Academic literature on the topic 'Christian Fiction, historical, romance'
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Journal articles on the topic "Christian Fiction, historical, romance"
Vint, Sherryl. "Science Fiction." Perspectives on Science and Christian Faith 74, no. 3 (September 2022): 191–92. http://dx.doi.org/10.56315/pscf9-22vint.
Full textHenigman, Laura. "Stowe and Her Foremothers: The Newport Female Society in The Minister's Wooing." Prospects 30 (October 2005): 135–55. http://dx.doi.org/10.1017/s0361233300002015.
Full textManuwald, Henrike. "Fictionality and Pleasure. Traces of a Practice of Fictionality in Medieval German Short Verse Narratives?" Journal of Literary Theory 14, no. 2 (September 25, 2020): 215–40. http://dx.doi.org/10.1515/jlt-2020-2005.
Full textTiao, Wang. "The Ethics of Romance: Edward Bellamy and American Historical Fiction." Interlitteraria 22, no. 2 (January 16, 2018): 312. http://dx.doi.org/10.12697/il.2017.22.2.9.
Full textLevin, David, and Emily Miller Budick. "Fiction and Historical Consciousness. The American Romance Tradition." Journal of American History 76, no. 4 (March 1990): 1231. http://dx.doi.org/10.2307/2936598.
Full textDerrick, Scott, and Emily Miller Budick. "Fiction and Historical Consciousness: The American Romance Tradition." American Literature 62, no. 2 (June 1990): 326. http://dx.doi.org/10.2307/2926925.
Full textBoccardi, Mariadele. "Postmodernism and the past : A romance." Recherches anglaises et nord-américaines 36, no. 1 (2003): 111–17. http://dx.doi.org/10.3406/ranam.2003.1673.
Full textMarkova, M. V. "Georgette Heyer, history, and historical fiction." Voprosy literatury, no. 1 (February 5, 2024): 198–203. http://dx.doi.org/10.31425/0042-8795-2024-1-198-203.
Full textKamitsuka, Margaret D. "Prolife Christian Romance Novels: A Sign that the Abortion-as-Murder Center Is Not Holding?" Christianity & Literature 69, no. 1 (March 2020): 36–52. http://dx.doi.org/10.1353/chy.2020.0002.
Full textNagy, Ladislav. "Historical Fiction as a Mixture of History and Romance: Towards the Genre Definition of the Historical Novel." Prague Journal of English Studies 3, no. 1 (September 1, 2014): 7–17. http://dx.doi.org/10.2478/pjes-2014-0014.
Full textDissertations / Theses on the topic "Christian Fiction, historical, romance"
Lewis, Cassandra. "Sunshowers in Winter: A Novel." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/cmc_theses/1584.
Full textJagodzinski, Mallory Diane. "Love is (Color) Blind: Historical Romance Fiction and Interracial Relationships in the Twenty-First Century." Bowling Green State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1440101084.
Full textWaage, Fred. "The Birth Spoon." Digital Commons @ East Tennessee State University, 2015. http://amzn.com/1939289572.
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Rosales, Lauren N. ""Dismissed outright": creating a space for contemporary genre fiction within neo-Victorian studies." Diss., University of Iowa, 2018. https://ir.uiowa.edu/etd/6259.
Full textLeafgren, Luke Anthony. "Novelizing the Muslim Wars of Conquests: The Christian Pioneers of the Arabic Historical Novel." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10362.
Full textAlmeida, Marcos Vinícius Lima de. "A lógica do espectro: romance histórico, necromancia e o lugar do morto." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21322.
Full textMade available in DSpace on 2018-08-08T14:24:38Z (GMT). No. of bitstreams: 1 Marcos Vinícius Lima de Almeida.pdf: 1307709 bytes, checksum: 04495baffe61ad76bf405f45955e7e9f (MD5) Previous issue date: 2018-06-21
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Under the premise that our history is constituted under the impact of catastrophes, and that in this context, writing a historical novel will never be a neutral gesture, this paper proposes to investigate the historical novel in contemporary Brazilian fiction, from the perspective of theory and literary creation. This work proposes a hypothesis for the hypothesis of the hypothesis of Lukács (2011), Jameson (2007), Perry Anderson (2007), Linda Hutcheon (1991), Esteves (2010) and Weinhardt (2011) and Bastos (2007). the reading of the contemporary historical novel. From two key notions, 1) what will be defined in this work as a spectrum logic, 2) and writing as a burial rite, the central premise of this work is to look at history as a fundamentally necromantic practice. These notions are tested, or developed, from the critical reading of two contemporary works: O marechal de costas, by José Luiz Passos (2016) and De mim já nem se lembra, by Luiz Ruffato (2015). If the sign (sema) is a tomb and the writing of history and the relationship with the past is a kind of burial rite (as Jeanne-Marie Gagnebin asserts, in the wake of Michel de Certeau), which separates the past from the present world of the living dead of the world), the past not properly elaborated, not buried, returns as specter: and haunts and defiles the present. In this sense, it is possible to read the contemporary historical novel as a kind of attempt to burial the specters of the past that haunt the present. In the practical section, this work presents a novel, a historical fiction, freely inspired by the figure of Januário Garcia Leal
Sob a premissa que nossa história se constitui sob impacto de catástrofes, e que, nesse contexto, escrever um romance histórico nunca será um gesto neutro, esse trabalho se propõe a investigar o romance histórico na ficção contemporânea brasileira, da perspectiva da teoria e da criação literária. Sem abandonar totalmente as concepções de Lukács, (2011), Jameson (2007), Perry Anderson (2007), Linda Hutcheon (1991), Esteves (2010) e Weinhardt (2011) e Bastos (2007), esse trabalho propõe uma hipótese para a leitura do romance histórico contemporâneo. A partir de duas noções chave, 1) aquilo que será definido nesse trabalho como lógica do espectro, 2) e a escrita enquanto rito de sepultamento, a premissa central deste trabalho é olhar para a história enquanto prática fundamentalmente necromante. Essas noções são testadas, ou desenvolvidas, a partir da leitura crítica de duas obras contemporâneas: O Marechal de costas, de José Luiz Passos (2016) e De mim já nem se lembra, de Luiz Ruffato (2015). Se o signo (séma) é um túmulo e a escrita da história e a relação com o passado uma espécie de rito de sepultamento (como afirma Jeanne-Marie Gagnebin, na esteira de Michel de Certeau), que separa o passado do presente (o mundo dos mortos do mundo vivos), o passado não devidamente elaborado, não enterrado, retorna como espectro: e assombra e contamina o presente. Nesse sentido, é possível ler o romance histórico contemporâneo como uma espécie de tentativa de sepultamento dos espectros do passado que assombram o presente. Na seção prática, esse trabalho apresenta um romance, uma ficção histórica, livremente inspirada da figura de Januário Garcia Leal
Hughes, Helen Muriel. "Changes in historical romance, 1890s to the 1980s : the development of the genre from Stanley Weyman to Georgette Heyer and her successors." Thesis, University of Bradford, 1988. http://hdl.handle.net/10454/4224.
Full textBuitendach, Samantha Angelique. "Selling translation rights in trade publishing : case studies of Dutch translations of Afrikaans fiction in the Netherlands and Belgium." Diss., University of Pretoria, 2005. http://hdl.handle.net/2263/66256.
Full textDissertation (MIT)--University of Pretoria, 2017.
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Brook, Madeleine E. "Popular history and fiction : the myth of August the Strong in German literature, art, and media." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:cb7df46e-ab52-4f27-a084-41d7fab5b54e.
Full textSakai, Luiz Guilherme Fernandes da Costa. "Denegação e desidentidade: a metaficção historiográfica em Nove noites, de Bernardo Carvalho." Pontifícia Universidade Católica de São Paulo, 2013. https://tede2.pucsp.br/handle/handle/14725.
Full textCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
This study discusses the identity construction and interpellation in Brazilian contemporary literature through historical novel and historiographical metafiction, concepts studied by Györg Lukács and Linda Hutcheon, respectively. These two subgenres reveal a relation that is different from the truthful events in which the novel is based. The historical novel, emerged in 19th century, uses them to attest their fictional verisimilitude, and in the national context, it has joined the taskwork to build a Brazilian identity. The historiographical metafiction, which emerged in the second half of 20th century, uses the truthful events to question, destabilize and rewrite them. Nove noites, from the author Bernardo Carvalho, gets close to this second subgenre. However, a survey of Carvalho s critical fortune has indicated a supposed inverisimilitude trace in his literary production; this discovery questions not only the historical speech, but also the fiction itself. From this starting point, our study is going to investigate, especially in the chosen novel, the bounds between fiction and reality (linked to history) and identity and non-identity in a dialog with the historical novel and the historiographical metafiction. Presenting also Carvalho s critical production, it s evident in this research that he appreciates an experimental and inventive fiction, and denies trends and common sense in relation to literature. Therefore, this research challenges the hypothesis that, by one side, Nove noites has some historiographical metafiction characteristics and points out to a non-identity dimension, concept used by Italo Moriconi to define the crisis in which the Latin-American thought has been facing in this globalized scenery. In the other hand, when he destabilizes his own construction of sense, he overacts the subgenre in which he was primarily associated and strengthen, in another level, the position the writer registers in this critical texts
Este estudo discute a questão da construção e interpelação da identidade na literatura contemporânea brasileira pela via do romance histórico e da metaficção historiográfica, estudados por Györg Lukács e Linda Hutcheon, respectivamente. Essas duas vertentes do gênero literário romance revelam uma díspar relação com os acontecimentos verídicos de que se apropriam. O romance histórico, surgido no século XIX, utiliza-os para atestar a sua verossimilhança ficcional e, no contexto nacional, aliou-se à empreitada de formar uma identidade aos brasileiros. Ao passo que a metaficção historiográfica, que surgiu já na segunda metade do século XX, vale-se deles para questioná-los, desestabilizá-los e reescrevê-los. Nove noites, do ficcionista e crítico Bernardo Carvalho, aproxima-se dessa segunda vertente. Contudo, um levantamento da fortuna crítica desse escritor indicou um traço supostamente inverossímil em sua produção literária, que põe em xeque o sentido não apenas do discurso histórico, mas também da própria ficção. É partindo disso que este estudo objetiva investigar as fronteiras entre ficção e realidade (atrelada à história) e identidade e desidentidade em diálogo com o romance histórico e com a metaficção historiográfica. Apresentando também sua produção crítica, torna-se patente, nesta pesquisa, que Carvalho valoriza uma ficção experimental, inventiva, e refuta modismos e lugares-comuns em relação à literatura. Por isso, este trabalho coloca à prova a hipótese de que, por um lado, Nove noites, possuidor de características da metaficção historiográfica, ilustra e aponta para a dimensão da desidentidade, termo utilizado por Italo Moriconi para definir a crise pela qual o pensamento latino-americano tem passado no cenário globalizado. Por outro, o romance de Bernardo Carvalho, ao desestabilizar sua própria construção de sentido, extrapola a vertente a que inicialmente se associa, reforçando, em outro nível, o posicionamento que o escritor registra em seus textos críticos
Books on the topic "Christian Fiction, historical, romance"
McGee, Stephenia H. Belmont Bundle: Christian Historical Romance. By The Vine Press, 2022.
