Dissertations / Theses on the topic 'Chris'
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Coetsee, Gert Christiaan. "Doelwitbereiking deur prestasiebestuur / Chris Coetsee." Thesis, North-West University, 2006. http://hdl.handle.net/10394/1681.
Full textBauer, Chris [Verfasser]. "Exploiting proteomics data / Chris Bauer." Berlin : Freie Universität Berlin, 2014. http://d-nb.info/104786231X/34.
Full textAndrade, Sueli Chaves. "Chris Cunningham: autoria em videoclipe." Pontifícia Universidade Católica de São Paulo, 2009. https://tede2.pucsp.br/handle/handle/5263.
Full textConselho Nacional de Desenvolvimento Científico e Tecnológico
The work from the video artist Chris Cunningham is the main theme of this research. The several audiovisual productions of this director include video installations, advertising and mainly music videos. There are two reasons for the choice of this object. The first one is related to the contemporary themes of Cunningham´s projects such as cyborg and freak bodies in the context of the post-human issue. The second reason is the possibility of placing the British as author in the audiovisual field. The music videos All Is Full Of Love (1999) and Rubber Johnny (2005) are the selected works for analysis of this research. The theoretical references over which this investigation is supported are related to the issues of authorship, post-cinema images and post-human body. Around the authorship discussion this research can be placed on debates proposed by the traditional French journal Cahiers du Cinéma during 1950s and the machine-artist relationship proposed by Vilém Flusser in Towards a Philosophy of Photography. To discuss the music video the selected authors are Arlindo Machado, E. Ann Kaplan and the pop culture experts Andrew Goodwin and Simon Fritch. Besides there are also the theorists Raymond Bellour (1997) who provides a place to the video and Philippe Dubois (2004) who suggests to think of it as a state and not as a product since it´s intimately tied to the device for which it has been designed. The approach to the body theme is based on works from Lucia Santaella, Paula Sibilia and Ieda Tucherman
O trabalho do videomaker Chris Cunningham é o tema principal dessa dissertação. A variedade de produções audiovisuais desse diretor engloba videoinstalações, publicidade e principalmente videoclipes. A escolha desse objeto dá-se por duas razões. A primeira pela contemporaneidade dos temas abordados nos projetos de Cunningham, como a temática dos corpos ciborgue e freak no contexto de discussão do pós-humano. Já a segunda razão é a possibilidade de situar o britânico como autor no campo audiovisual. Os videoclipes All Is Full Of Love (1999) e Rubber Johnny (2005) são as obras selecionadas para estudo analítico nesta pesquisa. As referências teóricas que embasam este trabalho estão ligadas ao tema da autoria, das imagens pós-cinemas e corpo pós-humano. No campo da discussão acerca de autoria, o trabalho situa-se nos debates propostos pelo tradicional periódico francês Cahiers du Cinema na década de 1950 e relação artista-máquina proposta por Vilém Flusser em Filosofia da Caixa Preta. Para se dissertar sobre o videoclipe, os autores selecionados são Arlindo Machado, E. Ann Kaplan e a dupla especialista em cultura pop Andrew Goodwin e Simon Fritch, além do teórico Raymond Bellour (1997), que dá lugar ao vídeo, e Philippe Dubois (2004) que sugere pensá-lo como estado e não como produto, na medida em que está intimamente atrelado ao dispositivo para o qual foi concebido. A abordagem do tema corpo respalda-se em textos das autoras Lúcia Santaella, Paula Sibilia e Ieda Tucherman
Davies, William Huw. "Estimating aerosol properties using CHRIS/PROBA." Thesis, Swansea University, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.678572.
Full textAuad, Pedro Henrique Trindade Kalil. "Para além do movimento: Samuel Beckett, Chris Marker e Marcelo Mirisola: Samuel Beckett; Chris Marker e Marcelo Mirisola." Universidade Federal de Minas Gerais, 2010. http://hdl.handle.net/1843/ECAP-829FGH.
Full textHonkomp, Chris [Verfasser]. "Thermomanagement bei interventionellem minimalinvasiven Klappenersatz / Chris Honkomp." Berlin : Medizinische Fakultät Charité - Universitätsmedizin Berlin, 2015. http://d-nb.info/1071088351/34.
Full textStrejcovský, Jan. "Chris Marker prizmatem Gillese Deleuze: imaginární setkání." Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2017. http://www.nusl.cz/ntk/nusl-371126.
Full textPontali, Giulia. "Obesity and Health in the CHRIS study." Doctoral thesis, Università degli studi di Trento, 2023. https://hdl.handle.net/11572/364922.
