Relevant bibliographies by topics / Clay pottery

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Clay pottery'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

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Journal articles on the topic "Clay pottery"

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Sharma, Shikha, and Pavel R. Kholoshin. "New Data on Traditional Pottery in India (Pune, Maharashtra)." Archaeology and Ethnography 20, no. 5 (2021): 154–65. http://dx.doi.org/10.25205/1818-7919-2021-20-5-154-165.

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Purpose. A brief survey of the pottery community in the Mundhwa area was conducted in March 2019 and February 2020 as part of the Russian-Indian anthropological expedition organized by the Paleoethnology Research Center, State Museum of Biology (Moscow, Russia) and Savitribai Phule Pune University (Pune, India). The purpose of the study was to provide an initial insight into how traditional pottery functions in these urbanized environments. Results. Various forms of pottery production have been identified. The most widespread was men’s pottery using a potter’s wheel. Only men are engaged in the manufacture of pottery here – Hinduism forbids women from working on a potter’s wheel. All craftsmen work almost all year round, reducing production during the rainy season. With the rapid urbanization and concentration of the population, the demand for pottery has increased. Potters buy practically all raw materials. The clay is brought by peasants from villages within a radius of 80 km by trucks several times a year. The preparation of raw materials, as well as kneading the clay paste, is carried out by most potters by hand. All potters use an electric potter’s wheel to create the vessels. The surface treatment of products by potters is carried out by smoothing using fingers or scrapers while the wheel is rotating. Firing is carried out in square ovens made of bricks. The firing of products begins in the evening, active combustion lasts two to three hours, after which the oven is left to cool until the morning, when the finished vessels are removed. One firing requires about 150 kg of wood. Potters who migrated here from Uttar Pradesh use open firing for their vessels. Conclusion. The authors found that: the traditional nature of the craft is preserved in the community: knowledge and skills are passed down through the family line, the potters use traditional raw materials, building techniques and firing devices; resettled potters demonstrate mixed skills in different levels of pottery production, for example using a mixture of different natural clays; under the pressure of economic conditions, the electric pottery wheel is spreading, the way firing is organized has slightly changed.
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Wilmsen, Edwin N., Anne Griffiths, David Killick, and Phenyo Thebe. "The Manaledi Clay Mine: a ca. 1500 Year-Long Record of Potting from a Single Clay Source in the Tswapong Hills, Eastern Botswana." Journal of African Archaeology 17, no. 2 (December 2, 2019): 121–49. http://dx.doi.org/10.1163/21915784-20190013.

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Abstract Current potters in Manaledi village in the Tswapong Hills of Botswana aver that they and their ancestors for five generations have made pottery exclusively with clay from nearby sources. We begin with an examination of Manaledi and its clay mine to uncover current dialectics between village, landscape, clay, potters, and ancestors. Archaeological sherds found around the village and clay sources document occupation by makers of Early Iron Age (ca. AD 500-750), Middle Iron Age (ca. AD 750-1050), Late Iron Age (ca. AD 1420-1800), and 18th-20th century wares related to current Manaledi pottery. The proximity of archaeological deposits, clay sources, and village made it possible to conduct simultaneously what might otherwise be considered three separate projects. As a consequence, we are able to document that Manaledi clays have been used to make pottery for some 1500 years and to consider long-standing constraints on potting this implies.
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Nortey, S., and E. Asiamoaso. "The Effect of the Decline on Pottery in Ghana and Socio-Economic Implications on Potters." Ghana Journal of Science 60, no. 2 (December 31, 2019): 42–54. http://dx.doi.org/10.4314/gjs.v60i2.5.

