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Books on the topic 'Classics; Endings'

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Published: 4 June 2021
Last updated: 15 February 2022

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1

Munīf, ʻAbd al-Raḥman. Endings. London: Quartet Books, 1988.

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2

Brown, Gwen. We who were raised poor: Ending the oppression of classism. Seattle, WA: Rational Island Publishers, 1994.

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3

Rowe, Joyce A. Equivocal endings in classic American novels: The Scarlet letter, Adventures of Huckleberry Finn, The Ambassadors, The Great Gatsby. Cambridge [Cambridgeshire]: Cambridge University Press, 1988.

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4

Joyce, C. Alan. Under the covers and between the sheets: The inside story behind classic characters, authors, unforgettable phrases, and unexpected endings. Pleasantville, NY: Reader's Digest Association, 2009.

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5

A syntactical study of verbal forms affixed by -n(n) endings in classical Arabic, Biblical Hebrew, el-Amarna Akkadian, and Ugaritic. Münster: Ugarit-Verlag, 1999.

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6

Suhotinskaya, Aleksandra. Russian language. ru: INFRA-M Academic Publishing LLC., 2021. http://dx.doi.org/10.12737/989175.

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In the textbook, the rules of Russian spelling and punctuation are grouped by topics: "Spelling of roots", "Spelling of suffixes and endings", "Use of hyphens", "Colons and dashes", etc. Training exercises will help to consolidate the theoretical material. The summary tables and answers to the exercises given at the end of the book allow you to control yourself during independent classes. The reference nature of the book contributes to the rapid and successful preparation for control works, tests and exams in the Russian language. Meets the requirements of the federal state standards of secondary vocational education of the latest generation. For students of secondary vocational education, as well as for high school students, applicants, students and everyone who wants to master the skills of literate writing.
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7

Munif, Abd Al-Rahman. Endings (Emerging Voices (Quartet)). Quartet Books (UK), 1998.

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8

Miklitsch, Robert. Periodizing Classic Noir. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038594.003.0011.

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This concluding chapter traces the history of classic noir by reflecting on the way in which the genre has been discursively constituted through its beginnings and endings, an act of periodization that typically entails nominating particular films as the first and last noir in order to differentiate the intervening films from, respectively, proto- and neo-noir. While the recent interest in Stranger on the Third Floor (1940) is one sign that Boris Ingster's film has supplanted The Maltese Falcon (1941) as the first, titular American noir, recent transnational readings of the genre have problematized the reflexive determination of classic noir as a strictly American phenomenon. In fact, the impact of Odds against Tomorrow (1959) on transnational neo-noir indicates that the end or terminus of the classical era is just as provisional—just as open to interpretation and therefore, revision—as its origin.
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9

Moland, Lydia L. Hegel’s Philosophy of Art. Edited by Dean Moyar. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199355228.013.26.

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Despite Hegel’s effusive praise for art as one of the ways humans express truth, art by his description is both essentially limited and at perpetual risk of ending. This hybrid assessment is apparent first in Hegel’s account of art’s development, which shows art culminating in classical sculpture’s perfect unity, but then, unable to depict Christianity’s interiority, evolving into religion, surrendering to division, or dissipating into prose. It is also evident in his ranking of artistic genres from architecture to poetry according to their ability to help humans produce themselves both individually and collectively: the more adequately art depicts human self-understanding, the more it risks ceasing to be art. Nevertheless, art’s myriad endings do not exhaust its potential. Art that makes humans alive to the unity and interdependence at the heart of reality continues to express the Idea and so achieves Hegel’s ambitions for its role in human life.
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10

Series Endings: ...A Whimsical Look at the Final Plays of Baseball's Fall Classic 1903-2003. AuthorHouse, 2004.

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11

Edgar, Alistair D. International Organization and Ending Conflicts. Oxford University Press, 2017. http://dx.doi.org/10.1093/acrefore/9780190846626.013.233.