Full textWolf, Saskia [Verfasser], and Chris [Akademischer Betreuer] Meier. "Synthese von Zuckernucleotiden / Saskia Wolf. Betreuer: Chris Meier." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2012. http://d-nb.info/102394765X/34.
Full textGebauer, Chris [Verfasser]. "Vergleich zwischen konventioneller Koronarangiografie und Rotationsangiografie / Chris Gebauer." Greifswald : Universitätsbibliothek Greifswald, 2013. http://d-nb.info/1033674427/34.
Full textMARANHÃO, Luís Henrique Barbosa Leal. "Chris Marker: comentários sobre uma crítica da imagem." Universidade Federal de Pernambuco, 2014. https://repositorio.ufpe.br/handle/123456789/17499.
Full textMade available in DSpace on 2016-07-20T18:14:46Z (GMT). No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) Chris Marker comentários sobre uma crítica da imagem - Dissertação de Mestrado - Luís Henrique Barbosa Leal Maranhão.pdf: 2105944 bytes, checksum: 5c1eda34f9d0ccc610251e9d7239c5d9 (MD5) Previous issue date: 2014-05-30
"Nunca a imagem se impôs com tanta força no universo estético, técnico, cotidiano, político, histórico". Considerando que as imagens são, na atualidade, formadoras da nossa percepção temporal e histórica, a presente dissertação busca discutir uma condição contemporânea das imagens. A partir da ideia de que os meios massivos de comunicação articulam uma lógica de reificação do sentido das imagens e da memória, o trabalho visa pensar em que medida algumas formas de articulação da imagem propostas pelo cinema de Chris Marker constituem, a partir da experiência cinematográfica, um contraponto reflexivo, uma proposta de construção de um outro modelo de temporalidade e o estabelecimento de uma crítica sobre as imagens. A partir de autores como Walter Benjamin, Georges Didi-Huberman e Giorgio Agamben e de fragmentos dos filmes Sem Sol (1982), Level Five (1996) e O fundo do ar é vermelho (1977-1993), de Chris Marker, o trabalho pretende pensar as possibilidades expressivas relacionadas à articulação das palavras e das imagens, assim como dar conta de uma noção política dos gestos que tornam as imagens possíveis. Desse modo, o trabalho propõe-se a discutir em que medida as escolhas estéticas dos filmes analisados se relacionam às possibilidades de conhecimento do real e crítica da imagem e do tempo histórico.
"Never before image imposed itself so strongly on the universe of aesthetics, techniques, politics, history and of everyday life". Whereas images are nowadays the educators of our temporal and historical insights, this thesis goals at discussing the contemporary condition of images. Starting from the idea that mass media articulates a logic of reification of the meaning of images and memory, this work aims to think about in what extent some forms of image articulation proposed by Chris Marker's cinema are a counterpoint to the reification of the meaning of images from the point of view of the cinematographic experience - proposing a construction of another model of temporality and establishing a critical scaling on images. From authors such as Walter Benjamin, Georges Didi-Huberman and Giorgio Agamben and fragments of Chris Marker's movies - Sunless (1982), Level Five (1996) and A grin without a cat (1977-1993) - the thesis tries to think about the expressive possibilities related to the articulation of words and images, as well as to realize a political notion of gestures that make images possible. Thus, the text proposes a discussion about in what extent the aesthetic choices of the analyzed movies are related to real possibilities of knowledge and critical review of the image and the historical time.
Andrade, Sueli Chaves. "Chris Cunningham: corpo e dejeto no vídeo contemporâneo." Pontifícia Universidade Católica de São Paulo, 2017. https://tede2.pucsp.br/handle/handle/19734.
