Relevant bibliographies by topics / Christopher Koch

Academic literature on the topic 'Christopher Koch'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Contents

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Christopher Koch.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Christopher Koch"

1

Zlokovich, Martha S. "History of President Christopher Koch, PhD, 2004-05." Eye on Psi Chi Magazine 10, no. 2 (2006): 7. http://dx.doi.org/10.24839/1092-0803.eye10.2.7.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Fiona Duthie. "Spies in the Shadows: Intelligence and Secret Agents in the Novels of Christopher Koch." Antipodes 28, no. 2 (2014): 456. http://dx.doi.org/10.13110/antipodes.28.2.0456.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Maver, Igor. "Jean-François Vernay, Water from the Moon: Illusion and Reality in the Works of Australian Novelist Christopher Koch." Zeitschrift für Australienstudien / Australian Studies Journal 25 (2011): 137–40. http://dx.doi.org/10.35515/zfa/asj.25/2011.16.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Adler, Brent H. "Lane Donnelly, Blaise Jones, Sara O'hara, Christopher Anton, Corning Benton, Sjirk, Westra, Steven Kraus, Janet Strife, Bernadette Koch, Karin Hoeg: Diagnostic imaging pediatrics, 1st edn." Pediatric Radiology 36, no. 7 (May 3, 2006): 724–25. http://dx.doi.org/10.1007/s00247-006-0148-8.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Plastow. "Karibuni Wanachi: Theatre for Development in Tanzania, by Julie Koch, and Theatre for Development in Kenya: In Search of an Effective Procedure and Methodology, by Christopher J. Odhiambo." Research in African Literatures 41, no. 1 (2010): 182. http://dx.doi.org/10.2979/ral.2010.41.1.182.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Koch, Sabine, Christoph Lehmann, and Reinhold Haux. "On Bridges and Stacks." Applied Clinical Informatics 07, no. 03 (July 2016): 707–10. http://dx.doi.org/10.4338/aci-2016-07-ie-0110.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Veljanovic, Jasna. "Possible implementation of Heinrich Christoph Koch’s analytical terminology in contemporary analytical practice." Muzikologija, no. 25 (2018): 159–77. http://dx.doi.org/10.2298/muz1825159v.

Full text
Abstract:
This paper aims to interpret two capital works of Heinrich Christoph Koch, the most important theorist of the eighteenth century: Musical Lexicon (Musikalisches Lexikon) and Introductory Essay on Composition (Versuch einer Anleitung zur Composition) in three volumes, from the viewpoint of his analytical terminology. For better understanding of the piece, and bearing in mind that his Introductory Essay is a textbook, and therefore has a pedagogical nature, his view on the composer?s relation with his work is discussed, and with it, creating a piece based on three parameters: conception, realization and elaboration, as well as the concepts of feeling, genius, fervour, impression and taste. Koch?s relationship to the work from the viewpoint of the analysis of musical form and its dissection is considered. Some concepts, which have always been used in the analysis of form, whose meaning is understood by default, are explained: character, genre, style. This paper arises from the necessity of re-examining Koch?s analytical terminology and to introduce it into today?s analytical practice, especially for the better understanding of music of the baroque and classical periods and its more logical explication. Special emphasis has been given to sonata form, which is necessary to be seen in a different way, in accordance with the stylistic period in which it was created. Koch?s music theory is completely neglected in the textbook literature and therefore the contribution of this scientific work is twofold: the analysis of Koch?s postulates as well as an attempt to implement them in todays? practice.
APA, Harvard, Vancouver, ISO, and other styles
8

Knouse, Nola Reed. "Introductory Essay on Composition Heinrich Christoph Koch Nancy Kovaleff Baker." Music Theory Spectrum 8 (April 1986): 143–48. http://dx.doi.org/10.2307/746074.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Knouse, Nola Reed. ": Introductory Essay on Composition . Heinrich Christoph Koch, Nancy Kovaleff Baker." Music Theory Spectrum 8, no. 1 (April 1986): 143–48. http://dx.doi.org/10.1525/mts.1986.8.1.02a00080.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

CHAPIN, KEITH. "STRICT AND FREE REVERSED: THE LAW OF COUNTERPOINT IN KOCH’S MUSIKALISCHES LEXIKON AND MOZART’S ZAUBERFLÖTE." Eighteenth Century Music 3, no. 1 (March 2006): 91–107. http://dx.doi.org/10.1017/s1478570606000509.

