Relevant bibliographies by topics / Cinema study

Academic literature on the topic 'Cinema study'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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Journal articles on the topic "Cinema study"

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Talmacs, Nicole. "Chinese cinema and Australian audiences: an exploratory study." Media International Australia 175, no. 1 (March 5, 2020): 50–64. http://dx.doi.org/10.1177/1329878x20908083.

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Since Wanda’s acquisition of Hoyts Group in 2015, and Australia’s signing of the Film Co-production Treaty with China in 2008, Chinese cinema has gained access to mainstream Australian cinemas more than ever before. To date, these films have struggled to cross over into the mainstream (that is, attract non-diasporic audiences). Drawing on film screenings of a selection of both Chinese and Chinese-foreign co-productions recently theatrically released in major cities in Australia, this article finds Chinese and Chinese-foreign co-produced cinema will likely continue to lack appeal among non-Chinese Australian audiences. Concerningly, exposure to contemporary Chinese cinema was found to negatively impact willingness to watch Chinese cinema again, and in some cases, worsen impressions of China and Chinese society.
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Wan, Xing, Nianxin Wang, and Ben Shaw-Ching Liu. "Impact of O2O platform multihoming and vertical integration on performance of local service firms – a quantile regression approach." Internet Research 30, no. 5 (May 7, 2020): 1583–610. http://dx.doi.org/10.1108/intr-03-2019-0087.

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PurposeThis study takes the cinema industry as the research context and investigates the impact of online to offline (O2O) platforms on cinemas' performance. Specifically, the purposes of this paper are threefold: first, to study the influence of platform multihoming on cinemas' performance; second, to examine the interaction impact of platform multihoming and vertical integration; third, to investigate how the influence of platform multihoming varies with cinemas' performance.Design/methodology/approachThis study collects data from 1918 cinemas in China, employs quantile regressions to estimate the model and test the proposed hypotheses and adopts an instrumental variable method to examine the robustness of our results.FindingsThe findings confirm the positive role of platform multihoming for cinemas' performance. However, when a cinema has low-degree platform multihoming, the cinema's vertical integration is positively associated with its performance; when a cinema has high-degree platform multihoming, the cinema's vertical integration is negatively associated with its performance. Furthermore, results from quantile regressions indicate that low-performance cinemas benefit more than high-performance cinemas from employing platform multihoming strategy.Research limitations/implicationsThis paper extends previous research by investigating the impact of platform multihoming on heterogeneous firms and the impact of interaction between platform multihoming and vertical integration. The findings imply that the impact of platform multihoming on firms' performance depends on firms' performance attributes and their vertical relationships.Practical implicationsPlatform multihoming can be a double-edged sword for local service firms. When multihoming platforms, a local service firm should think about the fit between platforms and its own attributes, and identify the potential conflict between platform relationships and traditional relationships of industrial organization.Originality/valueThere is a growing interest in understanding platforms' role in the digital economy. The impact of platform participation on local service firms' performance is not sufficiently investigated. Previous research rarely addressed the impact by incorporating local service firms' performance attributes and the existing relationships of industrial organization.
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Dhar, Ram Kumar. "Cinema in Bits: A Normative Study of Digital Cinema." INROADS- An International Journal of Jaipur National University 8, no. 1and2 (2019): 50. http://dx.doi.org/10.5958/2277-4912.2019.00010.9.

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Putra, Ramadhan Maulana, and Intan Primadini. "Covid-19 and Cinemas: The Importance of Creating the Engagement with Customers through Social Media." Ultimacomm: Jurnal Ilmu Komunikasi 13, no. 1 (June 30, 2021): 82–92. http://dx.doi.org/10.31937/ultimacomm.v13i1.1994.

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The Covid-19 pandemic has resulted in one of the largest cinema companies in Indonesia, Cinema XXI, to temporarily close their business. Despite the closing, Cinema XXI is still trying to build the engagement with their customers on social media by carrying out marketing activities through the Instagram @Cinema.21. Therefore, the aim of this study is to find out how Cinemas utilizing social media in creating customer engagement during Covid-19. This study is a quantitative research and data is obtained through survey using questionnaire. This research questionnaire was distributed to 400 respondents. Based on the result of this study, it is known that Read Dimension has the highest influence on Engagement. Furthermore, Social Media Marketing was found to significantly influence Customer Engagement. Keywords: Covid-19, Cinema XXI, Social Media, Social Media Marketing, Customer Engagement.
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Noordegraaf, Julia, Loes Opgenhaffen, and Norbert Bakker. "Cinema Parisien 3D." Alphaville: Journal of Film and Screen Media, no. 11 (August 17, 2016): 45–61. http://dx.doi.org/10.33178/alpha.11.03.