Full textMade available in DSpace on 2017-02-22T11:43:54Z (GMT). No. of bitstreams: 1 Sueli Chaves Andrade.pdf: 3112531 bytes, checksum: 7f54bec4f70c3790a30a9b1667d7b223 (MD5) Previous issue date: 2017-02-17
Conselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPq
Chris Cunningham is the main subject in this thesis. Cunningham was one of the most influential and creative music video directors in the 90’s and early 2000’s. Visible throughout his art is the theme of the body and its innards - an important and wide discussion in contemporary culture studies. The hypothesis of this text is that the music video is one of the main audiovisual narratives of postmodern culture from the aspect of new aesthetics and artistic experiments. Cunningham adds original marks to the characteristics that constitute contemporary art, especially the one that has placed the body under interrogation and also the art object as waste. The contemporary art discussion in this thesis is inspired by psychanalysts Jacques-Allan Miller and Gerard Wajcman and the positioning of the object, and a new gaze at it is provided by Didi-Huberman. Concerning the role of the body in this setting, Santaella brings a contribution on it as an art support, besides presenting much of the specific problems of the body in culture. Raymond Bellour, Philippe Dubois and Arlindo Machado with their discussions around film and video allow the insertion of the music video as a language with its own characteristics and history, as the theorists Andrew Goodwin, E. Ann Kaplan and Carol Vernallis point out. The Lacanian theory provides a formal way to analyze and discuss the body from an instinctive perspective that drives the subject in the contemporary world. In order to prove this assertion and the hypothesis of this thesis, three semiotic-psychoanalytic analyses were done on the following works: All is Full of Love (1999), Flex (2000) and Rubber Johnny (2005)
Chris Cunningham é o objeto de investigação desta tese. Trata-se de um autor reconhecido de videoclipes e narrativas audiovisuais contemporâneas das décadas de 1990 e 2000. Seus trabalhos são permeados por uma temática de suma importância e ampla discussão no campo de estudos da cultura contemporânea: o tema do corpo e suas estranhezas. A hipótese que se coloca é a de que o videoclipe é um dos principais formatos narrativos audiovisuais do pós-moderno, sob o aspecto da produção de novas estéticas e experimentações artísticas. Tendo isso em vista, a obra de Cunningham acrescenta marcas originais às características próprias da arte contemporânea, especialmente aquela que vem colocando o corpo sob interrogação e o objeto enquanto dejeto. No que diz respeito aos debates que envolvem a arte contemporânea, há uma escuta daquilo que os psicanalistas Jacques-Allan Miller e Gerard Wajcman têm a dizer sobre o lugar do objeto, bem como sobre uma nova forma de olhá-lo, tal qual propõe Didi-Huberman. A respeito do papel do corpo neste mesmo cenário, Santaella traz uma contribuição sobre o mesmo como suporte da arte, além de apresentar as problemáticas específicas do corpo na cultura. Raymond Bellour, Philippe Dubois e Arlindo Machado aprofundam a discussão sobre cinema e vídeo, o que permite a inserção do videoclipe como uma linguagem com características e história próprias, conforme apontam os teóricos Andrew Goodwin, E. Ann Kaplan e Carol Vernallis. Toma-se, então, a perspectiva psicanalítica de orientação lacaniana para observar o corpo para além de sua função como suporte na arte: o das pulsões que tomam conta do sujeito no universo contemporâneo. De modo a comprovar tal afirmação e a hipótese desta tese, três análises de cunho semiótico-psicanalítico abordam os trabalhos: All is Full of Love (1999), Flex (2000) e Rubber Johnny (2005)
Davis, Matthew. "Translating Chris Ware's Lint into Russian." Oberlin College Honors Theses / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1369071228.
Full textTalpin, Emilie V. "L'exploration du quotidien dans Chats perchés de Chris Marker." Oxford, Ohio : Miami University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1201736838.
Full textTöpner, Katrin Alexandra [Verfasser], Chris-Carolin [Akademischer Betreuer] Schön, Chris-Carolin [Gutachter] Schön, and Daniel [Gutachter] Gianola. "Covariance structures in multivariate genome-enabled prediction models / Katrin Alexandra Töpner ; Gutachter: Chris-Carolin Schön, Daniel Gianola ; Betreuer: Chris-Carolin Schön." München : Universitätsbibliothek der TU München, 2019. http://d-nb.info/1185637788/34.
Full textCrema, Daniele. "Por que todo mundo odeia o Chris? Uma análise discursiva sobre o imaginário de afro-americanidade na série Everybody hates Chris." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-05082015-143333/.
