Academic literature on the topic 'Church music composition'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Church music composition.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Journal articles on the topic "Church music composition"
Chircev, Elena. "Romanian Music of Byzantine Tradition Between 1918 and 2018." Artes. Journal of Musicology 19, no. 1 (March 1, 2019): 124–49. http://dx.doi.org/10.2478/ajm-2019-0007.
Full textIrving, John. "John Blitheman's keyboard plainsongs: another ‘kind’ of composition?" Plainsong and Medieval Music 3, no. 2 (October 1994): 185–93. http://dx.doi.org/10.1017/s0961137100000735.
Full textSanga, Imani. "Composition Processes in Popular Church Music in Dar Es Salaam, Tanzania." Ethnomusicology Forum 15, no. 2 (November 2006): 247–71. http://dx.doi.org/10.1080/17411910600915406.
Full textSchiltz, K. "Church and chamber: the influence of acoustics on musical composition and performance." Early Music 31, no. 1 (February 1, 2003): 64–80. http://dx.doi.org/10.1093/em/31.1.64.
Full textHillsman, Walter. "Choirboys and Choirgirls in the Victorian Church of England." Studies in Church History 31 (1994): 447–60. http://dx.doi.org/10.1017/s0424208400013048.
Full textCollins, John. "Ghanaian Christianity and Popular Entertainment: Full Circle." History in Africa 31 (2004): 407–23. http://dx.doi.org/10.1017/s0361541300003570.
Full textPeno, Vesna. "The traditional and modern in church music: A study in canon and creativity." Muzikologija, no. 6 (2006): 233–50. http://dx.doi.org/10.2298/muz0606233p.
Full textHUGHES, DAVID G. "The paschal alleluia in medieval France." Plainsong and Medieval Music 14, no. 1 (April 2005): 11–57. http://dx.doi.org/10.1017/s0961137105000197.
Full textDănilă, Irina Zamfira. "Constantin Catrina – a life in the service of the Romanian music." Artes. Journal of Musicology 17, no. 1 (January 1, 2018): 102–13. http://dx.doi.org/10.2478/ajm-2018-0005.
Full textPalić-Jelavić, Rozina. "Mise Ferde Wiesnera Livadića - O 220. obljetnici rođenja i 140. obljetnici skladateljeve smrti." Nova prisutnost XVII, no. 2 (July 9, 2019): 285. http://dx.doi.org/10.31192/np.17.2.3.
Full textDissertations / Theses on the topic "Church music composition"
McKern, Brett M. "The compositions of Brett M. McKern to the greater glory of God /." Access electronically, 2005. http://ro.uow.edu.au/theses/289.
Full textDonkin, Emma J. "It is Finished: A Tenebrae Cantata." University of Akron / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=akron1619702762401099.
Full textWay, Anthony David, and res cand@acu edu au. "Lift Up Your Hearts:A Musico-liturgical Study of the Eucharistic Prayer of the Roman Rite." Australian Catholic University. School of Arts and Sciences, 2004. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp59.25092005.
Full textGrech, Joseph. "Music in nineteenth-century Malta : traditions of composition and performance at the church in Gozo, with a catalogue of works." Thesis, University of Nottingham, 2018. http://eprints.nottingham.ac.uk/51299/.
Full textAlford, Lenore Audrey 1968. "Able fairy : the feminine aesthetic in the compositions of Rolande Falcinelli." 2008. http://hdl.handle.net/2152/18011.
Full texttext
Lin, Chih-Chieh, and 林至潔. "《The Beginning of the Hope》Worship Music in Christian Church as a Creative Source for My Musical Compositions." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/zh7bjm.
Full textTung, Chien-Lung, and 佟建隆. "The Trend of Worship Music Composition in Chinese Protestant Churches: A Case Study of “Stream of Praise”." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/w669eq.
