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Books on the topic 'Cinema'

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Author: Grafiati
Published: 4 June 2021
Last updated: 6 July 2024

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1

Jordan, Pierre-L. Cinéma =: Cinema. [Marseille]: Musées de Marseille, 1992.

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2

Marianne, Thys, and Cinémathèque royale de Belgique, eds. Belgian cinema =: Le cinéma belge. Gent: Ludion, 1999.

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3

Chakraborty, Swati, and Emmanuel Grimaud. Indian cinema: Le cinéma indian. Lyon, France: Asiexpo Edition, 2008.

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4

Gormley, Kirstie, Michelle Bloom, and Corrado Neri. Taiwan cinema = Le cinéma taiwanais. Lyon, France: Asiexpo, 2009.

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5

Guglielmi, Angelo. Cinema, televisione, cinema. Milano: Bompiani, 2013.

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6

Invernizzi, Franca Santi. Cinema, oh cinema! [Lenno, Italy]: Fuoridallerotte, 2007.

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7

Vîjeu, Titus. Cinema, cinema, cinema: Dialoguri cu Dan Pița. București: Noi Media Print, 2014.

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8

Penzi, Marco, and Raffaele Cavalluzzi. Cinema e storia: Cinéma et histoire. Lecce: Pensa multimedia, 2012.

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9

Italy) Altri sguardi (Film festival) (4th 2002 Cesena. Cinema Kazakho: Kazakh cinema. Cesena: Società Editrice "Il Ponte Vecchio,", 2002.

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10

Yan, Sogiru. Shinema, shinema, shinema =: Cinema, cinema, cinema / Yan Sogiru. 8th ed. Tōkyō: Kōbunsha, 2006.

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11

Nagib, Lúcia. Realist Cinema as World Cinema. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462987517.

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Abstract:
This book presents the bold and original proposal to replace the general appellation of ‘world cinema’ with the more substantive concept of ‘realist cinema’. Veering away from the usual focus on modes of reception and spectatorship, it locates instead cinematic realism in the way films are made. The volume is structured across three innovative categories of realist modes of production: ‘noncinema’, or a cinema that aspires to be life itself; ‘intermedial passages’, or films that incorporate other artforms as a channel to historical and political reality; and ‘total cinema’, or films moved by a totalising impulse, be it towards the total artwork, total history or universalising landscapes. Though mostly devoted to recent productions, each part starts with the analysis of foundational classics, which have paved the way for future realist endeavours, proving that realism is timeless and inherent in cinema from its origin.
12

Menarini, Roy. Il cinema dopo il cinema. Recco (Genova): Le mani, 2010.

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13

Augusto, Sainati. Il cinema oltre il cinema. Pisa: ETS, 2011.

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14

Deleuze, Gilles. Cinema. Minneapolis: University of Minnesota, 1986.

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15

Monenembo, T. Cinema. Paris: Seuil, 1997.

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16

Platt, Richard. Cinema. London: Dorling Kindersley, 1992.

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17

Deleuze, Gilles. Cinema. Minneapolis: University of Minnesota, 1986.

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18

Deleuze, Gilles. Cinema. London: Athlone Press, 1986.

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19

Neto, Herculano. Cinema. Salvador: Fundação Casa de Jorge Amado, 2008.

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20

Rabley, Stephen. Cinema. [S.l.]: Prentice-Hall, 1996.

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21

Mann, Brenda. Cinema. Hove: Wayland, 1989.

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22

Zavattini, Cesare. Cinema. Milano: Bompiani, 2002.

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23

Deleuze, Gilles. Cinema. Minneapolis: University of Minnesota, 1986.

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24

Pardo, Paola Cadena. Cinema. Venezuela: Bid & co. editor, 2011.

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25

Campanins, Francesc Solé i. Cinema. Barcelona: Viena, 2007.

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26

Platt, Richard. Cinema. London: Dorling Kindersley, 1992.

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27

Philippe, Dubois, Frédéric Monvoisin, and Elena Biserna. Extended cinema: Le cinéma gagne du terrain. Pasian di Prato (UD) [i.e. Udine, Italy]: Campanotto, 2010.

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28

Parente, André. Ensaios sobre o cinema do simulacro: Cinema existencial, cinema estrutural e cinema brasileiro contemporâneo. Rio de Janeiro: Editora Pazulin, 1998.

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29

D'Anna, Enrico. Volo & cinema: Storia del cinema d'aviazione. Roma: Edizioni De Luca, 1997.

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30

Cooper, Andrew Richard Savage. Wim Wenders: A cinema of cinema. [Derby: University of Derby], 1994.

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31

Caramanna, Andrea. New cinema: Storie del cinema contemporaneo. Torino: SEB 27, 2006.

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32

Saliba, Maria Eneida Fachini. Cinema contra cinema: O cinema educativo de Canuto Mendes, 1922-1931. São Paulo, SP, Brasil: Annablume, 2003.

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33

Manning, Sam. Cinemas and Cinema-Going in the United Kingdom. London: University of London Press, 2020.

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34

Labarrere, André. Atlas du Cinema. Le Livre De Poche, 2002.

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35

Shaw/Dennison. BRAZILIAN NATIONAL CINEMA (National Cinemas). Routledge, 2007.

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36

Hake, Sabine. German National Cinema (National Cinemas). 2nd ed. Routledge, 2007.

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37

Shaw/Dennison. BRAZILIAN NATIONAL CINEMA (National Cinemas). Routledge, 2007.

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38

Turner, Philip. Cincenta Cinemas (The Brantwood Cinema). Brantwood Books, 2000.

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39

Turner, Philip D. Warner Cinemas (The Brantwood Cinema). Brantwood Books, 1998.

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40

Strassinopoulou, Maria. Greek National Cinema (National Cinemas). Routledge, 2006.

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41

Gittings, Christopher E. Canadian National Cinema (National Cinemas). Routledge, 2002.

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42

Gittings, Christopher E. Canadian National Cinema (National Cinemas). Routledge, 2001.

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43

Hake, Sabine. German National Cinema (National Cinemas). 2nd ed. Routledge, 2007.

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44

Strassinopoulou, Maria. Greek National Cinema (National Cinemas). 4th ed. Routledge, 2006.

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45

Triana-Toribio. Spanish National Cinema (National Cinemas). Routledge, 2003.

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46

Turner, Philip D. Cannon Cinemas (The Brantwood Cinema). Brantwood Books, 1997.

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47

Turner, Philip. Showcase Cinemas (The Brantwood Cinema). Brantwood Books, 1999.

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48

Triana-Toribio. Spanish National Cinema (National Cinemas). Routledge, 2003.

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49

Sargeant, Jack. Cinema Contra Cinema. Fringecore, 1999.

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50

Maingard, Jacqu. South African National Cinema (National Cinemas). Routledge, 2007.

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