Relevant bibliographies by topics / Chinese state media

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Chinese state media'

Author: Grafiati
Published: 4 August 2023

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Journal articles on the topic "Chinese state media"

1

Xiaodong, Li. "The Chinese Model and Chinese Wisdom of Modernization." EDUCAÇÃO E FILOSOFIA 33, no. 69 (December 30, 2020): 1223–53. http://dx.doi.org/10.14393/revedfil.v33n69a2019-56405.

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The Chinese Model and Chinese Wisdom of Modernization 1 Abstract: The Soviet model of socialism and the American model of capitalism are the two major solutions to modernization. Under the guidance of the traditional Chinese Doctrine of the Mean and the Marxist dialectical materialism, the Communist Party of China, by successively learning from these two major solutions and combining with the actual situation of China, has proposed Chinese solutions of socialism with Chinese characteristics to modernization of state governance and thus offered to the world Chinese wisdom beyond the conflicts between two major ideologies, namely, socialism and capitalism. Keywords: State governance. Modernization. Chinese wisdom. Chinese situations. O modelo chinês e a sabedoria chinesa da modernização Resumo: O modelo soviético de socialismo e o modelo americano de capitalismo são as duas principais soluções para a modernização. Sob a orientação da doutrina chinesa tradicional do caminho do meio e do materialismo dialético marxista, o Partido Comunista da China, aprendendo sucessivamente com essas duas soluções principais e combinando-se com a situação atual da China, propôs soluções chinesas de socialismo com características chinesas, modernização da governança do estado e, assim, ofereceu ao mundo a sabedoria chinesa além dos conflitos entre duas grandes ideologias, a saber, socialismo e capitalismo. Palavras-chave: Governança estatal. Modernização. Sabedoria chinesa. Situações chinesas. El modelo chino y la sabiduría china de la modernización Resumen: El modelo soviético del socialismo y el modelo estadounidense del capitalismo son las dos soluciones principales para la modernización. Bajo la guía de la Doctrina tradicional china de la media y el materialismo dialéctico marxista, el Partido Comunista de China, al aprender sucesivamente de estas dos soluciones principales y combinar con la situación actual de China, ha propuesto soluciones chinas del socialismo con características chinas para modernización de la gobernanza estatal y, por lo tanto, ofreció al mundo sabiduría china más allá de los conflictos entre dos ideologías principales, a saber, el socialismo y el capitalismo. Palabras clave: Gobernanza estatal. Modernización. Sabiduría china. Situaciones chinas. 1This paper is related to “the Research of the Relationship between the Thought of the Communist Party of China about state Governance and Excellent Traditional Chinese Culture” supported by Beijing Social Science Fund Research Project Base (Project No. 17JDKDB003) Data de registro: 30/07/2020 Data de aceite: 21/10/2020 1 This paper is related to “the Research of the Relationship between the Thought of the Communist Party of China about state Governance and Excellent Traditional Chinese Culture” supported by Beijing Social Science Fund Research Project Base (Project No. 17JDKDB003).
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Yafeng, Dong. "The Current State and Development Trends of the Radio Broadcasting Industry in China." Theoretical and Practical Issues of Journalism 8, no. 4 (October 26, 2019): 816–28. http://dx.doi.org/10.17150/2308-6203.2019.8(4).816-828.

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The radio broadcasting industry in China has been operating for more than 40 years. It developed alongside with the policy of reforms and China’s openness, it followed the logic of marketization and institutionalization, it overcame the development boom of the end of the 1980s — the beginning of the 1900s and the period of a decade-long recession on the cusp of the two centuries. The author studied cutting edge literature on the subject of his research and applied such methods as analysis and generalization. The conclusions, concerning the current state and development trends of the radio broadcasting industry in China, have been drawn in relation to four aspects: general background of the branch, market design, ways of monetizing and the development of mass media convergence. To define the market structure in the industry of the radio broadcasting mass media, the author has analyzed the three-level market design, the results of the reforms of the broadcasting and production entities and frequency typing. The analysis of the national policy implementation and of the convergence trends has been taken as a principle to predict trends of development of the mass media convergence in the industry of the broadcasting media. Following the country’s political line, its economic development and the development of new media, Chinese industry of radio broadcasting media shows perfect growth dynamics day by day. In the nearest future, Chinese radio broadcasting will get even closer to convergence with the mobile Internet and other media. The objective of this article is to analyze the current state of Chinese broadcasting industry. The article can be of interest to experts and scientists who specialize in economic research of Chinese broadcasting media and Chinese mass media in general.
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Yu, Haiqing. "Doing Chinese Media Studies: A Reflection on the Field's History and Methodology." Media International Australia 138, no. 1 (February 2011): 66–79. http://dx.doi.org/10.1177/1329878x1113800109.

