Relevant bibliographies by topics / Cleopatra I

Academic literature on the topic 'Cleopatra I'

Author: Grafiati
Published: 10 December 2022
Last updated: 30 January 2023

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Journal articles on the topic "Cleopatra I"

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Said, Sali. "The Question of Culpability in Shakespeare’s Antony and Cleopatra." Critical Survey 34, no. 4 (December 1, 2022): 1–16. http://dx.doi.org/10.3167/cs.2022.340402.

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‘Is Antony or we in fault for this?’ Cleopatra asks Enobarbus, who is responsible for the loss at the Battle of Actium. Critics who find Cleopatra guilty take her supposed involvement in decision-making about the battlefield and escape from Actium as evidence of her culpability. Taking into consideration Antony’s strong belief in Fate, this article proposes that Antony tacitly exculpates Cleopatra for his vanquishment in Actium and that Cleopatra’s ‘flight’ is actually a tactical retreat rather than an action performed out of fear. This article also focuses on Cleopatra’s relationship with her servants, which has received almost no critical attention. Drawing on the politeness and the speech act theories, I demonstrate how democratic, humble and grateful Cleopatra is in her treatment of her attendants.
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Park, Jennifer. "Discandying Cleopatra: Preserving Cleopatra’s Infinite Variety in Shakespeare’s Antony and Cleopatra." Studies in Philology 113, no. 3 (2016): 595–633. http://dx.doi.org/10.1353/sip.2016.0023.

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Alamri, Dawla S. "Shakespeare’s and Shawqi’s Cleopatra: Portrayals of a Woman’s Moral Dilemma." International Journal of Linguistics, Literature and Translation 5, no. 4 (April 5, 2022): 76–85. http://dx.doi.org/10.32996/ijllt.2022.5.4.10.

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This paper offers a comparative reading of Cleopatra, the most famous Egyptian queen in history, as portrayed by William Shakespeare in Antony and Cleopatra (1606) and Ahamad Shawqi in Mas’ra’ Cleopatra, (Death of Cleopatra) (1927). It aims at analyzing both portrayals from developmental psychological and feminist perspectives demonstrated particularly in Carol Gilligan’s theories. Gilligan explored the development of women’s morality and ethics of care in her influential book In a Different Voice (1982) and other subsequent publications. The aim is to investigate how Shakespeare and Shawqi portray her as a female protagonist, her manner of thinking, and her system of values. Cleopatra’s dilemma as a woman in her different roles as a queen, political leader, wife, mother, and lover is examined in the light of these theories of ethics of care/ justice and the power im/balance between the sexes. The methodology used in this study integrates Gilligan’s perspectives of women’s concepts of the self, morality, and how women handle issues of conflict and moral choices. The study reveals how both dramatists successfully portray Cleopatra’s moral reasoning with its different dynamics, struggling with her conflicts, choices, and decisions to find her own moral voice and self.
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Pearce, Sarah. "THE CLEOPATRAS AND THE JEWS." Transactions of the Royal Historical Society 27 (November 1, 2017): 29–64. http://dx.doi.org/10.1017/s0080440117000032.

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ABSTRACTThis paper explores a variety of evidence for relations between Cleopatra VII, the last Ptolemaic ruler of Egypt, and her Jewish subjects. In the first part of the paper, the focus is on the profoundly negative portrait of the queen in the works of Josephus, with particular attention to Cleopatra's alleged antipathy to Alexandrian Jews in Josephus's Against Apion. Analysis of Josephus's evidence confirms, I argue, that his case against the queen does not stand up. The second part of the paper offers a detailed consideration of other evidence, epigraphic and literary, which, I suggest, confirms a picture of the queen as continuing the policy of her predecessors with regard to the Jews of the Ptolemaic kingdom, by participating in the long-established practice of extending royal support and protection to Jewish proseuchai (places of prayer). While the evidence does not permit definitive conclusions, it suggests that Cleopatra looked to particular Jewish groups – as to others – within Egypt for support and in this, followed a path taken by Cleopatra II and Cleopatra III. Finally, a few details in Plutarch's Life of Antony may also suggest the queen's political and personal alliances with individual Jews, in Egypt and Judea.
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Burstein, Stanley, and E. E. Rice. "Cleopatra." History Teacher 34, no. 1 (November 2000): 135. http://dx.doi.org/10.2307/3054391.

