Dissertations / Theses on the topic 'Cleopatra I'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 44 dissertations / theses for your research on the topic 'Cleopatra I.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.
Carr, Laura. "Cleopatra: Perceptions and Reality." Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/asrf/2018/schedule/118.
Full textWenzel, Diana. "Kleopatra im Film eine Königin Ägyptens als Sinnbild für orientalische Kultur /." Remscheid : Gardez, 2005. http://catalog.hathitrust.org/api/volumes/oclc/60744477.html.
Full textBarrera, Gutierrez Olivia. "Cleopatra y Antonio: a Critical Study and a Creative Writing Project based on Shakespeare's Anthony and Cleopatra (1623)." University of Cincinnati / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1584016082083613.
Full textGotschalk, Kelly J. "The Seated Cleopatra in Nineteenth Century American Sculpture." VCU Scholars Compass, 1997. http://scholarscompass.vcu.edu/etd/4350.
Full textBerg, Ingrid. "Händel, Cleopatra och jag : en musikdramatisk tolkning tar form." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1727.
Full textBilaga: 1 CD
Arshad, Y. "Imagining Cleopatra : performing gender and power in early modern England." Thesis, University College London (University of London), 2016. http://discovery.ucl.ac.uk/1505746/.
Full textGonzález, Zúñiga Marcelo. "Far More Female. La Cleopatra de Shakespeare: Culminación y crisis del renacimiento inglés." Tesis, Universidad de Chile, 2006. http://repositorio.uchile.cl/handle/2250/108928.
Full textMontanari, Anna Maria. "'A heart in Egypt' : Cleopatra on the Renaissance stage in Italy and England." Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709112.
Full textPasse, Alison. "The figure of Cleopatra in early modern English and French drama (1553-1635)." Thesis, University of Aberdeen, 2017. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=236420.
Full textDavison, Katherine Anne. "He has given example for our flight Antony's cartographic exit from 'Antony and Cleopatra' /." Thesis, Montana State University, 2010. http://etd.lib.montana.edu/etd/2010/davison/DavisonK0510.pdf.
Full textKendall, Allen Alexander. ""Queen of Kings": Masculinity and Femininity in the Visual Rhetoric of Cleopatra VII and Augustan Distortions Thereof." BYU ScholarsArchive, 2019. https://scholarsarchive.byu.edu/etd/7553.
Full textKiernan, Pauline Fredrica. "Shakespeare's 'defence of drama' : the challenge to poetry and history with special reference to Antony and Cleopatra." Thesis, University of Oxford, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.315869.
Full textMovshovich, Evgenia [Verfasser], Cleopatra [Gutachter] Charalampaki, and Philipp Jörg [Gutachter] Slotty. "Klassifizierung der Meningeome in der Neurochirurgie anhand der konfokalen Laserendomikroskopie / Evgenia Movshovich ; Gutachter: Cleopatra Charalampaki, Philipp Jörg Slotty." Düsseldorf : Universitäts- und Landesbibliothek der Heinrich-Heine-Universität Düsseldorf, 2018. http://d-nb.info/1170953670/34.
Full textMezghanni, Miriam. "Unsettling heroines : towards a cognitive poetics exploration of power dynamics (Ophelia, Lady Macbeth, Desdemona and Cleopatra as case studies)." Thesis, Montpellier 3, 2016. http://www.theses.fr/2016MON30015.
Full textThe Shakespearean tragic heroines are a polemical topic. Critics are divided between a reading that describes them as complex and dynamic protagonists and a reading that sees their presence as ornamental and paper-thin in the Shakespearean dramatic tradition. This study examines tenets of power within four major tragic figures, Ophelia, Desdemona, Lady Macbeth, and Cleopatra. Conversation analysis and disciplines from cognitive poetics, text world theory and conceptual metaphor analysis, will be used to study these characters’ utterances and thoughts. The research shows that Ophelia, Desdemona, Lady Macbeth, and Cleopatra are actively involved in power relations. They manifest dominance, exercise resistance, and sow dissidence within masculine narratives of authority. The conclusion can also be drawn that the Shakespearean tragic heroine succeeds in breaking through patriarchal embargo, embraces power, and inaugurates a distinctive concept of female heroism
Falcón, Díaz-Aguado Laia. "La representación de la mujer con poder en las artes y la ficción : Cleopatra : un ejemplo para al análisis intertextual." Paris 3, 2008. http://www.theses.fr/2008PA030143.
