, and research findings in the literature. Based on the framework, 16 research questions were formulated. Focus groups provided input for questionnaire development, and four outfit images, one each considered sexy, conservative, springy, or sporty, were identified and included in the questionnaire. Before the main data collection, the questionnaire was pilot tested and revised. Data collection was conducted at three high schools in central Virginia, and 353 female students in the ninth grade participated. Standard and stepwise multiple regression analyses were used to address the research questions. Among the four outfit images, that with a sexy image was found to have the highest mean score for ideal self-concept, indicating that participants would most like to view themselves sexy. Results of a factor analysis for clothing involvement revealed three factors: clothing importance, clothing expressions, and clothing brand perceptions. Participants had fairly high mean scores for all three clothing involvement factors. Among those three factors, clothing importance had the highest mean. In addition, results showed that participants perceived that their friends and popular girls would most often wear the outfit with a sporty image, and they also perceived that their parents would most like them to wear an outfit with a sporty image. The sporty outfit image also had the highest mean for participants' clothing purchase intentions and clothing behavior among the four outfit images. Results of one of the stepwise regressions, for the sexy outfit image showed that perceptions of reference groups' clothing behavior or opinions (i.e., friends' clothing behavior, parents' opinions concerning clothing behavior, popular girls' clothing behavior), one type of clothing symbolism (i.e., ideal self and clothing image congruity), and one clothing involvement factor (i.e., clothing importance) predicted adolescent girls' purchase intentions for the outfit with a sexy image. The results for wearing clothing with a sexy image when hanging out with friends were slightly different from those for purchase intentions. For the behavior of wearing an outfit with a sexy image, the variable "perceptions of popular girls' clothing behavior" was not a predictor, but actual self and clothing image congruity was. For the springy outfit image, all the perceptions of reference groups' clothing behavior or opinions and actual self and clothing image congruity were the best predictors of participants' clothing behavior; however only friends' clothing behavior and popular girls' clothing behavior were significant predictors of adolescent girls' purchase intentions for this outfit image. For the conservative and sporty outfit images, only the perceptions of reference groups' clothing behavior or opinions predicted adolescent girls' clothing purchase intentions and clothing behavior. In conclusion, the research findings suggest a powerful relationship between adolescent girls' perceptions of reference groups' clothing behavior or opinions about clothing behavior and the girls' own clothing behavior and purchase intentions. Participants' perceptions of reference groups' clothing behavior or opinions were the best predictors of the participants' clothing behavior and purchase intentions for all four outfits. Furthermore, clothing symbolism (e.g., using a sexy outfit to express or attain a sexy image) appears to motivate ninth grade girls to wear clothing with a sexy or springy image. The girls would wear a sexy outfit to portray their actual self-concepts and attain their ideal self-concepts. They also would wear outfits with a springy image to portray themselves. Additionally, the more the participants in this study considered clothing to be important, the more likely they were to purchase and wear a sexy image outfit; however the participants indicated that, of the four outfit images in the study, they most purchase and wear clothing like the sporty image outfit the most for hanging out with friends in comparison to the other three outfit images. Based on the findings, suggestions and implications for parents, educators, and marketers were provided.
Ph. D.
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Cunningham, Phillip Scott. "Hello, Clothing." FIU Digital Commons, 2008. http://digitalcommons.fiu.edu/etd/2694.

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HELLO, CLOTHING is a collection of lyric poems about the connections between human beings, following an ekphrastic model that seeks truths about the world “second-hand”: through the language and images of other artists. A large section of the poems address the life and work of composer Morton Feldman, while many others explore the world of cinema or photography. The poems are particularly conscious of received forms. The collection takes to heart Harold Bloom’s assertion that “every poem is about another poem” and interprets this dictum as a celebration of formal structure. Whether through a traditional model such as the sonnet, sestina or villanelle; a stanzaic form derived from Elizabeth Bishop; or the re-writing of a single line by Denis Johnson, the book attempts to re-invent the work of its own inspiration, with the goal of discovering the inexhaustable pleasure of repetition.
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Negrao, Nayra Waddington. "Multi-dimensional clothing." Thesis, Cape Peninsula University of Technology, 2010. http://hdl.handle.net/20.500.11838/1346.