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Kleij, Sonja. "Cleopatra." Shakespeare Bulletin 38, no. 2 (2020): 267–70. http://dx.doi.org/10.1353/shb.2020.0025.

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Bertman, Stephen, and Harold Bloom. "Cleopatra." Classical World 86, no. 2 (1992): 166. http://dx.doi.org/10.2307/4351291.

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Shakespeare, William, and Paul Murgatroyd. "Cleopatra." Mouseion: Journal of the Classical Association of Canada 9, no. 1 (2009): 71. http://dx.doi.org/10.1353/mou.2010.0005.

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Tsoucalas, Gregory, Antonis A. Kousoulis, Effie Poulakou-Rebelakou, Marianna Karamanou, Maria Papagrigoriou-Theodoridou, and George Androutsos. "Queen Cleopatra and the other ‘Cleopatras’: their medical legacy." Journal of Medical Biography 22, no. 2 (September 16, 2013): 115–21. http://dx.doi.org/10.1177/0967772013480602.

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Jess, Tyehimba. "Dying Cleopatra." Callaloo 36, no. 3 (2013): 540. http://dx.doi.org/10.1353/cal.2013.0179.

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Dissertations / Theses on the topic "Cleopatra I"

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Carr, Laura. "Cleopatra: Perceptions and Reality." Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/asrf/2018/schedule/118.

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Although Cleopatra is best known for her reported beauty, her influence went well beyond her outward appearance in Egyptian and Roman society. Cleopatra was a bright woman and used her beauty as a mechanism to profoundly affect those around her without arousing too much suspicion. In a time when it was uncommon and unpopular to have a woman in a position of such power, Cleopatra used her cunning to manipulate situations to her favor so that she could keep her power. In the pursuit of constructing a historical analysis of the perceptions of Cleopatra, this research addresses the ways in which Cleopatra has been portrayed and then provides a clear compare and contrast of that with how she actually lived and conducted herself. This study utilized a historical design, and ultimately textual analysis, to answer the research question. To facilitate the research on the topic of the political influences of Cleopatra, it is necessary to find and analyze both primary and secondary sources. Sources of this type are imperative in historical research in order to triangulate information. Primary sources for this topic consist of writings authored by individuals who were familiar with Cleopatra and her actions as a ruler. These primary sources ended up being primarily from Roman authors as they were more prolific writers than people from other areas. Secondary sources were also utilized in order to incorporate other scholar's writings and conclusions about Cleopatra and the people around her. These documents help to elucidate findings from researchers of Cleopatra and provide insight into her relationships and interactions with others. Amassing and analyzing these two types of sources together ultimately helped form a clearer picture of what evidence exists about Cleopatra and her life. This research is not yet completed, however, based on what information has been gathered so far, the expected outcome is the conclusion that Cleopatra was definitely not exactly what people in her time or currently have perceived her to be. Cleopatra, like any historical figure, is not two-dimensional; she is quite complex, in fact. From what has been gathered thus far, it has been easy to see that individuals who wrote about her around her lifetime had some interesting variations in what they believed to be true about her. From analyzing many of the similarities and differences that exist in these writings, it seems to be logical to expect that the Cleopatra was not all that her contemporaries have made her out to be and, in fact, was a bit more clever than any of them wished to give her credit for. It also initially appears that Cleopatra’s role in the events that transpired with the men in her life was not just a passive one but a very active, influential one.
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Wenzel, Diana. "Kleopatra im Film eine Königin Ägyptens als Sinnbild für orientalische Kultur /." Remscheid : Gardez, 2005. http://catalog.hathitrust.org/api/volumes/oclc/60744477.html.