Full textThere are certain characters that, even if they are not strongly linked to our day by day’s issues, obtain an extraordinary presence in our shared narrations and artistic images. They may not seem to represent important elements of our philosophical, cultural or political heritage, but they still play a key role in our collective references: we choose them, from generation to generation, as vehicles of our individual and social identities. During these last years as doctoral researcher at the universities Sorbonne Nouvelle and Complutense, I have studied these cultural processes through a singular case: “The cultural representation of the woman in power in Art and Fiction’s characters. Cleopatra: an example for the intertextual analysis. ” This research has been carried out through the coordination of two disciplinary fields -Communication Sciences and Sociology of Art- and has focalised on the analysis of a very specific sort of character: the cultural portraits of female social leaders made by art and fiction. With this purpose, we have chosen a single example to analyse it in its different historical, aesthetic and artistic representations: Cleopatra VII, the last leader of the Ancient Egypt and certainly one of the most popular historic feminine motives among artists and audiences
Mngomezulu, Thulisile Fortunate. "Central women characters and their influence in Shakespeare, with particular reference to the Merchant of Venice, Macbeth, Julius Caesar and Antony and Cleopatra." Thesis, University of Zululand, 2009. http://hdl.handle.net/10530/1114.
Full textShakespeare portrayed women in his plays as people who should be valued. This is an opinion I held in the past, and one I still hold after intense reading of his works and that of authors such as Marlowe, Webster, Thomas Kyd and others. Shakespeare created his female characters out of a mixture of good and evil. When they interact with others, either the best or the worst in them is brought out: extreme evil in some cases and perfect goodness in others. I hope the reader will enjoy this study as much as I did, and that it will enhance their reading of Shakespeare‟s works and cultivate their interest in him. This study is intended to motivate other people to change their view that Shakespeare‟s works are inaccessible. Those who hold this view will come to know that anyone anywhere can read, understand and appreciate the works of this the greatest writer of all times. In his study Shakespeare’s World, Johanyak says, “I wrote [it] to help students appreciate the depth and breadth of Shakespeare‟s global awareness. Shakespeare was not only a London playwright, but a man of the world who dramatized his perceptions to create a lasting legacy of his times” (2004: ix).
Giacomo, Luiz Henrique Souza de. "A \'restauração republicana\' de Augusto: discurso romano, alteridade oriental e teatrocracia política." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-17092015-143549/.
Full textThis reflective exercise aims to analyze the political role performed by Caesar Augustus during the construction, consolidation and the legitimacy of the political system of the Roman Principality. We will take as analytical basis the discourses and actions of Augustus in the Roman political scene on behalf of restoration of the Republic. Therefore, we propose to board the way how the Prince appropriated the trick of construction of stereotypes of his rivals, Marc Antony and Cleopatra, in order to raise his own position in the Roman political scene. The way he used speeches of me and other permeates our gaze, especially concerning the Eastern world that served as an element in a discursive and practical plan to defamation his rivals and their presentation as a threat to the Roman Republic, which he intended to safeguard and raise the best times.
Culpepper, Abigail. "Towards an Ethic of the Lyric: Taking on the Other in “La Mort de Cleopatre” by Marie Krysinska." Miami University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=miami1564684012184959.
Full textFerreira, Regiane Maria. "O silenciamento de uma rainha: uma leitura feminista da Cléopatra Shakespeariana em Antônio e Cleópatra." Universidade Estadual de Ponta Grossa, 2018. http://tede2.uepg.br/jspui/handle/prefix/2696.
Full textMade available in DSpace on 2018-11-28T18:33:50Z (GMT). No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) Regiane Maria Ferreira.pdf: 1382801 bytes, checksum: 6d677e93533da0d290a3fd1ea88e33c3 (MD5) Previous issue date: 2018-10-01
A presente dissertação aborda questões de gênero discutidas em um estudo da peça Antônio e Cleópatra, produzida por William Shakespeare (1606), com a tradução da estudiosa e crítica de teatro Barbara Heliodora (2001). Esta pesquisa teve como foco central analisar a composição da personagem feminina em Shakespeare: Cleópatra, que se apresentou ora silenciada, ora extremamente sexualizada. Pretendeu-se destacar este silenciamento vivenciado pela rainha, pois se acredita que silenciar não é o mesmo que deixar de falar (Kuhner, 1998), com isso buscou-se compreender qual o espaço destinado a rainha na peça. A escolha deste tema justifica-se por meio de reflexões em que na literatura a personagem feminina foi por muito tempo retratada por autores homens e em uma sociedade patriarcal, o que colaborava para que diversas vezes as personagens femininas fossem subjugadas e colocadas de lado em relação à figura masculina. Para tanto, observa-se que apesar de a maioria das Cenas ocorrerem no Egito, Cleópatra foi apresentada como uma co-protagonista (HELIODORA, 2001) em seu próprio território. Com foco nos estudos voltados para a crítica feminista embasada principalmente na leitura da teoria feminista, buscou-se compreender a Cleópatra shakespeariana, sexualizada e silenciada, refletindo acerca do papel da mulher no Antigo Egito e no Renascimento, como suporte teórico fez-se uso de Heliodora (2001), Branco e Brandão (1989), Culler (1997), Scott (1999), Butler (2016), Bloom (1998), Bradley (2009), entre outros autores.
