Relevant bibliographies by topics / Choreographers – Australia – 20th century

Academic literature on the topic 'Choreographers – Australia – 20th century'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Contents

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Choreographers – Australia – 20th century.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Choreographers – Australia – 20th century"

1

Anderson, Margot. "Dance Overview of the Australian Performing Arts Collection." Dance Research 38, no. 2 (November 2020): 149–67. http://dx.doi.org/10.3366/drs.2020.0305.

Full text
Abstract:
The Dance Collection at Arts Centre Melbourne traces the history of dance in Australia from the late nineteenth century to today. The collection encompasses the work of many of Australia's major dance companies and individual performers whilst spanning a range of genres, from contemporary dance and ballet, to theatrical, modern, folk and social dance styles. The Dance Collection is part of the broader Australian Performing Arts Collection, which covers the five key areas of circus, dance, opera, music and theatre. In my overview of Arts Centre Melbourne's (ACM) Dance Collection, I will outline how the collection has grown and highlight the strengths and weaknesses associated with different methods of collecting. I will also identify major gaps in the archive and how we aim to fill these gaps and create a well-balanced and dynamic view of Australian dance history. Material relating to international touring artists and companies including Lola Montez, Adeline Genée, Anna Pavlova and the Ballet Russes de Monte Carlo provide an understanding of how early trends in dance performance have influenced our own traditions. Scrapbooks, photographs and items of costume provide glimpses into performances of some of the world's most famous dance performers and productions. As many of these scrapbooks were compiled by enthusiastic and appreciative audience members, they also record the emerging audience for dance, which placed Australia firmly on the touring schedule of many international performers in the early decades of the 20th century. The personal stories and early ambitions that led to the formation of our national companies are captured in collections relating to the history of the Borovansky Ballet, Ballet Guild, Bodenwieser Ballet, and the National Theatre Ballet. Costume and design are a predominant strength of these collections. Through them, we discover and appreciate the colour, texture and creative industry behind pivotal works that were among the first to explore Australian narratives through dance. These collections also tell stories of migration and reveal the diverse cultural roots that have helped shape the training of Australian dancers, choreographers and designers in both classical and contemporary dance styles. The development of an Australian repertoire and the role this has played in the growth of our dance culture is particularly well documented in collections assembled collaboratively with companies such as The Australian Ballet, Sydney Dance Company, and Chunky Move. These companies are at the forefront of dance in Australia and as they evolve and mature under respective artistic directors, we work closely with them to capture each era and the body of work that best illustrates their output through costumes, designs, photographs, programmes, posters and flyers. The stories that link these large, professional companies to a thriving local, contemporary dance community of small to medium professional artists here in Melbourne will also be told. In order to develop a well-balanced and dynamic view of Australian dance history, we are building the archive through meaningful collecting relationships with contemporary choreographers, dancers, designers, costume makers and audiences. I will conclude my overview with a discussion of the challenges of active collecting with limited physical storage and digital space and the difficulties we face when making this archive accessible through exhibitions and online in a dynamic, immersive and theatrical way.
APA, Harvard, Vancouver, ISO, and other styles
2

Yushkova, Elena V. "From Gordon Craig to Mark Morris and Sasha Waltz: Stage design of opera / ballet “Dido and Aeneas”." Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies 5, no. 1 (March 1, 2020): 100–117. http://dx.doi.org/10.18522/2415-8852-2020-1-100-117.

Full text
Abstract:
The article deals with the impact of the English theatre director Edward Gordon Craig’s innovations in the dance theatre of the end of the 20th to the beginning of the 21st century. We consider one of Craig’s earliest performances in the opera “Dido and Aeneas” by the well-known English composer of the 17th century Henry Purcell., This was first staged in 1900 in London, and we focus on the selected methods and techniques associated with the reforming of theatre language, which were used by choreographers, such as the American Mark Morris and the German Sasha Waltz several decades later. Dance-operas by Morris (staged in 1989 in Belgium), and by Waltz (staged in 2005 in Berlin), despite their completely different approaches to the material, undoubtedly used Craig’s inventions, consciously or unconsciously entering into a dialogue with his experimental performance. Both Morris’s minimalism and Waltz’s baroque abundance stem from English director’s work, although the choreographers do not refer to it directly, since Craig’s innovations have become an inalienable part of theatrical practice in the 20th century. Comparative analysis allows us to discover how the English director’s ideas aimed at the creation of a theatre based on such components as motion, line, colour and rhythm and of a powerful affect on the audience, similar to how it was in ancient theatre, and how this was successfully realized in the work of postmodern choreographers. Special attention is paid to the stage design of performances and to the formation of a visual image and atmosphere of the performance
APA, Harvard, Vancouver, ISO, and other styles
3