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In this article we evaluate the relevance of 3D visualisation as a research tool for the history of cinemagoing. How does the process of building a 3D model of cinema theatres relate to what we already know about this history? In which ways does the modelling process allow for the synthesis of different types of archived cinema heritage assets? To what extent does this presentation of “content in context” helps us to better understand the history of film consumption? We will address these questions via a discussion of a specific case study, our visualisation of Jean Desmet’s Amsterdam Cinema Parisien theatre, one of the first permanent cinemas of the Dutch capital. First, we reflect on 3D as a research tool, outlining its technology and methodological principles and its usefulness for research into the historiography of moviegoing. Then we describe our 3D visualisation of Cinema Parisien, discussing the process of researching and building the model. Finally, we evaluate the result against the existing knowledge about the history of cinemagoing in Amsterdam and of this cinema theatre in particular, and answer the question to what extent 3D as a research tool can aid our understanding of the history of cinema consumption.
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배수경. "A Study of Thai Cinema." JOURNAL OF KOREAN ASSOCIATION OF THAI STUDIES ll, no. 14 (October 2007): 177–223. http://dx.doi.org/10.22473/kats.2007..14.007.

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Shirinova, Mekhrigiyo Shokirovna. "THE ROLE OF IN THE ROLE OF INTONATION IN CINEM TION IN CINEMA LANGUAGE." Scientific Reports of Bukhara State University 4, no. 4 (August 28, 2020): 139–43. http://dx.doi.org/10.52297/2181-1466/2020/4/4/8.

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Background. The article reveals the essence of the concept of intonation, reveals its composition, function and roles in the language of cinema. Intonation is an adornment of oral speech, it is argued that it is the most important element in revealing the character of the characters. This is proved with factual examples from the films Onam bilmasin (Let Mama Don't Know) and Katta Odam 2 (Big Man 2). It is substantiated that the study of the language of cinema in the linguistic aspect, especially, the study of the phonetic, lexical-semantic and grammatical aspects in the future can lead to an increase in the level of films, some recommendations are given to improve the language of cinema.
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Hong, Sang Woo. "Discovery of Central Asian Cinema, A Study on the Kyrgyzstan Cinema." Comparative Study of World Literature 66 (March 30, 2019): 173–85. http://dx.doi.org/10.33078/cowol66.08.

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Rachamalla, Suresh. "Influence of Liberalisation & Globalisation on Indian Cinema - A study of Indian cinema and it’s diasporic consciousness." Journal of Advanced Research in Journalism & Mass Communication 05, no. 01 (February 27, 2018): 18–24. http://dx.doi.org/10.24321/2395.3810.201804.

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Kak, Dr Sabzaar. "Fort and Fortress in Indian Cinema: Study on the Role of Indian Historical Monuments on Indian Cinema." International Journal of Psychosocial Rehabilitation 24, no. 5 (March 31, 2020): 1930–38. http://dx.doi.org/10.37200/ijpr/v24i5/pr201867.

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Dissertations / Theses on the topic "Cinema study"

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Delgado, Benjamin Fernando. "The Cinema is Dead. Long Live the Cinema: A Multiple Case Study of the Connection Between Community and Transitional Cinemas." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1372777410.

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Jeknavorian, Michael. "The Pessimism of Horror Cinema: A Comparative Study Between Modernist and Postmodernist Horror Cinema." Scholar Commons, 2009. https://scholarcommons.usf.edu/etd/2029.