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Thesis (BTech (Fashion Design))--Cape Peninsula University of Technology, 2010
The main objective of the research is to unfold the necessary theory by using current and relevant information available, in the scientific and fashion department, to substantiate the exploration of dimensions and the associated human interpretation. To produce two separate collections that combined illustrate my personal design identity, but when apart they demonstrate two parallel versions of the same concept. The main collection is divided into two ranges, one commercial and another conceptual. The commercial pieces will present a more affordable ready-to-wear range to the consumer while the conceptual pieces will represent my own interpretation of the concept chosen for this research. Together these designs will formulate a vision for the overall collection, reflecting my own meaning and interpretation of what dimensions are and the various techniques of representing them. Extensive research will be done to unfold all the theory needed to substantiate my findings during this exploration into dimensions and the universe we live in.
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Raifa, F., and A. M. Joy. "Indian traditional clothing." Thesis, Sumy State University, 2019. https://essuir.sumdu.edu.ua/handle/123456789/77301.

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India is a country in south Asia. It is the seventh largest country by area and with more than 1.3 billion people, the second most populous country in the world. India is a land of multitude culture and tradition. It is amazing to see, that within the country there is a rich diversification of fashion and clothing which could be due to the weather condition and culture of the society [1]. The culture of India refers collectively to the thousands of unique cultures of all religions and communities. India's languages, religions, dance, music, architecture, food and customs differ from place to place within the country. Indian culture which is often labelled as an amalgamation of several cultures, spans across the Indian subcontinent and has been influenced by a history that is several millennia old.
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Álvarez, Inostroza Camila Andrea. "Using automatic clothing labeling to improve the quality of clothing retrieval systems." Tesis, Universidad de Chile, 2018. http://repositorio.uchile.cl/handle/2250/168039.

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Magíster en Ciencias, Mención Computación. Ingeniera Civil en Computación
Desde hace varios años que el mercado de las ventas en línea presenta un crecimiento sostenido debido a la oportunidad y facilidad que le entrega a usuarios de las nuevas tecnologías para adquirir lo que ellos deseen sin tener que salir de sus casas. Un caso particular de este fenómeno es la industria de la moda. Esto último se ve favorecido principalmente por el uso masivo de redes sociales, las cuales le permiten a los usuarios compartir la manera en que se visten convirtiéndose en iconos de la moda solo al subir fotos. Varias tiendas y redes sociales han visto este hecho como una oportunidad de negocio, la cual consiste en permitirle a sus usuarios tomar fotos de sus ídolos de moda y buscar en diferentes tiendas prendas similares a las que ellos ocupan, de manera de ``compartir'' su estilo. En la comunidad de visión por computadora este proceso se trata como un problema de búsqueda por similitud. Esto es, dada una consulta, mostrar al usuario los productos que se parecen más al objeto buscado. En el caso de la moda la problemática surge al intentar comparar las consultas con las imágenes de los catálogos de diferentes tiendas, ya que estas últimas tienden a presentar a una modelo usando más de una prenda que la imagen trata de representar, lo que se traduce en que la imagen de consulta y las de los catálogos no son comparables directamente. Este último punto empeora la calidad de los resultados de cualquier sistema de recuperación. Considerando el problema anterior es que este trabajo busca estudiar métodos de etiquetado (o detección) de ropa que permitan descubrir las reales zonas de interés de las imágenes de los catálogos de manera de poder comparar estas regiones con las consultas. De esta manera nuestra hipótesis es que el usar métodos de etiquetado de ropa para preprocesar los catálogos mejora la calidad de los sistemas de recuperación con respecto a los resultados obtenidos sin pre procesarlos. Entrenamos Faster R-CNN y YOLOv2 como métodos de etiquetado, de los cuales Faster R-CNN presenta mejores resultados. Para entrenar estos métodos recolectamos un dataset con alrededor de 150,000 imágenes etiquetadas. Los datos se recolectan usando crowd sourcing. Una vez entrenados dos métodos de etiquetado presentamos experimentos que permiten medir la calidad del etiquetado, y luego otros que permiten validar nuestra hipótesis. Estos últimos experimentos miden la calidad de la recuperación con respecto al estado del arte en función de dos puntos: calidad de los resultados y usabilidad en una aplicación real. Vemos que la calidad de los resultados al usar el etiquetado es similar a la de los métodos del estado del arte, sin embargo, nuestro método se traduce en tiempos de búsqueda 18x menores. Finalmente presentamos los resultados de dichos experimentos presentando métricas estándar que permiten medir la calidad de los resultados. Además se analiza la usabilidad de las técnicas presentadas. Mostramos además ejemplos visuales de los resultados obtenidos.
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Fozzard, Gary James Walter. "Simulation of clothing manufacture." Thesis, Manchester Metropolitan University, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.329525.