Kanevskaya, Galina I. "Russian Libraries in Australia in the 20th Century." Bibliotekovedenie [Russian Journal of Library Science], no. 3 (May 25, 2009): 80–85. http://dx.doi.org/10.25281/0869-608x-2009-0-3-80-85.

Full text
Abstract:
The article deals with review of the history of Russian librarianship in Australia. The role of libraries in preservation of Russian language in the Russian diaspora and national identity in the being in the strange cultural space is defined.
APA, Harvard, Vancouver, ISO, and other styles
4

Siegel, Marcia B., and Millicent Hodson. "Restaging Works from the Ballets Russes: A Conversation between." Experiment 17, no. 1 (2011): 345–74. http://dx.doi.org/10.1163/221173011x611996.

Full text
Abstract:
Abstract Critic Marcia Siegel and choreographer Millicent Hodson discuss problems of putting lost or nearly forgotten 20th century ballets back on stage, focusing on questions of authenticity, interpretation, choreographic process and documentation through direct contact with Diaghilev's dancers. The discussion refers specifically to reconstruction of ballets by Nijinsky and Balanchine which Hodson has done with scenic consultant Kenneth Archer during the last years when Ballets Russes artists still survived to pass on their knowledge. Siegel extends the discussion to Diaghilev's other choreographers, Fokine, Massine and Nijinska.
APA, Harvard, Vancouver, ISO, and other styles
5

Bührle, Iris Julia. "Three Hamlet ballets from World War II to the Ukrainian crisis." Cahiers Élisabéthains: A Journal of English Renaissance Studies 102, no. 1 (March 31, 2020): 69–86. http://dx.doi.org/10.1177/0184767820913797.

Full text
Abstract:
Breaking with a tradition of action-filled ballets with a heroic protagonist, a number of 20th- and 21st-century choreographies of Hamlet have probed the psychological and political themes of William Shakespeare’s tragedy. Inspired by theatre and film productions, choreographers have also used the medium’s visual language to comment on Shakespeare’s text and open up its interpretive potentialities. This article analyses three adaptations: Robert Helpmann’s 1942 version for the Sadler’s Wells Ballet, Kenneth MacMillan’s 1988 Sea of Troubles for six former Royal Ballet dancers, and Radu Poklitaru and Declan Donnellan’s iconoclastic 2015 Hamlet for Moscow’s Bolshoi Ballet.
APA, Harvard, Vancouver, ISO, and other styles
6

Thorne, Ross. "MODERNIST FORM IN EARLY 20th CENTURY THEATRES IN AUSTRALIA." Fabrications 5, no. 1 (September 1994): 87–113. http://dx.doi.org/10.1080/10331867.1994.10525075.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Spurgeon, Christina. "Review & Booknote: Communication Traditions in 20th-Century Australia." Media International Australia 82, no. 1 (November 1996): 136–37. http://dx.doi.org/10.1177/1329878x9608200131.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Blahova, Tetyana. "FORMATION OF CONCEPTS OF PROFESSIONAL BALETMAYSTER IN THE CONTEXT OF DEVELOPMENT OF UKRAINIAN HOREOGRAPHIC EDUCATION." Aesthetics and Ethics of Pedagogical Action, no. 17 (March 9, 2018): 140–51. http://dx.doi.org/10.33989/2226-4051.2018.17.176293.