Full text
Abstract:
In his article ‘Contrapunkt’ in the Musikalisches Lexikon (1802) Heinrich Christoph Koch described the intense, suspension-filled and motivically saturated style that he and his contemporaries knew from the music of J. S. Bach in a distinctly odd manner. To show how a composer might write such music, he took a relatively consonant passage in the ‘free’ style, as he called it, and then ornamented it to create a ‘strict’ appearance. By generating the strict from the free style, Koch unconsciously registered the eighteenth-century shift from intervallic counterpoint towards chordal harmony. But as he described the strict style in this and other articles in the dictionary, Koch also intimated that the ‘strict’ style meant something quite different to him than it had to theorists of preceding generations. No longer an icon of immutable law and harmony, it seemed bizarre and dissonant, knocked from its theoretical, pedagogical and symbolic pride of place. This article first examines the theoretical issues of pedagogy and style that Koch wrestled with as he sought to make the traditional terminology of the strict style fit the compositional environment of his time, then analyses the symbolic implications of Koch’s notion of the strict style. Finally, it suggests how the symbolism of the strict style, as implied by Koch, might be manifested in the chorale fantasy sung by Two Armed Men in Schikaneder and Mozart’s Die Zauberflöte. The law of the Temple of Wisdom is not immutable, but rather represents the law of the old order, commanding respect but admitting change.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Christopher Koch"

1

Vernay, Jean-François. "Illusion et réalité dans l'oeuvre romanesque de Christopher John Koch." Toulouse 2, 2004. http://www.theses.fr/2004TOU20068.

Full text
Abstract:
Originaire de la Tasmanie, Christopher John Koch (né en 1932) est un romancier qui s'interroge sur son temps. L'œuvre de Koch ne s'inscrit pas uniquement dans un courant universel, c'est aussi une œuvre à part - construite comme un puzzle aux pièces distinctes ; œuvre qui se distingue par son hybridité et son australianité. Par le biais du romanesque, il explore d'autres genres (le conte, le théâtre, la poésie) jusqu'à produire des œuvres protéiformes qui défient toute classification. Malgré le renouvellement perpétuel du décor dans lequel s'inscrivent les actions de l'intrigue, on constate la présence d'un fil conducteur qui traverse toute l'œuvre de Koch : la dyade ambigue͏̈ et conflictuelle de l'illusion (le double, le merveilleux, le rêve, l'image, l'imagination, le surnaturel, l'ésotérisme, le conte, le théâtre, les mythes, les superstitions, l'irrationnel, etc. ) et de la réalité (le réalisme, le naturalisme, le Schlüsselroman, la vraisemblance, l'existentialisme, l'identité, l'Histoire, l'épreuve de réalité, etc. )
Born in Tasmania, Christopher John Koch is a novelist who questions the world around him. Koch's opus does not only fall within a universal stream, it is also a production which stands on its own - built like a puzzle with distinct pieces; an opus which distinguishes itself by its hybridity and Australianness. Through fiction, Koch explores other genres (the fairy tale, drama, poetry) to the point of producing works which challenge classification. Despite the constant renewal of his settings for action, one notices the presence of a main thread which runs through his fiction: the antipodean and ambiguous relationship between illusion (the double, the fantastic element, dreams, image, imagination, the supernatural, esotericism, tales, drama, myths, les superstitions, the irrational) and reality (realism, naturalism, the Schlüsselroman, verisimilitude, existentialism, identity, History, reality-testing)
APA, Harvard, Vancouver, ISO, and other styles
2