Full textAs spectators of North-American Black sitcoms, we have observed that these series are likely to approach themes that silence the fight for racial desegregation in the United States. Our hypothesis is that a great part of the sitcoms tend to assimilate a homogenizing perception of African-Americaness, reinforced by stereotypes and supposedly unquestionable truths about Blackness. The African-American is always viewed from the perspective of the other, whose central position in discourse produces meanings of Blackness. In the light of such considerations, we aim at problematizing meanings of African-Americaness constructed in the series Everybody hates Chris. Our goal is the analysis of the various ways of functioning of that discourse, in that they legitimize certain subjective positions for the African- American, consequently producing an imaginary of African-Americaness that is presented as truthful. On these grounds, this research is based on the discursive perspective of Michel Pêcheux (1969, 1975) and Michel Foucault (1969, 1971, 1979). The corpus of analysys is composed of ten episodes of Everybody hates Chris. We discuss the popularization of television in the United States since the 1950s, when the sitcom symbolized the ratification of the idealized American family. We analyse how such a conception of family is explored then and is perpetuated up to the present, excluding perceptions of Blackness that do not integrate the family imaginary of the post Second World War (from the 1940s and 1950s). We also discuss the concept of invented traditions, by shedding light on how the celebration of rituals allows for the exclusion of what is harmful to the so called American authenticity. We mainly seek to observe how meanings of African-Americaness are constructed in celebrations that establish national cohesion as the foundation of a society in which the African-American is a peripheral subject. We finally study how meanings of African-Americaness are incorporated or contested, questioning totalizing perceptions of Blackness. Our contention is that the meanings of Blackness are constructed in the articulation of multiple categories (gender, race, social class). The study shows that the African-American identity does not presuppose univocal meanings for it is constructed from the various discursive positions occupied by the subject.
Wimmer, Valentin [Verfasser], Chris-Carolin [Akademischer Betreuer] Schön, Henner [Akademischer Betreuer] Simianer, and Aurélien [Akademischer Betreuer] Tellier. "Efficiency of statistical methods for genome-based prediction / Valentin Wimmer. Gutachter: Henner Simianer ; Chris-Carolin Schön ; Aurélien Tellier. Betreuer: Chris-Carolin Schön." München : Universitätsbibliothek der TU München, 2014. http://d-nb.info/1053761988/34.
Full textHerzog, Eva [Verfasser], Chris-Patrick [Akademischer Betreuer] [Gutachter] Lohmann, and Mathias M. [Gutachter] Maier. "Intravitreale Therapie retinaler Venenverschlüsse – Triamcinolon und Bevacizumab im Vergleich / Eva Herzog ; Gutachter: Chris-Patrick Lohmann, Mathias M. Maier ; Betreuer: Chris-Patrick Lohmann." München : Universitätsbibliothek der TU München, 2017. http://d-nb.info/1143124901/34.
Full textBohnacker, Sabrina [Verfasser], Chris Patrick [Akademischer Betreuer] Lohmann, Mathias M. [Gutachter] Maier, and Chris Patrick [Gutachter] Lohmann. "Entwicklungsbegleitende ex-vivo Evaluation von thermosensitiven Hydrogelen als Glaskörperersatzstoffe / Sabrina Bohnacker ; Gutachter: Mathias M. Maier, Chris Patrick Lohmann ; Betreuer: Chris Patrick Lohmann." München : Universitätsbibliothek der TU München, 2018. http://d-nb.info/1153882507/34.
Full textMary, Nathalie. "La communauté politique dans le cinéma de Chris Marker." Thesis, Paris 3, 2010. http://www.theses.fr/2010PA030078.
Full textThis work tries to analyse how the political community searches in vain for unity and harmony ; how cinema in general, and that of Chris Marker in particular, portrays this search, as well as the relationships between different actors of this community (state, civil society), its workings, and the events which run through it (uprisings, revolutions and wars). It also considers how utopia - the wish to create fairer communities - is at the heart of mankind’s destiny, so much so that authorities, ideologies and totalitarianisms have always been able to manipulate this aspiration, for instance by using cinema to show a seemingly accomplished union of the political community. Then, this thesis examines the place of the individual and the different types of social gathering being, depending on circumstances, within or outside of the political community. It finally shows the originality of a politically exceptional work, that of the filmmaker Chris Marker
Gómez, Chova Luis. "Cloud screening algorithm for MERIS and CHRIS multispectral sensors." Doctoral thesis, Universitat de València, 2008. http://hdl.handle.net/10803/9728.
Full textLos sistemas de observación de la Tierra observan nuestro planeta midiendo, en diferentes longitudes de onda, la radiación electromagnética que es reflejada por la superficie, atraviesa la atmósfera, y llega al sensor en el satélite. En este proceso, las nubes son uno de los componentes más importantes ya que afectan a la señal electromagnética medida. Esta Tesis aborda el problema de la detección de nubes en imágenes multiespectrales e hiperespectrales adquiridas por sensores de satélite que trabajan en el rango visible e infrarrojo cercano del espectro electromagnético. El objetivo principal es desarrollar herramientas operativas que proporcionen mapas con la ubicación de las nubes a partir de los datos de satélite adquiridos. Además, el método debe proporcionar mapas de la abundancia de nubes (en lugar de una clasificación binaria) para describir mejor las nubes (abundancia, tipo, altura, cobertura subpixel). En este contexto, esta Tesis analiza dos sensores multiespectrales a bordo de dos satélites de la Agencia Espacial Europea (ESA). El primero de ellos es el MEdium Resolution Imaging Spectrometer (MERIS), a bordo del satélite medioambiental Envisat. El segundo es el instrumento hiperespectral Compact High Resolution Imaging Spectrometer (CHRIS), a bordo del satélite de demostración tecnológica PROBA. El algoritmo de detección de nubes propuesto aprovecha la alta resolución espectral y radiométrica de MERIS, y el número de bandas espectrales de CHRIS, así como la ubicación específica de algunas bandas (absorción del oxígeno y vapor de agua) para aumentar la precisión de la detección de las nubes. Para alcanzar este objetivo, técnicas avanzadas de reconocimiento de patrones y aprendizaje máquina han sido específicamente desarrolladas en el marco de esta. En primer lugar, se lleva a cabo la extracción de características basadas en fundamentos físicos con el fin de proporcionar información relevante a los algoritmos empleados. Después, el algoritmo de detección de nubes se ha concebido tratando de hacer uso de la riqueza de las muestras sin etiquetar de las imágenes, por lo que se exploran métodos de aprendizaje no supervisados y semisupervisados. Los resultados muestran que los algoritmos de agrupamientos no supervisados sobre la imagen completa nos permite aprovechar la riqueza de la información y el alto grado de correlación espacial y espectral de los píxeles de la imagen, mientras que los métodos de aprendizaje semisupervisado ofrecen también la oportunidad de explotar las muestras etiquetadas disponibles.
Talpin, Emilie V. "L’EXPLORATION DU QUOTIDIEN DANS CHATS PERCHÉS DE CHRIS MARKER." Miami University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=miami1201736838.
Full textKobarg, Chris [Verfasser]. "Geometrie intrakranieller Hirnbasisaneurysmen in der 3D-Rotationsangiografie / Chris Kobarg." Kiel : Universitätsbibliothek Kiel, 2009. http://d-nb.info/1019868716/34.
Full textLehermeier, Christina Verfasser], Chris-Carolin [Akademischer Betreuer] [Schön, Daniel [Akademischer Betreuer] Gianola, and Aurélien [Akademischer Betreuer] Tellier. "Investigation of genome-based prediction in differentially structured plant populations / Christina Lehermeier. Gutachter: Daniel Gianola ; Chris-Carolin Schön ; Aurèlien Tellier. Betreuer: Chris-Carolin Schön." München : Universitätsbibliothek der TU München, 2015. http://d-nb.info/1075858208/34.
Full textGresset, Sebastian Verfasser], Chris-Carolin [Akademischer Betreuer] [Schön, and Peter [Akademischer Betreuer] Westhoff. "Genetische Analyse der stabilen Kohlenstoffisotopendiskriminierung in einer Mais (Zea mays L.) Introgressionsbibliothek / Sebastian Gresset. Gutachter: Chris-Carolin Schön ; Peter Westhoff. Betreuer: Chris-Carolin Schön." München : Universitätsbibliothek der TU München, 2014. http://d-nb.info/1061126331/34.
Full textLoos, Daria Andrea [Verfasser], Chris-Patrick [Akademischer Betreuer] Lohmann, and Mathias Martin [Akademischer Betreuer] Maier. "Ätiologie, Klinik, Therapie und Verlauf infektiöser Endophthalmitiden; Vergleich aktueller Vitrektomieverfahren / Daria Andrea Loos. Gutachter: Chris-Patrick Lohmann ; Mathias Martin Maier. Betreuer: Chris-Patrick Lohmann." München : Universitätsbibliothek der TU München, 2014. http://d-nb.info/1049523687/34.
Full textBecke, Chris [Verfasser]. "Prozesskraftrichtungsangepasste Frässtrategien zur schädigungsarmen Bohrungsbearbeitung an faserverstärkten Kunststoffen / Chris Becke." Aachen : Shaker, 2011. http://d-nb.info/106904900X/34.
Full textPertenbreiter, Florian [Verfasser], and Chris [Akademischer Betreuer] Meier. "Fluoreszenzmarkierte cycloSal- und DiPPro-Nucleotide / Florian Pertenbreiter. Betreuer: Chris Meier." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2013. http://d-nb.info/1038788811/34.