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Demand for pottery in Ghana is declining according to empirical studies and this has socio-eco­nomic implications on the potters. The perpetuation of the potter’s trade is vital to maintaining and preserving humankind’s culture and livelihood. This paper used qualitative and quanti­tative approaches to discuss the effect of the decline in pottery and its socio-economic impli­cations on potters. The study sampled 500 practising potters from four centres in Ashanti and Bono regions of Ghana; Appiadu, Pankrono, Afari and Tanoso. Findings showed that there has been a decline on pottery in Ghana which inadvertently has socio-economic implications on the potters. The study established that there has been a decline in pottery activities. Analyses revealed that there is an appreciable socio-economic variance between potters who solely de­pended on pottery as opposed to others who combined it with other jobs. Location was a highly influential factor in determining the potters’ economic condition (p≤0.05). The effect of the declining demand on retention was highly significant in terms of potter’s willingness to quit or remain in the industry (p<0.05). The paper recommends teaching artists must intervene in developing the skills of these potters, a development of traditional in-depth design exploration through workshops. Keywords: Pottery, socio-economic effect, pottery centres, potters, clay
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Gani, Nurul Amerah, Mohamad Najmi Masri, Mohamad Bashree Abu Bakar, Julie Juliewatty Mohamed, and Muhammad Azwadi Sulaiman. "Characterizations of Pergau River Clay as Comparison to Mambong and Sayong." Materials Science Forum 888 (March 2017): 141–45. http://dx.doi.org/10.4028/www.scientific.net/msf.888.141.

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Clay as pottery’s raw material is a major factor that is affecting the quality and reliability of any pottery product. The clay source areas need to be well determined their geochemical properties in order to control the end properties of clay product. Pergau river is located in the northwest of Kelantan, a state in Malaysia. In this study, elemental and phase analysis of Pergau river clay was carried out. The baked clay products were characterized their density and toughness. X-ray fluorescence showed the clay is rich with Fe and X-ray diffraction showed low concentration of feldspar compared to other known clay source areas, which are Sayong and Mambong. Fewer feldspar content decrease toughness of the pottery product. However, some location showed the comparable result with the Sayong and Mambong. The clay is high in density, low in shrinkage percentage and excellent in mechanical strength compare to other clays collected from Pergau River.
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Meethong, Nonglak, Wanwisa Pattanasiriwisawa, Weenawan Somphon, Waraporn Tanthanuch, and Sutham Srilomsak. "Properties of Dan Kwian, Sukhothai and Ratchaburi Pottery Clays Fired at 700 and 900 °C." Key Engineering Materials 608 (April 2014): 47–61. http://dx.doi.org/10.4028/www.scientific.net/kem.608.47.

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Dan Kwian, Sukhothai and Ratchaburi pottery clays are economically important pottery clays. They are well known in the Thai ceramic society for making Dan Kwian pottery, Sawankhalok pottery and Dragon jars, respectively. There have been several studies of these pottery clays. However, few of them used statistics to analyze their results. This work is a comparative study of the compositions and properties of these three pottery clays using statistical software to analyze the results. Results show that the major components of these pottery clays are SiO2 and Al2O3. The Modulus of Rupture (MOR) of each pottery clay fired at 700°C are not significantly different. Sukhothai pottery clay fired at 900°C has a higher MOR and bulk density while its porosity, water absorption and apparent specific gravity are less than those of the Dan Kwian and Ratchaburi pottery clays fired at the same temperature. Additionally, the current study developed regression equations for estimating the properties of all pottery clays under study. Finally, it was found that the L*, a*, b* and reflectance spectra of all pottery clays increased when firing temperature was increased from 700 to 900°C.
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Ilyushina, Virnjria Vladimirovna. "THE TECHNOLOGY OF POTTERY PRODUCTION OF THE POPULATION OF THE ALAKUL CULTURE OF THE SETTLEMENT NIJNEINGALSKOE-3 IN THE LOWER TOBOL REGION." Samara Journal of Science 4, no. 4 (December 1, 2015): 47–59. http://dx.doi.org/10.17816/snv20154205.

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The article is devoted to the analysis of the technology of pottery production of the population of alakul culture of the settlement nijneingalskoe-3 in the lower tobol region. the analysis is made within the framework of historical and cultural approach and the structure of the pottery industry, developed by a.a. Bobrinsky. as a result of the study of the pottery revealed that the potters of alakul culture selected natural iron- enriched clay and silty clay containing natural admixture of rivers shell. during compiling of molding masses most often the potters used a fire clay and various organic additives, rarely they used a gruss and calcified bone. in the collection there are just 3 of the bottom part of the vessels, which gave information on the construction aseed-body. they were made from clay patches in accordance with the bottom-capacitive program. the hollow body of the 10 vessels was made with clay patches too. the surface of vessels were treated with wooden and bone spatulas, stamps and cloth or fingers of potters. after smoothing the surface, and in some cases the inner surface of the vessels was glossing on the dry basis. Firing of finished products was manufactured in a simple piles or hearths. Following the results of the comparative analysis of the pottery traditions of the settlements citizens, their mixed characters in selecting the plastic raw material and composing the molding masses havebeen discovered. the comparison of the data with the technological information about ceramics assemblages from the neighboring regions showed that the citizens of the alakul culture are considered to be aliens on the territory of the lower tobol region.
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Strazicich, Nicola M. "Clay Sources, Pottery Production, and Regional Economy in Chalchihuites, Mexico, A. D. 200-900." Latin American Antiquity 9, no. 3 (September 1998): 259–74. http://dx.doi.org/10.2307/971731.

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AbstractPottery and clays from the Chalchihuites region of northwestern Zacatecas are characterized to examine ceramic production and exchange among settlements between A. D. 400 and 900. Instrumental neutron activation and petrographic analysis of 134 pottery and 26 clay samples from three Chalchihuites ceremonial centers identify pottery made from local clays and distinguish pottery found at each center that was not made from local clay deposits. Residents of Alta Vista, the region’s main center, acquired an elaborate painted ware from a second center located 30 km away after A. D. 650. The ceramic compositional data provide a basis for understanding the distance and direction that pottery was exchanged in Chalchihuites as economic activities increased in the region.
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Li, Qingde, Xun Gao, Wanli Cheng, Guangping Han, and Jiye Han. "Preparation and performance of high-density polyethylene-based wood–plastic composites reinforced with red pottery clay." Journal of Reinforced Plastics and Composites 36, no. 12 (February 28, 2017): 853–63. http://dx.doi.org/10.1177/0731684417693698.

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In this study, by preparing red pottery clay according to unearthed red pottery clay pieces and using red pottery clay to reinforce high-density polyethylene-based wood–plastic composites, the effects of the amount of red pottery clay on the properties of the fabricated wood–plastic composites were investigated. The results indicated that when the amount of red pottery clay increased, flexural strength and impact strength of the composite initially increased and then decreased; flexural modulus increased and tensile strength and elongation at break decreased. The cone calorimeter tests studied the effects of red pottery clay on the flame retardant and smoke suppressant behaviors of high-density polyethylene-based wood–plastic composites. Red pottery clay formed a ceramic structure on the surface and inside high-density polyethylene, thus preventing high-density polyethylene from interacting with oxygen and increasing the amount of available carbon. As a result, the flame retardant properties of wood–plastic composites were improved due to the addition of red pottery clay. A comprehensive evaluation of the properties of high-density polyethylene-based wood–plastic composites reinforced with red pottery clay showed that addition of 5% of red pottery clay resulted in the most optimal mechanical properties: the addition of red pottery clay improved the density of the composite, decreased the shrinkage rate, and enhanced the flame retardant properties.
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Žibrat Gašparič, Andreja, Manca Vinazza, and Matija Črešnar. "Characteristics of Early Iron Age pottery from northeastern Slovenia through the prism of ceramic technology and petrography." Documenta Praehistorica 45 (January 3, 2019): 180–202. http://dx.doi.org/10.4312/dp.45-14.

