Journal articles on the topic 'Church music composition'
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Chircev, Elena. "Romanian Music of Byzantine Tradition Between 1918 and 2018." Artes. Journal of Musicology 19, no. 1 (March 1, 2019): 124–49. http://dx.doi.org/10.2478/ajm-2019-0007.
Full textIrving, John. "John Blitheman's keyboard plainsongs: another ‘kind’ of composition?" Plainsong and Medieval Music 3, no. 2 (October 1994): 185–93. http://dx.doi.org/10.1017/s0961137100000735.
Full textSanga, Imani. "Composition Processes in Popular Church Music in Dar Es Salaam, Tanzania." Ethnomusicology Forum 15, no. 2 (November 2006): 247–71. http://dx.doi.org/10.1080/17411910600915406.
Full textSchiltz, K. "Church and chamber: the influence of acoustics on musical composition and performance." Early Music 31, no. 1 (February 1, 2003): 64–80. http://dx.doi.org/10.1093/em/31.1.64.
Full textHillsman, Walter. "Choirboys and Choirgirls in the Victorian Church of England." Studies in Church History 31 (1994): 447–60. http://dx.doi.org/10.1017/s0424208400013048.
Full textCollins, John. "Ghanaian Christianity and Popular Entertainment: Full Circle." History in Africa 31 (2004): 407–23. http://dx.doi.org/10.1017/s0361541300003570.
Full textPeno, Vesna. "The traditional and modern in church music: A study in canon and creativity." Muzikologija, no. 6 (2006): 233–50. http://dx.doi.org/10.2298/muz0606233p.
Full textHUGHES, DAVID G. "The paschal alleluia in medieval France." Plainsong and Medieval Music 14, no. 1 (April 2005): 11–57. http://dx.doi.org/10.1017/s0961137105000197.
Full textDănilă, Irina Zamfira. "Constantin Catrina – a life in the service of the Romanian music." Artes. Journal of Musicology 17, no. 1 (January 1, 2018): 102–13. http://dx.doi.org/10.2478/ajm-2018-0005.
Full textPalić-Jelavić, Rozina. "Mise Ferde Wiesnera Livadića - O 220. obljetnici rođenja i 140. obljetnici skladateljeve smrti." Nova prisutnost XVII, no. 2 (July 9, 2019): 285. http://dx.doi.org/10.31192/np.17.2.3.
Full textZhou, Daping. "The Theoretical Background for the Chinese Composers Piano Music Genre Peculiarities Research." Aspects of Historical Musicology 14, no. 14 (September 15, 2018): 180–206. http://dx.doi.org/10.34064/khnum2-14.13.
Full textLoch, Gergely. "Two Faces of a Cathedral: Ákos Rózmann’s Black Illusions and Organ Piece No. III/a." Leonardo Music Journal 28 (December 2018): 25–29. http://dx.doi.org/10.1162/lmj_a_01038.
Full textBloxam, M. Jennifer. "In Praise of Spurious Saints: The Missae Floruit egregiis by Pipelare and La Rue." Journal of the American Musicological Society 44, no. 2 (1991): 163–220. http://dx.doi.org/10.2307/831603.
Full textScurtu, Codruț-Dumitru. "Aspects of the Paternity of Metropolitan Iosif Naniescu’s Liturgical Chant (1818-1902)." Artes. Journal of Musicology 17, no. 1 (January 1, 2018): 74–88. http://dx.doi.org/10.2478/ajm-2018-0003.
Full textCalella, Michele. "Raphael, the Virgin Mary, and Holy Matrimony: Recontextualizing Franz Liszt's Sposalizio." Studia Musicologica 59, no. 1-2 (June 2018): 3–20. http://dx.doi.org/10.1556/6.2018.59.1-2.1.
Full textCairns, Zachary. "Music for Prague 1968: A display of Czech nationalism from America." Studia Musicologica 56, no. 4 (December 2015): 443–58. http://dx.doi.org/10.1556/6.2015.56.4.11.
Full textAngelovskaya, S. "The originality of the modern Ukrainian church oeuvre: on an example of the chants «All-night Vigil» Olena Yunek. Formulation of the problem." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 49, no. 49 (September 15, 2018): 85–99. http://dx.doi.org/10.34064/khnum2-49.06.
Full textRandel, Don Michael. "Leander, Isidore, and Gregory." Journal of Musicology 36, no. 4 (2019): 498–522. http://dx.doi.org/10.1525/jm.2019.36.4.498.