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There is considerable pressure on the U.K. clothing industry to remain competitive in the face of foreign competition. Market forces and the trend of decreasing contract sizes have produced perceived problems with current methods of production which, coupled with the inertia to radical change, justify research. Computer simulation is an established production management tool but its potential in clothing manufacture could not be inferred. Concentrating on progressive bundle systems as the dominant method of production, this research considers the capacity of simulation in this context. Factory-based studies identified factors affecting system performance which allowed a conceptual model with high face validity to be defined. The requirement to handle complex supervisory control strategies led to the identification of visual interactive simulation as an experimental route. A computerised model, with an appropriate user interface and reporting facilities, was developed in the ~Siman si@ulat~£~~Dguage __ This was supported by animated graphics which played a substantial role in the attainment of face validity. Replication was considered to be essential for sound estimates of system performance to be obtained from this stochastic model but, as interactive control works against replication, steps were taken to reduce compromise. Software development facilitated an experimental technique that employed interaction to develop a control strategy, which then became embedded in the model for replication. By providing control consistency between replications, a more reliable assessment of system sensitivity to stochastic variability was possible. Pilot runs and single factor analysis enabled the effect of controllable factors on system performance to be quantified. Supervisory control was found to have a major effect on system performance so that the need for consistency in interaction was amplified. Considering alternative experimental methods and the practical use of the model, application areas for simulation in the absence of real time data capture were identified and demonstrated. Each application offered significant advantage over currently available planning methods and the use of simulation was supported. Information from the model can be gained about the design and control of progressive bundle lines at the pre-production phase, and the output of performance indicators can be useful in assessing real production lines. The evidence presented by this research illustrates that animated simulation can provide insight that is otherwise unobtainable.
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Grimslätt, Tove, and Sofia Freiholtz. "SMAX : Smart clothing racks." Thesis, Högskolan i Halmstad, Akademin för ekonomi, teknik och naturvetenskap, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-37531.

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Пазюк, Катерина Миколаївна. "History of Vintage Clothing." Thesis, Київський національний університет технологій та дизайну, 2017. https://er.knutd.edu.ua/handle/123456789/7366.

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Mosina, Eleonora. "Good clothing = good film." Thesis, Київський національний університет технологій та дизайну, 2019. https://er.knutd.edu.ua/handle/123456789/13100.

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Makins, Courtney. "Clothing Darwinism : Absent Bodies." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-22029.

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Garments are everywhere in today’s society and often presented on the body, although the absence of the body in design can have an integral impact on how they are perceived by an audience. An experimental material coating, aided garments to become sculptural by portraying the essence of the body. This essay argues that garments are challenged through their perception and purpose by the absence of the body, allowing the sculptures to develop a language in their own right. Through means of forming methods, absence of the body and materiality, garments are able to evolve to communicate an idea challenging one’s preconceived garment notions and broadening the spectrum of situational presentational methods.
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Books on the topic "Clothing"

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Macleod, Sinclair. Clothing. Aylesbury: Ginn, 1989.

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Rourke, Arlene C. Clothing. Vero Beach, FL: Rourke Publications, 1987.

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Service, Industrial Training, Enterprising Northern Ireland (Campaign), and Marks & Spencer (Firm), eds. Clothing. Belfast: Enterprising Northern Ireland in association with Marksand Spencer plc, 1990.