This dissertation approachcs gender issues that discuss in the play Antony and Cleopatra, produced by William Shakespeare (1606), through the translation of the scholar and drama critic Barbara Heliodora (2001). This study focused on analyze the composition of the female character in Shakespeare: Cleopatra, at time silenced, at others extremely sexualized. It is intended to emphasize this silencing process experienced by the queen, because it is believe that silence does not mean the absense of speaking (Kuhner, 1998), based on this aspect to understand what is the space reserved for the queen. The choice of this theme is justified through the reflections according in which in the literature the female character was for a long time portrayed by male authors and in a patriarchal society, factors that collaborated to the recurrent depiction of female characters as subjugated and put in a secondary role in comparison to the male characters. In this specific play, it is observed that although most of the Scenes take place in Egypt, Cleopatra is presented as a co-protagonist (HELIODORA, 2001) in her own territory. Focused on studies presents in the feminist criticism based mainly on feminist reading, of this dissertation is to understand the Shakespearean Cleopatra, sexualized and silenced, reflecting on the role of women in Ancient Egypt and the Renaissance. Theoretical perspections include made use of Heliodora (2001), Branco and Brandão (1989), Culler (1997), Scott (1999), Butler (2016), Bloom (1998) and Bradley (2009) among other authors.
Demba, Walter da Gloria Pimenta. "Conservação de sementes de porta-enxertos de citros em função dos teores de água das sementes e do ambiente de armazenamento." Universidade Federal de Viçosa, 2013. http://locus.ufv.br/handle/123456789/4592.
Full textThe conservation of Citrus seeds is one of the biggest problems faced by seedling producers due to low seed longevity of this species, which lose viability quickly, compromising the availability of viable seeds during sowing. Thus, the domain of seed conservation techniques is of great importance for the Brazilian citrus production systems, allowing the preservation and maintenance of genetic and buffer stocks to meet unpredictable needs. In this sense, this study aimed evaluates the quality of Rangpur lime, 'Cleopatra' mandarin and Swingle citrumelo seeds stored with different water contents in two environmental conditions. The seeds were harvested in the orchard of the Fruit Sector of the Department of Plant Science at UFV. After extraction, the seeds went through the process of degumming, being rubbed with lime and then washed in water to remove the mucilage. Drying was performed in the shade and in plastic trays for 6 days to obtain the desired moisture contents, which were 35%, 15% and 7%. Subsequently, the seeds were treated with the fungicide Captan 2 g/kg. Then the seeds were placed in hermetic containers, stored at room temperature and under refrigeration for 360 days. Every 90 days, i.e., to 0 (after harvest), 90, 180, 270 and 360 days were conducted the moisture content and germination tests. Regardless of the degree of humidity, was markedly decreased of seeds quality of all varieties stored at room temperature. Seeds of Rangpur lime with water content of 7% maintained high quality physiological stored in refrigerator for 360 days, which did not occur in room temperature storage, where viability was lost from 180 days.