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Barrera, Gutierrez Olivia. "Cleopatra y Antonio: a Critical Study and a Creative Writing Project based on Shakespeare's Anthony and Cleopatra (1623)." University of Cincinnati / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1584016082083613.

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Gotschalk, Kelly J. "The Seated Cleopatra in Nineteenth Century American Sculpture." VCU Scholars Compass, 1997. http://scholarscompass.vcu.edu/etd/4350.

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This thesis explores Cleopatra as presented in the work of three nineteenth century American sculptors: Thomas Ridgeway Gould, Edmonia Lewis and William Wetmore Story. It illuminates their work in the context of the nineteenth century and within the history of Cleopatra's image. Victorian opinions of Cleopatra's nature are exposed by examining the Egyptian Queen in essays and literature of the period, including works by Anna Jameson, Emily Dickinson, Charlotte Bronte, Nathaniel Hawthorne and Theophile Gautier. By studying the role of Cleopatra in these literary examples, the notion of some recent scholars of Cleopatra as a feminist symbol is dispelled and a light shed on a deeper interpretation. Cleopatra's ethnicity is taken into consideration against the political climate of the United States before and after the Civil War. Eroticization of the female body through an association with the Orient is examined against the contemporaneous American Suffrage movement. The role that complexion and hair coloring has sometimes played in the temperament of female heroines is explored through the work of Edgar Allen Poe, Hawthorne and Gautier, as is the female "sexual monster" returned from the grave in the work of Bram Stoker and Poe. Strong willed women and their tendency towards "indirect suicide" is investigated through the writing of Edith Wharton, Kate Chopin and Henry James. These diverse factors and events are taken into account in order to reveal the significance of Cleopatra and her legendary sexuality and suicide to the Victorian artist and audience.
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Berg, Ingrid. "Händel, Cleopatra och jag : en musikdramatisk tolkning tar form." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1727.

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Från notbild till kropp och intuition. Det uttrycket är essensen av detta examensarbete. Jag kommer att beskriva mitt instuderings- och fördjupningsarbete med rollkaraktären Cleopatra ur Händels opera Julius Caesar och tre av hennes arior. När man interpreterar operaarior har man mycket att förhålla sig till, den egna personliga tolkningen utvecklas och formas i flera steg. Denna kreativa process kommer jag att undersöka och dokumentera i denna text. Framförallt kommer jag att försöka få en djupare insikt i vem Cleopatra var som historisk person. Jag kan redan på förhand säga att hennes och mina livserfarenheter ter sig väldigt annorlunda. Just därför vill jag sätta mig in i och reflektera över hennes livsöde. Jag tror att det kommer att berika min gestaltning av henne i de tre ariorna ur operan. En annan infallsvinkel som jag kommer att vidröra är barocksång och formen för en barockaria.

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Arshad, Y. "Imagining Cleopatra : performing gender and power in early modern England." Thesis, University College London (University of London), 2016. http://discovery.ucl.ac.uk/1505746/.