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Canada. Industry, Science and Technology Canada. Clothing. Ottawa: Business Centre, Communications Branch, Industry, Science and Technology Canada, 1988.

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Parks, Peggy J. Clothing. Detroit: Kidhaven Press, 2004.

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Publications, Market Assessment, ed. Clothing. London: BLA Group, 1992.

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Hudak, Heather C. Clothing. Calgary: Weigl, 2010.

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Hua, Mei. Chinese clothing. Beijing: China Intercontinental Press, 2004.

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Butler, Nichola. Black clothing. Derby: Derbyshire College of Higher Education, 1991.

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Volino, Pascal, and Nadia Magnenat-Thalmann. Virtual Clothing. Berlin, Heidelberg: Springer Berlin Heidelberg, 2000. http://dx.doi.org/10.1007/978-3-642-57278-4.

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Book chapters on the topic "Clothing"

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Le Coz, Christophe J. "Clothing." In Contact Dermatitis, 679–702. Berlin, Heidelberg: Springer Berlin Heidelberg, 2006. http://dx.doi.org/10.1007/3-540-31301-x_37.

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Foussereau, J. "Clothing." In Textbook of Contact Dermatitis, 503–14. Berlin, Heidelberg: Springer Berlin Heidelberg, 1992. http://dx.doi.org/10.1007/978-3-662-13119-0_25.

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Zarach, Stephanie. "Clothing." In Debrett’s Bibliography of Business History, 64–68. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-08984-0_16.

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Gilligan, Ian. "Clothing." In Encyclopedia of Evolutionary Psychological Science, 1–8. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-16999-6_3009-1.

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Wissler, Eugene H. "Clothing." In Human Temperature Control, 289–336. Berlin, Heidelberg: Springer Berlin Heidelberg, 2018. http://dx.doi.org/10.1007/978-3-662-57397-6_8.

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Le Coz, Christophe-J. "Clothing." In Contact Dermatitis, 793–817. Berlin, Heidelberg: Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-03827-3_40.

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Le Coz, Christophe-J. "Clothing." In Textbook of Contact Dermatitis, 725–49. Berlin, Heidelberg: Springer Berlin Heidelberg, 2001. http://dx.doi.org/10.1007/978-3-662-10302-9_34.

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Hayward, Maria. "Clothing." In Early Modern Childhood, 261–81. New York : Routledge, 2019. | Series: Early modern themes: Routledge, 2019. http://dx.doi.org/10.4324/9781315177380-14.

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Prieto, Laura R. "Clothing." In Approaching Historical Sources in their Contexts, 182–206. New York : Routledge, 2020. | Series: Routledge guides to using historical sources: Routledge, 2020. http://dx.doi.org/10.4324/9781351106573-11.

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Zarach, Stephanie. "Clothing." In British Business History, 79–85. London: Palgrave Macmillan UK, 1994. http://dx.doi.org/10.1007/978-1-349-13185-3_16.

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Conference papers on the topic "Clothing"

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Mann, Steve. "“Smart clothing”." In the fourth ACM international conference. New York, New York, USA: ACM Press, 1996. http://dx.doi.org/10.1145/244130.244184.

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Igarashi, Takeo, and John F. Hughes. "Clothing manipulation." In the 15th annual ACM symposium. New York, New York, USA: ACM Press, 2002. http://dx.doi.org/10.1145/571985.571999.

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Igarashi, Takeo, and John F. Hughes. "Clothing manipulation." In ACM SIGGRAPH 2003 Papers. New York, New York, USA: ACM Press, 2003. http://dx.doi.org/10.1145/1201775.882328.

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Igarashi, Takeo, and John F. Hughes. "Clothing manipulation." In ACM SIGGRAPH 2006 Courses. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1185657.1185782.

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Igarashi, Takeo, and John F. Hughes. "Clothing manipulation." In ACM SIGGRAPH 2007 courses. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1281500.1281540.

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Truong, Thomas, and Svetlana Yanushkevich. "Relatable Clothing: Detecting Visual Relationships between People and Clothing." In 2020 25th International Conference on Pattern Recognition (ICPR). IEEE, 2021. http://dx.doi.org/10.1109/icpr48806.2021.9413149.