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This qualitative thesis examines levels of pessimism as they relate to modern and postmodern horror cinema. Beyond assumed differences in levels of pessimism between the two genres, the study also examines implicit and explicit moralization of these categories. Specifically, the study questions if postmodern horror cinema's characteristic increase in pessimism is simply a change in the genre's convention, yet a change that is irrespective of either genre's capabilities to moralize. First, the study singularly examines the conventions of each genre as it relates to levels of pessimism. Second, the study discusses works that bridge the two genres. And third, the study speculates on the future of pessimism in postmodern horror cinema, specifically examining the genre's increased reliance on a combination of narrative and documentary techniques. In addition, this study uses content analysis as its methodological framework, whereby representative works of horror cinema (the data) are subjected to in-depth personal reading and textual analysis given the levels of pessimism between the two genres (the coding) via text immersion. Nonetheless, this study should be viewed more as a guided and informed exploration of certain characteristics regarding the genres and less of a defense since the data will not be quantified.
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Guida, Marino Giorgio. "Producing Kafka : case study, cinema and theory." Thesis, University of Cambridge, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.616164.

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Jeknavorian, Michael. "The pessimism of horror cinema : a comparative study between modernist and post-modernist horror cinema." [Tampa, Fla] : University of South Florida, 2009. http://purl.fcla.edu/usf/dc/et/SFE0003115.

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Bermudez, Pilar Aurelia. "The Social Impact of "Brokeback Mountain:" A Reception Study." Scholarly Repository, 2008. http://scholarlyrepository.miami.edu/oa_theses/125.

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The film "Brokeback Mountain" was released in December of 2005 into mainstream theaters and to general audiences. Director Ang Lee, screenwriters Diana Ossana and Larry McMurtry, and actors Heath Ledger and Jake Gyllenhaal made this film in which the storyline revolves around two men falling in love and how this forbidden love would affect the rest of their lives. The shock of having a film with two men kissing and having sex in the theaters seemed to have struck a nerve with many viewers. Some were very positive, hailing the film as a new step in mainstream films to show a queer relationship, others were negative, criticizing the film even at times condemning what was shown on the screen. The impact of the film made debate and conversations about queer content available to a public forum, in this case newspapers from around the country.
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Arabi, Afif J. "The history of Lebanese cinema 1929-1979: an analytical study of the evolution and the development of Lebanese cinema /." The Ohio State University, 1996. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487933245538861.

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Zha, Yu 1970. "The mythology of Hero : a study of Chinese national cinema." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79987.

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As the twentieth century ended with globalization and commercialization, popular culture begins to challenge the dominance of national culture. The Chinese intellectual community tries to defend national culture against the incoming global culture and local cultures. The conflicts between localism and nationalism, and also between globalism and nationalism, are clearly demonstrated in the Hero phenomenon, which basically concerns the unanimous disparagement on director Zhang Yimou's debut martial arts film Hero within the Chinese critics' circle. Through a discursive analysis of the phenomenon, we can see how the conflicts between modernism and postmodernism, between elitism and commercialism shape the landscape of contemporary Chinese culture. In this article, I first seek to understand how modernism evolved into nationalism in China during the last century and what role the intelligentsia played in the process of such evolvement. I further seek to understand why the intellectual community has distaste for popular culture and commercialism. Other research on this topic has linked nationalism to national culture, and localism and globalism to popular culture.
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Yuan, Yilei. "Subtitling Chinese cinema : a case study of Zhang Yimou's films." Thesis, University of Glasgow, 2016. http://theses.gla.ac.uk/7724/.

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In recent years, more and more Chinese films have been exported abroad. This thesis intends to explore the subtitling of Chinese cinema into English, with Zhang Yimou’s films as a case study. Zhang Yimou is arguably the most critically and internationally acclaimed Chinese filmmaker, who has experimented with a variety of genres of films. I argue that in the subtitling of his films, there is an obvious adoption of the domestication translation strategy that reduces or even omits Chinese cultural references. I try to discover what cultural categories or perspectives of China are prone to the domestication of translation and have formulated five categories: humour, politeness, dialect, history and songs and the Peking Opera. My methodology is that I compare the source Chinese dialogue lines with the existing English subtitles by providing literal translations of the source lines, and I will also give my alternative translations that tend to retain the source cultural references better. I also speculate that the domestication strategy is frequently employed by subtitlers possibly because the subtitlers assume the source cultural references are difficult for target language subtitle readers to comprehend, even if they are translated into a target language. However, subtitle readers are very likely to understand more than what the dialogue lines and the target language subtitles express, because films are multimodal entities and verbal information is not the only source of information for subtitle readers. The image and the sound are also significant sources of information for subtitle readers who are constantly involved in a dynamic film-watching experience. They are also expected to grasp visual and acoustic information. The complete omission or domestication of source cultural references might also affect their interpretation of the non-verbal cues. I also contemplate that the translation, which frequently domesticates the source culture carried out by a translator who is also a native speaker of the source language, is ‘submissive translation’.
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Conway, Madeline Ruth. "Representing difference : a study of physical disability in contemporary Spanish cinema." Thesis, Birkbeck (University of London), 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.368909.