Full text
Abstract:
The article analyzes the essential features of the profession of choreographer, substantiates the value of the artistic and pedagogical heritage of the outstanding Ukrainian choreographers of the 20th century in the development of choreographic education in Ukraine; their ballet master's works are summarized, leading tendencies of professional activity; A complex of innovative artistic and aesthetic principles of work in choreographic collectives is described.The ballet master's activity as a specific kind of artistic activity is interpreted as a complex multidimensional phenomenon in the field of professional choreography, which is embodied in the process of creative work with choreographic material. The diverse work of the well-known Ukrainian choreographers nourished the field of professional dance with scientific ideas and practical achievements, determined the strategies of its development, content, technologies, methods of work, becoming the driving force in the formation of theoretical and practical regulation of choreographic pedagogy. The retrospective of the ballet master's experience of Ukrainian choreographers allows us to generalize its specifics and determine the essential features and directions through the prism of creative activity of well-known representatives of this specialty. The content of the professional meanings of the Ukrainian choreographer combines a combination of the essential characteristics: of the philosophical and artistic position, individual choreographic handwriting, creative style, performing style, a set of expressive means. They are realized in different directions of activity. The well-known Ukrainian choreographers have substantially expanded the system of basic concepts of the choreography profession by synthesizing the achievements of several generations in the field of folk dance production, substantiating their authoritative technologies of his practical and theoretical generalization.
APA, Harvard, Vancouver, ISO, and other styles
9

Freak-Poli, Rosanne, Peng Bi, and Janet E. Hiller. "Trends in cancer mortality during the 20th century in Australia." Australian Health Review 31, no. 4 (2007): 557. http://dx.doi.org/10.1071/ah070557.

Full text
Abstract:
An epidemiological study was conducted, using annual cancer mortality data over the period 1907 to 1998, to explore change in Australian cancer mortality. A 3-year moving average mortality was calculated to minimise the annual fluctuations over the study period. The results suggested that overall cancer mortality rose slightly over the past century, with a small decrease in more recent years. The male and female cancer mortality rates diverged over time. Younger age groups had low and stable death rates, 35?59 years age groups demonstrated decreased rates, and older age groups had increased rates over the study period. Modifiable lifestyle factors and other possible reasons for the changes were explored.
APA, Harvard, Vancouver, ISO, and other styles
10

Anderson, Jack. "The Enduring Relevance of Léonide Massine." Experiment 17, no. 1 (2011): 256–63. http://dx.doi.org/10.1163/221173011x611941.

Full text
Abstract:
Abstract Once the most celebrated of 20th-century ballet choreographers, Léonide Massine (1895-1979) went out of fashion in the 1950’s for a variety of reasons. Now the time has come for renewed interest in this remarkably versatile choreographer who regarded ballet as an art capable of constant expansion in terms of themes, styles, and movement vocabulary. His ballets include works, both serious and comic, about the history and customs of such places as Spain (Le Tricorne), Venice (The Good-Humoured Ladies), and Paris (Gaîté Parisienne), collaborations with Cubists (e.g. Pablo Picasso) and Surrealists (e.g. Salvador Dalí), and choreographic interpretations, often allegorical, of great pieces of symphonic music. Many of these creations could still enrich company repertories today.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Choreographers – Australia – 20th century"

1

Hocking, Rachel School of Music &amp Music Education UNSW. "Crafting connections: original music for the dance in Australia, 1960-2000." Awarded by:University of New South Wales. School of Music and Music Education, 2006. http://handle.unsw.edu.au/1959.4/27289.

Full text
Abstract:
This thesis documents the artistic connections made between composers and choreographers in Australia during the period 1960-2000. These 40 years saw a growth in the establishment of dance companies, resulting in many opportunities for composers to write original music for original dance works. The findings of original dance-music are tabulated in an extensive database giving details of 208 composers and over 550 music compositions written specifically for dance. Examples of choreographer and composer collaborative relationships and attitudes to each other???s artforms are discussed. Further examination of how these relationships have affected the sound of the music is detailed in four case studies. These concern the works The Display (music by Malcolm Williamson, choreography by Robert Helpmann, 1964), Poppy (music by Carl Vine, choreography by Graeme Murphy, 1978), Ochres (music by David Page, choreography by Stephen Page, 1994), and Fair Exchanges (music by Warren Burt and Ros Bandt, choreography by Shona Innes, 1989). These case studies look at dancemusic collaborated in different styles: ballet, modern dance, dance-theatre and experimental dance. This discussion is carried out through the analysis of the context of the collaborative relationships, and the temporal and interpretive aspects of the original dance-music. It is found through the investigation of collaborative relationships and discussion of these case studies, that similar methods of writing are used when composing music for theatrical dance, regardless of the type of dance. These methods show that composers have intentionally crafted scores that fulfil needs in the dance works and that are suited to choreographers??? intentions. Importantly, it is also found that involvement with dance has influenced some composers??? styles, aided musical innovation and added significantly to the corpus of Australian music.
APA, Harvard, Vancouver, ISO, and other styles
2