Heinz, Stefan [Verfasser], Thorsten [Akademischer Betreuer] Koch, J. Christopher [Gutachter] Beck, and Thorsten [Gutachter] Koch. "Presolving techniques and linear relaxations for cumulative scheduling / Stefan Heinz ; Gutachter: J. Christopher Beck, Thorsten Koch ; Betreuer: Thorsten Koch." Berlin : Technische Universität Berlin, 2018. http://d-nb.info/1160593450/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Nettelbeck, Amanda E. ""The darkness at our back door" : maps of identity in the novels of David Malouf and Christopher Koch /." Title page, table of contents and abstract only, 1991. http://web4.library.adelaide.edu.au/theses/09PH/09phn4731.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Koch, Jan-Christopher [Verfasser], Ben [Akademischer Betreuer] Schweizer, and Matthias [Gutachter] Röger. "Uniqueness and regularity for porous media equations with x-dependent coefficients / Jan-Christopher Koch. Betreuer: Ben Schweizer. Gutachter: Matthias Röger." Dortmund : Universitätsbibliothek Dortmund, 2014. http://d-nb.info/1101476915/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Koch, Lukas [Verfasser], Stefan Akademischer Betreuer] Roth, and Christopher Henrik V. [Akademischer Betreuer] [Wiebusch. "Cross-section measurement of neutrino interactions in the TPC gas of the T2K off-axis near detector / Lukas Uwe Gerhard Koch ; Akademische Betreuer: Stefan Roth, Christopher Henrik Viktor Wiebusch." Aachen : Universitätsbibliothek RWTH Aachen, 2019. http://d-nb.info/1194111254/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Hust, Christoph. "Heinrich Christoph Koch - Journal der Tonkunst (1795)." Schriften online: Musikwissenschaft, 2012. https://slub.qucosa.de/id/qucosa%3A2722.

Full text
Abstract:
1795 erschien in Erfurt das „Journal der Tonkunst“ des Rudolstädter Hofmusikers und Musiktheoretikers Heinrich Christoph Koch. Koch bestückte das Journal großenteils mit eigenen Texten. Insbesondere kreisen sie um das Konzept von Mode in der Musik, die Koch als Gefahr für die Kultur seiner Zeit betrachtet. Darüber hinaus gibt der Text einen Überblick über Facetten des Musikdiskurses im ausgehenden 18. Jahrhundert, die von ästhetischen über praktische Erwägungen bis zu lexikalischen Daten reichen.
APA, Harvard, Vancouver, ISO, and other styles
7

Barros, Cassiano de Almeida 1978. "A teoria fraseológico-musical de H.C. Koch (1749-1816)." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284457.

Full text
Abstract:
Orientador: Helena Jank
Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-19T13:28:55Z (GMT). No. of bitstreams: 1 Barros_CassianodeAlmeida_D.pdf: 5341810 bytes, checksum: 99a81dac22a72cb50b776b11a769f334 (MD5) Previous issue date: 2011
Resumo: Este trabalho propõe a abordagem hermenêutica da teoria fraseológica de Heinrich Christoph Koch (1749-1816), considerada, desde o século XVIII, a mais clara e completa sistematização fraseológica de sua época. O objetivo é compreender historicamente como se manifesta a relação entre a gramática musical, a retórica e a estética nessa teoria, investigando as técnicas de invenção, concatenação e desenvolvimento do pensamento musical elaboradas para a persuasão, além da natureza das próprias unidades de pensamento musical, como a frase, o período, estrutura e forma. A fim de reconstituir o horizonte de sentido dessa teoria e compreender a relação entre suas partes constituintes, são examinados os tratados, ensaios e artigos de Koch e os estudos atuais relacionados. O estudo do pensamento musical setecentista e de seus mecanismos criativos conduz a uma compreensão particular do repertório neles fundamentado, na medida em que recupera parâmetros próprios dessa produção musical para os quais nossa percepção não é sensível. Isso se torna evidente na última parte do trabalho, na qual a teoria fraseológica de Koch é aplicada na análise do primeiro movimento do quarteto de cordas em sol maior, KV 387 de W. A. Mozart, obra recomendada por Koch como modelar de seu gênero
Abstract: This work proposes the hermeneutical approach of Heinrich Christoph Koch's (1749-1816) phraseological theory, considered the most clear and complete phraseological systematization of his time since eighteenth century. The objective consists in achieving a historical comprehension of how the relation among musical grammar, rhetoric and aesthetics manifests itself in this theory. It will be investigated the techniques of creation, concatenation and development of musical thought, the influence of persuasion in the application of these techniques and the nature of the units of musical thought, such as phrase, period, structure and form. In order to reconstruct the horizon of meaning of this theory and to comprehend the relation among its constituent parts, it will be examined Koch's treatises, essays and articles and the contemporary studies related to them. The study of the eighteenth century musical thought and its creative procedures conducts to a particular comprehension of the repertoire founded on them, in so far as this study recovers the own parameters of this musical production, to which our perception is not sensible. It becomes evident in the last part of this work, in which Koch's phraseological theory is applied in an analysis of the first movement of W. A. Mozart's string quartet in G major, KV 387, a piece that is recommended by Koch as being a model for its genre
Doutorado
Fundamentos Teoricos
Doutor em Música
APA, Harvard, Vancouver, ISO, and other styles
8

