Journal articles on the topic 'Cinéma hindi'
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Wankhede, Harish S. "Examining the Presence of Dalit identity in Hindi Cinema." Current Research Journal of Social Sciences and Humanities 5, no. 2 (January 10, 2023): 76–82. http://dx.doi.org/10.12944/crjssh.5.2.03.
Full textMistry, Pratima. "The Changing Role of Women in Hindi Cinema." Indian Journal of Applied Research 4, no. 7 (October 1, 2011): 537–39. http://dx.doi.org/10.15373/2249555x/july2014/199.
Full textJapee, Dr Gurudutta. "INDIAN FILMS IN GLOBAL CONTEXT - MONEY OR CREATIVITY!" GAP GYAN - A GLOBAL JOURNAL OF SOCIAL SCIENCES 1, no. 1 (September 5, 2018): 24–29. http://dx.doi.org/10.47968/gapgyan.11003.
Full textParda, Małgorzata. "Determinants of the spatial diffusion of Bollywood cinema." Miscellanea Geographica 23, no. 1 (January 31, 2019): 33–38. http://dx.doi.org/10.2478/mgrsd-2018-0030.
Full textBhugra, Dinesh. "Psychoanalysis in Hindi cinema." Acta Neuropsychiatrica 20, no. 2 (April 2008): 96–97. http://dx.doi.org/10.1111/j.1601-5215.2008.00275.x.
Full textSaini, Rahul Kumar. "The interpretation of Hindi cinema (with special reference to fiction)." RESEARCH REVIEW International Journal of Multidisciplinary 8, no. 7 (July 15, 2023): 167–70. http://dx.doi.org/10.31305/rrijm.2023.v08.n07.023.
Full textJain, Chhaya. "OVERALL VIEW ON HINDI CINEMA." International Journal of Research -GRANTHAALAYAH 7, no. 4 (April 30, 2019): 141–46. http://dx.doi.org/10.29121/granthaalayah.v7.i4.2019.883.
Full textBhugra, Dinesh, and Susham Gupta. "Psychoanalysis and the Hindi cinema." International Review of Psychiatry 21, no. 3 (January 2009): 234–40. http://dx.doi.org/10.1080/09540260902747672.
Full textRiaz, Sanaa. "Un/Familiar Other: The Indian Muslim and Bollywood Filmscapes." European Journal of Behavioral Sciences 5, no. 4 (January 4, 2023): 31–49. http://dx.doi.org/10.33422/ejbs.v5i4.928.
Full textOza, Preeti. "GAGGED NARRATIVES FROM THE MARGIN: INDIAN FILMS AND THE SHADY REPRESENTATION OF CASTE." GAP GYAN - A GLOBAL JOURNAL OF SOCIAL SCIENCES 2, no. 3 (August 16, 2019): 131–34. http://dx.doi.org/10.47968/gapgyan.230021.
Full textNair, Kartik. "Book Review: Meraj Ahmed Mubarki, Filming Horror: Hindi Cinema, Ghosts and Ideologies and Meheli Sen, Haunting Bollywood: Gender, Genre, and the Supernatural in Hindi Commercial Cinema." BioScope: South Asian Screen Studies 8, no. 2 (December 2017): 280–85. http://dx.doi.org/10.1177/0974927617728143.
Full textChauhan, Kiran, and Anjali Capila. "The winning woman of hindi cinema." ADVANCE RESEARCH JOURNAL OF SOCIAL SCIENCE 5, no. 2 (December 15, 2014): 211–18. http://dx.doi.org/10.15740/has/arjss/5.2/211-218.
Full textBhatia, Nandi. "Nautanki and Hindi Cinema: Changing Representations." Studies in South Asian Film & Media 1, no. 1 (May 1, 2009): 9–21. http://dx.doi.org/10.1386/safm.1.1.9_1.
Full textShope, Bradley. "Hindi Film Songs and the Cinema." Ethnomusicology Forum 20, no. 2 (August 2011): 271–73. http://dx.doi.org/10.1080/17411912.2011.589505.
Full textManohar, Uttara, and Susan L. Kline. "Sexual Assault Portrayals in Hindi Cinema." Sex Roles 71, no. 5-8 (August 26, 2014): 233–45. http://dx.doi.org/10.1007/s11199-014-0404-6.
Full textChattopadhyay, Saayan. "Boyhood, Ideology, and Popular Hindi Cinema." Thymos: Journal of Boyhood Studies 5, no. 2 (October 1, 2011): 138–51. http://dx.doi.org/10.3149/thy.0502.138.
