Dissertations / Theses: 'Chris'

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Coetsee, Gert Christiaan. "Doelwitbereiking deur prestasiebestuur / Chris Coetsee." Thesis, North-West University, 2006. http://hdl.handle.net/10394/1681.

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Bauer, Chris [Verfasser]. "Exploiting proteomics data / Chris Bauer." Berlin : Freie Universität Berlin, 2014. http://d-nb.info/104786231X/34.

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Andrade, Sueli Chaves. "Chris Cunningham: autoria em videoclipe." Pontifícia Universidade Católica de São Paulo, 2009. https://tede2.pucsp.br/handle/handle/5263.

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Conselho Nacional de Desenvolvimento Científico e Tecnológico
The work from the video artist Chris Cunningham is the main theme of this research. The several audiovisual productions of this director include video installations, advertising and mainly music videos. There are two reasons for the choice of this object. The first one is related to the contemporary themes of Cunningham´s projects such as cyborg and freak bodies in the context of the post-human issue. The second reason is the possibility of placing the British as author in the audiovisual field. The music videos All Is Full Of Love (1999) and Rubber Johnny (2005) are the selected works for analysis of this research. The theoretical references over which this investigation is supported are related to the issues of authorship, post-cinema images and post-human body. Around the authorship discussion this research can be placed on debates proposed by the traditional French journal Cahiers du Cinéma during 1950s and the machine-artist relationship proposed by Vilém Flusser in Towards a Philosophy of Photography. To discuss the music video the selected authors are Arlindo Machado, E. Ann Kaplan and the pop culture experts Andrew Goodwin and Simon Fritch. Besides there are also the theorists Raymond Bellour (1997) who provides a place to the video and Philippe Dubois (2004) who suggests to think of it as a state and not as a product since it´s intimately tied to the device for which it has been designed. The approach to the body theme is based on works from Lucia Santaella, Paula Sibilia and Ieda Tucherman
O trabalho do videomaker Chris Cunningham é o tema principal dessa dissertação. A variedade de produções audiovisuais desse diretor engloba videoinstalações, publicidade e principalmente videoclipes. A escolha desse objeto dá-se por duas razões. A primeira pela contemporaneidade dos temas abordados nos projetos de Cunningham, como a temática dos corpos ciborgue e freak no contexto de discussão do pós-humano. Já a segunda razão é a possibilidade de situar o britânico como autor no campo audiovisual. Os videoclipes All Is Full Of Love (1999) e Rubber Johnny (2005) são as obras selecionadas para estudo analítico nesta pesquisa. As referências teóricas que embasam este trabalho estão ligadas ao tema da autoria, das imagens pós-cinemas e corpo pós-humano. No campo da discussão acerca de autoria, o trabalho situa-se nos debates propostos pelo tradicional periódico francês Cahiers du Cinema na década de 1950 e relação artista-máquina proposta por Vilém Flusser em Filosofia da Caixa Preta. Para se dissertar sobre o videoclipe, os autores selecionados são Arlindo Machado, E. Ann Kaplan e a dupla especialista em cultura pop Andrew Goodwin e Simon Fritch, além do teórico Raymond Bellour (1997), que dá lugar ao vídeo, e Philippe Dubois (2004) que sugere pensá-lo como estado e não como produto, na medida em que está intimamente atrelado ao dispositivo para o qual foi concebido. A abordagem do tema corpo respalda-se em textos das autoras Lúcia Santaella, Paula Sibilia e Ieda Tucherman

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Davies, William Huw. "Estimating aerosol properties using CHRIS/PROBA." Thesis, Swansea University, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.678572.

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Auad, Pedro Henrique Trindade Kalil. "Para além do movimento: Samuel Beckett, Chris Marker e Marcelo Mirisola: Samuel Beckett; Chris Marker e Marcelo Mirisola." Universidade Federal de Minas Gerais, 2010. http://hdl.handle.net/1843/ECAP-829FGH.

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Nesta dissertação estuda-se a aproximação do cinema e da literatura através do estudo de suas construções temporais, tendo como conceito operacional a imagem-tempo, conceito criado a partir de estudos sobre o cinema realizados por Gilles Deleuze. Através da análise das obras A Última Gravação de Samuel Beckett, La Jetée de Chris Marker, e Joana a Contragosto de Marcelo Mirisola, busca-se estabelecer relações entre diferentes sistemas semióticos. A pesquisa abrange uma delimitação do conceito imagem-tempo estabelecendo suas características. A partir da análise das obras estabelecidas para este trabalho é localizada a ocorrência do conceito imagem-tempo não somente no cinema, mas também na literatura. Essa pesquisa também aborda a ligação entre os autores aqui estudados com o escritor francês Marcel Proust, demonstrando conexões entre a construção temporal do cinema, do texto dramático e da prosa.

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Honkomp, Chris [Verfasser]. "Thermomanagement bei interventionellem minimalinvasiven Klappenersatz / Chris Honkomp." Berlin : Medizinische Fakultät Charité - Universitätsmedizin Berlin, 2015. http://d-nb.info/1071088351/34.

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Strejcovský, Jan. "Chris Marker prizmatem Gillese Deleuze: imaginární setkání." Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2017. http://www.nusl.cz/ntk/nusl-371126.

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Despite the fact that the French philosopher Gilles Deleuze has included many contemporaries, co-workers and friends of Chris Marker in his controversial writings on film, Marker himself is missing among the analyzed filmmakers. This thesis challenges the supposed passiveness between both authors assuming certain intersections between their thoughts, aiming to look at several of Chris Marker's emblematic films - indeed not comprehensively, rather naturally subjectively - through the key themes from some of Gilles Deleuze's books. Statues Also Die and Cinama II: The Time-Image; La Jetée and Bergsonism; Sunless and Proust and Signs.

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Pontali, Giulia. "Obesity and Health in the CHRIS study." Doctoral thesis, Università degli studi di Trento, 2023. https://hdl.handle.net/11572/364922.

