Journal articles on the topic 'Cinema muto'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 50 journal articles for your research on the topic 'Cinema muto.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.
Alanen, Antti. "Le Giornate del Cinema Muto 20 vuotta." Lähikuva – audiovisuaalisen kulttuurin tieteellinen julkaisu 15, no. 1 (January 1, 2002): 107–9. http://dx.doi.org/10.23994/lk.116136.
Full textWhite, Jerry. "Le Giornate del Cinema Muto 2003 (review)." Moving Image 4, no. 2 (2004): 152–55. http://dx.doi.org/10.1353/mov.2004.0039.
Full textSørenssen, Bjørn. "Le Giornate del Cinema Muto, Pordenone 2007." Film International 6, no. 4 (October 7, 2008): 77–81. http://dx.doi.org/10.1386/fiin.6.4.77.
Full textPithon, Rémy, and Valérie Pozner. "Le Giornate del cinema muto 2004 à Sacile." 1895. Mille huit cent quatre-vingt-quinze, no. 45 (April 1, 2005): 125–32. http://dx.doi.org/10.4000/1895.942.
Full textBlom, Ivo. "Elisa Uffreduzzi, La Danza Nel Cinema Muto Italiano." Nineteenth Century Theatre and Film 45, no. 1 (May 2018): 141–45. http://dx.doi.org/10.1177/1748372718778653.
Full textGili, Jean A. "Aldo Bernardini, Cinema muto italiano. Protagonisti | Itinerari nel cinema tra critica e storia." 1895, no. 86 (December 1, 2018): 197–98. http://dx.doi.org/10.4000/1895.7206.
Full textMorrissey, Priska. "Le Giornate del Cinema Muto, Pordenone, 6-13 octobre 2007." 1895, no. 54 (February 1, 2008): 173–75. http://dx.doi.org/10.4000/1895.2902.
Full textJuan, Myriam. "Les « Giornate del Cinema Muto », Pordenone, 2-9 octobre 2010." 1895, no. 62 (December 1, 2010): 146–54. http://dx.doi.org/10.4000/1895.3795.
Full textBretèque, François Amy de la, Pierre-Emmanuel Jaques, and Rémy Python. "Le Giornate del Cinema Muto, Pordenone, 4 -11 octobre 2008." 1895, no. 57 (April 1, 2009): 148–54. http://dx.doi.org/10.4000/1895.4023.
Full textGili, Jean Antoine. "Aldo Bernardini, Le imprese di produzione del cinema muto italiano." 1895, no. 81 (March 1, 2017): 214–16. http://dx.doi.org/10.4000/1895.5307.
Full textSeppälä, Jaakko. "Kolmekymmentä vuotta, eikä suotta : Le Giornate del Cinema Muto 2011." Lähikuva – audiovisuaalisen kulttuurin tieteellinen julkaisu 25, no. 1 (January 1, 2012): 81–84. http://dx.doi.org/10.23994/lk.121134.
Full textJaques, Pierre-Emmanuel, François Amy de la Bretèque, and Rémy Pithon. "Le giornate del cinema muto 2005. Sacile, 8–15 octobre 2005." 1895, no. 49 (June 1, 2006): 133–53. http://dx.doi.org/10.4000/1895.476.
Full textThompson, K. "Le Giornate del Cinema Muto, Pordenone, Italy, 14-21 October 1989." Screen 31, no. 1 (March 1, 1990): 110–11. http://dx.doi.org/10.1093/screen/31.1.110.
Full textHorak, Jan-Christopher. "XV. Il Giornate del Cinema Muto, Pordenone, 12–20 October 1996." Historical Journal of Film, Radio and Television 17, no. 2 (June 1997): 263–65. http://dx.doi.org/10.1080/01439689700260731.
Full textAdriaensens, Vito. "Cultivating the Early Canons: The Pordenone Silent Film Festival." Film Quarterly 69, no. 3 (2016): 91–95. http://dx.doi.org/10.1525/fq.2016.69.3.91.
Full textCarvalho, Danielle Crepaldi. "Entrevista com David Robinson." Significação: Revista de Cultura Audiovisual 45, no. 49 (April 27, 2018): 252. http://dx.doi.org/10.11606/issn.2316-7114.sig.2018.143079.
Full textGili, Jean Antoine. "Aldo Bernardini, Cinema muto italiano. Le imprese di produzione. I. Il Centro-Sud." 1895, no. 70 (June 1, 2013): 234–35. http://dx.doi.org/10.4000/1895.4722.