Tompkins, Robert. "Beethoven's Opus 18 String Quartets: Selected First Movements in Consideration of the Formal Theories of Heinrich Koch as Expressed in Versuch Einer Anleitung Zur Composition." Thesis, connect to online resource, 2006. http://www.unt.edu/etd/all/Dec2006/Open/tompkins_robert_teynac/index.htm.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Koch, Christoph [Verfasser], and Hermann [Akademischer Betreuer] Lödding. "Wertstromanalyse und -design für Auftragsfertiger / Christoph Koch ; Betreuer: Hermann Lödding." Hamburg : Universitätsbibliothek der Technischen Universität Hamburg-Harburg, 2018. http://d-nb.info/1190723654/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Li, Junming [Verfasser], Norbert [Gutachter] Koch, Christoph T. [Gutachter] Koch, and Liangsheng [Gutachter] Liao. "The performance characterization of carbazole/dibenzothiophene derivatives in modern OLEDs / Junming Li ; Gutachter: Norbert Koch, Christoph T. Koch, Liangsheng Liao." Berlin : Mathematisch-Naturwissenschaftliche Fakultät, 2017. http://d-nb.info/1124893687/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Christopher Koch"

1

Vernay, Jean-Francois. Water from the moon: Illusion and reality in the works of Australian novelist Christopher Koch. Youngstown, N.Y: Cambria Press, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

United States. Congress. Senate. Committee on Commerce, Science, and Transportation. Nomination--FMC: Hearing before the Committee on Commerce, Science, and Transportation, United States Senate, One Hundred First Congress, second session on, Christopher L. Koch, to be chairman, Federal Maritime Commission, October 2, 1990. Washington: U.S. G.P.O., 1990.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

United States. Congress. Senate. Committee on Commerce, Science, and Transportation. Nomination--FMC: Hearing before the Committee on Commerce, Science, and Transportation, United States Senate, One Hundred First Congress, second session, on Christopher L. Koch, to be chairman, Federal Maritime Commission, October 2, 1990. Washington: U.S. G.P.O., 1990.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

United States. Congress. Senate. Committee on Commerce, Science, and Transportation. Nomination--FMC: Hearing before the Committee on Commerce, Science, and Transportation, United States Senate, One Hundred First Congress, second session, on Christopher L. Koch, to be chairman, Federal Maritime Commission, October 2, 1990. Washington: U.S. G.P.O., 1990.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

United States. Congress. Senate. Committee on Commerce, Science, and Transportation. Nomination--FMC: Hearing before the Committee on Commerce, Science, and Transportation, United States Senate, One Hundred First Congress, second session, on Christopher L. Koch, to be chairman, Federal Maritime Commission, October 2, 1990. Washington: U.S. G.P.O., 1990.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

United States. Congress. Senate. Committee on Commerce, Science, and Transportation. Nomination--FMC: Hearing before the Committee on Commerce, Science, and Transportation, United States Senate, One Hundred First Congress, second session, on Christopher L. Koch, to be chairman, Federal Maritime Commission, October 2, 1990. Washington: U.S. G.P.O., 1990.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

United States. Congress. Senate. Committee on Commerce, Science, and Transportation. Nomination--FMC: Hearing before the Committee on Commerce, Science, and Transportation, United States Senate, One Hundred First Congress, second session, on Christopher L. Koch, to be chairman, Federal Maritime Commission, October 2, 1990. Washington: U.S. G.P.O., 1990.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

1948-, Baker Nancy Kovaleff, Christensen Thomas Street, and Koch Heinrich Christoph 1749-1816, eds. Aesthetics and the art of musical composition in the German Enlightenment: Selected writings of Johann Georg Sulzer and Heinrich Christoph Koch. Cambridge: Cambridge University Press, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Fürchtet euch nicht!: Die Vertreibung der deutschen Angst : eine Reportagereise mit vielen prominenten Gesprächspartnern : Ulrich Tukur, Roland Koch, Esther Schweins, Christoph Daum, Charlotte Knobloch, Dieter Wedel, Bernd Kundrun, Rüdiger Nehberg, Gabriele Baring, Ottmar Hitzfeld, Wolfgang Niedecken, Karl Lauterbach, Bernd Siggelkow, Franz Alt. Berlin: Scorpio, 2011.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Water from the Moon: Illusion and Reality in the works of Australian Novelist Christopher Koch. Cambria Press, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Christopher Koch"

