Dissertations / Theses on the topic 'Church music'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 50 dissertations / theses for your research on the topic 'Church music.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.
Koo, Gregory J. "The meaning of liturgical music." Theological Research Exchange Network (TREN), 1992. http://www.tren.com.
Full textSherwin, Ronald Glynn. "The Church Music Program: The Effect of Moving from Performance-based to Education-based Emphasis in a Church Music Program." Fogler Library, University of Maine, 2004. http://www.library.umaine.edu/theses/pdf/SherwinRG2004.pdf.
Full textStevenson, William. "Excellence in Scottish church music." Thesis, University of St Andrews, 2003. http://hdl.handle.net/10023/14473.
Full textMarsh, Dana Trombley. "Music, church, and Henry VIII's Reformation." Thesis, University of Oxford, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670102.
Full textMilam, Kenneth Baker. "A music training program for Baptist church music leaders and pastors in Indonesia." Theological Research Exchange Network (TREN), 1995. http://www.tren.com.
Full textArnold, David F. "Seeking balance between subjective and objective criteria for music in the liturgical assembly of the Orthodox Church in America." Online full text .pdf document, available to Fuller patrons only, 2004. http://www.tren.com.
Full textBurrows, Donald. "Handel's Church Music - Modern Performances in Britain." Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A37227.
Full textMunro, Gordon James. "Scottish church music and musicians, 1500-1700." Thesis, Connect to e-thesis, 1999. http://theses.gla.ac.uk/882/.
Full textAustell, Robert M. "Biblical worship through music." Theological Research Exchange Network (TREN) Access this title online Theological Research Exchange Network (TREN), 2008. http://www.tren.com.
Full textKinder, Patrick J. "God's instrument of praise liturgical and para-liturgical music /." Theological Research Exchange Network (TREN), 1989. http://www.tren.com.
Full textRecek, Andrea Rose. "The Aquitanian sacred repertoire in its cultural context : an examination of Petri clavigeri kari, In hoc anni circulo, and Cantu miro summa laude /." Connect to title online (Scholars' Bank), 2008. http://hdl.handle.net/1794/9445.
Full textArnold, Susan Joy. "Singing in the community of faith regaining the incarnational voice of the church /." Theological Research Exchange Network (TREN), 2008. http://www.tren.com/search.cfm?p090-0357.
Full textBidgood, Lee, and Smoky Mountain Bluegrass band. "Performance At St. John's Episcopal Church." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/1053.
Full textBidgood, Lee, and Emily Bidgood. "Performance At St. John's Episcopal Church." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/1060.
Full textSmith, Kevin Bryan. "Phōs hilaron and the macro-liturgical approach text and context elevated through song and rite /." Online full text .pdf document, available to Fuller patrons only, 2002. http://www.tren.com.
Full textBidgood, Lee. "Performance at St. John's Episcopal Church." Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/etsu-works/3251.
Full textBidgood, Lee. "Performance at St. John's Episcopal Church." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/3252.
Full textEaly, Gregory. "Medieval Russian chant and the contemporary church." Theological Research Exchange Network (TREN), 2007. http://www.tren.com/search.cfm?p015-0469.
Full textKasper, Matthew J. "Schleiermacher's influence on contemporary worship music." Online full text .pdf document, available to Fuller patrons only, 2002. http://www.tren.com.
Full textWhitener, Russell E. "The worship reformation examining trends in worship, worship music, and possible revival implications /." Online full text .pdf document, available to Fuller patrons only, 2004. http://www.tren.com.
Full textMiller, Timothy. "Benjamin Britten's liturgical music and its place in the Anglican Church music tradition." Thesis, University of Surrey, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.583252.
Full textSmoak, Alfred M. "Identifying contemporary praise & worship songs for use during the church year at Trinity Baptist Church, Livermore, California." Theological Research Exchange Network (TREN), 2002. http://www.tren.com.
Full textHandman, Deborah Fleenor. "Healing songs understanding and creating powerful music for the American church /." Online full text .pdf document, available to Fuller patrons only, 2001. http://www.tren.com.
Full textJohnson, Clare Veronica. "Music, ritual and the therapeutic exploring the therapeutic potential of liturgical music in Roman Catholic worship /." Theological Research Exchange Network (TREN), 1998. http://www.tren.com.
Full textAquilina, Frederick. "The life and music of Benigno Zerafa (1726-1804) : a mid-18th century Maltese composer of sacred music." Thesis, University of Liverpool, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.250319.
Full textByrne, John Henry. "Sacred or profane: The influence of Vatican legislation on music in the Catholic Archdiocese of Melbourne." Thesis, Australian Catholic University, 2005. https://acuresearchbank.acu.edu.au/download/302c48649e343e88b395aea59780b8ee0e34d7346ca52720a98afcebac9c0b5d/1609021/64808_downloaded_stream_33.pdf.
Full textChongson, Mary Arlene Pe. "Pasyon and holy week : a study of music, acculturation, and local Catholicism in the Philippines /." Full text (PDF) from UMI/Dissertation Abstracts International, 2000. http://wwwlib.umi.com/cr/utexas/main.
Full textArblaster, Winston Vaughn 1984. "Music Theory and Arranging Techniques for the Church Musician." Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/10831.
Full textThe rising popularity of the use of "contemporary music" for worship in Christian churches has created an ever-growing body of music professionals who, coming largely from a rock-influenced folk idiom, are often untrained in music theory. As the style of music has shifted from the traditional model, stemming from classical genres, to one dominated by popular music, many of these musicians see theory education as impractical or at least unneeded given their particular stylistic approach. In order to address this issue, a method must be developed, departing from standard methods of theory pedagogy to one employing selected concepts and applications pertaining particularly to the context the contemporary worship setting and presenting them in a manner immediately beneficial to these musicians' vocational considerations. This thesis serves as a possible solution by proposing such a method and comparing it to the approaches of three major theory methods on these terms.
Committee in Charge: Dr. Jack Boss; Dr. Timothy Pack; Don Latarski
Baker, Wesley L. "Worship, contemporary Christian music, and Generation 'Y'." Online full text .pdf document, available to Fuller patrons only, 2000. http://www.tren.com.
Full textMaximova, Galina, and res cand@acu edu au. "Russian Orthodox Music in Australia: The translation of a tradition." Australian Catholic University. School of Arts and Sciences, 1999. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp217.04092009.
Full textLloyd, Richard. "Music in the parish church in late Medieval London." Thesis, University of London, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.326165.
Full textTacconi, Marica. "Liturgy and chant at the Cathedral of Florence a survey of the pre-Tridentine sources (tenth-sixteenth centuries) /." Full text available online (restricted access), 1999. http://images.lib.monash.edu.au/ts/theses/tacconi.pdf.
Full textForsyth, James. "Music of the Anglican churches in Sydney and surrounding regions." Thesis, The University of Sydney, 2002. http://hdl.handle.net/2123/2447.
Full textTaylor, Joshua. "Missa eclectic: mass settings of the world church." Kansas State University, 2013. http://hdl.handle.net/2097/15529.
Full textDepartment of Music
Julie Yu
Matthew and Mark both conclude their Gospel accounts of the first Mass, the last supper, the same way: “while singing a hymn they went out to the Mount of Olives.” Since the beginning of the Christian tradition the Mass has been accompanied by religious song. The structure of the Roman Mass grew, changed, and took its present form over the course of many years from the Ordo romanus I of ad 700 to the modern rite. The movements of the Mass Ordinary were all present in the Roman Mass as early as the 8th century, while the sections of the Mass Proper took longer to develop. Though early settings of the Ordinary were sung to modal chants, the introduction of organum and polyphony in the 14th century gave rise to inventions in compositions that continue to influence music history. Numerous composers have composed Mass settings for liturgical use. Through their work, these composers shaped compositional techniques and paved the way for additional settings of the Mass. Many other composers’ works have outgrown their liturgical use. Composers have used every form from a cappella missa brevis’, large-scale cori spezatti compositions, to orchestral works rarely intended for liturgical use. Following the Second Vatican Council (1962-1965) the liturgy could be spoken and set musically in the vernacular creating a new collection of compositions in a variety of languages. Movements from five compositions are the subject of this paper. Each piece was selected to for its compositional techniques from its respective time period and region of the world. The composers represent England, Brazil, Germany, France, and the United States.