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Cleopatra VII, Queen of Egypt, is one of the most renowned and enduring figures from antiquity, yet remains one of its most elusive. She has become part of a Western founding myth of Eastern otherness, and many of these perceptions of her as a mesmerising and mercurial siren are mediated through Shakespeare's dramatic creation. There was, however, already a great interest in Cleopatra and her story in the sixteenth century well before Shakespeare wrote his play, and views of her were strongly conflicted and multi-faceted. Although she was condemned as an example of lust and luxury, there was also fascination with the legend of her drinking a priceless pearl, and admiration of her courage and nobility in following Antony in death. This thesis investigates images of Cleopatra in the early modern period and looks at how her story was transmitted and used in different circumstances. It combines a close reading of literary and dramatic works with historical and topical contexts, and considers evidence from material objects too. It looks at the representation of Cleopatra in the innovative neo-Senecan dramas of Mary Sidney and Samuel Daniel, their use of political allegory, and how their Cleopatras inflected Shakespeare's. The thesis also investigates a remarkable portrait of a Jacobean lady, plausibly Lady Anne Clifford, depicted as Cleopatra, with an inscription from Daniel, and discusses what this may add to our understanding of female performance and tragic heroism in the period. Insights gained from a recent UCL staging of Daniel's Cleopatra help to gauge the 'infinite variety' of early modern Cleopatras who emerged from centuries of myth-making about the Egyptian Queen. The thesis offers a new approach to the study of how Elizabethan and Jacobean political and dramatic cultures overlapped, by tracing the representation and reception of a single, catalytic figure.
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González, Zúñiga Marcelo. "Far More Female. La Cleopatra de Shakespeare: Culminación y crisis del renacimiento inglés." Tesis, Universidad de Chile, 2006. http://repositorio.uchile.cl/handle/2250/108928.

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En el curso de esta investigación se intentará demostrar que el personaje de Cleopatra en la obra The Tragedy of Antony and Cleopatra, de 1606-7, recoge y proyecta todos estos aspectos mencionados con anterioridad, para dar vida a una mujer incomparable a la vez que controvertida en la que, básicamente, entran en conflicto dos poderosas corrientes: el paganismo y el idealismo apolíneo platónico.
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Montanari, Anna Maria. "'A heart in Egypt' : Cleopatra on the Renaissance stage in Italy and England." Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709112.

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Passe, Alison. "The figure of Cleopatra in early modern English and French drama (1553-1635)." Thesis, University of Aberdeen, 2017. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=236420.

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This thesis explores the figure of Cleopatra in Early Modern English and French tragedy from 1553 to 1635 in the plays of Jodelle, Garnier, Montreux, Sidney, Daniel, Shakespeare, May, Mairet, and Benserade. There has been a dearth of full length studies investigating the figure of Cleopatra, to date only Mathilde Lamy's 2012 thesis has tackled the topic in depth. This thesis considers dramatic tradition, poetics, and contemporary events in order to trace the influences on the development of the figure of Cleopatra. The thesis examines, the authors, their plays, and performance as well as Early Modern English and French poetics before engaging more deeply with the figure of Cleopatra. The characterisation of the figure of Cleopatra is considered together with the notion of exemplarity. Her representation is framed through a discussion of the 'other' in Early Modern thought. Finally a consideration of the politics of speech in the Cleopatra plays links the plays firmly to the external circumstances surrounding their writing. The examination of all of these areas allows for the conclusion that the figure of Cleopatra while influenced by the nationality of the author and the attendant socio-political events, is more strongly effected by differences in poetics and dramatic tradition. The application of this mode of study, considering the changes in a single literary figure across multiple texts, through the lens of poetics, genre, and contemporary events allows not only for the detailed study of a single figure but also allows for some conclusions to be suggested about the changes taking place in literature as a whole throughout the period under consideration.
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Davison, Katherine Anne. "He has given example for our flight Antony's cartographic exit from 'Antony and Cleopatra' /." Thesis, Montana State University, 2010. http://etd.lib.montana.edu/etd/2010/davison/DavisonK0510.pdf.

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This project begins with the observation that mapping culture in Early Modern England underwent explosive changes that profoundly effected the spatial perspectives of individuals. In order to understand the extent of such effects, this thesis examines the resonance between maps and theater in Early Modern England using Shakespeare's Antony of Antony and Cleopatra as a model for how individuals may have responded to maps in Early Modern England. The subject of conflicting spatial desires, Antony and his very body become a site of tension and resistance both within the play and upon the stage. As such, this project argues that Antony's body in Antony and Cleopatra demonstrates not only an Early Modern English anxiety regarding mapped space, but also a method of resistance to mapped space for Early Modern audiences.
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Books on the topic "Cleopatra I"

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Geras, Adèle. Cleopatra. New York: Kingfisher, 2007.