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International organization as an idea or an approach to political and social conflict management and resolution—now often referred to under the rubric of “global governance”—has been the subject of much discussion by scholars and practitioners, and has taken shape in numerous historical examples. A landmark figure in thinking about war, peace, and statecraft during the earliest period undoubtedly remains the classical Greek general and historian Thucydides (460–395 bce); his History of the Peloponnesian War, chronicling the conflict between the Greek city-states of Athens and Sparta, features prominently in virtually all discussions of the subsequent emergence and development of ideas and practices of conflict management. Succeeding scholars have built upon Thucydides’ ideas. While the earliest theorists and philosophers brought out important discussions of war causation, and basic notions of political-social conflict management in divergent settings, political thinking about the context of state interactions and new mechanisms for constraining state behavior had not yet—by the early seventeenth century—reached the era of preparation for international organization. That would wait another 200 years. In the nearly three centuries from the Thirty Years War to the beginning of World War I, scholars of international organization identified a number of proposals that arguably demonstrate the development, growth, and deepening of thought about such mechanisms.
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12

I Used To Know That Inside Stories Of Famous Authors Classic Characters Unforgettable Phrases And Unanticipated Endings. Reader's Digest Association, 2012.

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13

Bradford, Sr James E. Medical Malpractice classic - Ending in Death: Know Your Legal Rights - The Allen Bradford, Sr. Saga. AuthorHouse, 2006.

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14

Unjust Rewards Ending The Greed That Is Bankrupting Britain. Granta Books (UK), 2008.

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15

Commission, North Carolina Corporation. Fourteenth Annual Report of the Corporation Commission: For the Year Ending December 31, 1912 (Classic Reprint). Forgotten Books, 2018.

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16

Linfield, F. B. Fourth Annual Report of the Montana Farmers' Institutes: For the Year Ending November 30, 1905 (Classic Reprint). Forgotten Books, 2018.

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17

Hampshire, Belmont New. Annual Reports of the Officers of the Town of Belmont: Year Ending January 31, 1922 (Classic Reprint). Forgotten Books, 2018.

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18

Gill, Denise. Conclusion. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190495008.003.0007.

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The conclusion offers important departure points for scholars to push ahead with the study of music, emotion, feeling, sound, and affective practices. Identifying and interrogating one affective particular—“melancholy”—in Turkish classical musicians’ historicizing, narrative, sonic, artistic, performative, and transmission processes, the conclusion argues that melancholies must be understood as affective practice. The ending compares normative U.S. and Turkish assumptions about melancholy, and interrogates the author’s own performances of melancholy and a trip to the rhizomatic reed beds of southeastern Turkey, where ney-s, the end-blown flutes of Turkish classical music, are first created. Finally, pain, suffering, and loss emerge as essential elements that Turkish classical musicians believe they must endure in life, for dialogue between musicians making music
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19

Bruce, Philip Alexander. The Virginia Magazine of History and Biography, Vol. 22: For the Year Ending December 31, 1914 (Classic Reprint). Forgotten Books, 2018.

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20

Hampshire, Hancock New. Annual Reports of the Town Officers of Hancock, N. H: For the Year Ending January 31, 1941 (Classic Reprint). Forgotten Books, 2018.

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21

Hampshire, Fitzwilliam New. Annual Reports of the Town Officers of Fitzwilliam, N. H: For the Year Ending February 15, 1908 (Classic Reprint). Forgotten Books, 2018.

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22

Heroes and Happy Endings: Class, Gender, and Nation in Popular Film and Fiction in Interwar Britain. Manchester University Press, 2017.

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23

Clegg, Stewart R., and Miguel Pina e. Cunha. Organizational Dialectics. Edited by Wendy K. Smith, Marianne W. Lewis, Paula Jarzabkowski, and Ann Langley. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780198754428.013.5.

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The classical conception of dialectics is introduced and its applicability and applications in management and organization studies considered. Given its provenance in Hegelian and Marxist thought one might not expect managerialist thinkers to have embraced the central notion of contradictions—one would be mistaken. After considering managerialist accounts of contradictions, which it argues are non-dialectical, this chapter considers how the classical trinity of never-ending unfolding thesis/anti-thesis/synthesis, the result of which forms a new thesis for the endless return of the dialectic and, animated by the central elements of contradiction to the dialectic, might be used in management and organization studies. Instances of positive and negative dialectics are considered before moving to a consideration of gaps and future research, concluding, as is customary, with conclusions.
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24

Dworkin, Steven N. Inflectional morphology of medieval Hispano-Romance. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199687312.003.0003.

