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Published: 4 June 2021
Last updated: 1 February 2022

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1

Vernay, Jean-Francois. Water from the moon: Illusion and reality in the works of Australian novelist Christopher Koch. Youngstown, N.Y: Cambria Press, 2007.

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2

United States. Congress. Senate. Committee on Commerce, Science, and Transportation. Nomination--FMC: Hearing before the Committee on Commerce, Science, and Transportation, United States Senate, One Hundred First Congress, second session on, Christopher L. Koch, to be chairman, Federal Maritime Commission, October 2, 1990. Washington: U.S. G.P.O., 1990.

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3

United States. Congress. Senate. Committee on Commerce, Science, and Transportation. Nomination--FMC: Hearing before the Committee on Commerce, Science, and Transportation, United States Senate, One Hundred First Congress, second session, on Christopher L. Koch, to be chairman, Federal Maritime Commission, October 2, 1990. Washington: U.S. G.P.O., 1990.

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4

United States. Congress. Senate. Committee on Commerce, Science, and Transportation. Nomination--FMC: Hearing before the Committee on Commerce, Science, and Transportation, United States Senate, One Hundred First Congress, second session, on Christopher L. Koch, to be chairman, Federal Maritime Commission, October 2, 1990. Washington: U.S. G.P.O., 1990.

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5

United States. Congress. Senate. Committee on Commerce, Science, and Transportation. Nomination--FMC: Hearing before the Committee on Commerce, Science, and Transportation, United States Senate, One Hundred First Congress, second session, on Christopher L. Koch, to be chairman, Federal Maritime Commission, October 2, 1990. Washington: U.S. G.P.O., 1990.

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6

United States. Congress. Senate. Committee on Commerce, Science, and Transportation. Nomination--FMC: Hearing before the Committee on Commerce, Science, and Transportation, United States Senate, One Hundred First Congress, second session, on Christopher L. Koch, to be chairman, Federal Maritime Commission, October 2, 1990. Washington: U.S. G.P.O., 1990.

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7

United States. Congress. Senate. Committee on Commerce, Science, and Transportation. Nomination--FMC: Hearing before the Committee on Commerce, Science, and Transportation, United States Senate, One Hundred First Congress, second session, on Christopher L. Koch, to be chairman, Federal Maritime Commission, October 2, 1990. Washington: U.S. G.P.O., 1990.

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8

1948-, Baker Nancy Kovaleff, Christensen Thomas Street, and Koch Heinrich Christoph 1749-1816, eds. Aesthetics and the art of musical composition in the German Enlightenment: Selected writings of Johann Georg Sulzer and Heinrich Christoph Koch. Cambridge: Cambridge University Press, 1995.

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9

Fürchtet euch nicht!: Die Vertreibung der deutschen Angst : eine Reportagereise mit vielen prominenten Gesprächspartnern : Ulrich Tukur, Roland Koch, Esther Schweins, Christoph Daum, Charlotte Knobloch, Dieter Wedel, Bernd Kundrun, Rüdiger Nehberg, Gabriele Baring, Ottmar Hitzfeld, Wolfgang Niedecken, Karl Lauterbach, Bernd Siggelkow, Franz Alt. Berlin: Scorpio, 2011.

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10

Water from the Moon: Illusion and Reality in the works of Australian Novelist Christopher Koch. Cambria Press, 2007.

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11

Twardecki, Alojzy. Die Schule der Janitscharen: Aus Dem Polnischen Uebersetzt Von Christoph Koch. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2013.

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12

Day-O'Connell, Sarah. The Singing Style. Edited by Danuta Mirka. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199841578.013.0010.

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Despite its cursory description by Leonard Ratner and its outright dismissal by Raymond Monelle, the “singing style” is frequently evoked by analysts referring loosely (and often contradictorily) to song-like qualities. This chapter presents the singing style within the wider discourse, culture, and practice surrounding eighteenth-century songs and singing. Contemporary discussions of vocal composition (Johann Mattheson, Heinrich Christoph Koch) and vocal performance (Pier Francesco Tosi, in translations with commentaries by John Ernest Galliard and Johann Friedrich Agricola) involve a range of musical qualities but share a focus on intelligibility and accessibility. Contemporary poetry, literature, and criticism may connect singing to femininity, amateurism, domesticity, nature, beauty, or sociability, but retain similar connotations of simplicity, purity, and directness. The singing style can thus be understood as centered on comprehensibility, an extra-musical quality that is available to migrate to instrumental music under many guises.
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13

Burstein, L. Poundie. Journeys Through Galant Expositions. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190083991.001.0001.

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Through much of the eighteenth century, commentators often described musical form in relation to a type of journey leading toward a set of specific tonal/harmonic/melodic/rhythmic goals, punctuated along the path by a standard series of resting points. Partly in reaction to developments witnessed in music composed during the high Classical era onward, since around the nineteenth century descriptions of musical form have tended to combine or even replace these “journey” metaphors with those that rely more heavily on architectonic analogies. When dealing with works composed around the middle of the 1700s, however, there are advantages for viewing musical form as it unfolds, much in the manner described by those who composed, improvised, listened to, and performed at the time. Taking as its focus the part of the movement now known as the exposition, this study analyzes the form of sonata-form works from Galant era by applying concepts and methodologies that stem from the eighteenth century, particularly those proposed by Heinrich Christoph Koch. It argues that analyzing this music through such a vantage point provides a valuable opportunity for understanding its form in a down-to-earth manner that can directly inform practical aspects of listening and performance.
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14

Koch, Heinrich Christoph, and Johann Georg Sulzer. Aesthetics and the Art of Musical Composition in the German Enlightenment: Selected Writings of Johann Georg Sulzer and Heinrich Christoph Koch (Cambridge Studies in Music Theory and Analysis). Cambridge University Press, 2006.

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15

Koch, Heinrich Christoph, and Johann Georg Sulzer. Aesthetics and the Art of Musical Composition in the German Enlightenment: Selected Writings of Johann Georg Sulzer and Heinrich Christoph Koch (Cambridge Studies in Music Theory and Analysis). Cambridge University Press, 1996.

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16

Close-ups: Contemporary art and Carl Th. Dreyer : Bas Jan Ader, Eija-Liisa Ahtila, Richard Billingham, Matthew Buckinham/Joachim Koester, Carl Th. Dreyer, Christoph Girardet, Pierre Huyghe, Eva Koch, Tommy Olsson, Annika. Copenhagen: Nikolaj, Copenhagen Contemporary Art Center, 1999.

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