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Obesity is a major risk factor for multiple common chronic diseases. The prevalence in European countries is high and a significant public health concern. This thesis aims to explore the obesity landscape in the Cooperative Health Research in South Tyrol (CHRIS) study. The first step was to characterise the obese CHRIS population, taking into account the established body mass index (BMI) classification from the World Health Organization (WHO) and looking at metabolically healthy and unhealthy obesity. We investigated the familial aggregation of these traits. We identified several families with significant familial aggregation and observed varying degrees of overlap for these traits in different families. The focus was then on implementing and applying a Genome-Wide Polygenic Score for obese participants. These scores were computed for individuals based on the presence of different genetic variants weighted according to their measured effects in genome-wide association studies (GWAS). We then paid attention to the targeted metabolomics data of the CHRIS study, to identify different serum metabolites associated with metabolically healthy/unhealthy obesity, using logistic regression and random forest methods to explore metabolic signatures to distinguish obesity into metabolically healthy and metabolically unhealthy obesity. Several biomarkers were shown to be related to obesity, many of which confirmed by existing evidence (such as BCAAs, tyrosine, and lysophosphatidylcholines).

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Wolf, Saskia [Verfasser], and Chris [Akademischer Betreuer] Meier. "Synthese von Zuckernucleotiden / Saskia Wolf. Betreuer: Chris Meier." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2012. http://d-nb.info/102394765X/34.

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Gebauer, Chris [Verfasser]. "Vergleich zwischen konventioneller Koronarangiografie und Rotationsangiografie / Chris Gebauer." Greifswald : Universitätsbibliothek Greifswald, 2013. http://d-nb.info/1033674427/34.

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MARANHÃO, Luís Henrique Barbosa Leal. "Chris Marker: comentários sobre uma crítica da imagem." Universidade Federal de Pernambuco, 2014. https://repositorio.ufpe.br/handle/123456789/17499.

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"Nunca a imagem se impôs com tanta força no universo estético, técnico, cotidiano, político, histórico". Considerando que as imagens são, na atualidade, formadoras da nossa percepção temporal e histórica, a presente dissertação busca discutir uma condição contemporânea das imagens. A partir da ideia de que os meios massivos de comunicação articulam uma lógica de reificação do sentido das imagens e da memória, o trabalho visa pensar em que medida algumas formas de articulação da imagem propostas pelo cinema de Chris Marker constituem, a partir da experiência cinematográfica, um contraponto reflexivo, uma proposta de construção de um outro modelo de temporalidade e o estabelecimento de uma crítica sobre as imagens. A partir de autores como Walter Benjamin, Georges Didi-Huberman e Giorgio Agamben e de fragmentos dos filmes Sem Sol (1982), Level Five (1996) e O fundo do ar é vermelho (1977-1993), de Chris Marker, o trabalho pretende pensar as possibilidades expressivas relacionadas à articulação das palavras e das imagens, assim como dar conta de uma noção política dos gestos que tornam as imagens possíveis. Desse modo, o trabalho propõe-se a discutir em que medida as escolhas estéticas dos filmes analisados se relacionam às possibilidades de conhecimento do real e crítica da imagem e do tempo histórico.
"Never before image imposed itself so strongly on the universe of aesthetics, techniques, politics, history and of everyday life". Whereas images are nowadays the educators of our temporal and historical insights, this thesis goals at discussing the contemporary condition of images. Starting from the idea that mass media articulates a logic of reification of the meaning of images and memory, this work aims to think about in what extent some forms of image articulation proposed by Chris Marker's cinema are a counterpoint to the reification of the meaning of images from the point of view of the cinematographic experience - proposing a construction of another model of temporality and establishing a critical scaling on images. From authors such as Walter Benjamin, Georges Didi-Huberman and Giorgio Agamben and fragments of Chris Marker's movies - Sunless (1982), Level Five (1996) and A grin without a cat (1977-1993) - the thesis tries to think about the expressive possibilities related to the articulation of words and images, as well as to realize a political notion of gestures that make images possible. Thus, the text proposes a discussion about in what extent the aesthetic choices of the analyzed movies are related to real possibilities of knowledge and critical review of the image and the historical time.

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Andrade, Sueli Chaves. "Chris Cunningham: corpo e dejeto no vídeo contemporâneo." Pontifícia Universidade Católica de São Paulo, 2017. https://tede2.pucsp.br/handle/handle/19734.

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Conselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPq
Chris Cunningham is the main subject in this thesis. Cunningham was one of the most influential and creative music video directors in the 90’s and early 2000’s. Visible throughout his art is the theme of the body and its innards - an important and wide discussion in contemporary culture studies. The hypothesis of this text is that the music video is one of the main audiovisual narratives of postmodern culture from the aspect of new aesthetics and artistic experiments. Cunningham adds original marks to the characteristics that constitute contemporary art, especially the one that has placed the body under interrogation and also the art object as waste. The contemporary art discussion in this thesis is inspired by psychanalysts Jacques-Allan Miller and Gerard Wajcman and the positioning of the object, and a new gaze at it is provided by Didi-Huberman. Concerning the role of the body in this setting, Santaella brings a contribution on it as an art support, besides presenting much of the specific problems of the body in culture. Raymond Bellour, Philippe Dubois and Arlindo Machado with their discussions around film and video allow the insertion of the music video as a language with its own characteristics and history, as the theorists Andrew Goodwin, E. Ann Kaplan and Carol Vernallis point out. The Lacanian theory provides a formal way to analyze and discuss the body from an instinctive perspective that drives the subject in the contemporary world. In order to prove this assertion and the hypothesis of this thesis, three semiotic-psychoanalytic analyses were done on the following works: All is Full of Love (1999), Flex (2000) and Rubber Johnny (2005)
Chris Cunningham é o objeto de investigação desta tese. Trata-se de um autor reconhecido de videoclipes e narrativas audiovisuais contemporâneas das décadas de 1990 e 2000. Seus trabalhos são permeados por uma temática de suma importância e ampla discussão no campo de estudos da cultura contemporânea: o tema do corpo e suas estranhezas. A hipótese que se coloca é a de que o videoclipe é um dos principais formatos narrativos audiovisuais do pós-moderno, sob o aspecto da produção de novas estéticas e experimentações artísticas. Tendo isso em vista, a obra de Cunningham acrescenta marcas originais às características próprias da arte contemporânea, especialmente aquela que vem colocando o corpo sob interrogação e o objeto enquanto dejeto. No que diz respeito aos debates que envolvem a arte contemporânea, há uma escuta daquilo que os psicanalistas Jacques-Allan Miller e Gerard Wajcman têm a dizer sobre o lugar do objeto, bem como sobre uma nova forma de olhá-lo, tal qual propõe Didi-Huberman. A respeito do papel do corpo neste mesmo cenário, Santaella traz uma contribuição sobre o mesmo como suporte da arte, além de apresentar as problemáticas específicas do corpo na cultura. Raymond Bellour, Philippe Dubois e Arlindo Machado aprofundam a discussão sobre cinema e vídeo, o que permite a inserção do videoclipe como uma linguagem com características e história próprias, conforme apontam os teóricos Andrew Goodwin, E. Ann Kaplan e Carol Vernallis. Toma-se, então, a perspectiva psicanalítica de orientação lacaniana para observar o corpo para além de sua função como suporte na arte: o das pulsões que tomam conta do sujeito no universo contemporâneo. De modo a comprovar tal afirmação e a hipótese desta tese, três análises de cunho semiótico-psicanalítico abordam os trabalhos: All is Full of Love (1999), Flex (2000) e Rubber Johnny (2005)

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Davis, Matthew. "Translating Chris Ware's Lint into Russian." Oberlin College Honors Theses / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1369071228.