A conservação de sementes dos Citrus é um dos maiores problemas enfrentados pelos viveiristas, devido à sua baixa longevidade, perdendo rapidamente a viabilidade e comprometendo a disponibilidade de sementes viáveis por ocasião da semeadura. Assim, o domínio de técnicas de conservação das sementes é de grande importância para a citricultura brasileira, permitindo a preservação de estoques genéticos e a manutenção de estoques reguladores, para atendimento de necessidades imprevisíveis. Nesse sentido, o objetivo deste trabalho foi avaliar a qualidade das sementes de limão 'Cravo', tangerina 'Cleópatra' e citrumelo 'Swingle' armazenadas com diferentes teores de água em duas condições de ambiente. As sementes foram colhidas no pomar do Setor da Fruticultura do Departamento de Fitotecnia da Universidade Federal de Viçosa. Após a extração, as sementes passaram pelo processo de degomagem, sendo friccionadas com cal e depois lavadas em água corrente, para a retirada da mucilagem. A secagem foi realizada à sombra durante seis dias, para obtenção dos teores de água desejados, que foram 35%, 15% e 7%. Posteriormente, as sementes foram tratadas com o fungicida Captan 2 g/kg e, em seguida, acondicionadas em embalagens impermeáveis, armazenadas por 360 dias em temperatura ambiente e em ambiente refrigerado. A cada 90 dias, ou seja, a 0 (após a colheita), 90, 180, 270 e 360 dias, foram realizadas avaliações do grau de umidade, da germinação, do comprimento da parte aérea e das raízes e da massa seca das plântulas. Independentemente do grau de umidade, houve redução acentuada da qualidade fisiológica das sementes armazenadas em temperatura ambiente. Sementes de limão 'Cravo' com teor de água de 7% mantiveram alta qualidade fisiológica quando armazenadas em geladeira por 360 dias, e sementes de tangerina 'Cleópatra' armazenadas em ambiente refrigerado apresentaram qualidade fisiológica até os 270 dias, não sendo aconselhável o armazenamento das sementes de citrumelo 'Swingle' em temperatura ambiente após 90 dias.
Lavallée, Corinne. "Gynaecia Cleopatrae : la gynécologie de Cléopâtre." Thesis, Université d'Ottawa / University of Ottawa, 2020. http://hdl.handle.net/10393/40347.
Full textKilpatrick, Hannah. "The Untouchable Past and the Incomprehensible Present: Temporal Detachment and the Shaping of History in the Fineshade Manuscript." Thèse, Université d'Ottawa / University of Ottawa, 2011. http://hdl.handle.net/10393/20472.
Full textIzquierdo, Zandalinas Sara. "Plant strategies to deal with a combination of drought and high temperatures." Doctoral thesis, Universitat Jaume I, 2016. http://hdl.handle.net/10803/398395.
Full textIn natural environments, different abiotic stresses, including drought and high temperatures, simultaneously occur. Chapter 1 demonstrates that Carrizo citrange is more tolerant to the combination of these stresses than Cleopatra mandarin. Hormonal profile indicates that ABA content depends on its biosynthesis, catabolism and/or conjugation. Chapter 2 studies the primary and secondary metabolism of both citrus genotypes under drought, heat or their combination. Whereas Cleopatra deeply alters its metabolism in order to mitigate stress damages, the higher ability of Carrizo to tolerate adverse situations prevents further modifications of metabolism. Finally, Chapter 3 concludes that ABA is necessary for plant tolerance to this combined situation as well as for the accumulation of proteins (APX1, MBF1c and HSP101) required for plant acclimation to environmental adverse conditions.
Ashton, Anne M. "Interpreting breast iconography in Italian art, 1250-1600." Thesis, University of St Andrews, 2006. http://hdl.handle.net/10023/2675.
Full textCaria, Thamis Malena Marciano. "Cleópatra do Museu D. João VI: a trajetória de uma obra." Universidade Federal de Juiz de Fora (UFJF), 2016. https://repositorio.ufjf.br/jspui/handle/ufjf/5632.
Full textApproved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2017-08-25T11:51:55Z (GMT) No. of bitstreams: 1 thamismalenamarcianocaria.pdf: 4769123 bytes, checksum: c70cfcf0f0b7af79a988b07929beeac2 (MD5)
Made available in DSpace on 2017-08-25T11:51:55Z (GMT). No. of bitstreams: 1 thamismalenamarcianocaria.pdf: 4769123 bytes, checksum: c70cfcf0f0b7af79a988b07929beeac2 (MD5) Previous issue date: 2016-09-30
Nosso objetivo nesta dissertação é verificar a trajetória da obra Cleópatra que pertenceu a Coleção Le Gros até 1859, passando para Academia Imperial de Belas Artes em 1860, por compra ou doação, integrando a coleção do Museu Nacional de Belas Artes e finalmente sendo destinada ao acervo do Museu D. João VI tendo como data de incorporação o ano de 1979. Trataremos da possibilidade desta obra ser uma cópia utilizando como modelo de uma pintura do artista genovês Bartolomeo Biscaino (1632-1657) a partir da comparação de algumas de suas pinturas com a obra em questão. Aqui também será discutido como a arte Italiana do século XVII representava e idealizava a personagem Cleópatra, e do mesmo modo será analisada a possível função da obra Cleópatra dentro da Antiga Academia Imperial de Belas Artes (AIBA) do Rio de Janeiro. Por ter pertencido, a obra, à coleção privada do colecionador J. G. Le Gros (João Guilherme Le Gros ou Legros) e integrado os catálogos das Exposições Gerais de Belas Artes (EGBA) de 1859, 1860, 1863, 1866, 1889, 1890, 1891 e o Pequeno Catálogo de Bens da ENBA de 1957, nos aprofundaremos na história deste colecionador, sobre a prática do colecionismo no Rio de Janeiro do século XIX e faremos uma análise da sua coleção, a fim de compreender o seu gosto pela arte.