Full textBecker, Chris Verfasser], and Michael [Gutachter] [Koetter. "Essays on financial market interventions / Chris Becker ; Gutachter: Michael Koetter." Magdeburg : Universitätsbibliothek Otto-von-Guericke-Universität, 2020. http://d-nb.info/1220035114/34.
Full textVolkmar, Chris [Verfasser]. "Selbstkonsistente numerische 1D/3D Hybridmodellierung von Radiofrequenz-Ionentriebwerken / Chris Volkmar." Gießen : Universitätsbibliothek, 2015. http://d-nb.info/1076760686/34.
Full textLIMA, Fábio Ferreira de. "Sentidos fluidos: uma abordagem semiótica dos videoclipes de Chris Cunningham." Universidade Federal de Goiás, 2006. http://repositorio.bc.ufg.br/tede/handle/tde/2767.
Full textOs vídeos da cultura de massa são importantes meios para a compreensão de um ambiente cultural contemporâneo, capazes de revelarem significados dos costumes e valores sociais. Dentro dos vários gêneros existentes, o videoclipe é um modelo de grande disseminação na sociedade, contendo uma tipologia irregular. A escolha desses formatos prende-se a fatores propriamente relacionados à investigação de fenômenos sígnicos híbridos de grande visibilidade. Encontra-se numa abordagem do objeto inserida no contexto dos processos contemporâneos de produção de imagens visuais e busca-se nesse objeto, a realização de exames, reconhecimentos das suas signagens videográficas. Então, o propósito da presente dissertação é de, através dos discursos sonoro, textual e imagético, procurar identificar traços do fenômeno de natureza sonoro-visual e as suas marcas sígnicas nos segmentos dos videoclipes cuja estruturação semiótica esteja comprometida com o processo de desconstrução videográfica, a partir do contexto de criação do diretor e videasta Chris Cunningham. As análises incluem os seguintes trabalhos: Come to Daddy, para Aphex Twin; Afrika Shox, para Leftfield e All is Full of Love, para Björk. O referencial teórico-metodológico de pesquisa adotado foi o semiótico, estabelecido por pontos de contato entre as categorias sintáticas, semânticas e pragmáticas desenvolvidas por Charles W. Morris, além de conceitos de Charles S. Pierce. Acrescentam-se aí, os métodos analíticos de Siegfried Maser, estudos de Daniel Bougnoux, Rudolf Arnheim, Arlindo Machado, Raymond Bellour, Jacques Aumont e outros, que sustentam a apreciação realizada. Na decomposição analítica foram levantados os elementos constituintes dos videoclipes, descritos em pormenores, operação que remonta as combinações sintáticas das idéias materializadas nesses signos. A partir da sintaxe são alcançados os aspectos semânticos e posteriormente, estende-se o contexto pragmático. Os estudos foram dispostos também em forma de tabela, contendo gráficos e dados mensurativos, servindo para fixar com exatidão referências das algumas discussões teóricas realizadas. É incluído também um exame da metodologia utilizada, a partir desses resultados e elementos identificados, no resgate dos conceitos semióticos de Charles W. Morris. Por fim, são observadas algumas questões da produção de sentidos, dessas associações em vista à obtenção de objetivos específicos, onde essas atividades possam ser recontextualizadas dentro da cultura visual.
Koide, Emi. "Por um outro cinema - jogo da memória em Chris Marker." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/47/47131/tde-09092011-152805/.
Full textThis thesis is a critical treatment of images and their relationship to memory and incontemporary social history, specifically the influence of the mass media where audiovisual media aredominant in industrial culture. Mainstream audiovisual production creates consensus of memoriesand accepted history by imposing standardization of experience, in contrast this thesis focuses on ananalysis of a different practice within cinematography which, through developing critical reflection,highlights how human perception has changed due to the adoption and influence of new technologies:ideas put forward by Benjamin in his essay The Work of Art in the Age of Its Technical Reproducibility. Miriam Hansens interpretation of mimicry, developed by play and similarity, is astarting point for this thesis. Herein it is proposed that cinema has the ability to free itself from endlessand perverse repetition, establishing between humans and technology a new relationship that is criticaland non-destructive. By investigating the syntax in Chris Marker films, which consider history andimages, this thesis aims at a possible working-through process as to how cinema could enablememory. Benjamins writings about cinema and history are explored by analysing Markers films,photographs and texts; understanding is sought through the manner of his articulation of image andsound. In Markers films, the purpose is to fairly convert the cinema into an antidote againstrepression, by turning his cameras on the illusions and denouncing those same production methodsused to make false images and history. The montage of his images mimics a creative memory, anarrangement of sounds and images that create dialectic connections; his work awakens what had beenforgotten and provokes reflection.
Unterseer, Sandra Bettina Verfasser], Chris-Carolin [Akademischer Betreuer] [Gutachter] [Schön, Aurélien [Gutachter] Tellier, and Arthur [Gutachter] Korten. "Identification of genes under differential selective pressure in temperate maize / Sandra Bettina Unterseer ; Gutachter: Chris-Carolin Schön, Aurélien Tellier, Arthur Korten ; Betreuer: Chris-Carolin Schön." München : Universitätsbibliothek der TU München, 2017. http://d-nb.info/1131253817/34.
Full textAlbrecht, Maria Theresa Verfasser], Chris-Carolin [Akademischer Betreuer] [Schön, and Hans-Rudolf [Akademischer Betreuer] Fries. "Genome-based prediction of testcross performance in maize (Zea mays L.) / Maria Theresa Albrecht. Gutachter: Chris-Carolin Schön ; Hans-Rudolf Fries. Betreuer: Chris-Carolin Schön." München : Universitätsbibliothek der TU München, 2015. http://d-nb.info/1066363609/34.
Full textErath, Wiltrud Renate [Verfasser], Chris-Carolin [Akademischer Betreuer] Schön, Chris-Carolin [Gutachter] Schön, and Thomas [Gutachter] Miedaner. "Exploring new alleles for frost tolerance in winter rye using genetic resources / Wiltrud Renate Erath ; Gutachter: Chris-Carolin Schön, Thomas Miedaner ; Betreuer: Chris-Carolin Schön." München : Universitätsbibliothek der TU München, 2018. http://d-nb.info/1165227320/34.
Full textMeint, Peter [Verfasser], Chris-Patrick [Akademischer Betreuer] Lohmann, and Aharon [Akademischer Betreuer] Wegner. "Immunhistochemische Charakterisierung von Zellen aus dem Glaskörper-Raum in vitro - Identifizierung einer Glaskörpervorläuferzelle / Peter Meint. Gutachter: Chris-Patrick Lohmann ; Aharon Wegner. Betreuer: Chris-Patrick Lohmann." München : Universitätsbibliothek der TU München, 2013. http://d-nb.info/1046939750/34.
Full textMasyk, Michael Andreas [Verfasser], Chris P. [Akademischer Betreuer] Lohmann, Chris P. [Gutachter] Lohmann, and Hans-Günther [Gutachter] Machens. "Ästhetische Aspekte vor und nach Rekonstruktion von Irisdefekten mit einer implantierbaren Irisprothese / Michael Andreas Masyk ; Gutachter: Chris P. Lohmann, Hans-Günther Machens ; Betreuer: Chris P. Lohmann." München : Universitätsbibliothek der TU München, 2020. http://d-nb.info/1220319996/34.
Full textArbelo, Román Cristina [Verfasser], and Chris [Akademischer Betreuer] Meier. "Diastereoselektive Synthese von Arylphosphoramidat-Pronucleotiden / Cristina Arbelo Román. Betreuer: Chris Meier." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2011. http://d-nb.info/1020465786/34.
Full textAzuma, Shiho. "Villes ouvertes. La flânerie dans les images urbaines de Chris Marker." Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030123.
Full textChris Marker (1921-2012) is a filmmaker, who took photos and filmed various places by travelling all over the world. The city had been one of the important subjects for Marker’s works. Suppose every metropolis is essentially a limitless place, filled with flow and mobility, Marker’s works, described as intersection of different time and space and “otherness,” can be said that they inherit the nature of metropolis. Being filmmaker and traveler, Marker’s images of city are often characterized by “moving”, particularly by the experience of flânerie (stroll), which constitutes element of philosophical reflection of modern city by Walter Benjamin (1892-1940). In order to make this point clear, this dissertation deals with the films of Marker using Benjamin’s concept flânerie, as a major analyzing concept. Using four key concepts, threshold, allegory, and rag-and-bone man related to the experience of flânerie, this dissertation dissects the complex stratification of “space-time”, the “ephemeral character”, and the “art of collecting” in the images of Marker. Also, bringing the new concept “navigation”, as a renewed version of flânerie, the space of L’Ouvroir, the territorialities of Second Life, created in Marker’s last years of his life is analyzed. As a result, in the light of the issues raised by flânerie, we understand that Chris Marker problematizes the modernity and the system of cinematic representation based on the continual search for new visual experience
Broad, Lynne English Media & Performing Arts Faculty of Arts & Social Sciences UNSW. "Chris Marker: A stylistic analysis of his film and media work." Publisher:University of New South Wales. English, Media, & Performing Arts, 2009. http://handle.unsw.edu.au/1959.4/41548.
Full textDycus, Dallas. "Chris Ware's Jimmy Corrigan: Honing the Hybridity of the Graphic Novel." Digital Archive @ GSU, 2009. http://digitalarchive.gsu.edu/english_diss/47.
Full textTomic, Taeda. "Commentary on Chris Reed and Doug Walton : "Argumentation Schemes in Dialogue"." Uppsala universitet, Filosofiska institutionen, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-150974.
Full textBielow, Chris [Verfasser]. "Quantification and simulation of liquid chromatography-mass spectrometry data / Chris Bielow." Berlin : Freie Universität Berlin, 2012. http://d-nb.info/1030382883/34.
Full textLunau, Nathalie [Verfasser], and Chris [Akademischer Betreuer] Meier. "Synthese seltener und funktionalisierter Nucleosiddiphosphat-Zucker / Nathalie Lunau. Betreuer: Chris Meier." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2012. http://d-nb.info/1030365695/34.
Full textSchmiedel, Chris [Verfasser]. "Einfluss ausgewählter Erkrankungen auf die Ökonomie in der Milchviehhaltung / Chris Schmiedel." Berlin : Freie Universität Berlin, 2008. http://d-nb.info/1023096927/34.
Full textSchulz, Tilmann [Verfasser], and Chris [Akademischer Betreuer] Meier. "Synthese und Untersuchung von Nucleosiddiphosphat Prodrugs / Tilmann Schulz. Betreuer: Chris Meier." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2012. http://d-nb.info/1030365199/34.
Full textMayer, Oliver [Verfasser], and A. [Akademischer Betreuer] Böhn. "Chris Marker und das audiovisuelle Archiv / Oliver Mayer. Betreuer: A. Böhn." Karlsruhe : KIT-Bibliothek, 2016. http://d-nb.info/1112224912/34.
Full textKamalesh, Vidhya Lakshmi. "Vegetation parameter retrieval from hyperspectral, multiple view angle PROBA/CHRIS data." Thesis, Swansea University, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.678514.
Full textLeonel, Nicolau Bruno de Almeida. "Percursos da formação de Chris Marker: cinema militante, dissidência e profanação." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/27/27161/tde-24112015-163738/.
Full textChris Marker is an intriguing filmmaker who produced unconventional political documentaries over almost sixty years. After an active militancy, and inserted in the heart of crucial events in France and Europe, and working on a literary career as an editor, essayist and novelist, it is natural that his films, viewed in isolation, could cause the most equivocal interpretations. This research seeks, through a detailed analyses of his films and writings, to work with the debates that were important on the French national and global life of his time. Always thinking about the decisive events of the Front Populaire in the period (1936), the occupation of France by the German Nazis and the participation of Marker in the struggles of the Resistance. All of this puzzeled elements seek an interpretation for many of the seemingly confusing aspects of his filmography. Throughout the chapters of this research, we seek to approach, with this documentation, texts, statements, debates, films phrases, the enigmatic biographical elements of his uncanny formation. Marker is known by the discretion about himself. Working on his years of youth and formation, we see that when aged 16, in high school in Paris and the 1936 year in France, discussing at length the Front Populaire, we seek to work about Chris Marker influence by the personalist philosophy of Emmanuel Mounier and then by Esprit and later in it\'s integration in the struggles of resistance. Following in the footsteps of the filmmaker, this work discusses the impact of this years in his militant life, including the training of workers film clubs. All this history is permeated by scenes and debates of his future documentaries. Finally, the research addresses the issue of militant cinema, analyzing L\'ambassade (1973), the solidarity with the Chilean Popular Unity and the struggle against the totalitarian latin american dictatorships, and a short film-portrait of the editor Maspero. We end our research with a debate on A. Medvedkine and V. Mayakovsky and the profanation of modern art, trying to investigate how the work of Chris Marker coincide with militant cinema, experimental cinema, film essay and documentary cinema.
Schulz, Tilmann Verfasser], and Chris [Akademischer Betreuer] [Meier. "Synthese und Untersuchung von Nucleosiddiphosphat Prodrugs / Tilmann Schulz. Betreuer: Chris Meier." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2012. http://nbn-resolving.de/urn:nbn:de:gbv:18-59373.
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