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This article reflects on the history and methodology of ‘Chinese media studies' as a (sub)-field of inquiry in academia. It identifies some key features in its trajectory of development, and particularly addresses some of the methodological concerns with regard to doing media studies – some of which are specific to ‘Chinese’ media studies and some of which are relevant to all inquiries about our mediated lives. It discusses methodology as outlook and orientation in ‘approaching’ Chinese media studies and as techniques and methods in ‘doing’ Chinese media studies. This article provokes, rather than promotes, questions and thoughts on the state of Chinese media studies.
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Rinchinov, Artem B. "PRC's digital media amid the trade war with the United States: Conditions within the country and prospects for expansion." Vestnik Tomskogo gosudarstvennogo universiteta, no. 474 (2022): 153–60. http://dx.doi.org/10.17223/15617793/474/17.

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The article aims to highlight some of the features of Chinese information policy and state regulation in order to survey the current state of Chinese media theory within the country. In the sphere of China's foreign relations, the aim was to find evidence that, under conditions of economic pressure, China is moving from a policy of “soft power” towards its partner countries to the practice of building direct economic and infrastructural dependence. The theoretical part of the article is mainly based on the materials of the Chinese Tsinghua Institute. When studying the situation abroad, data from the Australian Institute for Strategic Policy and similar think-tanks in North America were used. According to the current Chinese media theory, all information sources inside the country make up three major groups with more than six subdivisions inside each group. Another point of Chinese media theory, which includes the “six forces” concept, brings much more controversy. According to it, “government” and “party force” are different actors while “capital force” has only limited influence over media content. This concept may be disputed by example of “Southern Model”, when one of the Chinese provinces used a lot of autonomy in its broadcasting policy. The autonomy came to an end, when the state-owned company SMC gained control over the province's broadcasting in 2007. This is one of the examples of how party, state and capital forces' acts combined and merged into one. Correlation analysis shows the interdependence between capital and state forces within the country. The article examines activities of Chinese media, government-organized non-governmental organizations (GONGO), and communications corporations abroad. According to open-source data, the hugest economic intervention in media markets of developing countries made by China so far is united under the Digital Silk Road initiative. During the trade war, many Chinese companies, like Huawei, lost their western customers and markets access. By maintaining Chinese media market shut for foreign capital and by expanding own communication network beyond borders through the web of GONGO and favored contracts, Beijing gains an advantage in the ongoing trade war. Such impermanence shows the incompleteness of media theory in China. While being recent, it struggles to describe objective reality without notion that in highly monopolized and regulated spheres, like Chinese media market, the forces of national capital and government may act on behalf of each other. China, despite the lack of a sophisticated theoretical basis, gains control over the media policy in developing countries. The Chinese-built communication infrastructure, which allows controlling internet and mobile media, becomes fundamental for countries in Africa, South-East and Central Asia. Such a situation may lead these countries to fall into the Chinese sphere of influence.
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Varela Monterroso, Lucía. "Estructura mediática china: una aproximación al caso de China Central Television (CCTV)." Ámbitos. Revista Internacional de Comunicación, no. 51 (2021): 115–30. http://dx.doi.org/10.12795/ambitos.2021.i51.09.