Our intention in this dissertation is to research the trajectory of the painting Cleopatra that belonged to Le Gros Collection until 1859; moving to Academia Imperial de Belas Artes (Imperial Academy of Fine Arts) in 1860, by purchase or donation, integrating the Museu Nacional de Belas Artes and finally being destined to the collection Museum D. João VI, having as incorporation date of the year 1979. We argue the possibility of this work being a copy using a model based on Genoese artist Bartolomeo Biscaino (1632-1657) from the comparison of some of his paintings with the work in question. Here it will also be discussed how the Italian art of the seventeenth century represented and idealized character Cleopatra. Likewise it will be analyzed the possible function of the Cleopatra painting within the Academia Imperial de Belas Arters (AIBA) in Rio de Janeiro. By having the canvas belonged to the private collection of the J.G. Le Gros (João Guilherme Le Gros or Legros), and integrated the catalog of Exposições Gerais de Belas Artes (EGBA) from 1859, 1860, 1863, 1866, 1889, 1890, 1891 and the Pequeno Catálogo de Bens da ENBA de 1957, we will research the history of this collector and the practice of collecting in Rio de Janeiro in nineteenth century. We will also do an analysis of his collection in order to understand his taste for art.
Martin, Maria A. "Underestimated Influences: North Africa in Classical Antiquity." University of Toledo / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1301936096.
Full textWoodall, Richardine G. ""Not know me yet?" the metamorphosis of Cleopatra /." 2004. http://wwwlib.umi.com/cr/yorku/fullcit?pNQ99261.
Full textTypescript. Includes bibliographical references (leaves 353-399). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://wwwlib.umi.com/cr/yorku/fullcit?pNQ99261.
Chen, Grace, and 陳惠雯. "Subjectivity Effects in Shakespeare's Antony and Cleopatra." Thesis, 2000. http://ndltd.ncl.edu.tw/handle/68185244170654396212.
Full text國立臺灣師範大學
英語研究所
89
Abstract This thesis is aimed at demonstrating Cleopatra’s elusive subjectivity effects in Shakespeare’s Antony and Cleopatra. Cleopatra’s infinite variety permanently capacitates her to generate multiple becomings iridescently and synthesize different contextualities fluidly. Correspondent with her dynamic subjectivity effects, Cleopatra’s gender is perpetually in fluid construction and evades fixity. Her gender is constituted by various performativity and is thus open to new signification and contextualization. In addition, her multifarious masquerades alternate between femininity and masculinity because she may put on female masquerade to conceal her compulsory rivalry with men and appropriate their masculinity after she obtains their dotage. In Chapter one, I present my main argument that Cleopatra’s infinite variety generates elusive subjectivity effects which permeate throughout this play. Her fluid and multiple subjectivity effects can be seen in her performativity and masquerade, which fully demonstrate her elusive gender. Therefore fluidity and multiplicity form the interrelation between her subjectivity and gender. Through the investigation of her gender and subjectivity, I demonstrate that Cleopatra is forever the woman who dominates Antony’s desire and keeps exerting her elusiveness. In Chapter Two, I introduce Jane Flax’s theory of elusive subject(s) and analyze the two determinants of elusive subjectivity effects: multiplicity and fluidity. I use the conception of metamorphosis from Ovid to expound the sense of fluidity in the constitution of subjectivity. Then I examine Cleopatra’s subjectivity effects from Flax’s theory of elusive subject(s). Cleopatra’s multiple and fluid subjectivity effects collide rigid categorization, subsume amplitude, beget fecundity and replicate Isis’ multitudinousness. In addition, through the interaction with her evasive subjectivity effects, Antony reconstructs his fluid identity. Toward the end of this chapter, I point out that Cleopatra’s infinite variety enables her to assume multiple roles and synthesize varied contextualities so that she may control her situation. By committing suicide, in the final scene, Cleopatra foils Octavius’ scheme of reducing her to the trophy of war. Death thus becomes an “elsewhere” where she can regenerate her elusive subjectivity effects. In Chapter Three, I look into Cleopatra’s elusive gender identity by using Judith Butler’s theory of performativity. At the heart of Butler’s theory is the view that there is no gender ontology but only an endless play of acts and gestures, that is, performativity. Through various gestures, the boy actor who plays the part of Cleopatra elicits a gender parody, subverts gender norms and reveals the insubstantial ground of gender identity. Further I demonstrate that Cleopatra’s performativity disrupts the presumably ontological status of gender. Compared with Cleopatra’s gender, Antony’s gender identity is prescribed by the unitary and rigid Roman system. Only through dissolution of his fixed gendered self can Antony re-constitute his gender identity and vibrate with that of Cleopatra. In Chapter Four I argue that Cleopatra’s capacity to generate multifarious masquerades demonstrates her elusive subjectivity effects. Riviere’s proposition of masquerade facilitates an understanding of how a woman exerts her female mask to seek safety and conceal her compulsory rivalry with men. However Cleopatra’s masquerades go beyond that. When she is reforming and reshaping multiple masquerades, she is also exerting her subjectivity effects--she secures her throne through coquetry, appropriates masculinity and generates a lack in Roman male desire. Moreover, her masquerades alternate between femininity and masculinity, revealing both as constructs. Therefore not only her performativity but masquerade disrupt the presumably ontological status of gender, bespeaking again the elusiveness of gender. Chapter Five recapitulates previous discussion of each chapter and re-states the main argument of this thesis. The interrelation between Cleopatra’s subjectivity effects and gender is inseparable and both are related to her infinite variety. In other words, her infinite variety perpetually regenerates elusive subjectivity effects, which in turn permeate the whole play.
Hardman, Naomi Susan. "The many faces of Cleopatra : from propaganda to myth." Thesis, 2003. http://hdl.handle.net/10413/3889.
Full textThesis (M.A.)-University of Natal, Pietermaritzburg, 2003.
Wong, Julia K. W. "Cleopatra I, the first female Ptolemaic regent: her predecessors, policies, and precedents." Thesis, 1998. http://hdl.handle.net/2429/8370.
Full textPyn, Shiau Huey, and 蕭慧蘋. "The Study of Four Cleopatra Arias from Giulio Cesare by George Frideric Handel." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/01344265361333183157.
Full textBroadbent, Valerie. "Augustus, Egypt, and Propaganda." Thesis, 2012. http://hdl.handle.net/10012/6780.
Full textTourki, Mohamed Ali. "The Place of the Gods : Biblical, Tragic, and Humanist Modes in Shakespeare’s Antony and Cleopatra." Thèse, 2013. http://hdl.handle.net/1866/10825.
Full textThis thesis focuses on Shakespeare’s Antony and Cleopatra in relation to biblical thought, Renaissance humanism, and tragedy as a literary genre and Greek philosophy. The fall of Adam and Eve as well as the conflict between the tragic hero and the gods are two themes that are at the center of this work. The myth of the fall of Adam and Eve functions as a model for the fall—and thus the tragedy—of Antony and Cleopatra and is also the very structure of this study. If the first chapter talks about heaven, the second evokes the original sin. The third chapter investigates a ‘counter-redemption’. The first chapter refers to the idea of heaven, or Eden in the Bible, in order to examine the idea of Eden in Antony and Cleopatra. Fertility, Epicureanism, and Dionysian excess are all elements that are present in the conception of a biblical and a Shakespearean Eden. The second chapter is a study of tragedy as a genre fundamentally related to ancient Greek religious thought and philosophy—which is also the case in Antony and Cleopatra. This chapter demonstrates that the two Shakespearean protagonists are indeed similar to Greek tragic heroes, constantly defying gods and fate, thus, engendering their own tragedy (or ‘fall’, to continue with the myth of Adam and Eve). If the second chapter seeks to bridge Greek tragedy and Shakespearean drama, the third, however, shows that the ending in Antony and Cleopatra is different from the endings in plays by Sophocles, Euripides, and Aeschylus. Analyzing the philosophy of the Renaissance, especially the notion of humanism, the final chapter of this work introduces Shakespeare’s protagonists as eternal rebels, humanists who are determined to defy the forces of fortune.
Chell, Andrei Rohan, and 伽安杰. "Factors Associated with Tuberculosis Behavior Beliefs Among Patients at Cleopatra White Health Center in Belize." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/88432945798225307275.
Full text臺北醫學大學
全球衛生暨發展碩士學位學程
104
Background: About one third of the world’s population has latent tuberculosis (TB). TB still remains a public health concern in many developing countries including Belize. Globally, cases of TB have continued to rise due to the HIV pandemic, an increase in demographic stress, and also poorly managed control programs. The aim of this study is to describe the scope of the TB behavioral beliefs associated factors among patients at the Cleopatra White Health Center in Belize, using a framework comprising of the Health Belief Model and the Theory of Reasoned Action Model. Methods: This is a cross-sectional survey using a structured questionnaire. This study recruited 204 participants. A Tuberculosis Interview Instrument (TII) was used to collect the patients’ socio-demographic, clinical factors and variables from July 2015 to September 2015. The Scientific and Ethics Committee for the Ministry of Health in Belize granted permission for the study to be conducted. A critical level of p=0.05 was used to assess the significance. A multivariate logistic regression model was used to analyze the intention to be screened for tuberculosis and intention to return to have the test read. Results: Out of 204 participants, almost seventy percent aged from 18 to 30 years, with over half of the subjects being females and single. Seventy-six patients were previously screened for TB, in which 53 were negative, 14 positive and 9 did not state their results. Education level was associated with perceived susceptibility (P=0.02) and general normative belief (P=0.01). Participants with higher academic levels tended to have more perceived susceptibility and general normative belief. In addition, participants with age from 31-82 had less negative intention to be screened Purpose of visit was associated with perceived susceptibility (P<0.001), perceived severity (P<0.001), perceived benefits (P<0.001), perceived barriers (P=0.04), general attitude about TB (P<0.001), and general subjective norm (P<0.001). Furthermore, participants outside of the Belize District and those without sufficient knowledge of TB had more negative intention to be screened for TB and more negative intention to return to have their test read after two days. The multivariate logistic regression analysis showed that knowledge about TB was associated with intention to be screened for TB (P=0.03) and general attitude about TB (P=0.04). Intention was positively correlated with susceptibility (r=. 373, P < 0.01), benefits (r=. 357, P<0.01), attitude (r=. 440, P<0.01) and subjective norm (r=. 184, P<0.01). Conclusions: In this study, there were five factors in relation to TB behavior beliefs. Results suggested that patients from the Chest Clinic had better behavioral beliefs than those in the general clinic. Education played a vital role in having better behavioral beliefs about TB. Age was a risk factor for intention to be screened for TB since patients aged from 31-82 had less negative intention to be screened, suggesting that the young and most productive age group is at a higher risk of contracting TB. Both Residence and knowledge were also risk factors since patients outside of the Belize District and patients with no knowledge of TB had more negative intention to be screened for TB and intention to return to have their test read after two days. Lastly, cigarette smoking was also a risk factor for intention to return to have your test read after two days. This suggests that smokers would actually have positive intention to be screened for TB, but would not return to have their test read after two days. In conclusion, the findings of this study can guide the Ministry of Health policies in Belize and may contribute to the reduction of TB prevalence in the general population.
"A Performance Guide of Fazil Say's Sonata for Violin and Piano and Cleopatra for Solo Violin." Doctoral diss., 2013. http://hdl.handle.net/2286/R.I.18000.
Full textDissertation/Thesis
D.M.A. Music 2013
Chao, Wan-Leng, and 趙宛稜. "The Analysis and Vocal Interpretation of three Cleopatra Arias from Handel’s Opera “Giulio Cesare in Egitto”." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/88517382826428302348.
Full text台南應用科技大學
音樂研究所
99
The purpose of this study focused on Handel’s opera‘Giulio Cesare in Egitto, 1724'which was included three arias, there are “V’adoro, pupille”, “Se pietà di me non senti” and “Piangerò la sorte mia”. By analysis of these arias, the characters of phrase paragraph could be combined with promoting repeated lyrics, abundant changes in tonality and timbre, and emphasizing changes of velocity and strength. Therefore, A’ paragraph of aria da capo use vocal ornament such as appoggiatura and acciaccatura etc. to show various changes. In arias, they use disjunct motion properly to perform graceful melody. Recently, Handel’s opera was renewed attention and aroused a lot of audio data. It can be proved that Handel is not only an oratorio composer but also a more and more popular opera composer.