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Michael, Grant. Cleopatra. London: Phoenix, 2000.

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Cleopatra. San Diego, CA: ReferencePoint Press, Inc., 2016.

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Hoobler, Dorothy. Cleopatra. New York: Chelsea House, 1986.

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Naden, Corinne J. Cleopatra. Philadelphia, PA: Chelsea House Publishers, 2001.

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Ron, Miller. Cleopatra. New York: Chelsea House Publishers, 2008.

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Cleopatra. San Diego, CA: Lucent Books, 1994.

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Cleopatra. Oxford: Raintree, 2009.

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ill, Wilkinson Barry 1923, ed. Cleopatra. New York, N.Y: Oxford University Press, 1997.

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Bingham, Jane. Cleopatra. Chicago, Ill: Raintree, 2009.

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Book chapters on the topic "Cleopatra I"

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Mehlhorn, Heinz. "Cleopatra." In Encyclopedia of Parasitology, 518. Berlin, Heidelberg: Springer Berlin Heidelberg, 2016. http://dx.doi.org/10.1007/978-3-662-43978-4_4132.

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Mehlhorn, Heinz. "Cleopatra." In Encyclopedia of Parasitology, 1. Berlin, Heidelberg: Springer Berlin Heidelberg, 2015. http://dx.doi.org/10.1007/978-3-642-27769-6_4132-1.

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Hodgson, Elizabeth. "Forgetting Cleopatra." In Shakespeare and Consciousness, 267–92. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-59541-6_12.

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Royster, Francesca T. "Introduction: Becoming Cleopatra." In Becoming Cleopatra, 1–29. New York: Palgrave Macmillan US, 2003. http://dx.doi.org/10.1007/978-1-137-07417-1_1.

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Royster, Francesca T. "African Dreams, Egyptian Nightmares: Cleopatra and Becoming England." In Becoming Cleopatra, 33–57. New York: Palgrave Macmillan US, 2003. http://dx.doi.org/10.1007/978-1-137-07417-1_2.

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Royster, Francesca T. "Cleopatra and the Birth of Film: Staging Perpetual Motion." In Becoming Cleopatra, 59–92. New York: Palgrave Macmillan US, 2003. http://dx.doi.org/10.1007/978-1-137-07417-1_3.

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Royster, Francesca T. "Egyptian Scandals: Elizabeth Taylor’s Cleopatra and the White Grotesque." In Becoming Cleopatra, 93–118. New York: Palgrave Macmillan US, 2003. http://dx.doi.org/10.1007/978-1-137-07417-1_4.

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Royster, Francesca T. "Becoming Cleopatra/Becoming Girl: Shaw’s Caesar and Cleopatra, Her First Roman and Reclaiming the Lives of Black Girls." In Becoming Cleopatra, 121–43. New York: Palgrave Macmillan US, 2003. http://dx.doi.org/10.1007/978-1-137-07417-1_5.

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Royster, Francesca T. "Cleopatra Jones: Blaxploitation and Tactical Alliances with Shakespeare." In Becoming Cleopatra, 145–69. New York: Palgrave Macmillan US, 2003. http://dx.doi.org/10.1007/978-1-137-07417-1_6.

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Royster, Francesca T. "Queering Cleo: Set It Off and Queen Latifah’s “Butch in the Hood”." In Becoming Cleopatra, 171–95. New York: Palgrave Macmillan US, 2003. http://dx.doi.org/10.1007/978-1-137-07417-1_7.

