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Books on the topic 'Cinema'

Author: Grafiati

Published: 4 June 2021

Last updated: 23 November 2024

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1

Musée d'arts africains, océaniens, amérindiens de Marseille., ed. Cinéma =: Cinema. [Marseille]: Musées de Marseille, 1992.

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2

Gormley, Kirstie. Taiwan cinema = Le cinéma taiwanais. Lyon, France: Asiexpo, 2009.

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3

Kirstie, Gormley, ed. Indian cinema: Le cinéma indian. Lyon, France: Asiexpo Edition, 2008.

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4

Marianne, Thys, and Cinémathèque royale de Belgique, eds. Belgian cinema =: Le cinéma belge. Gent: Ludion, 1999.

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5

Invernizzi, Franca Santi. Cinema, oh cinema! [Lenno, Italy]: Fuoridallerotte, 2007.

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6

Vîjeu, Titus. Cinema, cinema, cinema: Dialoguri cu Dan Pița. București: Noi Media Print, 2014.

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7

Penzi, Marco. Cinema e storia: Cinéma et histoire. Lecce: Pensa multimedia, 2012.

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8

Italy) Altri sguardi (Film festival) (4th 2002 Cesena. Cinema Kazakho: Kazakh cinema. Cesena: Società Editrice "Il Ponte Vecchio,", 2002.

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9

Deleuze, Gilles. Cinema. Minneapolis: University of Minnesota, 1986.

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10

Monenembo, T. Cinema. Paris: Seuil, 1997.

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11

Deleuze, Gilles. Cinema. Minneapolis: University of Minnesota, 1986.

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12

Deleuze, Gilles. Cinema. Minneapolis: University of Minnesota, 1986.

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13

Platt, Richard. Cinema. London: Dorling Kindersley, 1992.

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14

Deleuze, Gilles. Cinema. London: Athlone Press, 1986.

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15

Rabley, Stephen. Cinema. [S.l.]: Prentice-Hall, 1996.

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16

Mann, Brenda. Cinema. Hove: Wayland, 1989.

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17

Zavattini, Cesare. Cinema. Milano: Bompiani, 2002.

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18

Platt, Richard. Cinema. London: Dorling Kindersley, 1992.

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19

Mercedes, Roffé, ed. Cinema. Venezuela: Bid & co. editor, 2011.

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20

Nagib, Lúcia. Realist Cinema as World Cinema. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462987517.

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This book presents the bold and original proposal to replace the general appellation of ‘world cinema’ with the more substantive concept of ‘realist cinema’. Veering away from the usual focus on modes of reception and spectatorship, it locates instead cinematic realism in the way films are made. The volume is structured across three innovative categories of realist modes of production: ‘noncinema’, or a cinema that aspires to be life itself; ‘intermedial passages’, or films that incorporate other artforms as a channel to historical and political reality; and ‘total cinema’, or films moved by a totalising impulse, be it towards the total artwork, total history or universalising landscapes. Though mostly devoted to recent productions, each part starts with the analysis of foundational classics, which have paved the way for future realist endeavours, proving that realism is timeless and inherent in cinema from its origin.

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21

Parente, André. Ensaios sobre o cinema do simulacro: Cinema existencial, cinema estrutural e cinema brasileiro contemporâneo. Rio de Janeiro: Editora Pazulin, 1998.

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22

Cooper, Andrew Richard Savage. Wim Wenders: A cinema of cinema. [Derby: University of Derby], 1994.

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23

Saliba, Maria Eneida Fachini. Cinema contra cinema: O cinema educativo de Canuto Mendes, 1922-1931. São Paulo, SP, Brasil: Annablume, 2003.

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24

Labarrere, André. Atlas du Cinema. Le Livre De Poche, 2002.

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25

Shaw/Dennison. BRAZILIAN NATIONAL CINEMA (National Cinemas). Routledge, 2007.

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26

Spanish National Cinema (National Cinemas). Routledge, 2003.

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27

Cannon Cinemas (The Brantwood Cinema). Brantwood Books, 1997.

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28

Hake, Sabine. German National Cinema (National Cinemas). 2nd ed. Routledge, 2007.

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29

Shaw/Dennison. BRAZILIAN NATIONAL CINEMA (National Cinemas). Routledge, 2007.

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30

Turner, Philip. Cincenta Cinemas (The Brantwood Cinema). Brantwood Books, 2000.

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31

Strassinopoulou, Maria. Greek National Cinema (National Cinemas). Routledge, 2006.

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32

Gittings, Christopher E. Canadian National Cinema (National Cinemas). Routledge, 2002.

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33

Gittings, Christopher E. Canadian National Cinema (National Cinemas). Routledge, 2001.

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34

Hake, Sabine. German National Cinema (National Cinemas). 2nd ed. Routledge, 2007.

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35

Strassinopoulou, Maria. Greek National Cinema (National Cinemas). 4th ed. Routledge, 2006.

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36

Warner Cinemas (The Brantwood Cinema). Brantwood Books, 1998.

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37

Showcase Cinemas (The Brantwood Cinema). Brantwood Books, 1999.

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38

Spanish National Cinema (National Cinemas). Routledge, 2003.

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39

Sargeant, Jack. Cinema Contra Cinema. Fringecore, 1999.

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40

Cinema, televisione, cinema. Milano: Bompiani, 2013.

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41

Maingard, Jacqu. South African National Cinema (National Cinemas). Routledge, 2007.

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42

MANNING. Decades Decline Cinemas Cinema-Going U. Institute of Historical Research, 2020.

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43

Decades Decline Cinemas Cinema-Going U. Institute of Historical Research, 2020.

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44

Ji, Nick Browne:. Cahiers du Cinéma (Cahiers Du Cinema). Routledge, 2000.

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45

CINEMA ROUSSEL: Pour un cinéma roussellien. YELLOW NOW, 2021.

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46

White, Patricia. Women's Cinema, World Cinema. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822376019.

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47

White, Patricia. Women’s Cinema, World Cinema. Duke University Press, 2015. http://dx.doi.org/10.1215/9780822376019.

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48

Nagib, Lúcia. Realist Cinema As World Cinema: Non-Cinema, Intermedial Passages, Total Cinema. Amsterdam University Press, 2020.

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49

Realist Cinema as World Cinema: Non-cinema, Intermedial Passages, Total Cinema. Amsterdam University Press, 2020.

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50

Shinema, shinema, shinema: Cinema, cinema, cinema / Yan Sogiru. Tōkyō: Kōbunsha, 2006.

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