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Talpin, Emilie V. "L'exploration du quotidien dans Chats perchés de Chris Marker." Oxford, Ohio : Miami University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1201736838.

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Töpner, Katrin Alexandra [Verfasser], Chris-Carolin [Akademischer Betreuer] Schön, Chris-Carolin [Gutachter] Schön, and Daniel [Gutachter] Gianola. "Covariance structures in multivariate genome-enabled prediction models / Katrin Alexandra Töpner ; Gutachter: Chris-Carolin Schön, Daniel Gianola ; Betreuer: Chris-Carolin Schön." München : Universitätsbibliothek der TU München, 2019. http://d-nb.info/1185637788/34.

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Crema, Daniele. "Por que todo mundo odeia o Chris? Uma análise discursiva sobre o imaginário de afro-americanidade na série Everybody hates Chris." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-05082015-143333/.

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Como telespectadores de Black sitcoms norte-americanas, temos observado, nessas séries, uma propensão à abordagem de temáticas que silenciam a luta pela dessegregação racial nos Estados Unidos. Nossa hipótese é que grande parte dos seriados tende a assimilar uma percepção homogeneizante de afro-americanidade, firmada em estereótipos e verdades supostamente inquestionáveis acerca de negritude. O negro é sempre visto pela perspectiva de um outro, cuja posição central no discurso produz sentidos de negritude. À luz de tais considerações, objetivamos problematizar os sentidos de afro-americanidade construídos no seriado Everybody hates Chris. Buscamos analisar as formas de funcionamento do discurso que legitimam determinadas posições de sujeito para o negro americano e que consequentemente produzem um imaginário de afro-americanidade que se institui como verdadeiro. Para tanto, esta pesquisa se fundamenta na perspectiva discursiva de Michel Pêcheux (1969, 1975) e de Michel Foucault (1969, 1971, 1979). O corpus de análise é composto por dez episódios de Todo Mundo Odeia o Chris. Discutimos a popularização da televisão nos Estados Unidos, desde os anos 50, momento no qual o gênero sitcom simbolizou a ratificação do protótipo de família americana idealizada. Analisamos como tal concepção de família se estende e perpassa as produções seriais até os dias de hoje, excluindo percepções de negritude que não integram o imaginário de modelo familiar do pós Segunda Guerra Mundial (anos 40 e 50). Abordamos também, o conceito de tradições inventadas, lançando um olhar sobre as formas pelas quais os rituais nelas celebrados compõem meios de excluir o que é nocivo ao que se entende por autenticidade americana. Buscamos observar como se constroem sentidos de afro-americanidade em celebrações que estabelecem a coesão nacional como fundamento, em uma sociedade na qual o negro é um sujeito periférico. Estudamos, por fim, como sentidos de afro-americanidade são incorporados ou contestados, colocando em xeque percepções totalizantes de afro-americanidade. Constatamos que os sentidos de afro-americanidade se constroem na articulação entre diversas categorias (gênero, raça, classe social). O estudo indica que a identidade afro-americana não pressupõe sentidos unívocos, pois se constroi nas diversas posições discursivas ocupadas pelo sujeito.
As spectators of North-American Black sitcoms, we have observed that these series are likely to approach themes that silence the fight for racial desegregation in the United States. Our hypothesis is that a great part of the sitcoms tend to assimilate a homogenizing perception of African-Americaness, reinforced by stereotypes and supposedly unquestionable truths about Blackness. The African-American is always viewed from the perspective of the other, whose central position in discourse produces meanings of Blackness. In the light of such considerations, we aim at problematizing meanings of African-Americaness constructed in the series Everybody hates Chris. Our goal is the analysis of the various ways of functioning of that discourse, in that they legitimize certain subjective positions for the African- American, consequently producing an imaginary of African-Americaness that is presented as truthful. On these grounds, this research is based on the discursive perspective of Michel Pêcheux (1969, 1975) and Michel Foucault (1969, 1971, 1979). The corpus of analysys is composed of ten episodes of Everybody hates Chris. We discuss the popularization of television in the United States since the 1950s, when the sitcom symbolized the ratification of the idealized American family. We analyse how such a conception of family is explored then and is perpetuated up to the present, excluding perceptions of Blackness that do not integrate the family imaginary of the post Second World War (from the 1940s and 1950s). We also discuss the concept of invented traditions, by shedding light on how the celebration of rituals allows for the exclusion of what is harmful to the so called American authenticity. We mainly seek to observe how meanings of African-Americaness are constructed in celebrations that establish national cohesion as the foundation of a society in which the African-American is a peripheral subject. We finally study how meanings of African-Americaness are incorporated or contested, questioning totalizing perceptions of Blackness. Our contention is that the meanings of Blackness are constructed in the articulation of multiple categories (gender, race, social class). The study shows that the African-American identity does not presuppose univocal meanings for it is constructed from the various discursive positions occupied by the subject.

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Wimmer, Valentin [Verfasser], Chris-Carolin [Akademischer Betreuer] Schön, Henner [Akademischer Betreuer] Simianer, and Aurélien [Akademischer Betreuer] Tellier. "Efficiency of statistical methods for genome-based prediction / Valentin Wimmer. Gutachter: Henner Simianer ; Chris-Carolin Schön ; Aurélien Tellier. Betreuer: Chris-Carolin Schön." München : Universitätsbibliothek der TU München, 2014. http://d-nb.info/1053761988/34.

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Herzog, Eva [Verfasser], Chris-Patrick [Akademischer Betreuer] [Gutachter] Lohmann, and Mathias M. [Gutachter] Maier. "Intravitreale Therapie retinaler Venenverschlüsse – Triamcinolon und Bevacizumab im Vergleich / Eva Herzog ; Gutachter: Chris-Patrick Lohmann, Mathias M. Maier ; Betreuer: Chris-Patrick Lohmann." München : Universitätsbibliothek der TU München, 2017. http://d-nb.info/1143124901/34.