Gleeson, Damian John School of History UNSW. "The professionalisation of Australian catholic social welfare, 1920-1985." Awarded by:University of New South Wales. School of History, 2006. http://handle.unsw.edu.au/1959.4/26952.

Full text
Abstract:
This thesis explores the neglected history of Australian Catholic social welfare, focusing on the period, 1920-85. Central to this study is a comparative analysis of diocesan welfare bureaux (Centacare), especially the Sydney, Melbourne and Adelaide agencies. Starting with the origins of professional welfare at local levels, this thesis shows the growth in Catholic welfare services across Australia. The significant transition from voluntary to professional Catholic welfare in Australia is a key theme. Lay trained women inspired the transformation in the church???s welfare services. Prepared predominantly by their American training, these women devoted their lives to fostering social work in the Church and within the broader community. The women demonstrated vision and tenacity in introducing new policies and practices across the disparate and unco-ordinated Australian Catholic welfare sector. Their determination challenged the status quo, especially the church???s preference for institutionalisation of children, though they packaged their reforms with compassion and pragmatism. Trained social workers offered specialised guidance though such efforts were often not appreciated before the 1960s. New approaches to welfare and the co-ordination of services attracted varying degrees of resistance and opposition from traditional Catholic charity providers: religious orders and the voluntary-based St Vincent de Paul Society (SVdP). For much of the period under review diocesan bureaux experienced close scrutiny from their ordinaries (bishops), regular financial difficulties, and competition from other church-based charities for status and funding. Following the lead of lay women, clerics such as Bishop Algy Thomas, Monsignor Frank McCosker and Fr Peter Phibbs (Sydney); Bishop Eric Perkins (Melbourne), Frs Terry Holland and Luke Roberts (Adelaide), consolidated Catholic social welfare. For four decades an unprecedented Sydney-Melbourne partnership between McCosker and Perkins had a major impact on Catholic social policy, through peak bodies such as the National Catholic Welfare Committee and its successor the Australian Catholic Social Welfare Commission. The intersection between church and state is examined in terms of welfare policies and state aid for service delivery. Peak bodies secured state aid for the church???s welfare agencies, which, given insufficient church funding proved crucial by the mid 1980s.
APA, Harvard, Vancouver, ISO, and other styles
3

Muller, Elizabeth M. "Absorption and Assimilation: Australia's Aboriginal Policies in the 19th and 20th Centuries." Thesis, Boston College, 2011. http://hdl.handle.net/2345/1959.

Full text
Abstract:
Thesis advisor: Hiroshi Nakazato
Since initial contact between white settlers and Australian Aborigines began in the late 18th century the Aboriginal population has been exploited, abused, and controlled by governmental authorities. The two policies which dominated government approach to the Aboriginal population in the past were biological absorption and cultural assimilation. Through examining what caused such a massive shift in Aboriginal policy it is clear that events and their outcomes affect the ideas, beliefs, and worldviews of policymakers, activists, and the public
Thesis (BA) — Boston College, 2011
Submitted to: Boston College. College of Arts and Sciences
Discipline: College Honors Program
Discipline: International Studies
APA, Harvard, Vancouver, ISO, and other styles
4

Santos, Beatriz, and res cand@acu edu au. "From El Salvador to Australia: a 20th century exodus to a promised land." Australian Catholic University. School of Arts and Sciences, 2006. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp126.25102006.