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Pottery technology in the Early Iron Age remains understudied in Slovenian archaeology, especially in the combined use of description on a macroscopic level with the addition of petrographic thin sections analysis. In this study we focused on pottery technology of vessels from two Early Iron Age sites in north-eastern Slovenia, Poštela near Maribor and Novine above Šentilj (NE Slovenia). We analysed the clay pastes, inclusions in the clay, as well as surface treatment, firing properties, vessels shape, and decoration techniques using macroscopic description and ceramic petrography. Within the sites we looked at the different contexts, comparing pottery from settlements, i.e. hillforts, to pottery found within the adjacent cemeteries. The results show that potters from the two contemporaneous sites produced similarly shaped vessels using different pottery recipes from locally available raw materials. The use of grog as a possible chronological marker in the Early Iron Age is also discussed.
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Žibrat Gašparič, Andreja, Manca Vinazza, and Matija Črešnar. "Characteristics of Early Iron Age pottery from northeastern Slovenia through the prism of ceramic technology and petrography." Documenta Praehistorica 45 (December 29, 2018): 180–202. http://dx.doi.org/10.4312/dp.45.14.

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Pottery technology in the Early Iron Age remains understudied in Slovenian archaeology, especially in the combined use of description on a macroscopic level with the addition of petrographic thin sections analysis. In this study we focused on pottery technology of vessels from two Early Iron Age sites in north-eastern Slovenia, Poštela near Maribor and Novine above Šentilj (NE Slovenia). We analysed the clay pastes, inclusions in the clay, as well as surface treatment, firing properties, vessels shape, and decoration techniques using macroscopic description and ceramic petrography. Within the sites we looked at the different contexts, comparing pottery from settlements, i.e. hillforts, to pottery found within the adjacent cemeteries. The results show that potters from the two contemporaneous sites produced similarly shaped vessels using different pottery recipes from locally available raw materials. The use of grog as a possible chronological marker in the Early Iron Age is also discussed.
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Dissertations / Theses on the topic "Clay pottery"

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Dugan, Moi. "Narratives on clay /." Online version of thesis, 1993. http://hdl.handle.net/1850/11769.

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Combs, Jasen Paul-Robert. "Altered clay vessels." Virtual Press, 2002. http://liblink.bsu.edu/uhtbin/catkey/1233190.

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The focus of the creative project was the artist exploration of altered forms and ash glaze techniques, as well as developing a new aesthetic of breaking free of old approaches, thus allowing him to express his emotions through the ceramic vessels. He developed and refined his technique of surface treatment on the vessels as he progressed through this project. His exploration into this new world of freedom helped him grow as an artist and emotionally.The artist desired to become a utilitarian potter at the beginning of his undergraduate studies but when he was introduced to the works of Paul Soldner, Peter Volkos, and Robert Piepenburg his interest in their works fueled his desire to expand his style of work. This lead to his exploration into altered vessels.
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Taylor, Glenda. "A study of clay handles on ceramic vessel forms." Thesis, Kansas State University, 1985. http://hdl.handle.net/2097/16048.

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Gallagher, James B. "Chemical analysis of pottery and clay from Carthage." Thesis, University of Ottawa (Canada), 1987. http://hdl.handle.net/10393/5482.

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Miller, Lisa M. "Making a living in clay a practical guide to starting and building a business in ceramics /." Morgantown, W. Va. : [West Virginia University Libraries], 2007. https://eidr.wvu.edu/etd/documentdata.eTD?documentid=5352.

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Thesis (M.F.A.)--West Virginia University, 2007.
Title from document title page. Document formatted into pages; contains viii, 41 p. : col. ill. Vita. Includes abstract. Includes bibliographical references (p. 40).
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Harrad, Lucy. "The production and trade of prehistoric ceramics in Cornwall." Thesis, University of Oxford, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.289013.

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Oladipo, M. O. A. "Trace element analysis of Corinthian pottery and related clays." Thesis, University of Manchester, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.233057.

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Dauber, Kenneth Wayne. "Shaping the clay: Pueblo pottery, cultural sponsorship and regional identity in New Mexico." Diss., The University of Arizona, 1993. http://hdl.handle.net/10150/186155.

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Taste--an appreciation for some things, a disdain for others--is usually understood by sociologists as playing a key role in struggles for position within closed, hierarchical status systems. Yet taste that reaches across cultural and social boundaries is a common phenomenon in a world of mobility and falling barriers to travel and access. This study argues that this expression of taste also has a political dimension, through an examination of the sponsorship of traditional Pueblo Indian pottery by Anglo newcomers to northern New Mexico in the 1920s and 1930s. The organization that these newcomers founded, the Indian Arts Fund, played an important role in building a differentiated market for Pueblo pottery, supported by an increasingly complex body of knowledge and evaluation. This intervention into the market for pottery, and into the definition of Pueblo culture, served to insert the Indian Arts Fund's members into regional society, against the resistance of older, more established elites. A visible association with Pueblo pottery linked newcomers to the transformation of the regional economy by tourism, which had shifted the source of value in northern New Mexico from natural resources to the marketing of particularity and difference. An examination of the role of pottery production, and income from pottery, in Pueblo communities reveals that the relationship between pottery and Pueblo culture was more complex, and more tangential, than the image that was being constructed in the context of the market.
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Patrick, Thomas R. "Jars of clay : The use of protocorinthian pottery in Corinthian and Syracusan society." Thesis, University of Oxford, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.527367.

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Williams, Kaylea N. "Archetypes in Clay." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/honors/400.

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The artist discusses the background, ideas, and work entitled Archetypes in Clay, for the completion of her Bachelor of Arts Degree and undergraduate research for the Fine and Performing Arts Scholar program at East Tennessee State University. The artist used this development of work to explore personality types, and how they can be portrayed through clay vessels. In particular, the artist shows her work, how she created the vessels, the testing involved, and the struggles she faced. Archetypes is the focus behind the concept of this project. Her work includes four ceramic vessels, created with clay and finished with glaze. The artist cites Carl Jung, Isabel Briggs-Myers, and NERIS Analytics Limited as important research in this project.
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Books on the topic "Clay pottery"

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Ennis, Lynn Jones. Four women in clay. Edited by Bireline Jennie, Couch Clara 1923-2004, Scotchie Virginia, Thompson Lydia, and North Carolina State University. Gallery of Art and Design. Raleigh, N.C: Gallery of Art & Design, North Carolina State University, 2004.

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Gallery, Tatham Art, ed. Maggie Mikula from clay: A retrospective. Durban, South Africa: Max Mikula, 2004.

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Jefferies, Susan. Canada: Clay today. Toronto, Ont: George R. Gardiner Museum of Ceramic Art, 1999.

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Jakab, Cheryl. Clay. North Mankato, MN: Smart Apple Media, 2006.

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Smith, Sandra S. Portraits of clay: Potters of Mata Ortiz. Tucson: University of Arizona Press, 1998.

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Smith, Sandra S. Portraits of clay: Potters of Mata Ortiz. Tucson, AZ: S. Smith, 1997.

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Experience clay. Worcester, Mass: Davis Publications, 2003.

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Vigna, Lena. Provocative clay. Sheboygan, Wisc: John Michael Kohler Arts Center, 2007.

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1925-, Thompson Bill, ed. Clay lifting. Livonia, MI: Scott Publications, 1985.

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Sweezy, Nancy. Raised in clay: The southern pottery tradition. Chapel Hill: University of North Carolina Press, 1994.

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Book chapters on the topic "Clay pottery"

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Norsker, Henrik, and James Danisch. "Plastic Clay Forming." In Forming Techniques — for the Self-Reliant Potter, 23–94. Wiesbaden: Vieweg+Teubner Verlag, 1991. http://dx.doi.org/10.1007/978-3-663-06867-9_4.

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Hale, Elizabeth. "Truth and Claw: The Beastly Children and Childlike Beasts of Saki, Beatrix Potter, and Kenneth Grahame." In Childhood in Edwardian Fiction, 191–207. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230595132_12.

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Schear, Catherine. "The Genesis of Clay Figurative Sculpture in California, 1955–1974: Potter and Pot, an Intersubjective Encounter in the Work of Peter Voulkos." In Metamorphosis, 205–17. Dordrecht: Springer Netherlands, 2004. http://dx.doi.org/10.1007/978-1-4020-2643-0_16.

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Herz, Norman, and Ervan G. Garrison. "Ceramics." In Geological Methods for Archaeology. Oxford University Press, 1998. http://dx.doi.org/10.1093/oso/9780195090246.003.0019.

