Books on the topic 'Cinéma – Thèmes, motifs – Belgique'

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1

Bourgeois, Nathalie. Grand / petit au cinéma. Arles (Bouches-du-Rhône): Actes Sud junior, 2006.

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2

Siety, Emmanuel. La peur au cinéma. Arles (Bouches-du-Rhône): Actes Sud junior, 2006.

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3

Pisano, Giusy. L'amour fou: Au cinéma. [Paris]: A. Colin, 2010.

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4

André, Emmanuelle. Esthétique du motif: Cinéma, musique, peinture. Paris: Presses Universitaires de Vincennes, 2007.

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5

Burdeau, Marie-Mathilde, and Slavoj Z. iz ek. Tout ce que vous avez toujours voulu savoir sur Lacan sans jamais oser le demander à Hitchcock. [Nantes]: Capricci, 2010.

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6

1948-, Perraton Charles, and Université du Québec à Montréal. Groupe d'études et de recherches en sémiotique des espaces., eds. Le cinéma: Imaginaire de la ville : "du cinéma et des restes urbains", prise 2. Montréal: Groupe d'études et de recherches en sémiotique des espaces, Université du Québec à Montréal, 2001.

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7

Bernardi, Sandro. Antonioni, personnage paysage. Saint-Denis: Presses universitaires de Vincennes, 2006.

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8

López, Carmen María López. El cine en el pensamiento y la creación de Javier Marías. Vigo, Pontevedra (España): Editorial Academia del Hispanismo, 2019.

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9

Agel, Henri. Le beau ténébreux à l'écran. Paris: L'Harmattan, 1998.

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10

Stähli, Adrian, Thomas Späth, and Tomas Lochman. Antike im Kino: Auf dem Weg zu einer Kulturgeschichte des Antikenfilms. Basel: Verlag der Skulpturhalle Basel, 2008.

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11

Freeland, Cynthia A. The naked and the undead: Evil and the appeal of horror. Boulder, Colo: Westview Press, 2000.

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12

Alain, Montandon, and Université de Clermont-Ferrand II. Centre de recherches sur les littératures modernes et contemporaines., eds. Lisbonne: Géocritique d'une ville. Clermont-Ferrand: Presses universitaires Blaise Pascal, 2006.

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13

1945-, Crowdus Gary, ed. The political companion to American film. [Chicago, Ill.]: Lake View Press, 1994.

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14

Brill, Lesley. The Hitchcock romance: Love and irony in Hitchcock's films. Princeton, N.J: Princeton University Press, 1988.

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15

Turrión, Pablo Iglesias. Cuando las películas votan: Lecciones de ciencias sociales a través del cine. Madrid: Catarata, 2013.

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16

Kane, Momar Désiré. Marginalité et errance dans la littérature et le cinéma africains francophones: Les carrefours mobiles. Paris: Harmattan, 2004.

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17

Kane, Momar Désiré. Marginalité et errance dans la littérature et le cinéma africains francophones: Les carrefours mobiles. Paris: L'Harmattan, 2004.

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18

Massood, Paula J. Black city cinema: African American urban experiences in film. Philadelphia: Temple University Press, 2003.

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19

Wexman, Virginia Wright. Creating the couple: Love, marriage, and Hollywood performance. Princeton, N.J: Princeton University Press, 1993.

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20

Wexman, Virginia Wright. Creating the couple: Love, marriage and the Hollywood performance. Princeton, NJ: Princeton Univeristy Press, 1993.

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21

Smith, Paul Julian. Laws of desire: Questions of homosexuality in Spanish writing and film, 1960-1990. Oxford: Clarendon Press, 1992.

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22

Straayer, Chris. Deviant eyes, deviant bodies: Sexual re-orientations in film and video. New York: Columbia University Press, 1996.

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23

Altman, Carol S. Enfance--: Inspiration littéraire et cinématographique. Birmingham, AL: Summa Publications, 2005.

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24

Telotte, J. P. Replications: A robotic history of the science fiction film. Urbana: University of Illinois Press, 1995.

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25

Université Paul Valéry. Groupe de recherche études germaniques et centre-européennes. Représentations du corps dans les arts du spectacle et la littérature des pays germaniques: Darstellungen des Körpers. Montpellier: Université Paul-Valéry Montpellier 3, 2004.

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26

Chang, Ŭn-jin. P'ant'aji wept'un. Sŏul: K'ŏmyunik'eisyŏn Puksŭ, 2020.

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27

Ross, Karen. Black and white media: Black images in popular film and television. Cambridge, Mass: Polity Press, 1996.

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28

Casazza, Christophe, and Virginie Descure. Ciné-bouffe. Hors Collection, 2001.

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29

Vinson, James. International Dictionary of Films & Filmmakers: Title Index (International Dictionary of Films & Filmmakers (Vols)). St. James Press, 1987.

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30

Slocum, J. David. Violence and American Cinema. Taylor & Francis Group, 2013.

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31

Slocum, J. David. Violence and American Cinema. Taylor & Francis Group, 2013.

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32

Slocum, J. David. Violence and American Cinema. Routledge, 2013.

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33

Slocum, J. David. Violence and American Cinema. Taylor & Francis Group, 2013.

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34

Slocum, J. David. Violence and American Cinema. Taylor & Francis Group, 2013.

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35

Frey, Mattias. Extreme Cinema: The Transgressive Rhetoric of Today's Art Film Culture. Rutgers University Press, 2016.

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36

Frey, Mattias. Extreme Cinema: The Transgressive Rhetoric of Today's Art Film Culture. Rutgers University Press, 2016.

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37

Frey, Mattias. Extreme Cinema: The Transgressive Rhetoric of Today's Art Film Culture. Rutgers University Press, 2016.

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38

Frey, Mattias. Extreme Cinema: The Transgressive Rhetoric of Today's Art Film Culture. Rutgers University Press, 2016.

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39

Brill, Lesley. The Hitchcock Romance. Princeton University Press, 1991.

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40

Schary, Dore. Case History Of A Movie. Franklin Classics, 2018.

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41

Schary, Dore. Case History Of A Movie. Schary Press, 2007.

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42

Schary, Dore. Case History of a Movie. Creative Media Partners, LLC, 2018.

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43

Schary, Dore. Case History of a Movie. Creative Media Partners, LLC, 2022.

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44

Schary, Dore. Case History of a Movie. Creative Media Partners, LLC, 2022.

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45

Friedman, Lester D. American Cinema of the 1970s: Themes and Variations. Rutgers University Press, 2007.

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46

American cinema of the 1970s: Themes and variations. New Brunswick, NJ: Rutgers University Press, 2007.

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47

Smith, Paul Julian. Laws of Desire: Questions of Homosexuality in Spanish Writing and Film. Oxf. U. P., 1992.

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48

Ross, Karen. Black and White Media: Black Images in Popular Film and Television. Polity Press, 1995.

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