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This chapter describes the inflectional nominal, pronominal, and verbal morphology of Old Spanish, a language whose texts show a great deal of formal variation. It first deals with nominal gender and plural marking before going on to describe the morphology of articles, demonstratives, and possessives. Attention next turns to the forms of subject and object pronouns, indefinite, interrogative, and relative pronouns, negators, and adverbs. The rest of the chapter deals with inflectional verbal morphology. It opens with a survey of the three conjugation classes, the relevant past participles, and morphophonological alternations involving monophthongs and diphthongs in verb stems, before examining for each synthetic and analytic tense the wide range of relevant verbal suffixes or endings and instances of stem alllomorphy in both the indicative and subjunctive.
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25

Kaminski-Jones, Francesca, and Rhys Kaminski-Jones, eds. Celts, Romans, Britons. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198863076.001.0001.

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This interdisciplinary volume of essays examines the real and imagined role of Classical and Celtic influence in the history of British identity formation, from late antiquity to the present day. In so doing, it makes the case for increased collaboration between the fields of Classical reception and Celtic studies, and opens up new avenues of investigation into the categories “Celtic” and “Classical”, which are presented as fundamentally interlinked and frequently interdependent. In a series of chronologically arranged chapters, beginning with the post-Roman Britons and ending with the 2016 Brexit referendum, it draws attention to the constructed and historically contingent nature of the Classical and the Celtic, and explores how notions related to both categories have been continuously combined and contrasted with one another in relation to British identities. Britishness is revealed as a site of significant Celtic-Classical cross-pollination, and a context in which received ideas about Celts, Romans, and Britons can be fruitfully reconsidered, subverted, and reformulated. Responding to important scholarly questions that are best addressed by this interdisciplinary approach, and extending the existing literature on Classical reception and national identity by treating the Celtic as an equally relevant tradition, the volume creates a new and exciting dialogue between subjects that all too often are treated in isolation, and sets the foundations for future cross-disciplinary conversations.
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26

Hampshire, Manchester New. Thirty-First Annual Report of the City of Manchester, New Hampshire: For the Fiscal Year Ending December 31, 1951 (Classic Reprint). Forgotten Books, 2018.

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27

Blind, Wisconsin School for the. Twenty-Second Biennial Report of the Wisconsin School for the Blind: For the Biennial Period Ending June 30, 1926 (Classic Reprint). Forgotten Books, 2019.

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28

Stevenson, Robert Louis. Strange Case of Dr Jekyll and Mr Hyde and Other Tales. Edited by Roger Luckhurst. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199536221.001.0001.

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Instantly the spirit of hell awoke in me and raged…I was suddenly struck through the heart by a cold thrill of terror.’ Stevenson’s short novel, published in 1886, became an instant classic. It was a Gothic horror that originated in a feverish nightmare, whose hallucinatory setting in the murky back streets of London gripped a nation mesmerized by crime and violence. The respectable doctor’s mysterious relationship with his disreputable associate is finally revealed in one of the most original and thrilling endings in English literature. In addition to Jekyll and Hyde, this edition also includes a number of short stories and essays written by Stevenson in the 1880s, minor masterpieces of fiction and comment: ’The Body Snatcher’, ’Markheim’, and ’Olalla’ feature grave-robbing, a sinister double, and degeneracy, while ’A Chapter on Dreams’ and ’A Gossip on Romance’ discuss artistic creation and the ’romance’ form. Appendixes provide extracts from contemporary writings on personality disorder, which set Stevenson’s tale in its full historical context.
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29

Morris, Pam. The Waves: Blasphemy of Laughter and Criticism. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474419130.003.0005.

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The Waves enacts an immense widening of the scale of the perceptible from intestines and nerve endings to the movement of tides and seasons. Continuous with this comprehensive view of the physical world, the politics of the novel centres upon the fact of embodiment as the human condition and upon the determining disciplinary effects of that bodily being. The novel constitutes an extended palimpsest of Lucretius’ poem, De Rerum Natura. Like Lucretius, Woolf’s materialist aim is to denounce false systems of cultural belief but equally to contrast that conscripted social order with a poetic, empirical vision of the physical universe – hence the two-part structure of her novel. By associating her text with the work of a prestigious, but blasphemous, classical writer, Woolf challenges male, idealist definitions of culture and civilization that underpin gender, class and imperialist oppression.
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30

Hampshire, Hinsdale New. Annual Reports of the Town Officers of the Town of Hinsdale, N. H: For the Year Ending January 31, 1933 (Classic Reprint). Forgotten Books, 2018.

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31

Commission, Railroad and Warehouse. Second Annual Report of the Railroad and Warehouse Commission of the State of Illinois: For the Year Ending Nov; 30, 1872 (Classic Reprint). Forgotten Books, 2018.

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32

Conservation and Development Department. Ninth Biennial Report of the Department of Conservation and Development of the State of North Carolina: Biennium Ending June 30, 1942 (Classic Reprint). Forgotten Books, 2018.

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33

Luyten, Dirk. Diverging Paths. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198779599.003.0012.

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For the Netherlands and Belgium in the twentieth century, occupation is a key concept to understand the impact of the war on welfare state development. The occupation shifted the balance of power between domestic social forces: this was more decisive for welfare state development than the action of the occupier in itself. War and occupation did not result exclusively in more cooperation between social classes: some interest groups saw the war as a window of opportunity to develop strategies resulting in more social conflict. Class cooperation was often part of a political strategy to gain control over social groups or to legitimate social reforms. The world wars changed the scale of organization of social protection, from the local to the national level: after World War II social policy became a mission for the national state. For both countries, war endings had more lasting effects for welfare state development than the occupation itself.
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34

Bomberger, E. Douglas. Anxiety. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190872311.003.0003.

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Germany’s resumption of unrestricted submarine warfare on 1 February 1917 created a domino effect in the musical world, as Walter Damrosch and other conductors rushed to assert their patriotism by adding “The Star-Spangled Banner” to their concerts. Debates about German music revolved around issues of internationalism in classical music. The management of the Metropolitan Opera gave assurances that its German singers and European repertoire would not be impacted by future political events. Ernestine Schumann-Heink, the most beloved German singer in America, suffered potentially career-ending injuries in an automobile accident. Responding to the Original Dixieland Jazz Band’s sensational popularity, the Victor Talking Machine Company recorded two numbers by the band on 26 February for later release in the spring.
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35

Heroes and Happy Endings: Class, Gender, and Nation in Popular Film and Fiction in Interwar Britain (Studies in Popular Culture MUP). Manchester University Press, 2014.

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36

Massachusetts, Washington. Annual Reports of the Town Officers of the Town of Washington and School Committee Report: For the Year Ending December 31, 1930 (Classic Reprint). Forgotten Books, 2019.

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37

Hampshire, Rye New. Annual Reports of the Selectmen and Other Officers of the Town of Rye, New Hampshire: For the Year Ending January 31, 1942 (Classic Reprint). Forgotten Books, 2017.

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38

State, Ohio Secretary of. Annual Report of the Secretary of State to the Governor of the State of Ohio: For the Year Ending Nov. 15, 1903 (Classic Reprint). Forgotten Books, 2019.

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39

Caplin, William. Topics and Formal Functions. Edited by Danuta Mirka. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199841578.013.0016.

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This chapter examines the relationship of the lament topic to various form-functional contexts. After explaining that this topic is inextricably linked with a schema defined essentially by its bass voice, the study considers how the intrinsically sequential harmonic content of the schema lends itself well to expressing the formal sense of “being in the middle.” It further demonstrates that the schema can also participate in creating a formal ending, a cadence, and can even be used in an initiating formal context, which may engender the perception of a “formal dissonance,” a conflict between intrinsic and contextual functionality. The pervasive descending bass line of the lament schema, while appropriate for baroque compositional practice, jars somewhat with classical practice, such that the lament topic becomes a touchstone for highlighting stylistic differences among earlier and later works within the eighteenth century.
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40

Anderson, William. Twenty-Sixth Annual Report of the Bureau of Labor Statistics and Inspection of the State of Missouri, for the Year Ending November 5, 1904 (Classic Reprint). Forgotten Books, 2017.

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41

U. S. Interstate Commerce Commission. First Annual Report on the Statistics of Railways in the United States to the Interstate Commerce Commission: For the Year Ending June 30, 1888 (Classic Reprint). Forgotten Books, 2018.

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42

FitzGerald, Brian. Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198808244.003.0001.

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The Introduction offers an overview of recent scholarship on medieval prophecy and provides the book’s interpretative framework. The book differs from much previous scholarship by examining how prophecy had a multiplicity of meanings besides prediction in the Middle Ages and by showing the significance of debates over those meanings. The chapter then explains the chronological parameters of the book, beginning in the twelfth century when prophecy became a subject of controversy and ending in the early fourteenth century when humanist intellectuals and poets began challenging the authority of scholastic theologians. The chapter ends by surveying the conceptual background to the book’s subject matter: the classical idea of the vates (poet-prophet) and patristic (particularly Augustinian) theories of prophecy and inspired vision. It shows how these concepts were combined with a functional-institutional model of prophecy derived from St Paul and left a tangled legacy that twelfth-century thinkers needed to resolve.
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43

Ohio Board of Public Works. Sixty-Third Annual Report of the Board of Public Works to the Governor of the State of Ohio: For the Year Ending November 15, 1901 (Classic Reprint). Forgotten Books, 2017.

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44

Maryland State Board of Education. Fifty-Second Annual Report of the State Board of Education: Showing Condition of the Public Schools of Maryland for the Year Ending July 31, 1918 (Classic Reprint). Forgotten Books, 2017.

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45

Aguirre, Mercedes, and Richard Buxton. Cyclops. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198713777.001.0001.

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This book provides an innovative, authoritative, and richly illustrated study of the myths relating to the Cyclopes from classical antiquity until the present day. It is the first such book-length study of the topic in any language. The first part, dealing with classical antiquity, is organized thematically: after discussing various competing scholarly approaches to the myths, Aguirre and Buxton analyse ancient accounts and images of the Cyclopes in relation to landscape, physique (especially eyes, monstrosity, and hairiness), lifestyle, gods, names, love, and song. While the man-eating Cyclops Polyphemus, famous already in the Odyssey, plays a major part, so also do the Cyclopes who did monumental building work, as well as those who toiled as blacksmiths. The second part of the book concentrates on the post-classical reception of the myths. Topics discussed include medieval allegory, Renaissance grottoes, Italian and Spanish poetry, Spanish drama, and the novels of Hugo, Joyce, and Ellison; in the visual arts, dozens of images are examined, beginning with the medieval and early modern periods, moving on to Surrealism and Abstract Impressionism, and ending with contemporary painting and sculpture. Movie Cyclopes also appear, as does a wonderful circus performance. The overall aim of the authors is to explore, not just the perennial appeal of the Cyclopes as fearsome monsters, but the depth and subtlety of their mythology, which raises complex issues of thought and emotion. All too often, a Cyclops is assumed to be nothing more than a gruesome one-eyed monster. This book seeks to demonstrate that there is far more to it than that—quite apart from the fact that Cyclopes are by no means always one-eyed!
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46

Hampshire, Epping New. Annual Reports of the Selectmen, Treasurer, Board of Health, the School Board, Treasurer of School District, Treasurer and Librarian of Library, and ... Ending February 15, 1903 (Classic Reprint). Forgotten Books, 2018.

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47

Boston, Roxbury. The Sixth Annual Report of the Committee on Accounts on the Receipts and Expenditures of the City of Roxbury: For the Year Ending January 31st, 1852 (Classic Reprint). Forgotten Books, 2018.

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48

Wasson, Sam. The Big Goodbye. Bloomsbury Publishing Plc, 2020. http://dx.doi.org/10.5040/9780571370085.

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Sight & Sound's #1 Film Book of 2020 Chinatown is the Holy Grail of 1970s cinema. Its ending is the most notorious in American film and its closing line of dialogue the most haunting. Here for the first time is the incredible true story of its making. In Sam Wasson's telling, it becomes the defining story of its most colorful characters. Here is Jack Nicholson at the height of his powers, embarking on his great, doomed love affair with Anjelica Huston. Here is director Roman Polanski, both predator and prey, haunted by the savage murder of his wife, returning to Los Angeles, where the seeds of his own self-destruction are quickly planted. Here is the fevered deal-making of 'The Kid' Robert Evans, the most consummate of producers. Here too is Robert Towne's fabled script, widely considered the greatest original screenplay ever written. Wasson for the first time peels off layers of myth to provide the true account of its creation. Looming over the story of this classic movie is the imminent eclipse of the '70s filmmaker-friendly studios as they gave way to the corporate Hollywood we know today.
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49

Education, Texas Department of. Scholastic Population and Apportionment of the Available School Fund for Year Commencing September 1, 1905, and Ending August 31, 1906: Census Age Over 8 and Under 17 (Classic Reprint). Forgotten Books, 2018.

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50

Massachusetts, Charlestown Boston. Annual Statement of the Receipts and Expenditures of the City of Charlestown, for the Financial Year Ending February 29, 1860: And the Report of the Chief Engineer (Classic Reprint). Forgotten Books, 2018.

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