Full textAmendola, Alfonso, and Mario Tirino. "Il filtro di Dante. L’impronta di Gustave Doré dal cinema muto al digitale." Dante e l'Arte 3 (December 7, 2016): 11. http://dx.doi.org/10.5565/rev/dea.66.
Full textTryster, Hillel. "The Pordenone Silent Film Festival: Le Giornate del Cinema Muto 1982-2001 (review)." Moving Image 3, no. 2 (2003): 126–28. http://dx.doi.org/10.1353/mov.2003.0036.
Full textSaccone. "Le Giornate del Cinema Muto, Thirty-Ninth “Limited Edition”: October 3-10, 2020, Online." Moving Image: The Journal of the Association of Moving Image Archivists 20, no. 1-2 (2020): 335. http://dx.doi.org/10.5749/movingimage.20.1-2.0335.
Full textHarkema, Gert Jan. "Hollywood legacies and Russian laughter: Le Giornate del Cinema Muto / Pordenone Silent Film Festival 2014." NECSUS. European Journal of Media Studies 4, no. 1 (January 1, 2015): 255–60. http://dx.doi.org/10.5117/necsus2015.1.val3.
Full textRist, Peter. "Camera Movement in Japanese Silent Films (and the 20th Giornate del Cinema Muto, in Sacile, Italy, October 2001)." Asian Cinema 14, no. 2 (September 1, 2003): 197–205. http://dx.doi.org/10.1386/ac.14.2.197_1.
Full textDávila Vargas-Machuca, Miguel. "El género histórico como impulsor del cine italiano del Primo Novecento." Ñawi 4, no. 2 (July 17, 2020): 183. http://dx.doi.org/10.37785/nw.v4n2.a11.
Full textNazario, Luiz. "O outro cinema." Aletria: Revista de Estudos de Literatura 16, no. 2 (December 31, 2007): 94–109. http://dx.doi.org/10.17851/2317-2096.16.2.94-109.
Full textPortanova, Eduardo. "Michel Marie e a poesia do olhar." Revista FAMECOS 14, no. 33 (April 14, 2008): 7. http://dx.doi.org/10.15448/1980-3729.2007.33.3428.
Full textLourenço, Jaime, and Maria João Centeno. "A cobertura jornalística do cinema." Media & Jornalismo 21, no. 38 (April 20, 2021): 223–39. http://dx.doi.org/10.14195/2183-5462_38_11.
Full textDa Silva Filho, Wilson Oliveira, and André Souza Parente. "Sobrevidas repetidas das imagens: Os gifs como séries, atrações e extensões." Revista ECO-Pós 21, no. 1 (July 9, 2018): 294. http://dx.doi.org/10.29146/eco-pos.v21i1.10144.
Full textMarconi, Dieison. "Cinema queer brasileiro ou as veias abertas da política da imagem." Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual 9, no. 2 (March 15, 2021): 141–57. http://dx.doi.org/10.22475/rebeca.v9n2.685.
Full textPires, Yasmin, and André Villa. "A Representação Visual do Som no Cinema “Mudo”." Comunicação & Sociedade 40, no. 1 (May 28, 2018): 185. http://dx.doi.org/10.15603/2175-7755/cs.v40n1p185-212.
Full textPessoa, Patrick. "Muito além do 3D: sobre a verdade apresentacional da imagem cinematográfica." Viso: Cadernos de estética aplicada 8, no. 15 (November 12, 2014): 57–65. http://dx.doi.org/10.22409/1981-4062/v15i/174.
Full textNazario, Luiz. "O outro cinema." Aletria: Revista de Estudos de Literatura 16 (December 31, 2007): 94. http://dx.doi.org/10.17851/2317-2096.16.0.94-109.
Full textBadiou, Alain, and Luiz Baez. "O cinema como acontecimento." ALCEU 21, no. 44 (September 29, 2021): 281–92. http://dx.doi.org/10.46391/alceu.v21.ed44.2021.252.
Full textAraújo, Mateus, and Cyril Béghin. "Brecht, Glauber, Deus, o Diabo e o Dragão Entrevista com Othon Bastos." Revista ECO-Pós 22, no. 1 (June 21, 2019): 308–24. http://dx.doi.org/10.29146/eco-pos.v22i1.26394.
Full textPereira Cordeiro, Jéssica Maria. "PATHOS NO CINEMA." PÓLEMOS – Revista de Estudantes de Filosofia da Universidade de Brasília 6, no. 12 (January 10, 2018): 98–104. http://dx.doi.org/10.26512/pl.v6i12.11768.
Full textErdogan, N. "Mute bodies, disembodied voices: notes on sound in Turkish popular cinema." Screen 43, no. 3 (September 1, 2002): 233–49. http://dx.doi.org/10.1093/screen/43.3.233.