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Archaeological ceramics refers to products made primarily of clay and containing variable amounts of lithic and other materials as well. The term ceramic is derived from the Greek keramos, which has been translated as "earthenware" or "burned stuff." Ceramics include products that have been fired, primarily pottery but also brick, tile, glass, plaster, and cement as well. Since pottery is by far the most important archaeologically, and the methods of sampling and study are largely applicable to the others, this chapter is devoted primarily to pottery. Pottery then is the general term used here for artifacts made entirely or largely of clay and hardened by heat. Today, a distinction is sometimes made between pottery, applied to lower-quality ceramic wares, and the higher-grade product porcelain. No such distinction will be made here, so the term pottery alone will be used. Raw material that goes into the making of a pot includes primarily clay, but also varying amounts of temper, which is added to make the material more manageable and to help preserve the worked shape of the pot during firing. Of primary interest in ceramic studies are 1. the nature and the source of the raw materials—clays, temper, and slip (applied surface pigment)—and a reconstruction of the working methods of ancient potters; 2. the physical properties of the raw materials, from their preparation as a clay-temper body through their transformations during manufacture into a final ceramic product; 3. the nature of the chemical and mineral reactions that take place during firing as a clue to the technology available to the potter; and 4. the uses, provenance, and trade of the wares produced. Much of the information needed to answer these questions is available through standard geochemical and petrographic analysis of ceramic artifacts. Insight into the working methods of ancient potters also has been obtained through ethnographic studies of cultures where, because of isolation or conservative traditions or both, ancient methods have been preserved.
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"Pottery and fired clay." In Hambledon Hill, Dorset, England, Volumes 1 and 2, 587–629. Historic England, 2014. http://dx.doi.org/10.2307/j.ctvxbphhk.21.

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"7 Clay Extraction." In Materiality, Techniques and Society in Pottery Production, 65–66. De Gruyter Open Poland, 2014. http://dx.doi.org/10.2478/9783110410204.7.

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"6 Clay Selection and Procurement." In Materiality, Techniques and Society in Pottery Production, 60–64. De Gruyter Open Poland, 2014. http://dx.doi.org/10.2478/9783110410204.6.

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Barclay, Alistair, Humphrey Case, Mark Copley, Chris Doherty, Richard Evershed, Kevin Nimmo, and Alasdair Whittle. "The Early Neolithic Pottery and Fired Clay." In Building Memories, 263–82. Oxbow Books, 2006. http://dx.doi.org/10.2307/j.ctvh1dw1w.23.

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"Clay and Fabric Descriptions Used in Volume 4." In A Manual of Egyptian Pottery Volume 4, 24–28. Ancient Egypt Research Associates, 2009. http://dx.doi.org/10.2307/j.ctvr7fbm1.10.

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"Clay and Fabric Descriptions Used in Volume 1." In A Manual of Egyptian Pottery, Volume 1, 24–28. Ancient Egypt Research Associates, 2011. http://dx.doi.org/10.2307/j.ctvr7fbrz.10.

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Conference papers on the topic "Clay pottery"

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Cabrillos, Edbert Jay M., and Rowena S. Cabrillos. "Pagdihon: The Art and Language of Pottery Making in Bari, Sibalom, Antique." In GLOCAL Conference on Asian Linguistic Anthropology 2020. The GLOCAL Unit, SOAS University of London, 2020. http://dx.doi.org/10.47298/cala2020.8-1.