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Bohnacker, Sabrina [Verfasser], Chris Patrick [Akademischer Betreuer] Lohmann, Mathias M. [Gutachter] Maier, and Chris Patrick [Gutachter] Lohmann. "Entwicklungsbegleitende ex-vivo Evaluation von thermosensitiven Hydrogelen als Glaskörperersatzstoffe / Sabrina Bohnacker ; Gutachter: Mathias M. Maier, Chris Patrick Lohmann ; Betreuer: Chris Patrick Lohmann." München : Universitätsbibliothek der TU München, 2018. http://d-nb.info/1153882507/34.

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Mary, Nathalie. "La communauté politique dans le cinéma de Chris Marker." Thesis, Paris 3, 2010. http://www.theses.fr/2010PA030078.

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Ce travail tente d’analyser de quelle manière la communauté politique cherche en vain l’unité et l’entente, quelle représentation le cinéma en général et celui de Chris Marker en particulier donnent à cette recherche, ainsi qu’aux rapports entre les différents acteurs de cette communauté (Etat, société civile), au fonctionnement de celle-ci, aux événements qui la traversent (révoltes, révolutions, guerres). Il étudie aussi comment l’utopie, désir de fonder des communautés plus justes, se trouve au coeur du destin de l’humanité, à tel point que les pouvoirs, les idéologies et les totalitarismes ont toujours su manipuler cette aspiration, en utilisant, par exemple, le cinéma pour rendre compte d‘une union, en apparence réalisée, de la communauté politique. Cette thèse examine encore la place de l’individu et les différentes formes de regroupement social se trouvant, selon les cas, à l’intérieur ou en dehors de la communauté politique. Elle rend compte enfin de l’originalité d’une oeuvre exceptionnelle d’un point de vue politique, celle du cinéaste Chris Marker
This work tries to analyse how the political community searches in vain for unity and harmony ; how cinema in general, and that of Chris Marker in particular, portrays this search, as well as the relationships between different actors of this community (state, civil society), its workings, and the events which run through it (uprisings, revolutions and wars). It also considers how utopia - the wish to create fairer communities - is at the heart of mankind’s destiny, so much so that authorities, ideologies and totalitarianisms have always been able to manipulate this aspiration, for instance by using cinema to show a seemingly accomplished union of the political community. Then, this thesis examines the place of the individual and the different types of social gathering being, depending on circumstances, within or outside of the political community. It finally shows the originality of a politically exceptional work, that of the filmmaker Chris Marker

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Gómez, Chova Luis. "Cloud screening algorithm for MERIS and CHRIS multispectral sensors." Doctoral thesis, Universitat de València, 2008. http://hdl.handle.net/10803/9728.

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Earth Observation systems monitor our Planet by measuring, at different wavelengths, the electromagnetic radiation that is reflected by the surface, crosses the atmosphere, and reaches the sensor at the satellite platform. In this process, clouds are one of the most important components of the Earth's atmosphere affecting the quality of the measured electromagnetic signal and, consequently, the properties retrieved from these signals. This Thesis faces the challenging problem of cloud screening in multispectral and hyperspectral images acquired by space-borne sensors working in the visible and near-infrared range of the electromagnetic spectrum. The main objective is to provide new operational cloud screening tools for the derivation of cloud location maps from these sensors' data. Moreover, the method must provide cloud abundance maps --instead of a binary classification-- to better describe clouds (abundance, type, height, subpixel coverage), thus allowing the retrieval of surface biophysical parameters from satellite data acquired over land and ocean. In this context, this Thesis is intended to support the growing interest of the scientific community in two multispectral sensors on board two satellites of the European Space Agency (ESA). The first one is the MEdium Resolution Imaging Spectrometer (MERIS), placed on board the biggest environmental satellite ever launched, ENVISAT. The second one is the Compact High Resolution Imaging Spectrometer (CHRIS) hyperspectral instrument, mounted on board the technology demonstration mission PROBA (Project for On-Board Autonomy). The proposed cloud screening algorithm takes advantage of the high spectral and radiometric resolution of MERIS, and of the high number of spectral bands of CHRIS, as well as the specific location of some bands (e.g., oxygen and water vapor absorption bands) to increase the cloud detection accuracy. To attain this objective, advanced pattern recognition and machine learning techniques to detect clouds are specifically developed in the frame of this Thesis. First, a feature extraction based on meaningful physical facts is carried out in order to provide informative inputs to the algorithms. Then, the cloud screening algorithm is conceived trying to make use of the wealth of unlabeled samples in Earth Observation images, and thus unsupervised and semi-supervised learning methods are explored. Results show that applying unsupervised clustering methods over the whole image allows us to take advantage of the wealth of information and the high degree of spatial and spectral correlation of the image pixels, while semi-supervised learning methods offer the opportunity of exploiting also the available labeled samples.
Los sistemas de observación de la Tierra observan nuestro planeta midiendo, en diferentes longitudes de onda, la radiación electromagnética que es reflejada por la superficie, atraviesa la atmósfera, y llega al sensor en el satélite. En este proceso, las nubes son uno de los componentes más importantes ya que afectan a la señal electromagnética medida. Esta Tesis aborda el problema de la detección de nubes en imágenes multiespectrales e hiperespectrales adquiridas por sensores de satélite que trabajan en el rango visible e infrarrojo cercano del espectro electromagnético. El objetivo principal es desarrollar herramientas operativas que proporcionen mapas con la ubicación de las nubes a partir de los datos de satélite adquiridos. Además, el método debe proporcionar mapas de la abundancia de nubes (en lugar de una clasificación binaria) para describir mejor las nubes (abundancia, tipo, altura, cobertura subpixel). En este contexto, esta Tesis analiza dos sensores multiespectrales a bordo de dos satélites de la Agencia Espacial Europea (ESA). El primero de ellos es el MEdium Resolution Imaging Spectrometer (MERIS), a bordo del satélite medioambiental Envisat. El segundo es el instrumento hiperespectral Compact High Resolution Imaging Spectrometer (CHRIS), a bordo del satélite de demostración tecnológica PROBA. El algoritmo de detección de nubes propuesto aprovecha la alta resolución espectral y radiométrica de MERIS, y el número de bandas espectrales de CHRIS, así como la ubicación específica de algunas bandas (absorción del oxígeno y vapor de agua) para aumentar la precisión de la detección de las nubes. Para alcanzar este objetivo, técnicas avanzadas de reconocimiento de patrones y aprendizaje máquina han sido específicamente desarrolladas en el marco de esta. En primer lugar, se lleva a cabo la extracción de características basadas en fundamentos físicos con el fin de proporcionar información relevante a los algoritmos empleados. Después, el algoritmo de detección de nubes se ha concebido tratando de hacer uso de la riqueza de las muestras sin etiquetar de las imágenes, por lo que se exploran métodos de aprendizaje no supervisados y semisupervisados. Los resultados muestran que los algoritmos de agrupamientos no supervisados sobre la imagen completa nos permite aprovechar la riqueza de la información y el alto grado de correlación espacial y espectral de los píxeles de la imagen, mientras que los métodos de aprendizaje semisupervisado ofrecen también la oportunidad de explotar las muestras etiquetadas disponibles.

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Talpin, Emilie V. "L’EXPLORATION DU QUOTIDIEN DANS CHATS PERCHÉS DE CHRIS MARKER." Miami University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=miami1201736838.

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Kobarg, Chris [Verfasser]. "Geometrie intrakranieller Hirnbasisaneurysmen in der 3D-Rotationsangiografie / Chris Kobarg." Kiel : Universitätsbibliothek Kiel, 2009. http://d-nb.info/1019868716/34.

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Lehermeier, Christina Verfasser], Chris-Carolin [Akademischer Betreuer] [Schön, Daniel [Akademischer Betreuer] Gianola, and Aurélien [Akademischer Betreuer] Tellier. "Investigation of genome-based prediction in differentially structured plant populations / Christina Lehermeier. Gutachter: Daniel Gianola ; Chris-Carolin Schön ; Aurèlien Tellier. Betreuer: Chris-Carolin Schön." München : Universitätsbibliothek der TU München, 2015. http://d-nb.info/1075858208/34.

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Gresset, Sebastian Verfasser], Chris-Carolin [Akademischer Betreuer] [Schön, and Peter [Akademischer Betreuer] Westhoff. "Genetische Analyse der stabilen Kohlenstoffisotopendiskriminierung in einer Mais (Zea mays L.) Introgressionsbibliothek / Sebastian Gresset. Gutachter: Chris-Carolin Schön ; Peter Westhoff. Betreuer: Chris-Carolin Schön." München : Universitätsbibliothek der TU München, 2014. http://d-nb.info/1061126331/34.

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Loos, Daria Andrea [Verfasser], Chris-Patrick [Akademischer Betreuer] Lohmann, and Mathias Martin [Akademischer Betreuer] Maier. "Ätiologie, Klinik, Therapie und Verlauf infektiöser Endophthalmitiden; Vergleich aktueller Vitrektomieverfahren / Daria Andrea Loos. Gutachter: Chris-Patrick Lohmann ; Mathias Martin Maier. Betreuer: Chris-Patrick Lohmann." München : Universitätsbibliothek der TU München, 2014. http://d-nb.info/1049523687/34.

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Becke, Chris [Verfasser]. "Prozesskraftrichtungsangepasste Frässtrategien zur schädigungsarmen Bohrungsbearbeitung an faserverstärkten Kunststoffen / Chris Becke." Aachen : Shaker, 2011. http://d-nb.info/106904900X/34.

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Pertenbreiter, Florian [Verfasser], and Chris [Akademischer Betreuer] Meier. "Fluoreszenzmarkierte cycloSal- und DiPPro-Nucleotide / Florian Pertenbreiter. Betreuer: Chris Meier." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2013. http://d-nb.info/1038788811/34.

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Becker, Chris Verfasser], and Michael [Gutachter] [Koetter. "Essays on financial market interventions / Chris Becker ; Gutachter: Michael Koetter." Magdeburg : Universitätsbibliothek Otto-von-Guericke-Universität, 2020. http://d-nb.info/1220035114/34.

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Volkmar, Chris [Verfasser]. "Selbstkonsistente numerische 1D/3D Hybridmodellierung von Radiofrequenz-Ionentriebwerken / Chris Volkmar." Gießen : Universitätsbibliothek, 2015. http://d-nb.info/1076760686/34.

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LIMA, Fábio Ferreira de. "Sentidos fluidos: uma abordagem semiótica dos videoclipes de Chris Cunningham." Universidade Federal de Goiás, 2006. http://repositorio.bc.ufg.br/tede/handle/tde/2767.

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Made available in DSpace on 2014-07-29T16:27:48Z (GMT). No. of bitstreams: 1 Dissertacao Fabio Fereira de Lima.pdf: 3018079 bytes, checksum: ff52e57d6978369654d719b49a88a710 (MD5) Previous issue date: 2006-05-18
Os vídeos da cultura de massa são importantes meios para a compreensão de um ambiente cultural contemporâneo, capazes de revelarem significados dos costumes e valores sociais. Dentro dos vários gêneros existentes, o videoclipe é um modelo de grande disseminação na sociedade, contendo uma tipologia irregular. A escolha desses formatos prende-se a fatores propriamente relacionados à investigação de fenômenos sígnicos híbridos de grande visibilidade. Encontra-se numa abordagem do objeto inserida no contexto dos processos contemporâneos de produção de imagens visuais e busca-se nesse objeto, a realização de exames, reconhecimentos das suas signagens videográficas. Então, o propósito da presente dissertação é de, através dos discursos sonoro, textual e imagético, procurar identificar traços do fenômeno de natureza sonoro-visual e as suas marcas sígnicas nos segmentos dos videoclipes cuja estruturação semiótica esteja comprometida com o processo de desconstrução videográfica, a partir do contexto de criação do diretor e videasta Chris Cunningham. As análises incluem os seguintes trabalhos: Come to Daddy, para Aphex Twin; Afrika Shox, para Leftfield e All is Full of Love, para Björk. O referencial teórico-metodológico de pesquisa adotado foi o semiótico, estabelecido por pontos de contato entre as categorias sintáticas, semânticas e pragmáticas desenvolvidas por Charles W. Morris, além de conceitos de Charles S. Pierce. Acrescentam-se aí, os métodos analíticos de Siegfried Maser, estudos de Daniel Bougnoux, Rudolf Arnheim, Arlindo Machado, Raymond Bellour, Jacques Aumont e outros, que sustentam a apreciação realizada. Na decomposição analítica foram levantados os elementos constituintes dos videoclipes, descritos em pormenores, operação que remonta as combinações sintáticas das idéias materializadas nesses signos. A partir da sintaxe são alcançados os aspectos semânticos e posteriormente, estende-se o contexto pragmático. Os estudos foram dispostos também em forma de tabela, contendo gráficos e dados mensurativos, servindo para fixar com exatidão referências das algumas discussões teóricas realizadas. É incluído também um exame da metodologia utilizada, a partir desses resultados e elementos identificados, no resgate dos conceitos semióticos de Charles W. Morris. Por fim, são observadas algumas questões da produção de sentidos, dessas associações em vista à obtenção de objetivos específicos, onde essas atividades possam ser recontextualizadas dentro da cultura visual.

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Koide, Emi. "Por um outro cinema - jogo da memória em Chris Marker." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/47/47131/tde-09092011-152805/.

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O presente trabalho é uma reflexão crítica sobre o estatuto da imagem e sua relação com amemória e a história na sociedade contemporânea, em que a influência dos meios de comunicação demassa, da indústria cultural e dos recursos audiovisuais é dominante. Em contraponto a essa produçãoaudiovisual, que produz consenso acerca da memória e da história, impondo uma espécie depadronização das experiências, examinou-se como uma outra produção cinematográfica pode servircomo meio de um aprendizado crítico frente às mudanças da percepção humana com o advento denovas tecnologias, tal como apresentado por Benjamin no ensaio A obra de arte na era dareprodutibilidade técnica. A partir da interpretação do ensaio de Benjamin por Miriam Hansen, tratousede refletir sobre o conceito de mimese desdobrado em jogo e semelhança que propicia aoaparato cinematográfico a possibilidade de emancipação de uma repetição infernal e perversa,regulando uma nova relação entre ser humano e máquina voltada para a criação não destrutiva ecrítica. Através da produção fílmica de Chris Marker, deparou-se com um cinema em que a montageme a organização da sintaxe fílmica podem criar novas constelações de sentido e abrir brechas para umapossível perlaboração da memória, pois a imagem em conjunção com o texto incita a reflexão sobre ahistória e sobre a própria imagem. Na análise de filmes, fotografias e textos de Marker, procurou-secompreender o modo de articulação de imagem e som em seus trabalhos, levando em conta asconsiderações de Benjamin sobre o cinema e sobre a história.!No cinema de Marker, o trabalho é o dejustamente converter o cinema em antídoto contra a dominação, fazendo com que o aparato se voltecontra a ilusão falseadora, denunciando os próprios modos de produção de imagens e da história. Suamontagem se realiza através de uma mimese da memória criativa um agenciamento de imagens esons que cria conjunções dialéticas, que desperta para o que foi esquecido e provoca a reflexão.
This thesis is a critical treatment of images and their relationship to memory and incontemporary social history, specifically the influence of the mass media where audiovisual media aredominant in industrial culture. Mainstream audiovisual production creates consensus of memoriesand accepted history by imposing standardization of experience, in contrast this thesis focuses on ananalysis of a different practice within cinematography which, through developing critical reflection,highlights how human perception has changed due to the adoption and influence of new technologies:ideas put forward by Benjamin in his essay The Work of Art in the Age of Its Technical Reproducibility. Miriam Hansens interpretation of mimicry, developed by play and similarity, is astarting point for this thesis. Herein it is proposed that cinema has the ability to free itself from endlessand perverse repetition, establishing between humans and technology a new relationship that is criticaland non-destructive. By investigating the syntax in Chris Marker films, which consider history andimages, this thesis aims at a possible working-through process as to how cinema could enablememory. Benjamins writings about cinema and history are explored by analysing Markers films,photographs and texts; understanding is sought through the manner of his articulation of image andsound. In Markers films, the purpose is to fairly convert the cinema into an antidote againstrepression, by turning his cameras on the illusions and denouncing those same production methodsused to make false images and history. The montage of his images mimics a creative memory, anarrangement of sounds and images that create dialectic connections; his work awakens what had beenforgotten and provokes reflection.

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Unterseer, Sandra Bettina Verfasser], Chris-Carolin [Akademischer Betreuer] [Gutachter] [Schön, Aurélien [Gutachter] Tellier, and Arthur [Gutachter] Korten. "Identification of genes under differential selective pressure in temperate maize / Sandra Bettina Unterseer ; Gutachter: Chris-Carolin Schön, Aurélien Tellier, Arthur Korten ; Betreuer: Chris-Carolin Schön." München : Universitätsbibliothek der TU München, 2017. http://d-nb.info/1131253817/34.

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34

Albrecht, Maria Theresa Verfasser], Chris-Carolin [Akademischer Betreuer] [Schön, and Hans-Rudolf [Akademischer Betreuer] Fries. "Genome-based prediction of testcross performance in maize (Zea mays L.) / Maria Theresa Albrecht. Gutachter: Chris-Carolin Schön ; Hans-Rudolf Fries. Betreuer: Chris-Carolin Schön." München : Universitätsbibliothek der TU München, 2015. http://d-nb.info/1066363609/34.

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35

Erath, Wiltrud Renate [Verfasser], Chris-Carolin [Akademischer Betreuer] Schön, Chris-Carolin [Gutachter] Schön, and Thomas [Gutachter] Miedaner. "Exploring new alleles for frost tolerance in winter rye using genetic resources / Wiltrud Renate Erath ; Gutachter: Chris-Carolin Schön, Thomas Miedaner ; Betreuer: Chris-Carolin Schön." München : Universitätsbibliothek der TU München, 2018. http://d-nb.info/1165227320/34.

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Meint, Peter [Verfasser], Chris-Patrick [Akademischer Betreuer] Lohmann, and Aharon [Akademischer Betreuer] Wegner. "Immunhistochemische Charakterisierung von Zellen aus dem Glaskörper-Raum in vitro - Identifizierung einer Glaskörpervorläuferzelle / Peter Meint. Gutachter: Chris-Patrick Lohmann ; Aharon Wegner. Betreuer: Chris-Patrick Lohmann." München : Universitätsbibliothek der TU München, 2013. http://d-nb.info/1046939750/34.

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Masyk, Michael Andreas [Verfasser], Chris P. [Akademischer Betreuer] Lohmann, Chris P. [Gutachter] Lohmann, and Hans-Günther [Gutachter] Machens. "Ästhetische Aspekte vor und nach Rekonstruktion von Irisdefekten mit einer implantierbaren Irisprothese / Michael Andreas Masyk ; Gutachter: Chris P. Lohmann, Hans-Günther Machens ; Betreuer: Chris P. Lohmann." München : Universitätsbibliothek der TU München, 2020. http://d-nb.info/1220319996/34.

