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Books on the topic 'Cleopatra II'

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Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

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1

The world of Juba II and Kleopatra Selene: Royal scholarship on Rome's African frontier. New York: Routledge, 2003.

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2

Robert, Sandler, ed. Northrop Frye on Shakespeare. New Haven: Yale University Press, 1988.

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3

Frye, Northrop. Northrop Frye on Shakespeare. New Haven: Yale University Press, 1986.

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4

Marie, Hacht Anne, ed. Shakespeare for students: Critical interpretations of Shakespeare's plays and poetry. 2nd ed. Detroit: Thomson Gale, 2007.

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5

Marching with Caesar-Antony and Cleopatra: Part II-Cleopatra. R.W. Peake, 2013.

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6

Peake, R. W., Marina Shipova, and B. Z. Hercules. Marching with Caesar-Antony and Cleopatra: Part II-Cleopatra. R.W. Peake, 2013.

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7

George, Margaret. Memorias de Cleopatra II - Bolsillo. Santillana USA Publishing Company, 2002.

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8

Thompson, Dorothy J. Cleopatra II, c. 185–116 bce. Oxford University Press, 2016. http://dx.doi.org/10.1093/acrefore/9780199381135.013.1670.

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9

Roller, Duane W. The World of Juba II and Kleopatra Selene. Routledge, 2015.

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10

Neacsu, Tino. Elizabeth Taylor. Cleopatra, ultima regina. Editura Universitara, 2022. http://dx.doi.org/10.5682/9786062814496.

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”Cleopatra, considerata cea mai frumoasa femeie a lumii antice, a fost intruchipata pe ecran de Elizabeth Taylor, considerata cea mai frumoasa femeie a lumii moderne la acea data. Ultima regina a Hollywood-ului ii dadea viata ultimei regine a Egiptului, in cel mai scump film produs vreodata pana atunci.”
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11

Roller, Duane W. World of Juba II and Kleopatra Selene. Taylor & Francis Group, 2003.

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12

Burton, Dolores Marie. Shakespeare's Grammatical Style: A Computer-Assisted Analysis of Richard II and Anthony and Cleopatra. University of Texas Press, 2011.

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13

Burton, Dolores Marie. Shakespeare's Grammatical Style: A Computer-Assisted Analysis of Richard II and Anthony and Cleopatra. de Gruyter GmbH, Walter, 2014.

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14

Roller, Duane W. World of Juba II and Kleopatra Selene: Royal Scholarship on Rome's African Frontier. Taylor & Francis Group, 2004.

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15

Roller, Duane W. World of Juba II and Kleopatra Selene: Royal Scholarship on Rome's African Frontier. Taylor & Francis Group, 2004.

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16

Roller, Duane W. World of Juba II and Kleopatra Selene: Royal Scholarship on Rome's African Frontier. Taylor & Francis Group, 2004.

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17

Roller, Duane W. World of Juba II and Kleopatra Selene: Royal Scholarship on Rome's African Frontier. Taylor & Francis Group, 2004.

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18

Roller, Duane W. World of Juba II and Kleopatra Selene: Royal Scholarship on Rome's African Frontier. Taylor & Francis Group, 2004.

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19

Wallis, Budge E. A. History of Egypt from the End of the Neolithic Period to the Death of Cleopatra VII B. C. 30 : Vol. II: Egypt under the Great Pyramid Builders. Taylor & Francis Group, 2013.

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20

Wallis, Budge E. A. History of Egypt from the End of the Neolithic Period to the Death of Cleopatra VII B. C. 30 : Vol. II: Egypt under the Great Pyramid Builders. Taylor & Francis Group, 2013.

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21

Jameson. Memoirs of Celebrated Female Sovereigns: Semiramis. Cleopatra, Queen of Egypt. Zenobia, Queen of Palmyra. Johanna I, Queen of Naples. Johanna II of ... Castile. Mary Queen of Scots. Queen Elizabeth. Franklin Classics Trade Press, 2018.

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22

Shakespeare for students.: Critical interpretations of: All's well that ends well, Antony and Cleopatra, The comedy of errors, Coriolanus, Measure for measure, Richard II, The sonnets, The winter's tale. Detroit: Gale Group, 2000.

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23

Jameson. Memoirs Of Celebrated Female Sovereigns: Semiramis. Cleopatra, Queen Of Egypt. Zenobia, Queen Of Palmyra. Johanna I, Queen Of Naples. Johanna Ii Of ... Castile. Mary Queen Of Scots. Queen Elizabeth. Franklin Classics, 2018.

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24

Jameson. Memoirs of Celebrated Female Sovereigns: Semiramis. Cleopatra, Queen of Egypt. Zenobia, Queen of Palmyra. Johanna I, Queen of Naples. Johanna II of Naples. Isabella of Castile. Mary Queen of Scots. Queen Elizabeth. Creative Media Partners, LLC, 2018.

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25

Findlay, Alison. ‘Make My Image but an Alehouse Sign’. Edited by Jonathan Post. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199607747.013.0010.

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Queen Margaret’s words ‘Make my image but an alehouse sign’ in 2 Henry VI (III. ii. 81) offer an appropriate metaphor for the female voice in Shakespeare’s texts because they advertise the ways female characters strive to speak out within a discursive environment that silences them as images. The chapter explores how women in Shakespeare’s plays negotiate a space to speak within a poetic discourse that repeatedly objectifies them as signs, focusing on Catherine’s role in Henry V and the blason, and the Jailer’s Daughter’s self-inscription into a ballad tradition in Two Noble Kinsmen. A second section uses the analytic tools provided by corpus-linguistics to explore the poetic voices of tragic female characters: Lady Macbeth, Cleopatra, and the women of Richard III. The essay concludes by tracing the growth of an independent, poetic female voice in the role of Queen Margaret who offers an ironic commentary on Shakespeare's growing sense of his own identity as national bard.
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26

Shakespeare for Students (Shakespeare for Students (3 Vols)). 2nd ed. Thomson Gale, 2007.

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