Full text
Abstract:
El Salvador, the smallest and the most densely populated state in the region of Central America, was gripped by a civil war in the 1980s that resulted in the exodus of more than a million people. This thesis explores the causes that led to the exodus. The thesis is divided into two parts. The first part contains a historical and theoretical analysis of El Salvador from the time of conquest until the 1980s. An examination of the historical background of the socio-economic and political conflict in El Salvador during this period sets the scene for an account of the mass exodus of Salvadorans in the 1980s. The second part of the thesis involves a qualitative study of Salvadoran refugees, which concentrates on their experiences before and after arriving in Australia. The study explores both the reasons for the Salvadorans’ becoming refugees and their resettlement in Melbourne. In an effort to explain some of the reasons for the socio-economic and political conflict in El Salvador in the 1980s, some concepts and ideas from different theoretical perspectives are utilized: modernisation theory, world-systems theory, dependency theory, elite theory, Foco theory of revolution and economic rationalism. The historical account covers the period from the expansion of the European world economy in the 16th century up to the political conflict of the 1980s. When the Salvadorans began to arrive in Melbourne, the micro-economic agenda in Australia was based on economic rationalism. This shifted the focus away from the state and onto a market-based approach that emphasised vigorous competition and fore grounded a non-collective social framework. The changes to policies in the welfare and immigration areas resulting from this shift are examined for their impact on the resettlement experiences of Salvadoran refugees. The United States foreign policy is also delineated because of the impact it had on the political, economic and social situation in El Salvador. The thesis focused on the time-period from the 1823 Monroe Doctrine to the era of the Cold War of ‘containment of communism’. The Catholic Church has also played a major influence in the political, social and religious life of Salvadorans. The changes that occurred in the post-1965 renewal of the Catholic Church were influential in the political struggles in El Salvador. The second part of the thesis involves a qualitative research study of a small group of 14 Salvadoran refugees. Participants were selected from different professional, educational and socioeconomic backgrounds. The study examines their flight from El Salvador, their arrival in Australia and their long-term experiences of resettlement. Tracking the experiences of refugees over a considerable period of time has seldom been the focus of a research study in Australia. The Salvadorans have been under-researched and no longitudinal studies have been conducted. The Salvadorans who took part in the study became refugees for diverse reasons ranging from political/religious reasons to random repression but certainly not for economic reasons. Their past experiences have influenced their resettlement in Australia and their attempts to build their lives anew have been fraught with difficulties. The difficulties in acquiring a working knowledge of the English language have often led to a downgrading in their professional and employment qualifications, isolation from the mainstream community and the experience of loneliness for the older generation. In addition, many of the participants still experience fear both in Australia and in their home country when they return for a visit. The findings indicate that the provision of extra services, such as counselling, could facilitate their resettlement and integration into Australian society.
APA, Harvard, Vancouver, ISO, and other styles
5

Totaro, Genevois Mariella. "Foreign policies for the diffusion of language and culture : the Italian experience in Australia." Monash University, Centre for European Studies, 2001. http://arrow.monash.edu.au/hdl/1959.1/8828.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Anderson, Zoe Melantha Helen. "At the borders of belonging : representing cultural citizenship in Australia, 1973-1984." University of Western Australia. History Discipline Group, 2009. http://theses.library.uwa.edu.au/adt-WU2009.0176.