Full textMukherjee, Madhuja. "Hindi film songs and the cinema." South Asian Popular Culture 9, no. 2 (July 2011): 223–25. http://dx.doi.org/10.1080/14746689.2011.569077.
Full textOsuri, Goldie. "‘Ma’ and a Political Theology of Hindi Cinema." Theory, Culture & Society 31, no. 7-8 (September 17, 2014): 343–46. http://dx.doi.org/10.1177/0263276414547778.
Full textSinghal, Kritika. "Portrayal of Sex Workers in Hindi Cinema." International Journal for Research in Applied Science and Engineering Technology 12, no. 3 (March 31, 2024): 2505–8. http://dx.doi.org/10.22214/ijraset.2024.59141.
Full textBose, Nandana. "The Hindu Right and the Politics of Censorship: Three Case Studies of Policing Hindi Cinema, 1992–2002." Velvet Light Trap 63, no. 1 (2009): 22–33. http://dx.doi.org/10.1353/vlt.0.0029.
Full textBasu, Anustup. "The eternal return and overcoming ‘Cape Fear’: science, sensation, Superman and Hindu nationalism in recent Hindi cinema." South Asian History and Culture 2, no. 4 (October 2011): 557–71. http://dx.doi.org/10.1080/19472498.2011.605299.
Full textMahajan, Sandesh, Vijayalaxmi Iyengar, and Niharika Bhowmik. "FOLLOWING THE HERD: A STUDY ON SALIENT TRENDS IN THE CONTEMPORARY HINDI FILM INDUSTRY IN INDIA." ShodhKosh: Journal of Visual and Performing Arts 3, no. 1 (March 30, 2022): 149–57. http://dx.doi.org/10.29121/shodhkosh.v3.i1.2022.94.
Full textSahu, Gopal Krushna, and Sameera Khan Rehmani. "Representation of Minorities in Popular Hindi Cinema." Media Watch 1, no. 1 (January 2010): 27–32. http://dx.doi.org/10.1177/0976091120100105.
Full textMishra, Vijay. "Bollywood: A Guidebook to Popular Hindi Cinema." Asian Studies Review 38, no. 2 (April 3, 2014): 314–15. http://dx.doi.org/10.1080/10357823.2014.902741.
Full textDwyer, Rachel. "The Hindi romantic cinema: Yash Chopra'sKabhi KabhieandSilsila." South Asia: Journal of South Asian Studies 21, no. 1 (June 1998): 181–212. http://dx.doi.org/10.1080/00856409808723332.
Full textRai, Dhananjay. "Popular Hindi Cinema as Gandhi’s Alter Ego." Social Change 41, no. 1 (March 2011): 63–78. http://dx.doi.org/10.1177/004908571104100103.
Full textDuggal, Vebhuti. "Filming Horror: Hindi Cinema, Ghosts and Ideologies." Historical Journal of Film, Radio and Television 37, no. 1 (January 2, 2017): 128–30. http://dx.doi.org/10.1080/01439685.2016.1273326.
Full textNagar, Ila. "Bollywood: a guidebook to popular Hindi cinema." Contemporary South Asia 22, no. 2 (April 3, 2014): 210–11. http://dx.doi.org/10.1080/09584935.2014.902662.
Full textDevasundaram, Ashvin Immanuel. "Interrogating Patriarchy: Transgressive Discourses of ‘F-Rated’ Independent Hindi Films." BioScope: South Asian Screen Studies 11, no. 1 (June 2020): 27–43. http://dx.doi.org/10.1177/0974927620935236.
Full textAtwal, Jyoti. "Widowhood and Motherhood in Cinematic Imagination in the Historical Context." Past and Present: Representation, Heritage and Spirituality in Modern India 4, Special Issue (December 25, 2021): 01–11. http://dx.doi.org/10.12944/crjssh.4.special-issue.01.
Full textDr. Rakesh Prakash, Umang Gupta,. "Women in Bollywood." Psychology and Education Journal 58, no. 1 (January 15, 2021): 4856–63. http://dx.doi.org/10.17762/pae.v58i1.1646.
Full textKhan, Shahnaz. "The Complicated Pleasures of Hindi Cinema in Canada." TOPIA: Canadian Journal of Cultural Studies 26 (November 2011): 47–68. http://dx.doi.org/10.3138/topia.26.47.
Full textSen, Shaunak. "“It’s Ringing Again”: Cellular Ambiguities in Hindi Cinema." BioScope: South Asian Screen Studies 4, no. 2 (July 2013): 159–81. http://dx.doi.org/10.1177/0974927613503237.