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Arbelo, Román Cristina [Verfasser], and Chris [Akademischer Betreuer] Meier. "Diastereoselektive Synthese von Arylphosphoramidat-Pronucleotiden / Cristina Arbelo Román. Betreuer: Chris Meier." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2011. http://d-nb.info/1020465786/34.

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Azuma, Shiho. "Villes ouvertes. La flânerie dans les images urbaines de Chris Marker." Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030123.

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Chris Marker, (1921-2012) qui photographie et filme des lieux divers dans le monde entier, avait pour thème de prédilection la ville. En effet, ce lieu de circulation et de mobilité, dépassant toutes les clôtures, se prête particulièrement aux œuvres markériennes, caractérisées par l’entrecroisement de différents espace-temps, et par l’expérience de l’altérité. En étant à la fois cinéaste et voyageur, les images de la ville capturées par Marker se caractérisent par le déplacement, en particulier par l’expérience de la flânerie, qui constitue un élément essentiel de la réflexion philosophique sur la ville moderne de Walter Benjamin (1892-1940). Pour cette raison, cette thèse est consacrée à l’analyse des œuvres de Marker autour du thème de la flânerie. Ainsi, au cours de trois parties, nous travaillerons des concepts reliées à la flânerie : le seuil, l’allégorie, et le chiffonnier. Ces travaux thématiques nous aideront à comprendre la stratification complexe de l’espace-temps, le caractère transitoire, et l’art de l’assemblage dans les images markériennes. Ces recherches sont finalement élargies à la notion de la navigation comme version renouvelée de flânerie, pour analyser l’espace de L’Ouvroir, le monde virtuel crée sur Second Life par Marker dans sa dernière période. Par conséquence, à la lumière des problématiques abordées par la flânerie, on comprend que la création artistique de Marker est fondée sur la quête continuelle de nouvelles expérience visuelles qui remettent en question la modernité et la représentation cinématographique
Chris Marker (1921-2012) is a filmmaker, who took photos and filmed various places by travelling all over the world. The city had been one of the important subjects for Marker’s works. Suppose every metropolis is essentially a limitless place, filled with flow and mobility, Marker’s works, described as intersection of different time and space and “otherness,” can be said that they inherit the nature of metropolis. Being filmmaker and traveler, Marker’s images of city are often characterized by “moving”, particularly by the experience of flânerie (stroll), which constitutes element of philosophical reflection of modern city by Walter Benjamin (1892-1940). In order to make this point clear, this dissertation deals with the films of Marker using Benjamin’s concept flânerie, as a major analyzing concept. Using four key concepts, threshold, allegory, and rag-and-bone man related to the experience of flânerie, this dissertation dissects the complex stratification of “space-time”, the “ephemeral character”, and the “art of collecting” in the images of Marker. Also, bringing the new concept “navigation”, as a renewed version of flânerie, the space of L’Ouvroir, the territorialities of Second Life, created in Marker’s last years of his life is analyzed. As a result, in the light of the issues raised by flânerie, we understand that Chris Marker problematizes the modernity and the system of cinematic representation based on the continual search for new visual experience

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Broad, Lynne English Media &amp Performing Arts Faculty of Arts &amp Social Sciences UNSW. "Chris Marker: A stylistic analysis of his film and media work." Publisher:University of New South Wales. English, Media, & Performing Arts, 2009. http://handle.unsw.edu.au/1959.4/41548.

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This thesis explores the poetics of editing in the films and multimedia works of Chris Marker. From his first essay films of the 1950s to his 1998 CD-ROM Immemory, the directors work has attracted critical attention for its beauty and originality of expression. Much existing analysis engages with this work in terms of its subject matter and themes and their relationship with its associational, rather than linear, narrative form, with relatively little focus on the stylistics of Markers editing. While questions of the directors thematic concerns also arise in my study, I argue that Markers contribution to cinema and the visual arts cannot be fully appreciated without a systematic understanding of his stylisticshis expressive use of cinematic forms and patterns. In developing such an understanding, this thesis utilises the work of a number of film writers explicitly concerned with the expressive use of cinematic space and time. From Andr?? Bazin, I take the idea of rapprochement to mean the way the comparison between two juxtaposed events or images suggests or expresses the meaning of their juxtaposition. From Jean-Andr?? Fieschi, I draw on the idea that the dialectical interaction of the plastic, formal and narrative elements of a film gives meaning to its cinematic space and time. My approach synthesises and builds upon both ideas for its account of the stylistics of Markers work. Starting with a preliminary analysis of one cinematic comparison in The Case of the Grinning Cat (2004), I then consider Markers exploration of the imaginative potential of a single image sequence in The Last Bolshevik (1993). After this, I explore examples of the stylistic figure of rapprochement in Letter from Siberia (1958), and the stylistic figure of transformation in Sunless (1982). The thesis then studies articulations of rapprochement and transformation in the museum installations Zapping Zone: Proposals for an Imaginary Television (1991), Silent Movie (1995) and the CD-ROM Immemory.

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Dycus, Dallas. "Chris Ware's Jimmy Corrigan: Honing the Hybridity of the Graphic Novel." Digital Archive @ GSU, 2009. http://digitalarchive.gsu.edu/english_diss/47.

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The genre of comics has had a tumultuous career throughout the twentieth century: it has careened from wildly popular to being perceived as the source of society’s ills. Despite having been relegated to the lowest rung of the artistic ladder for the better part of the twentieth century, comics has been gaining in quality and respectability over the last couple of decades. My introductory chapter provides a broad, basic introduction to the genre of comics––its historical development, its different forms, and a survey of comics criticism over the last thirty years. In chapter two I clarify the nature of comics by comparing it to literature, film, and pictorial art, thereby highlighting its hybrid nature. It has elements in common with all of these, and yet it is a distinct genre. My primary focus is on Chris Ware, whom I introduce in chapter three, a brilliant creator who has garnered widespread recognition and respect. His magnum opus is Jimmy Corrigan: The Smartest Kid on Earth, the story of four generations of Corrigan men, most of whom have been negligent in raising their children. Jimmy Corrigan, as a result, is an introverted, insecure thirty–something–year–old man. Among comics creators Ware is unusual in that his story does not address socio–political issues, like most of his peers, which I discuss in chapter four. Jimmy Corrigan is an isolated tale with a very specific focus. Ware’s narrative is somewhat like those of William Faulkner, whose stories have a narrow focus, revolving around the lives of the inhabitants of Yoknapatawpha county, rather than encompassing the vast landscape of national socio–political concerns. Also, in chapter five I explore the intriguing combination of realist and Gothic elements––normally at opposite ends of the generic continuum––that Ware merges in Jimmy Corrigan. This feature is especially interesting because it is another way that his work explores aspects of hybridity. Finally, in my conclusion I examine the current state of comics in American culture and its future prospects for development and success, as well as the potential for future comics criticism.