Full text
Abstract:
[Truncated abstract] This thesis offers a re-contextualisation of multiculturalism and immigration in Australia in the 1970s and 80s in relation to crucial and progressive shifts in gender and sexuality. It provides new ways of examining issues of belonging and cultural citizenship in this field of inquiry, within an Australian context. The thesis explores the role sexuality played in creating a framework through which anxieties about immigration and multiculturalism manifested. It considers how debates about gender and sexuality provided fuel to concerns about ethnic diversity and breaches of the 'cultural' borders of Australia. I have chosen three significant historical moments in which anxieties around events relating to immigration/multiculturalism were most heightened: these are the beginning of the 'official' policy of multiculturalism in Australia in 1973; the arrival of large numbers of Vietnamese refugees as a consequence of the Vietnam War in 1979; and 1984, a year in which the furore over the alleged 'Asianisation' of Australia reached a peak. In these years, multiple and recurring representations served to recreate norms as applicable to the white heterosexual family, not only as a commentary and prescriptive device for migrants, but as a means of reinforcing 'Australianness' itself. A focus on the body as a border/site of belonging and in turn, crucially, its relationship to the heterosexual nuclear family as a marker of 'cultural citizenship', lies at the heart of this exploration. Normative ideas of gender and sexuality, I demonstrate, were integral in informing the ambivalence about multiculturalism and ethnic diversity in Australia. Indeed, for each of these years I examine how the discourses of gender and sexuality, evident for example in parliamentary debates such as that relating to the Sex Discrimination Act 1984, were intricately tied to ongoing concerns regarding growing non-white ethnicity in Australia, and indeed, enabled it. ... In pursuing this contribution, the work draws critically upon recent innovative interdisciplinary scholarship in the field of sexuality and immigration, and draws upon a broad range of sources to inform a comprehensive and complex examination of these issues. Sources employed include the major newspapers and periodicals of the time, Parliamentary debates from the Commonwealth House of Representatives, Parliamentary Committee findings and publications, speeches and polemics, and relevant legislation. This inquiry is an interrogation of a key methodological question: can sexuality, in its workings through ethnicity and 'race', be used as a primary tool of analysis in discussing how whiteness and 'Australianness' reconfigured itself through normative heteropatriarchy in an era that claimed to champion and celebrate difference? How and why did ambiguities concerning 'Australianness' prevail, concurrent with progressive and generally politically benign periods of Australian multiculturalism? The thesis argues that sexuality – through the construction of the 'good white hetero-patriarchal family' – both informed, and enabled, the endurance of anxieties around non-white ethnicity in Australia.
APA, Harvard, Vancouver, ISO, and other styles
7

Brankovich, Jasmina. "Burning down the house? : feminism, politics and women's policy in Western Australia, 1972-1998." University of Western Australia. School of Humanities, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0122.

Full text
Abstract:
This thesis examines the constraints and options inherent in placing feminist demands on the state, the limits of such interventions, and the subjective, intimate understandings of feminism among agents who have aimed to change the state from within. First, I describe the central element of a
APA, Harvard, Vancouver, ISO, and other styles
8

Fischer, Nick 1972. "The savage within : anti-communism, anti-democracy and authoritarianism in the United States and Australia, 1917-1935." Monash University, School of Historical Studies, 2001. http://arrow.monash.edu.au/hdl/1959.1/9124.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Greene, Charlotte Jordon. ""Fantastic dreams" William Liu and the origins and influence of protest against the White Australia Policy in the 20th century /." University of Sydney, 2005. http://hdl.handle.net/2123/4028.

Full text
Abstract:
Doctor of Philosophy
The structure of this study of William Liu will closely reflect his ideas and the major historical influences in his life, and will span the period from 1893 through ninety years spent mainly in Sydney, ending in 1983, the year before the beginning of the attack on multiculturalism launched by the historian Geoffrey Blainey. The memorialisation of Liu in the post-Blainey “immigration debate” period will then be considered. The study will also reflect the changes in protest against racially discriminatory immigration policies in Australia, as Liu moved from a period in which his was an almost isolated critique to one in which he was able to embrace the ever-widening group of people opposed to the ‘White Australia Policy’. This process has not been fully examined, perhaps due to the fact that the protest often appeared to have little impact upon policy. But the way in which Liu and other protestors expressed their view of what Australia should be and how the ‘White Australia Policy’ affected this vision sheds a great deal of light on these periods in Australian history. The structure of this thesis around Liu’s life, beginning with a period in which the ‘White Australia Policy’ was widely accepted, and ending in a period in which multiculturalism was entrenched as official policy, emphasises the cultural shift which was brought about by decades of protest against the Anglo-conformist model of Australian identity
APA, Harvard, Vancouver, ISO, and other styles
10

Honeywill, Greer 1945. "Colours of the kitchen cabinet : a studio exploration of memory, place, and ritual arising from the domestic kitchen." Monash University, Dept. of Fine Arts, 2003. http://arrow.monash.edu.au/hdl/1959.1/5621.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Choreographers – Australia – 20th century"