Hall, Margaret. "Today’s Song for Tomorrow’s Church: The Role Played by Contemporary Popular Music in Attracting Young People to Church." Thesis, Griffith University, 2007. http://hdl.handle.net/10072/365393.
Full textThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School of Popular Music
Full Text
Cataylo, Vilma May Chavez. "Musical works built on the native language to bring about musical knowledge and cultural development /." Access Digital Full Text version, 1986. http://pocketknowledge.tc.columbia.edu/home.php/bybib/10624090.
Full textTypescript; issued also on microfilm. Sponsor: Harold F. Abeles. Dissertation Committee: Lenore Pogonowski. Bibliography: leaves 291-295.
Kamuwanga, Liswaniso. "The role and function of music at Pretoria Central Baptist Church." Diss., Pretoria : [s.n.], 2003. http://upetd.up.ac.za/thesis/available/etd-10252004-125517/.
Full textRigney, Ranelle. "The hymn-book controversy of 1882." Theological Research Exchange Network (TREN), 1989. http://www.tren.com.
Full textHall, Margaret, and N/A. "Todays Song for Tomorrows Church: The Role Played by Contemporary Popular Music in Attracting Young People to Church." Griffith University. School of Popular Music, 2007. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20070912.141700.
Full textRowland, Michael L. "Adult learning through religious music in an African American church /." The Ohio State University, 1998. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487951907959578.
Full textMoore, Laurence James. "Sing to the Lord a new song: A study of changing musical practices in the Presbyterian Church of Victoria, 1861-1901." Thesis, Australian Catholic University, 2004. https://acuresearchbank.acu.edu.au/download/55825981c46c5554a830cf2776e02713b2f8f2840796b65b0adf525817c4d717/2632941/65007_downloaded_stream_232.pdf.
Full textWeber, Karl A. "What is at stake for Lutheran hymnody in a postmodern age." Online full text .pdf document, available to Fuller patrons only, 2002. http://www.tren.com.
Full textChung, Hee Won. "A conductor's guide to the Roman liturgy /." Thesis, Connect to this title online; UW restricted, 2004. http://hdl.handle.net/1773/11307.
Full textVickers, Laura Maxey. "An annotated list of standard piano literature for use in the Christian church service /." Full-text version available from OU Domain via ProQuest Digital Dissertations, 1996.
Find full textTrocmé, Latter Daniel. "The singing of the Strasbourg Protestants, 1523-1541." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610281.
Full textAbdalah, Gregory John. "The role of youth choirs in the Orthodox Church." Theological Research Exchange Network (TREN), 2008. http://www.tren.com/search.cfm?p015-0477.
Full textStephenson, Mark H. "African music in the Methodist Church of Southern Africa : a case study in the Western Cape." Master's thesis, University of Cape Town, 1985. http://hdl.handle.net/11427/15673.
Full textEngström, Maria. "Kheruvimskie pesnopenii︠a︡ v russkoĭ liturgicheskoĭ tradit︠s︡ii." Stockholm, Sweden : Almqvist och Wiksell International, 2004. http://books.google.com/books?id=kGw5AAAAMAAJ.
Full textPalionis, Solveiga. "Formation of pastoral musicians in Lithuania pastoral project : intensive one week summer course /." Theological Research Exchange Network (TREN) Theological Research Exchange Network (TREN) Access this title online, 2006. http://www.tren.com.
Full textPott, Francis. "'An awkward reverence' : composing oneself in the 21st-century Anglican Church." Thesis, University of West London, 2008. http://repository.uwl.ac.uk/id/eprint/2322/.
Full text