Full textAndrade, Chittaranjan, Nilesh Shah, and Basappa K. Venkatesh. "The Depiction of Electroconvulsive Therapy in Hindi Cinema." Journal of ECT 26, no. 1 (March 2010): 16–22. http://dx.doi.org/10.1097/yct.0b013e3181d017ba.
Full textSinha, Alia. "Book Review: Meraj Ahmed Mubarki, Filming Horror: Hindi Cinema, Ghosts and Ideologies." Social Change 47, no. 2 (June 2017): 302–5. http://dx.doi.org/10.1177/0049085717696379.
Full textCiolfi, Sabrina. "Demure Heroines Expressing Sexual Desire. Hints of traditional motifs in popular Hindi cinema." Acta Orientalia Vilnensia 12, no. 2 (January 1, 2011): 91–100. http://dx.doi.org/10.15388/aov.2011.1.3930.
Full textGehlawat, Ajay. "Bollywood studies at 2020." Studies in South Asian Film & Media 12, no. 1 (February 1, 2021): 83–91. http://dx.doi.org/10.1386/safm_00039_5.
Full textChowdhary, Ruchita Sujai. "THE TRANSITION SAGA OF MASCULINITY IN HINDI FILMS : THEN & NOW." International Journal of Research -GRANTHAALAYAH 9, no. 4 (April 30, 2021): 178–84. http://dx.doi.org/10.29121/granthaalayah.v9.i4.2021.3857.
Full textBhattacharya, Binayak. "Seeing Kolkata: Globalization and the Changing Context of the Narrative of Bengali-ness in Two Contemporary Films." Asiatische Studien - Études Asiatiques 73, no. 3 (March 26, 2020): 559–74. http://dx.doi.org/10.1515/asia-2019-0050.
Full textKumar, Sudhir. "Qualitative Analysis of Religious Drama in Hindi Cinema: A Study of Movie “Dharam Sankat Mein”." MediaSpace: DME Media Journal of Communication 4, no. 01 (August 19, 2023): 11–16. http://dx.doi.org/10.53361/dmejc.v4i01.02.
Full textC, Sohini. "Are you judgmental? Women and alcohol in Hindi cinema." Lancet Psychiatry 8, no. 7 (July 2021): 572–73. http://dx.doi.org/10.1016/s2215-0366(21)00163-2.
Full textSundar, Pavitra. "Meri Awaaz Suno:Women, Vocality, and Nation in Hindi Cinema." Meridians: feminism, race, transnationalism 8, no. 1 (October 2007): 144–79. http://dx.doi.org/10.2979/mer.2007.8.1.144.
Full textMubarki, Meraj Ahmed. "Body, masculinity and the male hero in Hindi cinema." Social Semiotics 30, no. 2 (November 20, 2018): 225–53. http://dx.doi.org/10.1080/10350330.2018.1547497.
Full textSaxena, Keerti, and Shabistan Zafar. "Liberalization and Changing Representation of Women in Hindi Cinema." Indian Journal of Science and Technology 10, no. 46 (December 1, 2017): 1–8. http://dx.doi.org/10.17485/ijst/2017/v10i46/115859.
Full textAthique, Adrian M. "Review: Cinema India: The Visual Culture of Hindi Film." Media International Australia 108, no. 1 (August 2003): 179–80. http://dx.doi.org/10.1177/1329878x0310800124.
Full textAthique, Adrian M. "Book Review: Reframing Bollywood: Theories of Popular Hindi Cinema." Media International Australia 139, no. 1 (May 2011): 165. http://dx.doi.org/10.1177/1329878x1113900126.
Full textKumar, Chandra Bhushan. "The popularity of the supporting cast in Hindi cinema." South Asian Popular Culture 12, no. 3 (September 2, 2014): 189–98. http://dx.doi.org/10.1080/14746689.2014.984925.
Full textPaunksnis, Šarūnas. "Towards neurotic realism: Otherness, subjectivity and new Hindi cinema." South Asian Popular Culture 15, no. 1 (January 2, 2017): 73–85. http://dx.doi.org/10.1080/14746689.2017.1344480.
Full textGehlawat, Ajay, and Rajinder Dudrah. "The evolution of song and dance in Hindi cinema." South Asian Popular Culture 15, no. 2-3 (September 2, 2017): 103–8. http://dx.doi.org/10.1080/14746689.2017.1407547.
Full textArya, Sakshi Grover, and O. P. Dewal. "Freedom of Expression: Issues and Trends in Hindi Cinema." Mass Communicator: International Journal of Communication Studies 17, no. 2 (2023): 28–33. http://dx.doi.org/10.5958/0973-967x.2023.00011.x.
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