SUN, YUAN-CHENG, and 孫元城. "An Analysis on the Interdisciplinary Performance of Peking Opera- A Case Study of Cleopatra and Her Fools." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/m88cgk.
Full text國立臺灣藝術大學
戲劇學系表演藝術碩士班
104
Peking Opera has developed and rooted in Taiwan for more than fifty years, the art form has passed down over the generations, and was successfully listed as one of the UNESCO Intangible Culture Heritage in 2010, showing that this art form with its rich Chinese cultural background and foundation is widely recognized by the world. Peking Opera began its cultural communication with western art forms in the 19th century, leaving its influence on modern theater ideas. The new development can be traced back to 1970s, with the intention of bringing the new energy into this art form and to make it reflect contemporary thinking. This attempt ended up bringing Peking Opera into modern theater. To give Peking Opera a new look and new meaning toward the contemporary audience, the artists in Taiwan assimilate nutrient from the old classics by reorganizing and reinventing them, meanwhile the new plays were created, with some western classics were adapted. The formation and history of Peking Opera was a result of drawing nourishment from different art forms, therefore the attempt of getting new elements in was not new. But the attempt to bring western theater plays into Peking Opera, making intercultural adaption and reproduction is the new stage of the cultural communication between the west and the east. This research is focusing on “Cleopatra and Her Fools”, a new play produced by National Guoguang Opera Company, analyzed with the theory of theater scholar Pavis and cultural critic Edward W. Said. The research is trying to record and conclude how this work was brought to reality on the base of intercultural theory. And last, as a case study of Peking Opera in Taiwan, its attempt to intercultural adaption and reproduction.
SU, SHIH-HAN, and 蘇詩涵. "An Analysis and Vocal Interpretation of four Cleopatra Arias from the Opera Giulio Cesare by Georg Friedrich Händel." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/mwv89d.
Full textRoets, Marthie. "Die propaganda in die politiek van Antonius en Cleopatra soos dit tot uiting kom in veral die nie-literere bronne." Thesis, 2014. http://hdl.handle.net/10210/10247.
Full textCheng, Elyssa Y. T., and 鄭月婷. "The Idea of History in Shakespeare's Roman Tragedies -- ~u2; Julius Caesar~u1;, ~u2;Antony and Cleopatra~u1;, and ~u2; Coriolanus~u1." Thesis, 1993. http://ndltd.ncl.edu.tw/handle/36867578964155607236.
Full textHUANG, WEI-TING, and 黃煒婷. "A Study on Crossover Performance of Contemporary Percussion Music: on Cases of “MuLan”, “Cleopatra and Caesar” and “Thank You, My Teacher”." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/64zz5n.
Full text國立臺灣藝術大學
戲劇學系表演藝術碩士班
106
Crossover style has become popular among the world since 1980’s. It has seemed that performances with the crossover style have become a fresh tide which influencing the field of the performing arts in Taiwan. From now on, what the artists pursue is not only the perfection in one single field but also make perfection more perfect and experiment much more possibilities through the cooperation with the other types or media. In recent years, the forms of the crossover percussion music performance have provided variety and broken the stereotype for traditional instrumental concert. What the crossover music performers yearn is to combine or mix another art media for experiment the brand new styles or the flesh forms for performing. While the crossover performance study of music has developed, the contemporary interdisciplinary study in percussion is still limited. This study chose three different kinds of percussion performance, Mulan, Cleopatra and Caesar, Thank you, My Teacher, to explore the application and development of the contemporary percussion performance.
Von, Hahn Brita Bettina. "The characterisation of Mark Antony." Diss., 2009. http://hdl.handle.net/10500/2656.
Full textLanguage Services
M.A. (with specialisation in Ancient Languages and Cultures)
Pospíšilová, Denisa Isabella. "Tapiserie a gobelíny ze sbírek Pražského hradu." Master's thesis, 2018. http://www.nusl.cz/ntk/nusl-384331.
Full textSchrodi-Grimm, Renate. "Die Selbstmörderin als Tugendheldin." Doctoral thesis, 2009. http://hdl.handle.net/11858/00-1735-0000-0006-B4A2-B.
Full text