Full textYakymchuk, O. M. ,. Belova N. V. "Messiaen analyzes Messiaen: author’s comments on the piano cycle «Twenty Contemplations on the Infant Jesus»." Aspects of Historical Musicology 14, no. 14 (September 15, 2018): 36–49. http://dx.doi.org/10.34064/khnum2-14.03.
Full textGrzywaczewski, Józef. "Okoliczności kompozycji hymnu Akatyst ku czci Najświętszej Maryi Panny." Vox Patrum 69 (December 16, 2018): 195–218. http://dx.doi.org/10.31743/vp.3259.
Full textArkhipova, N. E. "John Damascus’s Church-Singing Brotherhood in Nizhny Novgorod at Beginning of 20th Century." Nauchnyi dialog, no. 6 (June 24, 2021): 302–16. http://dx.doi.org/10.24224/2227-1295-2021-6-302-316.
Full textSorochuk, Ludmyla. "CULTURAL AND EDUCATIONAL MISSION OF MYKHAYLO VERBYTSKY IN THE CONTEXT OF NATION-BUILDING." Almanac of Ukrainian Studies, no. 26 (2020): 77–81. http://dx.doi.org/10.17721/2520-2626/2020.26.11.
Full textHerliana, Emmelia Tricia. "ANALOGI MUSIK-ARSITEKTUR MELALUI PROSES TRANSFORMASI PADA SIMULASI PERLUASAN GEREJA KATEDRAL BOGOR." Jurnal Arsitektur KOMPOSISI 10, no. 1 (May 1, 2017): 57. http://dx.doi.org/10.24002/jars.v10i1.1054.
Full textSaucier, Catherine. "Johannes Brassart’s Summus secretarius." Journal of Musicology 34, no. 2 (2017): 149–81. http://dx.doi.org/10.1525/jm.2017.34.02.149.
Full textDUȚICĂ, Luminița, and Ema-Laura STANCIU. "Sound polychromes in the choral creation of the composer Gheorghe Duțică." BULLETIN OF THE TRANSYLVANIA UNIVERSITY OF BRASOV SERIES VIII - PERFORMING ARTS 13 (62), SI (January 20, 2021): 57–68. http://dx.doi.org/10.31926/but.pa.2020.13.62.3.6.
Full textPetrescu, Cezara. "The last lieder of Theodor Grigoriu. Stylistic and interpretive aspects." Artes. Journal of Musicology 20, no. 1 (March 1, 2019): 176–98. http://dx.doi.org/10.2478/ajm-2019-0009.
Full textJacquemin, Christian, Rami Ajaj, Sylvain Le Beux, Christophe d’Alessandro, Markus Noisternig, Brian F. G. Katz, and Bertrand Planes. "Organ Augmented Reality." International Journal of Creative Interfaces and Computer Graphics 1, no. 2 (July 2010): 51–66. http://dx.doi.org/10.4018/jcicg.2010070105.
Full textSerov, Iurii Eduardovich. "Requiem for Akhmatova." PHILHARMONICA. International Music Journal, no. 1 (January 2021): 1–13. http://dx.doi.org/10.7256/2453-613x.2021.1.34978.
Full textIllenseer, Louis Marcelo. "LINGUAGEM INCLUSIVA: RELATO DE DUAS EXPERIÊNCIAS SOBRE A COMPOSIÇÃO MUSICAL SACRA E JUSTIÇA DE GÊNERO." REFLEXUS - Revista Semestral de Teologia e Ciências das Religiões 12, no. 19 (June 26, 2018): 39. http://dx.doi.org/10.20890/reflexus.v12i19.715.
Full textMelita, Milin. "A composer’s inner biography a sketch for the study of influences in Ljubica Maric’s oeuvre." Muzikologija, no. 4 (2004): 61–82. http://dx.doi.org/10.2298/muz0404061m.
Full textBorowiecka, Renata. "Sekwencja Stabat Mater we włoskich interpretacjach muzycznych doby XVIII wieku." Sympozjum 25, no. 1 (40) (2021): 83–102. http://dx.doi.org/10.4467/25443283sym.21.007.13720.
Full textChircev, Elena. "The Influence of Political Regimes on Romanian Psaltic Music in the Second Half of the 20thCentury." Musicology Papers 35, no. 1 (November 1, 2020): 7–34. http://dx.doi.org/10.47809/mp.2020.35.01.01.
Full textDubka, O. S. "Sonata for the trombone of the second half of the 16th – the beginning of the 19th centuries in the context of historical and national traditions of development of the genre." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 54, no. 54 (December 10, 2019): 55–70. http://dx.doi.org/10.34064/khnum1-54.04.