1

Morrow, William. "Christoph Koch, Vertrag, Treueid Und Bund: Studien Zur Rezeption Des Altorientalischen Vertragrechts Im Deuteronomium Und Zur Ausbildung Der Bundestheologie Im Alten Testament." In Perspectives on Hebrew Scriptures VII, edited by Ehud Ben Zvi, 672–78. Piscataway, NJ, USA: Gorgias Press, 2011. http://dx.doi.org/10.31826/9781463234904-066.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Burstein, L. Poundie. "Eighteenth-Century Approaches to ExpositionsRiepel and Koch." In Journeys Through Galant Expositions, 64–90. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190083991.003.0004.

Full text
Abstract:
The melodic/harmonic underpinnings of the main resting points (Hauptruhepuncte) that lead to the new-key formal cadence within a Galant exposition tend to follow one of a set of standard possible orderings, forming what is known as a punctuation sequence. The orderings seem governed by two principles: (1) the avoidance of having the same main resting point appear twice in succession (except for under special circumstances); and (2) the tendency for each successive resting point to move closer to the new-key formal cadence. The concepts underlying the punctuation sequence are presented at length in the writings of Joseph Riepel and of Heinrich Christoph Koch. This chapter explores the standard expositional punctuation sequence as witnessed in the writings of Riepel, Koch, and some of their contemporaries.
APA, Harvard, Vancouver, ISO, and other styles
3

Mirka, Danuta. "Hypermeter, Phrase Structure, and Rhetorical Figures." In Hypermetric Manipulations in Haydn and Mozart, 299–321. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197548905.003.0008.

Full text
Abstract:
The theory of music-rhetorical figures, originating with Joachim Burmeister and Christoph Bernhard, was relaunched by Johann Mattheson and further developed by Johann Adolph Scheibe and Johann Nikolaus Forkel. Its integration into the theory of melody was attempted by Heinrich Christoph Koch in Musikalisches Lexikon (1802). The renewed attempt, undertaken in this chapter, reveals an unsuspected bond between two conceptually interrelated but historically unrelated branches of eighteenth-century music theory. The chapter explores effects of rhetorical figures upon hypermeter. It focuses on two rhetorical figures—ellipsis and anadiplosis—and indicates that further rhetorical figures account for some of the phrase expansions discussed in chapter 6.
APA, Harvard, Vancouver, ISO, and other styles
4

Burstein, L. Poundie. "Formal Punctuations." In Journeys Through Galant Expositions, 17–48. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190083991.003.0002.

Full text
Abstract:
Galant sonata-form movements can be understood as framed by a series of Perioden, that is, large multi-phrase sections that each lead to a formal cadence and which comprise a series of Sätze (phrases). The last Satz of a Periode, which concludes with the formal cadence, is known as a Schlußsatz. The Sätze and Satz-endings that precede the Schlußsatz are known as Absätze. Each Satz itself may be articulated by small divisions, known as Einschnitten. Largely relying on terminology and concepts of Heinrich Christoph Koch, this chapter explores the structure and conceptual underpinnings of these and related formal segments.
APA, Harvard, Vancouver, ISO, and other styles
5

Burstein, L. Poundie. "Uncommon Divisions." In Journeys Through Galant Expositions, 210–15. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190083991.003.0013.

Full text
Abstract:
At times one finds Galant expositions that are framed by punctuation sequences of types not specifically cited by Heinrich Christoph Koch. These include punctuation sequences that involve (1) resting points over less typical harmonies, such as a submediant or subdominant triad; (2) successive, contrasting Absätze that lead to the same type of resting point; and (3) standard resting points that appear out of their normal order. Some of these layouts nonetheless may be understood as stylistic generic (if somewhat less common) options. In other instances, however, these unusual punctuation sequences are best understood as expressive deviations that are in dialog with more conventional successions of expositional resting points.
APA, Harvard, Vancouver, ISO, and other styles
6

Mirka, Danuta. "Hypermetrical Irregularities in Expanded Phrases." In Hypermetric Manipulations in Haydn and Mozart, 173–213. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197548905.003.0005.