Find full textRawlings, Naomi. Lady's Refuge: Historical Christian Romance. Naomi Rawlings Books, 2021.
Find full textRawlings, Naomi. Widow's Secret: Historical Christian Romance. Naomi Rawlings Books, 2021.
Find full textRawlings, Naomi. Widow's Secret: Historical Christian Romance. Naomi Rawlings Books, 2021.
Find full textPattillo, L. A. Faith of a Wife: Christian Historical Fiction Romance. Independently Published, 2019.
Find full textDawson, Kay P. Sylvia's Spirit: A Historical Christian Romance. Wolfpack Publishing, 2022.
Find full textRawlings, Naomi. Love's Sure Dawn: Historical Christian Romance. Naomi Rawlings Books, 2015.
Find full textDawson, Kay P. Hope's Honor: A Historical Christian Romance. Wolfpack Publishing, 2022.
Find full textRawlings, Naomi. Love's Every Whisper: Historical Christian Romance. Naomi Rawlings Books, 2020.
Find full textRawlings, Naomi. Love's Sure Dawn: Historical Christian Romance. Naomi Rawlings Books, 2015.
Find full textBook chapters on the topic "Christian Fiction, historical, romance"
Sauer, Elizabeth. "Emasculating Romance: Historical Fiction in the Protectorate." In Prose Fiction and Early Modern Sexualities in England, 1570–1640, 195–213. New York: Palgrave Macmillan US, 2003. http://dx.doi.org/10.1007/978-1-137-09177-2_11.
Full textFicke, Sarah H. "House, home and husband in historical romance fiction." In The Routledge Companion to Romantic Love, 139–49. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003022343-11.
Full textTeo, Hsu-Ming. "The Australian Convict Prostitute Romance." In Conflict and Colonialism in 21st Century Romantic Historical Fiction, 26–49. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003493792-2.
Full textPosti, Piia K. "‘I Get to Exist as a Black Person in the World’: Bridgerton as Speculative Romance and Alternate History on Screen." In History and Speculative Fiction, 123–49. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-42235-5_7.
Full textHolterhoff, Kate. "Picturing the Past in Robert Louis Stevenson's Historical Romances." In Illustration in Fin-de-Siècle Transatlantic Romance Fiction, 23–54. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003017684-2.
Full textMcAlister, Jodi. "This Modern Love: The Virgin Heroine in Historical Romance Fiction." In The Consummate Virgin, 131–67. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-55004-2_6.
Full textBurge, Amy. "Do knights still rescue damsels in distress?: Reimagining the medieval in Mills & Boon historical romance." In The Female Figure in Contemporary Historical Fiction, 95–114. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137283382_6.
Full textTrenter, Cecilia. "Heritaging and the Use of History in Margit Sandemo’s The Legend of the Ice People." In History and Speculative Fiction, 203–24. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-42235-5_11.
Full textRíu, Carmen Perez. "Language, Sexuality and “Necessary Anachronism” in Lorraine Heath's Neo-Victorian Popular Romance Series Scandalous Gentlemen of St. James 1." In Conflict and Colonialism in 21st Century Romantic Historical Fiction, 92–114. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003493792-5.
Full textTaylor-Pirie, Emilie. "Detecting the Diagnosis: Parasitology, Crime Fiction, and the British Medical Gaze." In Empire Under the Microscope, 131–73. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-84717-3_4.
Full textConference papers on the topic "Christian Fiction, historical, romance"
Koblenkova, Diana V. "ON SOME TRENDS IN THE SATIRICAL LITERATURE AND CINEMATOGRAPHY OF SWEDEN AT THE END OF THE 20TH — BEGINNING OF THE 21ST CENTURY (C.-J. VALLGREN AND R. ÖSTLUND)." In Second Scientific readings in memory of Professor V. P. Berkov. St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063576.
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