Full text國立臺北藝術大學
音樂學研究所
102
The Christian worship music in Psalm showed how the gentile musical instrument and secular tone which impurity, were sanctified for worship God’s purpose. For the function of worship liturgy made the music sanctify. Since from the Old Testament to the early church, from the Middle Ages of Gregory time, through the Renaissance, the Reformation, until the Religion Revival movements in Twentieth century. For the cross-fertilization of secular and ecclesiastical styles is continuing acculturation. Since the half of twentieth century, the acoustic instrument such as piano and organ in church was replaced by using the electric guitar and synthesizer, the plug-in instrument which is plug in the popular musical culture. The worship music in European and Americans’ protestant churches by absorbing the style of rock and roll, jazz, hip-hop and techno music, in developing the popular music style, worship and praise. The culture meaning of popular music styles was transformed from negative to positive, from entertained secular music to worship service. The phenomenon of the cross-fertilization of cultures is more frequently by the mass media and the net. The Christian worship music in Taiwan’s church also been effected by the wave of the culture. This article will be the case of ‘Stream of Praise’, which found since in 1995, composed the worship songs for Chinese protestant church. By studying twenty-two albums, to analysis how the element of popular music adopted in the song arrangement, and how the composer to express ones experience in faith so that make the songs easy to learn and sing for the congregation in the worship service. The study is aim to find out how the American popular music culture, where developed from African culture affected and acculturated the trend of the composition.
Books on the topic "Church music composition"
Yin yue chuang zuo zai Aomen. Aomen: Aomen ri bao chu ban she, 2007.
Find full textKügle, Karl. The manuscript Ivrea, Biblioteca capitolare 115: Studies in the transmission and composition of Ars Nova polyphony. Ottawa, Canada: Institute of Mediaeval Music, 1997.
Find full textPlanyavsky, Peter. Moritz Reger und andere Schrägheiten. Sankt Augustin: Dr. J. Butz, 2005.
Find full textKonet︠s︡ vremeni kompozitorov. Moskva: Russkiĭ putʹ, 2002.
Find full textFann al-tasbīḥ. [Cairo?]: al-Farīq, 1998.
Find full textThe German choral church compositions of Johann David Heinichen, 1683-1729. New York: P. Lang, 1990.
Find full textCooper, Timothy G. Church music in nineteenth-century Canada as represented by the choral compositions of John Medley. Ann Arbor, Mich: University Microfilms International, 1989.
Find full textFelipe Gorriti, compositor, maestro de capilla y organista. Pamplona: Gobierno de Navarra, 2011.
Find full textShaw, Martin. Principles of Church Music Composition. Library Reprints, 2001.
Find full textMessiah: The composition and afterlife of Handel's masterpiece. New York, NY: Basic Books, 2017.
Find full textBook chapters on the topic "Church music composition"
Schulenberg, David. "Bach the Music Director." In Bach, 214–58. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190936303.003.0011.
Full textTownsend, Peter. "Musical Development Assisted by Technology." In The Evolution of Music through Culture and Science, 17–30. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198848400.003.0002.
Full textAndemicael, Awet. "The Theology of Richard Allen’s Musical Worship." In Theology, Music, and Modernity, 260–92. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198846550.003.0013.
Full textPreston, Katherine K. "Sacred Music." In George Frederick Bristow, 66–76. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043420.003.0006.
Full textGraham, Sandra Jean. "The Folk Spiritual." In Spirituals and the Birth of a Black Entertainment Industry. University of Illinois Press, 2018. http://dx.doi.org/10.5622/illinois/9780252041631.003.0001.
Full textJacquemin, Christian, Rami Ajaj, Sylvain Le Beux, Christophe d’Alessandro, Markus Noisternig, Brian F. G. Katz, and Bertrand Planes. "Organ Augmented Reality." In Innovative Design and Creation of Visual Interfaces, 131–47. IGI Global, 2012. http://dx.doi.org/10.4018/978-1-4666-0285-4.ch010.
Full textStokes, Laura K. T. "Mendelssohn’s Deutsche Liturgie in the Context of the Prussian Agende of 1829." In Rethinking Mendelssohn, 346–75. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190611781.003.0016.
Full textTodd, R. Larry. "From the Church to the Concert Hall." In Theology, Music, and Modernity, 109–28. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198846550.003.0006.
Full textSchulenberg, David. "Bach the Organist." In Bach, 43–72. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190936303.003.0005.
Full textSchulenberg, David. "Bach the Concertmaster." In Bach, 92–129. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190936303.003.0007.
Full text