Full textRosa Anaya, César de la, and Sophie Poiré. "Una evocación de El Automóvil Gris: la restauración del clásico del cine mudo mexicano." Intervención, Revista Internacional de Conservación, Restauración y Museología 1, no. 1 (May 1, 2005): 21–32. http://dx.doi.org/10.30763/intervencion.2018.17.197.
Full textMarques, Nelson. "Prêmio Framboesa de Ouro." Revista Cronos 19, no. 1 (May 31, 2019): 14–19. http://dx.doi.org/10.21680/1982-5560.2018v19n1id17868.
Full textMazierska, Ewa. "In the Land of Noble Knights and Mute Princesses: Polish heritage cinema." Historical Journal of Film, Radio and Television 21, no. 2 (June 2001): 167–82. http://dx.doi.org/10.1080/01439680120051505.
Full textSantaolalla, Isabel. "Bodyscapes of silence: The figure of the mute woman in the cinema." Journal of Gender Studies 7, no. 1 (March 1998): 53–61. http://dx.doi.org/10.1080/09589236.1998.9960700.
Full textAutran Franco de Sá Neto, Arthur. "DossiêRevista do Programa de Pós-Graduação em Artes, Cultura e LinguagensInstituto de Artes e Design :: UFJFDossiê307O Cinema Marginal e a política." Revista Nava 2, no. 2 (September 13, 2019): 307–19. http://dx.doi.org/10.34019/2525-7757.2017.v2.28084.
Full textMartins, India Mara. "A paisagem potencializando a atmosfera filmica em Viajo porque preciso, volto porque te amo // The landscape enhancing the filmic atmosphere in Viajo porque preciso, volto porque te amo." Contemporânea Revista de Comunicação e Cultura 17, no. 2 (August 28, 2019): 305. http://dx.doi.org/10.9771/contemporanea.v17i2.26213.
Full textLuiz de Oliveira, César, and Juliana de Mello Moraes. ""O CINEMA COMO FONTE E AGENTE NA HISTÓRIA DA EDUCAÇÃO: APONTAMENTOS TEÓRICOS E METODOLÓGICOS"." Revista Educação e Linguagens 11, no. 22 (December 13, 2022): 337–53. http://dx.doi.org/10.33871/22386084.2022.11.22.337-353.
Full textMiguel, Alcebiades Diniz. "Judaísmo e cinema imaginário." Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG 14, no. 27 (November 30, 2020): 2–15. http://dx.doi.org/10.35699/1982-3053.2020.25679.
Full textNakamura, Mariana, and Simonetta Persichetti. "Muito mais que Yellowface: o início do reconhecimento asiático." Revista Alterjor 25, no. 1 (February 17, 2022): 71–82. http://dx.doi.org/10.11606/issn.2176-1507.v25i1p71-82.
Full textCodato, Henrique. "O Desejo e seus labirintos: Reflexões acerca do cinema contemporâneo." Revista Contracampo, no. 23 (December 8, 2011): 235. http://dx.doi.org/10.22409/contracampo.v0i23.101.
Full textSussai, Matheus Henrique Marques. "Salas de cinema em Londrina: conhecimentos prévios e o uso da “Folha de Londrina” para o estudo do Cine Ouro Verde." História & Ensino 22, no. 1 (August 4, 2016): 201. http://dx.doi.org/10.5433/2238-3018.2016v22n1p.
Full textHirano, Luis Felipe Kojima. "Atlântida: Carnavalizando o Cinema Brasileiro." Humanidades em diálogo 2, no. 1 (October 23, 2008): 153–68. http://dx.doi.org/10.11606/issn.1982-7547.hd.2008.106152.
Full textNeves, Jaime. "seletivo e meticuloso uso da cor no cinema." VISUAL REVIEW. International Visual Culture Review / Revista Internacional de Cultura Visual 9, Monográfico (November 14, 2022): 1–11. http://dx.doi.org/10.37467/revvisual.v9.3698.
Full textSzlak, Bruno. "O cinema haredi em ação - corpos em movimento." Cadernos de Língua e Literatura Hebraica, no. 14 (December 26, 2016): 176–98. http://dx.doi.org/10.11606/issn.2317-8051.cllh.2016.125039.
Full textSzlak, Bruno. "O cinema haredi em ação - corpos em movimento." Cadernos de Língua e Literatura Hebraica, no. 14 (December 26, 2016): 176. http://dx.doi.org/10.11606/issn.2179-0892.cllh.2016.125039.
Full text