Journal articles on the topic 'Church music composers'
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Mdivani, T. G. "Composer’s interpretation of the Christian ethos in the music art of sovereign Belarus." Proceedings of the National Academy of Sciences of Belarus, Humanitarian Series 65, no. 2 (May 18, 2020): 203–8. http://dx.doi.org/10.29235/2524-2369-2020-65-2-203-208.
Full textAchikeh, Cordis-Mariae, and Raphael Umeugochukwu. "The value of good liturgical music." UJAH: Unizik Journal of Arts and Humanities 20, no. 3 (October 30, 2020): 133–50. http://dx.doi.org/10.4314/ujah.v20i3.8.
Full textThyssen, Peter. "Grundtvig, Laub og kirkesangen." Grundtvig-Studier 45, no. 1 (January 1, 1994): 229–55. http://dx.doi.org/10.7146/grs.v45i1.16148.
Full textMilsom, John. "Caustun's Contrafacta." Journal of the Royal Musical Association 132, no. 1 (2007): 1–31. http://dx.doi.org/10.1093/jrma/fkl015.
Full textMichálková Slimáčková, Jana. "The Sacred and the Profane in the Organ Music of the Czech Lands in the 19th and 20th Centuries." Musicological Annual 50, no. 2 (April 3, 2015): 293–98. http://dx.doi.org/10.4312/mz.50.2.293-298.
Full textTregubenko, Tetiana. "UKRAINIAN CHURCH ELITE IN FORMATION OF MUSICAL CENTERS UNDER SPIRITUAL EDUCATIONAL INSTITUTIONS OF HETMANATE." Almanac of Ukrainian Studies, no. 22 (2017): 136–40. http://dx.doi.org/10.17721/2520-2626/2017.22.23.
Full textJohnson, Bret. "London, St Pancras Parish Church: Philip Moore at 70." Tempo 67, no. 266 (October 2013): 84–85. http://dx.doi.org/10.1017/s0040298213000983.
Full textBarnett, Gregory. "Modal Theory, Church Keys, and the Sonata at the End of the Seventeenth Century." Journal of the American Musicological Society 51, no. 2 (1998): 245–81. http://dx.doi.org/10.2307/831978.
Full textConway, Paul. "Brighton: Denis ApIvor's String Quartets Nos. 2 and 3." Tempo 58, no. 230 (October 2004): 62. http://dx.doi.org/10.1017/s0040298204280317.
Full textLeaver, Robin A. "Brahms's Opus 45 and German Protestant Funeral Music." Journal of Musicology 19, no. 4 (2002): 616–40. http://dx.doi.org/10.1525/jm.2002.19.4.616.
Full textRHEUBOTTOM, NICHOLAS. "SIXTEENTH BIENNIAL INTERNATIONAL CONFERENCE ON BAROQUE MUSIC UNIVERSITÄT MOZARTEUM SALZBURG, 9–13 JULY 2014." Eighteenth Century Music 12, no. 1 (February 17, 2015): 141–43. http://dx.doi.org/10.1017/s1478570614000608.
Full textBlezzard, Judith. "Monsters and Messages: The Willmott and Braikenridge Manuscripts of Latin Tudor Church Music, 1591." Antiquaries Journal 75 (September 1995): 311–38. http://dx.doi.org/10.1017/s0003581500073042.
Full textTrukhanova, Alexandra G. "The Characteristic Features of Vassily Titov’s Choral Music." ICONI, no. 1 (2021): 61–67. http://dx.doi.org/10.33779/2658-4824.2021.1.061-067.
Full textBarlow, Jill. "St Albans: Guy Dagul's ‘Grand Fantasia’." Tempo 59, no. 234 (September 21, 2005): 42–43. http://dx.doi.org/10.1017/s0040298205260308.
Full textD'ALVARENGA, JOÃO PEDRO. "‘TO MAKE OF LISBON A NEW ROME’: THE REPERTORY OF THE PATRIARCHAL CHURCH IN THE 1720S AND 1730S." Eighteenth Century Music 8, no. 2 (July 25, 2011): 179–214. http://dx.doi.org/10.1017/s1478570611000042.
Full textIbude, Isaac Osakpamwan. "African Art Music and the Drama of Christian Worship among Baptists in Nigeria." East African Journal of Traditions, Culture and Religion 2, no. 1 (October 22, 2020): 72–82. http://dx.doi.org/10.37284/eajtcr.2.1.226.
Full textAngelovskaya, S. "The originality of the modern Ukrainian church oeuvre: on an example of the chants «All-night Vigil» Olena Yunek. Formulation of the problem." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 49, no. 49 (September 15, 2018): 85–99. http://dx.doi.org/10.34064/khnum2-49.06.
Full textRobin, A. Leaver. "Motive and Motif in the Church Music of Johann Sebastian Bach." Theology Today 63, no. 1 (April 2006): 38–47. http://dx.doi.org/10.1177/004057360606300105.
Full textСоловьёва, П. А. "On Major-Second Variability as a Specific Feature of Harmony of Russian Music." Музыкальная академия, no. 3(767) (September 20, 2019): 150–65. http://dx.doi.org/10.34690/ma767.8.
Full textIrving, John. "John Blitheman's keyboard plainsongs: another ‘kind’ of composition?" Plainsong and Medieval Music 3, no. 2 (October 1994): 185–93. http://dx.doi.org/10.1017/s0961137100000735.
Full textScott, Allen. "Simon Lyra and the Lutheran liturgy in the second half-century of the Reformation in Breslau." Muzyka 65, no. 1 (April 2, 2020): 3–18. http://dx.doi.org/10.36744/m.309.
Full textMorehen, John. "The English Anthem Text, 1549–1660." Journal of the Royal Musical Association 117, no. 1 (1992): 62–85. http://dx.doi.org/10.1093/jrma/117.1.62.
Full textGARCÍA GALLARDO, CRISTÓBAL L., and PAUL MURPHY. "‘THESE ARE THE TONES COMMONLY USED’: THE TONOS DE CANTO DE ÓRGANO IN SPANISH BAROQUE MUSIC THEORY." Eighteenth Century Music 13, no. 1 (February 11, 2016): 73–93. http://dx.doi.org/10.1017/s1478570615000433.
Full textPeno, Vesna, and Aleksandar Vasic. "Voices from the beginning: The early phase of musical historiography in Serbia." Muzikologija, no. 25 (2018): 77–90. http://dx.doi.org/10.2298/muz1825077p.
Full textPeno, Vesna. "The traditional and modern in church music: A study in canon and creativity." Muzikologija, no. 6 (2006): 233–50. http://dx.doi.org/10.2298/muz0606233p.
Full textOlleson, Philip, and Fiona M. Palmer. "Publishing Music from the Fitzwilliam Museum, Cambridge: The Work of Vincent Novello and Samuel Wesley in the 1820s." Journal of the Royal Musical Association 130, no. 1 (2005): 38–73. http://dx.doi.org/10.1093/jrma/fki005.
Full textBowers, Roger. "The Vocal Scoring, Choral Balance and Performing Pitch of Latin Church Polyphony in England, c.1500-58." Journal of the Royal Musical Association 112, no. 1 (1987): 38–76. http://dx.doi.org/10.1093/jrma/112.1.38.
Full textVégh, Mónika. "Antecedents, and Development of the Sacred Choral Concerto in Russia." Studia Universitatis Babeş-Bolyai Musica 65, no. 2 (December 21, 2020): 173–92. http://dx.doi.org/10.24193/subbmusica.2020.2.12.
Full textBowers, Roger. "Aristocratic and Popular Piety in the Patronage of Music in the Fifteenth-century Netherlands." Studies in Church History 28 (1992): 195–224. http://dx.doi.org/10.1017/s0424208400012456.
Full textZhou, Daping. "The Theoretical Background for the Chinese Composers Piano Music Genre Peculiarities Research." Aspects of Historical Musicology 14, no. 14 (September 15, 2018): 180–206. http://dx.doi.org/10.34064/khnum2-14.13.
Full textWetters, Brent. "Allegorical Erasmus: Bruno Maderna's Ritratto di Erasmo." Cambridge Opera Journal 24, no. 2 (July 2012): 159–76. http://dx.doi.org/10.1017/s0954586712000183.
Full textMocanu, Daniel. "Religious Chants – The Diversity of Church Hymns Types." Studia Universitatis Babeş-Bolyai Musica 65, no. 2 (December 21, 2020): 193–224. http://dx.doi.org/10.24193/subbmusica.2020.2.13.
Full textGetz, Christine. "Simon Boyleau and the Church of the ‘Madonna of Miracles’: Educating and Cultivating the Aristocratic Audience in Post-Tridentine Milan." Journal of the Royal Musical Association 126, no. 2 (2001): 145–68. http://dx.doi.org/10.1093/jrma/126.2.145.
Full textScurtu, Codruț-Dumitru. "Aspects of the Paternity of Metropolitan Iosif Naniescu’s Liturgical Chant (1818-1902)." Artes. Journal of Musicology 17, no. 1 (January 1, 2018): 74–88. http://dx.doi.org/10.2478/ajm-2018-0003.
Full textPalić-Jelavić, Rozina. "Mise Ferde Wiesnera Livadića - O 220. obljetnici rođenja i 140. obljetnici skladateljeve smrti." Nova prisutnost XVII, no. 2 (July 9, 2019): 285. http://dx.doi.org/10.31192/np.17.2.3.
Full textPeno, Vesna. "The state of research on church chant in medieval Serbia." Muzikologija, no. 16 (2014): 131–54. http://dx.doi.org/10.2298/muz1416131p.
Full textMelita, Milin. "A composer’s inner biography a sketch for the study of influences in Ljubica Maric’s oeuvre." Muzikologija, no. 4 (2004): 61–82. http://dx.doi.org/10.2298/muz0404061m.
Full textMorucci, Valerio. "Cardinals' Patronage and the Era of Tridentine Reforms: Giulio Feltro della Rovere as Protector of Sacred Music." Journal of Musicology 29, no. 3 (2012): 262–91. http://dx.doi.org/10.1525/jm.2012.29.3.262.
Full textSîrbu, Adrian. "The “spirit” of the old communion chants." Artes. Journal of Musicology 17, no. 1 (January 1, 2018): 1–23. http://dx.doi.org/10.2478/ajm-2018-0001.
Full textAnufrieva, N. I., and T. A. Lomakina. "Avant-Garde Appearance of Russian Folklore in the Vocal and Instrumental Works of Composers of the Second Half of the ХХth Century." Uchenye Zapiski RGSU 19, no. 3 (September 30, 2020): 137–44. http://dx.doi.org/10.17922/2071-5323-2020-19-3-137-144.
Full textDrew, David. "Killmayer Fragments (a birthday offering)." Tempo, no. 221 (July 2002): 34–36. http://dx.doi.org/10.1017/s0040298200015655.
Full textIs Natonis, Rolfi Junyanto. "Strategi Pengelolaan Pusat Musik Liturgi Yogyakarta." JURNAL TATA KELOLA SENI 2, no. 2 (December 21, 2017): 66–80. http://dx.doi.org/10.24821/jtks.v2i2.1852.
Full textUrsic, Elizabeth. "Sonic Metaphors: Music, Sound, and Ecofeminist Theology." Feminist Theology 29, no. 3 (May 2021): 247–63. http://dx.doi.org/10.1177/09667350211000606.
Full textGORDON-SEIFERT, CATHERINE. "From Impurity to Piety: Mid 17th-Century French Devotional Airs and the Spiritual Conversion of Women." Journal of Musicology 22, no. 2 (2005): 268–91. http://dx.doi.org/10.1525/jm.2005.22.2.268.
Full textLajic-Mihajlovic, Danka. "Audio collection in the SASA Institute of Musicology." Muzikologija, no. 10 (2010): 141–51. http://dx.doi.org/10.2298/muz1010141l.
Full textPeno, Vesna. "Bilingual neume collections of the late middle ages - a new view at the well-known music sources." Zbornik radova Vizantoloskog instituta, no. 54 (2017): 279–301. http://dx.doi.org/10.2298/zrvi1754279p.
Full textГуральна Світлана Степанівна. "ТЕНДЕНЦІЙНІ НАПРЯМКИ РОЗВИТКУ ХОРОВОЇ ЛІТУРГІЙНОЇ ПРАКТИКИ В ГАЛИЧИНІ КІНЦЯ ХІХ ‒ ПЕРШОЇ ПОЛОВИНИ ХХ СТОЛІТЬ." World Science, no. 9(37) (September 30, 2018): 80–84. http://dx.doi.org/10.31435/rsglobal_ws/30092018/6142.
Full textPetrescu, Cezara. "The last lieder of Theodor Grigoriu. Stylistic and interpretive aspects." Artes. Journal of Musicology 20, no. 1 (March 1, 2019): 176–98. http://dx.doi.org/10.2478/ajm-2019-0009.
Full textBailey, Candace. "Keyboard Music in the Hands of Edward Lowe and Richard Goodson I: Oxford, Christ Church Mus. 1176 and Mus. 1177." Royal Musical Association Research Chronicle 32 (1999): 119–35. http://dx.doi.org/10.1080/14723808.1999.10540986.
Full textWATHEY, ANDREW. "More on a friend of Philippe de Vitry: Johannes Rufi de CrucealiasJean de Savoie." Plainsong and Medieval Music 28, no. 1 (April 2019): 29–42. http://dx.doi.org/10.1017/s0961137118000219.
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