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Tomic, Taeda. "Commentary on Chris Reed and Doug Walton : "Argumentation Schemes in Dialogue"." Uppsala universitet, Filosofiska institutionen, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-150974.

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Bielow, Chris [Verfasser]. "Quantification and simulation of liquid chromatography-mass spectrometry data / Chris Bielow." Berlin : Freie Universität Berlin, 2012. http://d-nb.info/1030382883/34.

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Lunau, Nathalie [Verfasser], and Chris [Akademischer Betreuer] Meier. "Synthese seltener und funktionalisierter Nucleosiddiphosphat-Zucker / Nathalie Lunau. Betreuer: Chris Meier." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2012. http://d-nb.info/1030365695/34.

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Schmiedel, Chris [Verfasser]. "Einfluss ausgewählter Erkrankungen auf die Ökonomie in der Milchviehhaltung / Chris Schmiedel." Berlin : Freie Universität Berlin, 2008. http://d-nb.info/1023096927/34.

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Schulz, Tilmann [Verfasser], and Chris [Akademischer Betreuer] Meier. "Synthese und Untersuchung von Nucleosiddiphosphat Prodrugs / Tilmann Schulz. Betreuer: Chris Meier." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2012. http://d-nb.info/1030365199/34.

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Mayer, Oliver [Verfasser], and A. [Akademischer Betreuer] Böhn. "Chris Marker und das audiovisuelle Archiv / Oliver Mayer. Betreuer: A. Böhn." Karlsruhe : KIT-Bibliothek, 2016. http://d-nb.info/1112224912/34.

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Kamalesh, Vidhya Lakshmi. "Vegetation parameter retrieval from hyperspectral, multiple view angle PROBA/CHRIS data." Thesis, Swansea University, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.678514.

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Leonel, Nicolau Bruno de Almeida. "Percursos da formação de Chris Marker: cinema militante, dissidência e profanação." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/27/27161/tde-24112015-163738/.

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Chris Marker é um cineasta que realizou documentários políticos pouco convencionais ao longo de quase sessenta anos de carreira. Depois de uma militância ativa e inserida no coração de acontecimentos cruciais na França e na Europa, e de uma carreira literária como editor, ensaísta e romancista, natural que seus filmes, vistos isoladamente, provoquem as mais equivocadas interpretações. Esta pesquisa procura, através de um levantamento de seus filmes e escritos, dos debates que foram se travando sobre a vida nacional francesa e mundial, sempre retomando os fios dos acontecimentos decisivos do período do Front Populaire (1936), da ocupação da França pelos nazistas e das lutas de Resistência buscar uma interpretação para muitos dos aspectos aparentemente desconcertantes de sua filmografia. Ao longo dos capítulos a pesquisa aborda, a partir de documentação esparsa em textos, declarações, debates, frases de filmes, os elementos biográficos \"enigmáticos\" de que se tem conhecimento, dada a discrição do cineasta sobre a sua pessoa. Em seguida o momento crucial da entrada de Marker, com 16 anos, no liceu em Paris e turbulências do ano de 1936, na França, discorre sobre o Front Populaire. Depois foca o nascimento de uma corrente, da qual Chris Marker participa, influenciada pela filosofia personalista de Emmanuel Mounier; e depois sua passagem pela revista Esprit e posteriormente a sua integração nas lutas da Resistência. Seguindo os passos do futuro cineasta, aborda o impacto da Resistência na vida militante e a formação dos cineclubes no meio operário com a Associação Peuple et Culture. Toda esta trajetória é permeada por comentários e análises de cenas dos futuros documentários. Por fim a pesquisa, aborda a problemática do cinema militante, analisando L\'ambassade (1973), filme de solidariedade com a Unidade Popular chilena e contra o golpe de Pinochet e o curta sobre o editor François Maspero. Os últimos percalços de nosso percurso busca construir um debate sobre A. Medvedkine e V. Maiakóvsky e a profanação da arte moderna, procurando investigar como na obra de Chris Marker coincidem cinema militante, cinema experimental, cinema ensaio e cinema documentário.
Chris Marker is an intriguing filmmaker who produced unconventional political documentaries over almost sixty years. After an active militancy, and inserted in the heart of crucial events in France and Europe, and working on a literary career as an editor, essayist and novelist, it is natural that his films, viewed in isolation, could cause the most equivocal interpretations. This research seeks, through a detailed analyses of his films and writings, to work with the debates that were important on the French national and global life of his time. Always thinking about the decisive events of the Front Populaire in the period (1936), the occupation of France by the German Nazis and the participation of Marker in the struggles of the Resistance. All of this puzzeled elements seek an interpretation for many of the seemingly confusing aspects of his filmography. Throughout the chapters of this research, we seek to approach, with this documentation, texts, statements, debates, films phrases, the enigmatic biographical elements of his uncanny formation. Marker is known by the discretion about himself. Working on his years of youth and formation, we see that when aged 16, in high school in Paris and the 1936 year in France, discussing at length the Front Populaire, we seek to work about Chris Marker influence by the personalist philosophy of Emmanuel Mounier and then by Esprit and later in it\'s integration in the struggles of resistance. Following in the footsteps of the filmmaker, this work discusses the impact of this years in his militant life, including the training of workers film clubs. All this history is permeated by scenes and debates of his future documentaries. Finally, the research addresses the issue of militant cinema, analyzing L\'ambassade (1973), the solidarity with the Chilean Popular Unity and the struggle against the totalitarian latin american dictatorships, and a short film-portrait of the editor Maspero. We end our research with a debate on A. Medvedkine and V. Mayakovsky and the profanation of modern art, trying to investigate how the work of Chris Marker coincide with militant cinema, experimental cinema, film essay and documentary cinema.

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Schulz, Tilmann Verfasser], and Chris [Akademischer Betreuer] [Meier. "Synthese und Untersuchung von Nucleosiddiphosphat Prodrugs / Tilmann Schulz. Betreuer: Chris Meier." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2012. http://nbn-resolving.de/urn:nbn:de:gbv:18-59373.

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