Full text
Abstract:
This chapter deals with hypermetrical irregularities in phrases expanded by means of parenthesis, repetition, and appendix. All these means of phrase expansion were recognized by eighteenth-century authors. The discussion of parenthesis reveals an uncharacteristically careless treatment of this concept by Heinrich Christoph Koch. It outlines its further development by Hugo Riemann and Heinrich Schenker and deconstructs the concept of parenthesis developed by William Rothstein (1989), thus restoring it to eighteenth-century perspective. The discussion of repetition engages with Rothstein’s discussion of this technique of phrase expansion and its effect upon hypermeter. The discussion of appendix compares Koch’s account of this concept to Rothstein’s concept of “suffix.”
APA, Harvard, Vancouver, ISO, and other styles
7

Hasty, Christopher. "Two Eighteenth-Century Views." In Meter as Rhythm, 28–43. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190886912.003.0002.

Full text
Abstract:
This chapter discusses two viewpoints on rhythm and meter from the eighteenth century. In Der vollkommene Capellmeister (1739), Johann Mattheson systematically develops the concept of die Rhythmik as a means of uniting meter as the division or measuring of time and rhythm as the particular course this measuring takes in melody. To understand this concept, it will be necessary to explore Mattheson’s subtle and, from a twentieth-century perspective, quite unfamiliar terminological distinctions. In his attempt to reconcile what one might think of as rhythm and meter, Mattheson is not concerned with the distinction between measure and “rhythmic pattern,” but rather with the distinction between mensuration and movement and their mysterious union in Rhythmik. The chapter then considers the modern pulse theory that emerged midcentury and was most systematically formulated by Heinrich Christoph Koch in 1787. Koch does not explicitly oppose meter and rhythm, in part because he conceives of metrical grouping as a creative and spontaneous process of one's imaginative faculties. Nevertheless, what one would call “meter” and “rhythm” are opposed implicitly in Koch's theory as an opposition of unity and multiplicity or as the givenness and fixity of pulse against the creative activity of grouping.
APA, Harvard, Vancouver, ISO, and other styles
8

Strohm, Reinhard. "Haydns offene Satzstruktur und die klassizistische Theorie von Heinrich Christoph Koch." In Joseph Haydn im 21. Jahrhundert, 287–310. Hollitzer Verlag, 2012. http://dx.doi.org/10.2307/j.ctvg8p63h.19.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Mirka, Danuta. "Phrase Structure." In Hypermetric Manipulations in Haydn and Mozart, 57–91. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197548905.003.0002.

Full text
Abstract:
This chapter focuses on phrase structure, whose discussion in the eighteenth century was subsumed under the theory of melody and based on the parallel between music and language. The first part is devoted to classification of caesuras and melodic sections contained by them. Since the former were equivalent to punctuation marks (period, colon, semicolon, comma) and the latter to grammatical units (sentences, clauses), the musical terminology adopted by eighteenth-century authors (Johann Mattheson, Joseph Riepel, Friedrich Wilhelm Marpurg, Johann Philipp Kirnberger, and Heinrich Christoph Koch) was influenced by linguistic terminology and it developed for decades, with meanings of individual terms changing from author to author. The second part of the chapter treats the different lengths of phrases. It links the preference for four-measure phrases to regular hypermeter and it presents a classification of four-measure phrase rhythms.
APA, Harvard, Vancouver, ISO, and other styles
10

Burstein, L. Poundie. "The Movement’s Second Half." In Journeys Through Galant Expositions, 219–32. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190083991.003.0014.

Full text
Abstract:
This chapter explores the form of the second half of Galant movements—that is, the part of the movement that corresponds to what modern terminology often labels as the development plus recapitulation. Much as was done with the examination of expositions in the previous chapters, the form of the movement’s second half is examined with the aid of journey metaphors, along with the help of concepts discussed by eighteenth-century theorists such as Heinrich Christoph Koch. Although sometimes the motions toward the large-scale resting points during the second half of a movement give rise to what can fairly be characterized as a metaphorical “development space” or “recapitulation space,” many Galant movements resist such characterizations. As a result, viewing the form, a movement’s second half through the vantage point of journey metaphors helps shed light on certain standard features——such as the so-called “false recapitulation” or the “secondary development”—that pose difficulties for formal analytic approaches that rely more heavily on container metaphors.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Christopher Koch' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography