Academic literature on the topic 'Classicism – england'
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Journal articles on the topic "Classicism – england"
Terletska, D., and V. Shpagin. "Identification of the architectural style of the Red Building of the Taras Shevchenko National University of Kyiv for Landscape Design aims." Bulletin of Taras Shevchenko National University of Kyiv. Series: Biology 77, no. 1 (2019): 68–71. http://dx.doi.org/10.17721/1728_2748.2019.77.68-71.
Full textvan der Woude, Joanne. "Indians and Antiquity: Subversive Classicism in Early New England Poetry." New England Quarterly 90, no. 3 (September 2017): 418–41. http://dx.doi.org/10.1162/tneq_a_00626.
Full textPears, Richard. "Battle of the Styles? Classical and Gothic Architecture in Seventeenth-Century North-East England." Architectural History 55 (2012): 79–110. http://dx.doi.org/10.1017/s0066622x0000006x.
Full textJordan, Elizabeth T. "Inigo Jones and the Architecture of Poetry*." Renaissance Quarterly 44, no. 2 (1991): 280–319. http://dx.doi.org/10.2307/2862711.
Full textMocevičius, Albinas. "KLASICISTINIO STILIAUS PARKŲ MENO TENDENCIJOS BEI RAIDA EUROPOJE IR LIETUVOJE." JOURNAL OF ARCHITECTURE AND URBANISM 33, no. 3 (September 30, 2009): 173–82. http://dx.doi.org/10.3846/13921630.2009.33.173-182.
Full textSmylitopoulos, Christina. "Then and Now: Collecting and Classicism in Eighteenth-Century England by Joan Coutu." University of Toronto Quarterly 87, no. 3 (August 2018): 424–26. http://dx.doi.org/10.3138/utq.87.3.89.
Full textTernova, Maryna. "Outlines of theoretical and practical parity in the legacy of Joseph Addison." Culturology Ideas, no. 21 (1'2022) (2021): 69–77. http://dx.doi.org/10.37627/2311-9489-21-2022-1.69-77.
Full textGroznov, O. D. "The Transformation of Classical Order in John Soane’s Architecture." Art & Culture Studies, no. 1 (2021): 86–103. http://dx.doi.org/10.51678/2226-0072-2021-1-86-103.
Full textSTEWART, LOUISE. "SOCIAL STATUS AND CLASSICISM IN THE VISUAL AND MATERIAL CULTURE OF THE SWEET BANQUET IN EARLY MODERN ENGLAND." Historical Journal 61, no. 4 (June 18, 2018): 913–42. http://dx.doi.org/10.1017/s0018246x1700053x.
Full textKaryakina, Tatyana Dmitrievna. "Portrait in Western European porcelain of the XVIII century." Исторический журнал: научные исследования, no. 5 (May 2021): 9–20. http://dx.doi.org/10.7256/2454-0609.2021.5.36215.
Full textDissertations / Theses on the topic "Classicism – england"
Anderson, Christy Jo. "Inigo Jones's library and the language of architectural classicism in England, 1580-1640." Thesis, Massachusetts Institute of Technology, 1993. http://hdl.handle.net/1721.1/12670.
Full textVita.
Includes bibliographical references (v. 2, leaves 330-351).
Inigo Jones's collection of books is a unique and early survival of an architect's annotated library. The combination of standard sixteenth century Italian and French editions of classics, mathematical and scientific treatises, and specialized architectural books, comprised the library of a professional whose approach to his field was based on an understanding of practical humanism and the study of antique precedent. The library is the starting point for an investigation of the relationship of humanist learning and the creation in England of a classical architectural vocabulary. The forty~s ix books record in Jones's marginal annotations to the text and plates his interpretation of continental architecture and textual exegesis. For Jones, books were a crucial resource for the study of classical architecture as practiced in continental Europe; and necessary for an understanding of the intellectual precepts inherent in that architectural vocabulary. Jones's architectural self~education reflected and repeated the desire by patrons for a visible document of their humanist learning and aspirations. From the evidence of the marginal annotations by Jones, I discuss three central themes of the shift in architectural style in England during the period 1580 to 1640: the role of reading as an essential professional skill for the architect and its mnemonic function in design method; the use and significance of the orders as a system for representing ideas of personal and public decorum and learning; and Jones's use of the methods and resources of English antiquarians in his study of ancient architectural precedent. Each of these themes are located within the cultural and intellectual history of Renaissance England. The descriptive language created for architecture, and the images used to encourage its study, was the language of education and classical learning, and specifically, the language of books. The appropriation by Jones and his patrons of the Vitruvian notion of decorum- the distinction between the exterior of a building and its internal distribution- formed a central tenet of English classicism, in Jones's terms the creation of an architecture "masculine and unaffected." The library of Inigo Jones represented one of the architect's essential professional tools, a repository of ideas and models which could serve as an ever present resource and comparable to other professional collections created by those seeking advancement within the late Tudor and early Stuart court. An annotated and descriptive bibliography of the surviving volumes, and further likely titles, attests to Jones's wide~ranging interests and design acumen.
by Christy Jo Anderson.
Ph.D.
Arciszewska, Barbara. "The Hanoverian court and the triumph of Palladio : the Palladian revival in Hanover and England c. 1700 /." Warsaw : Wydawn.DiG, 2002. http://www.loc.gov/catdir/toc/fy0609/2005478972.html.
Full textStray, Christopher A. "Culture and discipline : the reconstruction of classics in England, 1830-1930." Thesis, Swansea University, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.502601.
Full textChallis, Deborah Joy. "Collecting classics : the reception of classical antiquities in public museums in England, 1830-1890." Thesis, Birkbeck (University of London), 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.417268.
Full textDoyle, Alice. ""The Essence of Greekness": The Parthenon Marbles and the Construction of Cultural Identity." Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1209.
Full textBooks on the topic "Classicism – england"
White, Aaron. Classicism and Colonization: Architecture and its Discourses in Early-Modern England. [New York, N.Y.?]: [publisher not identified], 2022.
Find full textArciszewska, Barbara. The Hanoverian court and the triumph of Palladio: The Palladian revival in Hanover and England c. 1700. Warsaw: Wydawn.DiG, 2002.
Find full textLeoussi, Athena S. Nationalism and classicism: The classical body as national symbol in nineteenth-century England and France. New York: St. Martin's Press, 1998.
Find full textOkie, Laird. Augustan historical writing: Histories of England in the English enlightenment. Lanham: University Press of America, 1991.
Find full textEade, J. C. Aristotle anatomised: The Poetics in England, 1674-1781. Frankfurt am Main: Verlag Peter Lang, 1988.
Find full textStray, Christopher. Classics transformed: Schools, universities, and society in England, 1830-1960. Oxford: Clarendon Press, 1998.
Find full textWassyng, Roworth Wendy, and Alexander David, eds. Angelica Kauffman: A continental artist in Georgian England. London: Reaktion Books, 1992.
Find full textNorland, Howard B. Neoclassical tragedy in Elizabethan England. Newark: University of Delaware Press, 2009.
Find full textLoftis, John Clyde. The Spanish plays of neoclassical England. Westport, Conn: Greenwood Press, 1987.
Find full textKnappe, Gabriele. Traditionen der klassischen Rhetorik im angelsächsischen England. Heidelberg: Universitätsverlag C. Winter, 1996.
Find full textBook chapters on the topic "Classicism – england"
Leoussi, Athena S. "Images of Greece as Images of England." In Nationalism and Classicism, 157–79. London: Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1057/9780230372689_8.
Full textFarmer, Alan B., and Zachary Lesser. "Canons and Classics: Publishing Drama in Caroline England." In Localizing Caroline Drama, 17–41. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9780230601611_2.
Full textLi, Zhen. "The Influence of Ancient Chinese Cultural Classics in England." In A Study on the Influence of Ancient Chinese Cultural Classics Abroad in the Twentieth Century, 73–82. Singapore: Springer Singapore, 2022. http://dx.doi.org/10.1007/978-981-16-7936-0_5.
Full textClark, James G. "Monastic Manuscripts and the Transmission of the Classics in Late Medieval England." In Vehicles of Transmission, Translation, and Transformation in Medieval Textual Culture, 335–52. Turnhout: Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.cursor-eb.1.100272.
Full textKnappe, Gabriele. "Manuscript Evidence of the Teaching of the Language Arts in Late Anglo-Saxon and Early Norman England, with Particular Regard to the Role of the Classics." In Disputatio, 23–60. Turnhout: Brepols Publishers, 2013. http://dx.doi.org/10.1484/m.disput-eb.1.100285.
Full textSecretan, Dominique. "England before the Restoration." In Classicism, 20–25. Routledge, 2017. http://dx.doi.org/10.4324/9781315115429-3.
Full textZhuang, Yue. "Eighteenth- and nineteenth-century classicism in England." In The Routledge Handbook on the Reception of Classical Architecture, 135–48. Routledge, 2019. http://dx.doi.org/10.4324/9781315171104-9.
Full textWalshe, Eibhear. "Wilde, Classicism, and Homosexuality in Modern Ireland." In Classics and Irish Politics, 1916-2016, 237–53. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198864486.003.0012.
Full textMacKechnie, Aonghus. "Introduction." In The Architecture of Scotland, 1660-1750, 3–14. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474455268.003.0001.
Full textRuKeyser, Muriel. "Modern Trends: American Poetry (1932)." In The Muriel Rukeyser Era, edited by Eric Keenaghan and Rowena Kennedy-Epstein, 203–7. Cornell University Press, 2023. http://dx.doi.org/10.7591/cornell/9781501771743.003.0021.
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