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Conference papers on the topic "Cleopatra I"

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Amisano, G., F. Milani, M. Bandinelli, J. Barkmeijer, J. de Vries, J. P. Wasselin, M. D'Amico, C. Capsoni, and E. Itcia. "Cleopatra: a novel approach to airborne radar simulation." In IET International Conference on Radar Systems (Radar 2012). Institution of Engineering and Technology, 2012. http://dx.doi.org/10.1049/cp.2012.1647.

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Barry, Richard K., Gregory Olmschenk, Frank Ravizza, Ian Bond, Benjamin Cervantes, Stela Ishitani-Silva, Asmita Korde-patel, et al. "CLEoPATRA: contemporaneous lensing parallax and autonomous transient assay." In Space Telescopes and Instrumentation 2022: Optical, Infrared, and Millimeter Wave, edited by Laura E. Coyle, Marshall D. Perrin, and Shuji Matsuura. SPIE, 2022. http://dx.doi.org/10.1117/12.2620310.

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Hounsell, N. B. "Variable message signs in London: evaluation in CLEOPATRA." In Ninth International Conference on Road Transport Information and Control. IEE, 1998. http://dx.doi.org/10.1049/cp:19980186.

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Descloitres, Jacques, Jean-Claude Buriez, Frederic Parol, and Claudine Vanbauce. "Cloud reflectance as measured from POLDER during CLEOPATRA, ASTEX, and EUCREX." In Satellite Remote Sensing II, edited by Richard P. Santer. SPIE, 1995. http://dx.doi.org/10.1117/12.228536.

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Sauer, S. R., and J. Wiseman. "Commissioning and Startup of the Caesar and Cleopatra Mardi Gras Deepwater Pipelines." In Offshore Technology Conference. Offshore Technology Conference, 2006. http://dx.doi.org/10.4043/18169-ms.

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Demidova, Elena, Sherzod Hakimov, Jane Winters, and Marko Tadić. "CLEOPATRA’22: 3rd International Workshop on Cross-lingual Event-centric Open Analytics." In WWW '22: The ACM Web Conference 2022. New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3487553.3524865.

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Ye, Qian. "Toward Daoist-Informed Pedagogy: An Applied Hermeneutical Inquiry Into Antony and Cleopatra." In 2020 AERA Annual Meeting. Washington DC: AERA, 2020. http://dx.doi.org/10.3102/1579442.

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Chatterjee, K. "Evaluation of the London driver information system: results from the CLEOPATRA study." In Tenth International Conference on Road Transport Information and Control. IEE, 2000. http://dx.doi.org/10.1049/cp:20000097.

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Schmullius, Christiane C., and Juergen Nithack. "Temporal multiparameter airborne DLR E-SAR images for crop monitoring: summary of the CLEOPATRA campaign 1992." In Satellite Remote Sensing III, edited by Giovanna Cecchi, Guido D'Urso, Edwin T. Engman, and Preben Gudmandsen. SPIE, 1997. http://dx.doi.org/10.1117/12.264275.

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Miles, D., A. Fung, B. Yoo, A. Knott, S. Heeson, C. Portera, and S. Swain. "Abstract P4-14-27: Effect of docetaxel duration on clinical outcomes: Results from the phase III trial CLEOPATRA." In Abstracts: Thirty-Eighth Annual CTRC-AACR San Antonio Breast Cancer Symposium; December 8-12, 2015; San Antonio, TX. American Association for Cancer Research, 2016. http://dx.doi.org/10.1158/1538-7445.sabcs15-p4-14-27.

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Reports on the topic "Cleopatra I"

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Bestavros, Azer. CLEOPATRA: Building Responsive Systems from Physically-Correct Specifications. Fort Belvoir, VA: Defense Technical Information Center, January 1993. http://dx.doi.org/10.21236/ada444368.

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Barker, D. S. Investigation of a fossil geothermal system, Hamblin-Cleopatra Volcano, Clark County, Nevada. Final technical report. Office of Scientific and Technical Information (OSTI), July 1986. http://dx.doi.org/10.2172/5383876.

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