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Books on the topic 'Cinema study'

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Author: Grafiati

Published: 4 June 2021

Last updated: 6 February 2022

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1

Sikov, Ed. Study guide for American cinema. New York: McGraw-Hill, 1994.

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2

Mills, Perry F. Simply cinema. Dubuque, Iowa: Kendall/Hunt Pub. Co., 1989.

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3

Wendy, Helsby, O'Brien Maureen, and British Film Institute, eds. Teaching African cinema. London: British Film Institute, 1998.

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4

University), European Cinema Conference (1st 1984 Aston. European Cinema Conference papers. [Birmingham: AMLC Press], 1985.

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5

Searle, Daniel Peter Conrad. Cinema in Falmouth: A feasibility study for the need and demand for a new cinema in Falmouth. Falmouth: D.P.C. Searle, 1997.

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6

The cinema of Preston Sturges: A critical study. Jefferson, N.C: McFarland & Co., Publishers, 2010.

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7

Bertolucci's dream loom: A psychoanalytic study of cinema. Amherst, MA: University of Massachusetts Press, 1987.

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8

Movie greats: A critical study of classic cinema. Oxford: Berg, 2008.

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9

The moving image: A study of Indian cinema. Bombay: Orient Longman, 1988.

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10

Chatterji, Shoma A. Subject--cinema, object--woman: A study of the portrayal of women in Indian cinema. Calcutta: Parumita Publications, 1998.

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11

M, Smalley Deana, and Haro María-Paz, eds. Cinema for Spanish conversation. 3rd ed. Newburyport, MA: Focus Pub./R. Pullins Co., 2010.

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12

Moure, José, and Dominique Chateau, eds. Post-cinema. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463727235.

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Post-cinema designates a new way of making films. It is time to ask whether this novelty is complete or relative and to evaluate to what extent it represents a unitary or diversified current. The book proposes to integrate the post-cinema question within the post-art question in order to study the new ways of making filmic images. The issue will be considered at three levels: the impression of post-art on "regular" films; the "relocation" (Casetti) of the same films that can be seen using devices of all kinds in conditions more or less removed from the dispositif of the theater; the integration of cinema into contemporary art in all kinds of forms of creation and exhibition, parallel to the integration of contemporary art in "regular" cinema.

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13

Olga, Kagan, and Morozova Yuliya, eds. Cinema for Russian conversation. Newburyport, MA: Focus Pub./R. Pullins, 2005.

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14

Baruffi, Carlo Z. Il cinema tra percorsi educativi e sentieri formativi. Padova, Italy: Libreriauniversitaria, 2011.

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15

Usai, Paolo Cherchi. Burning passions: An introduction to the study of silent cinema. London: British Film Institute, 1994.

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16

What Moroccan cinema?: A historical and critical study, 1956-2006. Lanham: Lexington Books, 2009.

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17

Chansel, Dominique. Europe on-screen: Cinema and the teaching of history. Strasbourg: Council of Europe, 2001.

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18

Centenário do cinema em Goiás (1909-2009). Goiânia, GO: Kelps, 2010.

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19

Rovescalli, Riccardo. Il cinema e le sue sorelle: L'evoluzione digitale nella tecnica e nel linguaggio del cinema, della televisione e della radio. Milano: F. Angeli, 2000.

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20

Rovescalli, Riccardo. Il cinema e le sue sorelle: L'evoluzione digitale nella tecnica e nel linguaggio del cinema, della televisione e della radio. Milano: F. Angeli, 2000.

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21

Mourning films: A critical study of loss and grieving in cinema. Jefferson, N.C: McFarland & Company, Inc., Publishers, 2012.

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22

Appropriating folk culture: A study of the post-Independence Indian cinema. Delhi: Authors Press, 2008.

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23

And the mirror cracked: A study of rhetoric in feminist cinema. [Amsterdam]: Universiteit van Amsterdam, 1995.

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24

Cinema of solitude: A critical study of Mexican film, 1967-1983. Austin: University of Texas Press, 1992.

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25

John, Belton. American cinema/American culture. 3rd ed. New York, NY: McGraw-Hill, 2009.

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26

American cinema/American culture. New York: McGraw-Hill, 1994.

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27

American cinema, American culture. 2nd ed. Boston: McGraw-Hill, 2005.

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28

American cinema/American culture. 3rd ed. New York, NY: McGraw-Hill, 2009.

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29

Anna, Bertolli, Mariani Andrea 1985-, Panelli Martina, Università di Udine. Dipartimento di storia e tutela dei beni culturali, and DAMS/Gorizia (Institute), eds. Il cinema si impara?: Sapere, formazione, professioni : Film Forum 2012 : XIX Convegno internazionale di studi sul cinema = Can we learn cinema? : knowledge, training, the profession : XIX International Film Studies Conference, University of Udine. Udine: Forum, 2013.

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30

Grilo, João Mário. As lições do cinema: Manual de filmologia. Lisboa: Edições Colibri, 2007.

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31

The cinema of Generation X: A critical study of films and directors. Jefferson, NC: McFarland & Co., 2002.

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32

Culpin, Christopher. Local history: 100 years of cinema : a study pack for KS2 & GCSE. London): Film Education (41-42 Berners Street, London W1P 3AA, 1996.

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33

Wills, Brian Steel. Gone with the glory: The Civil War in cinema. Lanham, MD: Rowman & Littlefield, 2006.

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34

1944-, Miceli Sergio, and Gallenga Laura, eds. Comporre per il cinema: Teoria e prassi della musica nel film. [Rome?]: Fondazione Scuola nazionale di cinema, 2001.

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35

Agnihotri, Ram Awatar. Social and political study of modern Hindi cinema: Past, present, and future perspectives. New Delhi, India: Commonwealth Publishers, 1990.

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36

Manchel, Frank. Film study: An analytical bibliography. Rutherford, N.J: Fairleigh Dickinson University Press, 1990.

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37

Manchel, Frank. Film study: An analytical bibliography. Rutherford, (N.J.): Fairleigh Dickinson University Press, 1990.

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38

Manchel, Frank. Film study: An analytical bibliography. Rutherford: Fairleigh Dickinson University Press, 1990.

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39

The complete guide to American film schools and cinema and television courses. New York, N.Y: Penguin Books, 1994.

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40

Khan, Nifa. A study of the impact of Indian youth culture on Indian cinema in London. London: LCP, 1999.

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41

Nicholas, Joe. Egyptian Cinema (BFI Education Study Guide). BFI Publishing, 1994.

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42

Cinema Hypothesis: Teaching Cinema in the Classroom and Beyond. Columbia University Press, 2016.

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43

Studying Indian Cinema. Auteur, 2013.

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44

Studying Indian Cinema. Auteur, 2013.

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45

Studying Early And Silent Cinema. Auteur, 2013.

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46

Withall, Keith. Studying Early and Silent Cinema. Auteur, 2014.

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47

Withall, Keith. Studying Early and Silent Cinema. Auteur Publishing, 2014.

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48

Gill, Mary, and Deana Smalley. Cinema for Spanish Conversation. Focus Publishing/R. Pullins Company, 2002.

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49

Study Guide To Accompany American Cinema / American Culture. McGraw-Hill Education, 2012.

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50

Burning Passions: Introduction to the Study ofSilent Cinema. B. F. I. Pub., 1994.

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