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潘敏聰 and Man-chung Pun. "Remembering the cultural revolution: a study of Chinese cinema since 1978." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B3122779X.

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Books on the topic "Cinema study"

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Sikov, Ed. Study guide for American cinema. New York: McGraw-Hill, 1994.

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Mills, Perry F. Simply cinema. Dubuque, Iowa: Kendall/Hunt Pub. Co., 1989.

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Wendy, Helsby, O'Brien Maureen, and British Film Institute, eds. Teaching African cinema. London: British Film Institute, 1998.

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University), European Cinema Conference (1st 1984 Aston. European Cinema Conference papers. [Birmingham: AMLC Press], 1985.

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Searle, Daniel Peter Conrad. Cinema in Falmouth: A feasibility study for the need and demand for a new cinema in Falmouth. Falmouth: D.P.C. Searle, 1997.

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The cinema of Preston Sturges: A critical study. Jefferson, N.C: McFarland & Co., Publishers, 2010.

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Bertolucci's dream loom: A psychoanalytic study of cinema. Amherst, MA: University of Massachusetts Press, 1987.

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Movie greats: A critical study of classic cinema. Oxford: Berg, 2008.

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The moving image: A study of Indian cinema. Bombay: Orient Longman, 1988.

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Chatterji, Shoma A. Subject--cinema, object--woman: A study of the portrayal of women in Indian cinema. Calcutta: Parumita Publications, 1998.

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Book chapters on the topic "Cinema study"

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Kiaer, Jieun. "Going to the cinema." In Study Abroad in Korea, 74–80. London ; New York : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780367824020-11.

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Bacon, Henry. "Introduction to the Study of Transnational Small Nation Cinema." In Finnish Cinema, 1–19. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-57651-4_1.

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Cere, Rinella. "‘Thought of a museum of cinema’." In An International Study of Film Museums, 60–74. London ; New York : Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9781003134206-5.

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Cere, Rinella. "The birth of the museum of cinema." In An International Study of Film Museums, 9–28. London ; New York : Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9781003134206-2.

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Cere, Rinella. "The Museu del Cinema in Girona, Catalonia." In An International Study of Film Museums, 75–86. London ; New York : Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9781003134206-6.

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Meyen, Michael. "Film and European Identity: A German Case Study." In European Cinema and Television, 43–57. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137356888_3.

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Davies, Ann. "Introduction: The Study of Contemporary Spanish Cinema." In Spain on Screen, 1–18. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230294745_1.

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Ferreira, Carolin Overhoff. "Imagining Migration: A Panoramic View of Lusophone Films and Tabu (2012) as a Case Study." In Migration in Lusophone Cinema, 17–40. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137408921_2.

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McClennen, Sophia A. "Introduction: Toward a New Critical Paradigm for the Study of Culture and Globalization." In Globalization and Latin American Cinema, 1–53. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-57060-0_1.

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Boukary, Sawadogo. "Critical reading lenses in the study of African cinema." In African Film Studies, 105–30. Abingdon, Oxon; New York, NY: Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9780429508066-8.

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Conference papers on the topic "Cinema study"

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Tóthová, Barbora, and Miriam Šebová. "Community cinemas in urban regeneration: a case study of cinema Úsmev in Košice." In XXIII. mezinárodní kolokvium o regionálních vědách / 23rd International Colloquium on Regional Sciences. Brno: Masaryk University Press, 2020. http://dx.doi.org/10.5817/cz.muni.p210-9610-2020-59.