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Pottery is seen as creation of ornamentals, cooking and storing materials. Yet, while economic gains are often considered from producing these materials, the artistic and linguistic aspects have been ignored. This study discusses the factors influencing the culture of pottery, the processes of pottery making, and seeks to uncover the language used in processes of pottery making in Bari, Sibalom, Antique. A qualitative research employing ethnographic study with participant observation and face to face interviews using photo documentation, video recording and open-ended questions in gathering the data was employed. There were five manugdihon, or potters, purposively selected as key informants of the study. The study revealed that environmental factors influenced the culture of pottery making in the barangay. There were seven main processes in pottery making. These included gathering and preparing of materials, mixing the needed materials, cleaning the mixed clay, forming of desired shape, detaching, drying, and polishing and varnishing. Further findings indicate that, together the other processes, the language used in poterry making was archaic Kinaray-a, the language of the province. This language pattern suggests a specialized pottery making. Ultimately, the study suggest that the manugdihon should continue their artistic talents so that the language may be preserved. The educational institutions of the province may provide ways to include pottery making in the curriculum so that the art and language of pottery making will be preserved and promoted.
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Zulkifle, Shuhada Ezzati, Noruzaman Daud, Julie Juliewatty Mohamed, Siti Mariam Mat Nor, and Nik Maheran Nik Muhammad. "Effect of charcoal addition on Mambong clay pottery." In MATERIALS CHARACTERIZATION USING X-RAYS AND RELATED TECHNIQUES. Author(s), 2019. http://dx.doi.org/10.1063/1.5089349.

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Hu, Chenchen. "The Art of Fuli Clay Pottery in a Regional Culture Perspective." In 6th International Conference on Social Science, Education and Humanities Research (SSEHR 2017). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/ssehr-17.2018.148.

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Achik, Maryam, Hayat Benmoussa, Abdellah Oulmekki, M. Ijjaali, N. EL Moudden, Olga Kizinievic, and Viktor Kizinievic. "Evaluation of physical and mechanical properties of fired-clay bricks incorporating both mineral and organic wastes." In The 13th international scientific conference “Modern Building Materials, Structures and Techniques”. Vilnius Gediminas Technical University, 2019. http://dx.doi.org/10.3846/mbmst.2019.004.

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Abstract:
The clay brick is one of the oldest building materials, and as the use of waste in the bricks can reduce clay consummation and the environmental burden due to the accumulation of waste, the present study was chosen, the addition of mineral and organic waste to the clay brick. The added value of this work, which was carried out within the Institute of Building Materials at VGTU, is that the mixture studied is very special, because the raw materials used are: − Yellow Clay (C) from Fez which is used only in the field of pottery; − Pyrrhotite Ash (PA) which is a mineral waste produced during the manufacture of sulphuric acid from the roasting of pyrrhotite ore. This waste is stored in the open air since 1982 and until now it doesn't have any specific use; − Cedar Sawdust (S) is an organic waste regenerate by the artisanal sector from Fez. The bricks’ technological properties depended on the amount of ashes used. So, adding 5% S to the mixture (20% PA – 80% C) gives rise to a new material that is light, porous with a natural brick red colour. Most importantly, this material exhibits mechanical strength according to the standards of a terracotta brick.
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Bobik, Theodore R., Jesse D. Thornburg, Boyoung Song, Christopher A. Sparacio, and Timothy Davis. "CLAY MINERALOGY AND BULK GEOCHEMISTRY OF UPPER ORDOVICIAN JUNIATA FORMATION PALEOSOLS AT POTTERS MILLS, PA." In 54th Annual GSA Northeastern Section Meeting - 2019. Geological Society of America, 2019. http://dx.doi.org/10.1130/abs/2019ne-328454.

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Cave, Mary S., Douglas W. Haywick, R. Tony Wright, and Zack Sierke. "ASSESSING FIRING CHARACTERISTICS OF LOCALLY SOURCED CLAYS AND THEIR POTENTIAL FOR USE IN POTTERY AND CERAMICS." In 50th Annual GSA South-Central Section Meeting. Geological Society of America, 2016. http://dx.doi.org/10.1130/abs/2016sc-273370.

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Cave, Mary S., Douglas W. Haywick, R. Tony Wright, and Zack Sierke. "GEOLOGICAL AND GEOCHEMICAL VARIABLES THAT AFFECT THE QUALITY OF CLAYS USED BY CERAMIC ARTISTS AND POTTERS." In GSA Annual Meeting in Denver, Colorado, USA - 2016. Geological Society of America, 2016. http://dx.doi.org/10.1130/abs/2016am-285008.

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