1

Scott, Don. Australia in the 20th century. Melbourne: Oxford University Press, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Léonide Massine and the 20th century ballet. Jefferson, N.C: McFarland & Co., 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Osborne, G. Communication traditions in 20th-century Australia. Melbourne: Oxford University Press, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Cornish, Patrick. Western Australia in the 20th century. Fremantle, W.A: Fremantle Arts Centre Press, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Carmichael, Gordon. Decisions to Have Children in Late 20th and Early 21st Century Australia. Dordrecht: Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-94-007-6079-0.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Schofield, Anne. Australian jewellery: 19th and early 20th century. Woodbridge: Antique Collectors' Club, 1990.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Schofield, Anne. Australian jewellery: 19th and early 20th century. Woodbridge, Suffolk: Antique Collectors Club, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Coyle, Rebecca. Apparition: Holographic art in Australia. Sydney: Power Publications, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Goodman, R. D. VAD's in peace and war: The history of voluntary aid detachments in Australia during the 20th century. Brisbane, Qld: Boolarong, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

(Program), BEACH. General practice activity in the states and territories of Australia, 1998-2003. Canberra: Australian Institute of Health and Welfare, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Choreographers – Australia – 20th century"

1

Carmichael, Gordon A. "Decisions to Have Children in Late 20th and Early 21st Century Australia." In Decisions to Have Children in Late 20th and Early 21st Century Australia, 1–38. Dordrecht: Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-94-007-6079-0_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Blumberg, Baruch S., Alton I. Sutnick, W. Thomas London, and Liisa Melartin. "Sex Distribution of Australia Antigen." In World Scientific Series in 20th Century Biology, 468–72. WORLD SCIENTIFIC, 2000. http://dx.doi.org/10.1142/9789812813688_0047.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

LONDON, W. THOMAS, ALTON I. SUTNICK, and BARUCH S. BLUMBERG. "Australia Antigen and Acute Viral Hepatitis." In World Scientific Series in 20th Century Biology, 262–66. WORLD SCIENTIFIC, 2000. http://dx.doi.org/10.1142/9789812813688_0021.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

BLUMBERG, B. S. "The Natural History of Australia Antigen." In World Scientific Series in 20th Century Biology, 494–510. WORLD SCIENTIFIC, 2000. http://dx.doi.org/10.1142/9789812813688_0051.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

COYNE(ZAVATONE), VERONICA E., IRVING MILLMAN, JAMES CERDA, B. J. S. GERSTLEY, THOMAS LONDON, ALTON SUTNICK, and BARUCH S. BLUMBERG. "THE LOCALIZATION OF AUSTRALIA ANTIGEN BY IMMUNOFLUORESCENCE." In World Scientific Series in 20th Century Biology, 272–84. WORLD SCIENTIFIC, 2000. http://dx.doi.org/10.1142/9789812813688_0023.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Sutnick, Alton I., James J. Cerda, Philip P. Toskes, W. Thomas London, and Baruch S. Blumberg. "Australia Antigen and Viral Hepatitis in Drug Abusers." In World Scientific Series in 20th Century Biology, 528–30. WORLD SCIENTIFIC, 2000. http://dx.doi.org/10.1142/9789812813688_0054.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

MILLMAN, IRVING, LAWRENCE A. LOEB, MANFRED E. BAYER, and BARUCH S. BLUMBERG. "AUSTRALIA ANTIGEN (A HEPATITIS-ASSOCIATED ANTIGEN): PURIFICATION AND PHYSICAL PROPERTIES." In World Scientific Series in 20th Century Biology, 304–13. WORLD SCIENTIFIC, 2000. http://dx.doi.org/10.1142/9789812813688_0027.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

BLUMBERG, B. S., LIISA MELARTIN, R. A. GUINTO, and BARBARA WERNER. "Family Studies of a Human Serum Isoantigen System (Australia Antigen)." In World Scientific Series in 20th Century Biology, 453–67. WORLD SCIENTIFIC, 2000. http://dx.doi.org/10.1142/9789812813688_0046.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