Full textKorolkova, Inga. "Field and scholarly studies of calendar folklore of Novgorod region: results and prospects." PHILHARMONICA. International Music Journal, no. 6 (June 2020): 75–86. http://dx.doi.org/10.7256/2453-613x.2020.6.33571.
Full textGarratt, James. "Prophets Looking Backwards: German Romantic Historicism and the Representation of Renaissance Music." Journal of the Royal Musical Association 125, no. 2 (2000): 164–204. http://dx.doi.org/10.1093/jrma/125.2.164.
Full textTrukhanova, Alexandra G. "The Characteristic Features of Vassily Titov’s Choral Music." ICONI, no. 1 (2021): 61–67. http://dx.doi.org/10.33779/2658-4824.2021.1.061-067.
Full textRozmus, Rafał. "Kolęda jako źródło inspiracji w twórczości kompozytorów polskich w latach 1945-2005." Annales Universitatis Mariae Curie-Sklodowska, sectio L – Artes 16, no. 1/2 (June 14, 2019): 101. http://dx.doi.org/10.17951/l.2018.16.1/2.101-181.
Full textIbude, Isaac Osakpamwan. "African Art Music and the Drama of Christian Worship among Baptists in Nigeria." East African Journal of Traditions, Culture and Religion 2, no. 1 (October 22, 2020): 72–82. http://dx.doi.org/10.37284/eajtcr.2.1.226.
Full textHulková, Marta. "Central European Connections of Six Manuscript Organ Tablature Books of the Reformation Era from the Region of Zips (Szepes, Spiš)." Studia Musicologica 56, no. 1 (March 2015): 3–37. http://dx.doi.org/10.1556/6.2015.56.1.1.
Full textSolyanyk, M. "TheThirdString Quartet by B. Britten as a phenomenof the late composer style." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 55, no. 55 (November 20, 2019): 50–60. http://dx.doi.org/10.34064/khnum1-55.04.
Full textGray, Catherine. "Compositional techniques in roman catholic church music in Uganda." British Journal of Ethnomusicology 4, no. 1 (January 1995): 135–55. http://dx.doi.org/10.1080/09681229508567241.
Full textBlagojević, Gordana. "Contemporary composer Vladimir Jovanović and his role in the renewal of church Byzantine music in Serbia from the 1990s until today." Interdisciplinary Studies in Musicology, no. 19 (December 31, 2019): 11–30. http://dx.doi.org/10.14746/ism.2019.19.1.
Full textPopin, Marielle, and Melvin P. Unger. "The German Choral Church Compositions of David Heinichen (1683-1729)." Revue de musicologie 78, no. 1 (1992): 168. http://dx.doi.org/10.2307/947250.
Full textKuzmina, O. A. "Opera for children-performers in the work of contemporary choir conductors." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 56, no. 56 (July 10, 2020): 281–98. http://dx.doi.org/10.34064/khnum1-56.18.
Full textOwen, Barbara. "The Maturation of The Secular Organ Recital In America's Gilded Age." Nineteenth-Century Music Review 12, no. 1 (June 2015): 95–117. http://dx.doi.org/10.1017/s1479409815000063.
Full textRakochi, Vadym. "Mutual Influence of The Orchestra and Concerto Principle in The 16th – First Half of The 17th Centuries." Часопис Національної музичної академії України ім.П.І.Чайковського, no. 1(50) (March 18, 2021): 49–63. http://dx.doi.org/10.31318/2414-052x.1(50).2021.233112.
Full textBing, Richard J. "Composing Music and the Science of the Heart: How to Serve Two Masters." Leonardo 41, no. 4 (August 2008): 365–66. http://dx.doi.org/10.1162/leon.2008.41.4.365.
Full textWetters, Brent. "Allegorical Erasmus: Bruno Maderna's Ritratto di Erasmo." Cambridge Opera Journal 24, no. 2 (July 2012): 159–76. http://dx.doi.org/10.1017/s0954586712000183.
Full textKamenieva, A. "Meditativity in the structure of art consciousness (on the material of the mass «And i said in my heart» by M. Shukh)." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 49, no. 49 (September 15, 2018): 128–40. http://dx.doi.org/10.34064/khnum2-49.09.
Full textRomanou, Ekaterini. "Italian musicians in Greece during the nineteenth century." Muzikologija, no. 3 (2003): 43–55. http://dx.doi.org/10.2298/muz0303043r.
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