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The paper is focused on the role of cinemas in culture-led urban regeneration, their potential in the process of place-making and community building. Existing research has shown that there is a link between social and spatial identities based on small town cinemas and that community needs to be at the centre of the regeneration process for it to be sustainable. The paper follows the debate with its objective being to explore this link using a mixed method approach based on a case study. The case study deals with a local community cinema project located in the centre of Košice, Slovakia. It started the process of cinema restoration in 2015 and reflected the collective aspirations of urban inhabitants for the cinema’s survival. The findings conclude that the cinema is an active social actor and cultural asset in the neighbourhood and contributes to the development of a vital and inclusive community. On the other hand, it opens up the debate on the Slovak Audiovisual policies and cinema situation across Slovak districts as potential for further research.
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Rassy Marques, Sarah, André Araujo, Ivan Picanço, WAGNER SANTOS, and gerardo alves nogueira braga neto. "ACOUSTIC AND CINEMA: PROJECTION ROOM CASE STUDY FILM OF OLYMPIA CINEMA S." In 25th International Congress of Mechanical Engineering. ABCM, 2019. http://dx.doi.org/10.26678/abcm.cobem2019.cob2019-2227.

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Liu, Di, and Suyan Zhang. "Study on the Relationship between Cinema Language and Sound Image." In 2nd International Conference on Arts, Design and Contemporary Education. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icadce-16.2016.89.

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Kavas, Burcu. "Cinema and New Media Possibilities in the Pandemic." In COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctcspc.21/ctc21.027.

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Cinema, which started to digitalize in the 20th century, continues to be integrated with digital publishing platforms that emerged with the development of new media technologies in the 21st century. With the coronavirus pandemic that affected the whole world in 2019, digital broadcasting platforms became popular as an alternative cinema event in the quarantine process. Various precautions have been taken around the world for the coronavirus pandemic. As a result of the quarantine precaution, the local and global cinema industry was negatively affected. Cinema industry which is a collective production and screening process, has been interrupted by the suspension of the filming and the closing of the movie theaters during the quarantine. New media created a movement area for the cinema industry in this process. In this sense, the aim of this study is examining the researches on the effect of the coronavirus pandemic on the cinema and the effect of new media tools and opportunities on the cinema sector.
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Lu, Fang. "A Study on Key Delivery Message System of Digital Cinema Design." In International Conference on Education, Management, Commerce and Society. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/emcs-15.2015.42.

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Mahadewi, Luh Putu Putrini, and I. Made Teguh. "Lesson Study in Blended Setting: Comparative Study on Students' Skills in Producing Educational Electronic Cinema." In 9th International Conference for Science Educators and Teachers (ICSET 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icset-17.2017.28.

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Lu, Xiaoyang, Xiuzhi Liu, Shaobo Lu, Ya Su, Zhongjia Zhao, and Long Li. "Study on Air Distribution of Displacement Ventilation in Dome Cinema in Summer." In 5th International Conference on Advanced Design and Manufacturing Engineering. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/icadme-15.2015.339.

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Rahman, Suria Hani A. "Gender And Religion In Malaysian Cinema: A Study On Yasmin Ahmad’s Films." In 7th International Conference on Communication and Media. European Publisher, 2021. http://dx.doi.org/10.15405/epsbs.2021.06.02.32.

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Ruppel, Wolfgang, Yannic Alff, and Thomas Gollner. "Study on the Acceptance of Higher Frame Rate Stereoscopic 3D in Digital Cinema." In SMPTE Technical Conference. IEEE, 2013. http://dx.doi.org/10.5594/m001512.

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Gong, Bo, Hu Qin, Dengke Chen, and Feng Wang. "Technical Analysis, Standard Interpretation, Inspection and Assessment Study for Digital Cinema Stereoscopic Projection." In SMPTE Technical Conference. IEEE, 2015. http://dx.doi.org/10.5594/m001666.

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Reports on the topic "Cinema study"

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Girardi, Gherardo. Extended Case Study: Teaching and learning economics through cinema. Bristol, UK: The Economics Network, February 2008. http://dx.doi.org/10.53593/n178a.

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Bożek, Małgorzata. FILM PRODUCTION IN POLAND. STAGES: FROM AN IDEA TO THE SCREEN. Ivan Franko National University of Lviv, March 2021. http://dx.doi.org/10.30970/vjo.2021.50.11112.

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The Polish film system is characterized by a variety of forms. Michał Zabłocki, the author of the comprehensive study of the «Organization of the production of feature film in Poland», isolates two models of world cinema: a producer and a producer – director. The first one features the dominant role of the producer, which means the person who is responsible for the work of all the film departments – direction, cinematography, production management, scenography and costume design. The second one, the model which is still the most popular in Poland, assumes close cooperation between the producer and the director.
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