BLUMBERG, BARUCH S., BETTY JANE S. GERSTLEY, DAVID A. HUNGERFORD, W. THOMAS LONDON, and ALTON I. SUTNICK. "A Serum Antigen (Australia Antigen) in Down's Syndrome, Leukemia, and Hepatitis." In World Scientific Series in 20th Century Biology, 254–61. WORLD SCIENTIFIC, 2000. http://dx.doi.org/10.1142/9789812813688_0020.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

COLLER, JOHN A., IRVING MILLMAN, THERESA C. HALBHERR, and BARUCH S. BLUMBERG. "Radioimmunoprecipitation Assay for Australia Antigen, Antibody, and Antigen–Antibody Complexes (35872)." In World Scientific Series in 20th Century Biology, 295–303. WORLD SCIENTIFIC, 2000. http://dx.doi.org/10.1142/9789812813688_0026.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Choreographers – Australia – 20th century"

1

Moulis, Antony. "Architecture in Translation: Le Corbusier’s influence in Australia." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.752.

Full text
Abstract:
Abstract: While there is an abundance of commentary and criticism on Le Corbusier’s effect upon architecture and planning globally – in Europe, Northern Africa, the Americas and the Indian sub-continent – there is very little dealing with other contexts such as Australia. The paper will offer a first appraisal of Le Corbusier’s relationship with Australia, providing example of the significant international reach of his ideas to places he was never to set foot. It draws attention to Le Corbusier's contacts with architects who practiced in Australia and little known instances of his connections - his drawing of the City of Adelaide plan (1950) and his commission for art at Jorn Utzon's Sydney Opera House (1958). The paper also considers the ways that Le Corbusier’s work underwent translation into Australian architecture and urbanism in the mid to late 20th century through the influence his work exerted on others, identifying further possibilities for research on the topic. Keywords: Le Corbusier; post-war architecture; international modernism; Australian architecture, 20th century architecture. DOI: http://dx.doi.org/10.4995/LC2015.2015.752
APA, Harvard, Vancouver, ISO, and other styles
2

Adelita, Sela Putri, Eti Poncorini Pamungkasari, and Bhisma Murti. "Meta Analysis: The Effect of High-Intensity Interval Training on Low Density Lipoprotein Level in Patients with Type 2 Diabetes Melitus." In The 7th International Conference on Public Health 2020. Masters Program in Public Health, Universitas Sebelas Maret, 2020. http://dx.doi.org/10.26911/the7thicph.05.42.

Full text
Abstract:
ABSTRACT Background: High intensity interval training (HIIT) is a protocol of short work intervals of vigorous to high intensity interspersed with active or passive (cessation of movement) recovery periods. HIIT has been employed since the mid-20th century to improve athletic exercise performance. Regular exercise reduces elevated low-density lipoprotein (LDL), atherosclerosis formation, and risk factors of cardiovascular disease (CVD). This study aimed to examine the effect of high-intensity interval training on low density lipoprotein level in patients with type 2 diabetes mellitus (DM). Subjects and Method: This was meta-analysis and systematic review. The study was conducted by search published article from year 2010 to 2020 in PubMed, Science Direct, Research Gate, and Google Scholar databases. The inclusion criteria were full text, using randomized controlled trial study design, high-intensity interval training intervention, and reporting mean and standard deviation. Study subjects were type 2 DM patients aged 25-65 years. The study outcome was LDL reduction. The articles were analyzed by PRISMA flow chart and Revman 5.3. Results: 7 studies from America, Europe, Australia, and Asia showed that high intensity interval training reduced LDL level in type 2 DM patients (Mean Difference= -0.06; 95% CI= 1.32 to -0.47; p<0.001) with I2= 92% (p <0.93). Conclusion: High-intensity interval training reduces LDL level in type 2 DM patients. Keywords: high-intensity interval training, low density lipoprotein Correspondence: Sela Putri Adelita. Masters Program in Public Health, Universitas Sebelas Maret. Jl. Ir. Sutami 36A, Surakarta 57126, Central Java. Email: Selaadelita558@gmail.com. Mobile: 085357117517. DOI: https://doi.org/10.26911/the7thicph.05.42
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Choreographers – Australia – 20th century' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography