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Books on the topic 'Church buildings, romania'

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Author: Grafiati
Published: 25 July 2024
Last updated: 31 July 2024

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1

Diaconescu, Mihail. Biserici și mănăstiri Ortodoxe: Romania. București: Alcor Edimpex, 1998.

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2

Dinescu, Dan. Monasteries and churches of Romania. Bucharest, Romania: Noi Media Print, 2008.

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3

Sinigalia, Tereza, and D. Lungu. Romania: Patrimoine mondial = world heritage. București: Ministerul Culturii și Cultelor, 2007.

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4

D'Avino, Stefano, and Stefano D'Avino. Restoration in Romania: Theory and practice. Pescara: Carsa edizioni, 2020.

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5

Ogden, Alan. Fortresses of faith: A pictorial history of the fortified Saxon churches of Romania. Iași ; Portland, OR: Center for Romanian Studies, 2000.

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6

Daniel, Patriarch of Romania, 1951-, ed. Catedrala Mântuirii Neamului: Începutul împlinirilor. Bucureşti: Editura Basilica a Patriarhiei Române, 2012.

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7

Ionescu, Stefano. Die Margarethenkirche in Mediasch: Das Bauwerk und die Teppichsammlung = St Margaret's church in Mediaş : the monument and the Carpet collection. Rom: Verducci, 2018.

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8

Iftimi, Sorin. Cercetări privitoare la istoria bisericilor ieșene: Monumente, ctitori, mentalități. 2nd ed. Iași: Doxologia, 2014.

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9

Németh, Zsolt. Fénytemplom a Kis-Somlyón: A csíksomlyói Salvator-kápolna titka. Szombathely: BKL Kiadó, 2012.

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10

Forai, Ovidiu. Biserica Sfântul Gheorghe, prima Catedrală a Timişoarei: Monografia celei mai vechi biserici din Timişoara (prima atestare în 1323, demolată în 1914). Timişoara: Ariergarda, 2015.

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11

Gehl, Liana. Catedrala Sfântul Iosif, Bucureşti. Bucureşti: ARCB, 2009.

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12

Oboroceanu, Vicențiu, and Antim Secăreanu. Sfânta Mănăstire Antim: Istorie, spiritualitate și cultură 1713-2013. [București]: Basilica, 2013.

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13

Nikolić, Borivoj. Sto pedeset godina srpske crkve u Staroj Moldavi. Lapovo: Kolor pres, 2006.

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14

Remus, Rus, and Institutul Biblic şi de Misiune Ortodoxă., eds. Romanian Orthodox Church: An album-monograph. Bucharest: Bible and Orthodox Mission Institute Pub. House of the Romanian Orthodox Church, 1987.

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15

author, Nothdurfter Hans, ed. Vor-Romanik in Südtirol. Bozen: Athesia Verlag, 2017.

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16

Centro di studi storici chiantigiani, ed. La pieve romanica di "S. Marie in Pineta". Firenze: Centro di studi chiantigiani "Clante", 2014.

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17

1963-, Monheim Florian, ed. Romanik im Rheinland. Köln: Greven, 2008.

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18

Henriette, Brink-Kloke, and Verein "Archäologische Kulturlandschaft Ruhrgebiet e.V.", eds. Früher Kirchenbau und die Anfänge der Romanik im Ruhrgebiet und in Westfalen. Essen: Klartext, 1999.

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19

Vecchio, Piero Del. Sant'Antonino martire: Memoria e identità di una chiesa romanica. Borgone Susa: Edizioni del Graffio, 2012.

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20

Stanislaus, Kandula, and Mensing Roman 1930-, eds. Romanik und Gotik im Erzbistum Paderborn. Paderborn: Bonifatius, 2015.

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21

Sanna, Anna Luisa. San Pietro di Zuri: Una chiesa romanica del giudicato di Arborea. Ghilarza: Iskra, 2008.

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22

Sanna, Anna Luisa. San Pietro di Zuri: Una chiesa romanica del giudicato di Arborea. Ghilarza: Iskra, 2008.

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23

Nodari, Cesare Rota. La rotonda di San Tomè: Analisi di un'architettura romanica lombarda. Sondrio [Italy]: Lyasis, 1997.

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24

Wirth, Hermann. Romanik in Südburgund: Baudokumentationskampagnen im Charolais-Brionnais 1994-2006 = L'architecture romane dans le sud de la Bourgogne : campagne de documentation : les édifications en Charolais-Brionnais 1994-2006. Weimar: Verlag der Bauhaus-Universität, 2009.

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25

Mariotti, Annibale. Memorie istoriche de' perugini auditori della Sacra Rota Romana. Sala Bolognese (Bologna): A. Forni, 2009.

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26

Leonardis, Enrica. Architettura romanica pugliese: Il progetto e la costruzione in pietra portante dell'edificio per il culto = Apulian romanesque architecture : design and construction in bearing-stone of the building for worship. Roma: Gangemi editore SpA international publishing, 2015.

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27

Liliana, Martinelli Perelli, ed. San Tommaso ad Acquanegra sul Chiese: Storia, architettura e contesto figurativo di una chiesa abbaziale romanica. Mantova: SAP, Società archeologica s.r.l., 2015.

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28

Sorica, Dumitru. Laic şi religios în arta monumentală: Reflecţii şi însemnări. Bucureşti: Editura Universităţii din Bucureşti, 2020.

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29

Vecchi, Eliana M. La chiesa romanica di Santa Maria di Vezzano Ligure: Un edificio ritrovato : atti del convegno di studi Vezzano Ligure, Chiesa di Santa Maria, 26 ottobre 1996. Vezzano Ligure: Istituto internazionale di studi liguri, 2000.

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30

Maisola, Giuseppe. L'abbazia di Santa Maria di Bonarcado: Archeologia, paesaggi, architettura. Cagliari (CA): Condaghes, 2018.

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31

Stadtmuseum, Kölnisches, ed. Ein bunter Traum: Kölns romanische Kirchen im Historismus : Begleitband zur Ausstellung im Kölnischen Stadtmuseum, 7. Juli bis 16. September 2012. Köln]: Emons, 2012.

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32

Collettini, Cristina, and Alessandro Lugari. Santa Francesca Romana: Cronache di un restauro nel segno della speranza. Roma: Gangemi editore SpA international, 2021.

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33

Pleiter, Allie. Bluegrass courtship. New York, N.Y: Steeple Hill Books, 2009.

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34

Pârvulescu, Dorina Sabina. Pictura bisericilor ortodoxe din Banat între secolul al XVII-lea și deceniul trei al secolului al XIX-lea. Timișoara: Excelsior Art, 2003.

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35

Ioana, Iancovescu, ed. Mânăstirea Hurezi. [Bucureşti]: SIMETRIA, 2009.

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36

author, Boldura Oliviu, ed. Brâncoveni: Un drum spre trecut, o cale către viitor. Bucureşti: Editura ACS, 2016.

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37

Elo, Maarit. The restoration of the Probota Monastery. Edited by Unesco. Paris: Unesco, 2001.

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38

Blackstock, Terri. Trial by fire. Grand Rapids, Mich: ZondervanPub.House, 2000.

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39

Blackstock, Terri. Trial by fire. Waterville, Me: Five Star, 2004.

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40

Ogden, Alan. Fortresses of Faith: A Pictorial History of the Fortified Saxon Churches of Romania. Histria Books, 2021.

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41

Ogden, Alan. Fortresses of Faith: A Pictorial History of the Fortified Saxon Churches of Romania. Histria Books, 2021.

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42

Romanik in der Pfalz. Petersberg: M. Imhof, 2010.

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43

Pistoia: Guida all'architettura romanica e gotica. Pistoia: Settegiorni editore, 2017.

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44

Mornement, Adam. A brutal conversion: One consequence of the physical transformation of central Bucharest under Ceausescu was the destruction (and in some cases relocation) of twenty-nine religious buildings. Was this the result of an ideological requirement to eradicate the church in Romania?. 1995.

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45

Under the Sign of the Cross: The Politics of Church-Building in Postsocialist Romania. Berghahn Books, Incorporated, 2020.

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46

Sectarianism and Renewal in 1920s Romania: The Limits of Orthodoxy and Nation-Building. Bloomsbury Publishing Plc, 2021.

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47

Clark, Roland. Sectarianism and Renewal in 1920s Romania: The Limits of Orthodoxy and Nation-Building. Bloomsbury Publishing Plc, 2021.

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48

L'Amfiteatre roma de Tarragona, la basilica visigotica i l'esglesia romanica (Memories d'excavacio). Departament de Cultura de la Generalitat de Catalunya, 1990.

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49

Bogdanovic, Jelena. The Framing of Sacred Space. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190465186.001.0001.

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The Framing of Sacred Space offers the first topical study of canopies as essential spatial and symbolic units in Byzantine-rite churches. Centrally planned columnar structures—typically comprising four columns and a roof—canopies had a critical role in the modular and additive processes of church design, from actual church furnishings in the shape of a canopy, to the church’s structural core defined by four columns and a dome. As architectonic objects of basic structural and design integrity, canopies integrate an archetypical image of architecture and provide means for an innovative understanding of the materialization of the idea of the Byzantine church and its multifocal spatial presence. The book considers both the material and conceptual framing of sacred space and explains how the canopy bridges the physical and transcendental realms. As a crucial element of church design in the Byzantine world, a world that gradually abandoned the basilica as a typical building of Roman imperial secular architecture, the canopy carried tectonic and theological meanings and, through vaulted, canopied bays and recognizable Byzantine domed churches, established organic architectural, symbolic, and sacred ties between the Old and New Covenants. In such an overarching context, the canopy becomes an architectural parti, a vital concept and dynamic design principle that carries the essence of the Byzantine church. The Framing of Sacred Space highlights significant factors in understanding canopies through specific architectural settings and the Byzantine concepts of space, thus also contributing to larger debates about the creation of sacred space and related architectural “taxonomy.”
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50

San Pietro del Crocifisso a Bulzi: Architettura e arredo sacro della chiesa romanica. Ghilarza (OR) [i.e. Oristano, Italy]: Iskra, 2012.

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