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Chen, Yugang. "Digital movie clothing with film clothing visual art representation." In 2016 International Conference on Economics, Social Science, Arts, Education and Management Engineering. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/essaeme-16.2016.49.

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Chittaro, Luca, and Demis Corvaglia. "3D virtual clothing." In Proceeding of the eighth international conference. New York, New York, USA: ACM Press, 2003. http://dx.doi.org/10.1145/636593.636605.

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Berzowska, Joanna, and Marcelo Coelho. "Memory-rich clothing." In CHI '06 extended abstracts. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1125451.1125511.

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Li, Dejun, and Tian Xia. "Electronic music clothing." In International conference on Management Innovation and Information Technology. Southampton, UK: WIT Press, 2014. http://dx.doi.org/10.2495/miit130121.

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Reports on the topic "Clothing"

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Collins, LaShaun M., Seoha Min, and Jennifer Yurchisin. Sustainability of African-Americans' HMD clothing within the Clothing Life Cycle. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1854.

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Shanks, Rachel, and Nneoma Dike. School Clothing in Scotland Research Brief. University of Aberdeen, November 2023. http://dx.doi.org/10.57064/2164/22140.

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Summary and main findings 1.Twelve of the 32 local authorities automatically pay school clothing grant to families who receive a qualifying benefit administered by the local authority such as Housing Benefit or income-related Council Tax reduction. 2.School uniform banks report difficulties that are created for families through uniform policies, for example requiring 100% black shoes, items with logos, tartan and hard to find colours, such as turquoise or maroon. 3.In 2022-23 there was a drop in the number of children for whom school clothing grant was awarded while the percentage of children living in poverty increased. A possible explanation for this drop is the provision of universal free school meals. Previously families would have been applying for both free school meals and clothing grant at the same time. This highlights the need to make it easier to receive school clothing grant. 4.Local authorities do not record information in terms of the Scottish Government’s 6 priority family groups for those applying for and/or receiving school clothing grant. Thus, local authorities cannot monitor if certain groups are less likely to apply for or receive the grant under their local Child Poverty Action Plans. 5.Eighteen local authorities have never paid more than the national minimum school clothing grant. However, other local authorities have taken a different approach, for example, in 2023-2024 East Dunbartonshire is providing double the national minimum school clothing grant (£240 for primary and £300 for secondary pupils). In 2022-2023 six authorities made an extra payment over the winter months ranging from £20 to £150.
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BROWN, R. L. REDUCED PROTECTIVE CLOTHING DETERMINATIONS. Office of Scientific and Technical Information (OSTI), June 2003. http://dx.doi.org/10.2172/812339.

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Shanks, Rachel, and Nneoma Dike. School clothing grant and school uniform policies in Aberdeen. University of Aberdeen, April 2024. http://dx.doi.org/10.57064/2164/23369.

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In this short report we provide results from Aberdeen City schools and the local authority, covering the level of school clothing grant, eligibility criteria, automatic payment, rollover, application process, information provided to families about school clothing grant and more.
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Stern, B. Clothing creator trademark : Business plan. Office of Scientific and Technical Information (OSTI), October 1990. http://dx.doi.org/10.2172/6318055.

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Caskey, Kristin. Clothing Design for Conjoined Twins. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-449.

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Goldsmith, Ronald E., Leisa R. Flynn, and Elizabeth B. Goldsmith. Profiling the Frequent Clothing Shopper. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-491.

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ADVANTECH INC ANNAPOLIS MD. Recruit Clothing Supply Chain Assessment. Fort Belvoir, VA: Defense Technical Information Center, August 2001. http://dx.doi.org/10.21236/ada410577.

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Havel, Mickael, Dale W., Naiping Hu, and Tom Martin. Chemical and Biological Resistant Clothing. Fort Belvoir, VA: Defense Technical Information Center, April 2013. http://dx.doi.org/10.21236/ada582844.

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Chen, Wei-Chen. How Proximity of Clothing to Self Affects Clothing Purchase Cirteria by Taiwanese Older Adults. Ames: Iowa State University, Digital Repository, November 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1304.

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