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China’s Emerging superpower has become a key piece on the global information board in recent years. This study aims to delve into the Chinese media structure, paying special attention on the public television group China Central Television. From a diacritical perspective, one seeks to understand the crossroads underlying it; a descriptive methodological approach focused on content analysis will take an in-depth look at how the media and the administration that control them will be controlled. In 2018, the Chinese government carried out a “State institutional reform plan and the Deepening Party” whose main objective is based on improving public opinion about China on a global scale. Therefore, the transnational media conglomerate China Media Group was created. It has segmented and currently controls three Chinese media giants: on a television level, with China Central Television (CCTV) and radio with China National Radio and China Radio International. Using a historiographic methodology and the implementation of a descriptive methodological approach we will deepen into the following objectives. First, we seek to glimpse the way Chinese media organization is. It is then when we intended to know the way of control carried out by the government related to information and media and will eventually address the thematic content of Chinese public television (CCTV). The Chinese government’s desire for expansion around the world is particularly important, which aims to export Chinese singularities and thus to become a counterpoint to the single control currently exercise by the United States globally. Communication is a key point for China in this expansion.
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Herring, Lara. "China’s Cinema Watchdogs on the World Wide Web." Networking Knowledge: Journal of the MeCCSA Postgraduate Network 11, no. 2 (December 11, 2018): 39–59. http://dx.doi.org/10.31165/nk.2018.112.532.

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Online communities play an important role in the development of the Chinese film industry in several significant ways. Taking social media as its focus, this article explores three areas of influence; promoting transparency, critiquing and policing. In China, the leaking of private industry documents, such as employment contracts and memos including information about incentives put forth by the State, are shared on social media with the intention of helping to ensure the opacity and integrity of the industry. Furthermore, where State-run media channels in China are heavily censored, film critiques are made possible through less-restricted social media sites such as Douban. Finally, this paper explores the role that users of social media play in policing distributors and cinema chains who are accused of committing box office fraud when Chinese film industry personnel and cinemagoers use social media to call out malfeasance. Thus, this paper contributes to existing research interested in State intervention in the Chinese cinema industry and the consequences of that intervention.
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SHUANG, Wu. "The influence of geopolitical factors on the internationalization strategies of Chinese State-owned oil and gas companies." Economic Analysis: Theory and Practice 22, no. 2 (February 28, 2023): 335–71. http://dx.doi.org/10.24891/ea.22.2.335.

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Subject. The article addresses strategies of internationalization of Chinese State-owned oil and gas companies. Objectives. The purpose is to investigate the influence of geopolitical factors on the internationalization strategies of Chinese State-owned oil and gas companies. Methods. The study rests on general scientific research methods. Results. The study revealed that Chinese State-owned oil and gas companies are actively expanding in various macro-regions of the world. This enables China to provide its dynamically growing economy with energy resources, diversify risks, reduce dependence on individual countries and, as a result, increase the country's energy security. The internationalization strategy implemented at the State level in the oil and gas sector meets the modern geopolitical realities, which for China are characterized primarily by the tough opposition of the United States in the international arena. This struggle is going on using various economic, political, social and information tools. Conclusions. The geopolitical confrontation forces China to develop and implement comprehensive strategies for international expansion, concentrate significant resources on the most important areas, make efforts to establish long-term partnerships with foreign countries in various regions of the world. In this confrontation, the current political and economic model in China, in which control over strategic energy assets is in the hands of the State, plays an important role.
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Kehoe, Séagh. "Regimes of temporality: China, Tibet and the politics of time in the post-2008 era." Media, Culture & Society 42, no. 7-8 (March 18, 2020): 1133–52. http://dx.doi.org/10.1177/0163443720907535.

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While the politics of time are an important dimension of Chinese state discourse about Tibet, it remains insufficiently explored in theoretical and practical terms. This article examines the written and visual discourses of Tibetan temporality across Chinese state media in the post-2008 era. It analyses how these media discourses attempt to construct a ‘regime of temporality’ in order to manage public opinion about Tibet and consolidate Chinese rule over the region. While the expansion of online technologies has allowed the state to consolidate its discourses about Tibet’s place within the People’s Republic of China (PRC), they have also provided Tibetans a limited but valuable space to challenge these official representations through counter readings of Tibet’s past, present and future. In doing so, this article contributes new insights on the production of state power over Tibet, online media practices in China, and the disruptive potential of social media as sites of Tibetan counter discourses.
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Цянь, С. "Chinese media in the era of globalization." Management of Education, no. 11(57) (December 1, 2022): 122–25. http://dx.doi.org/10.25726/a2755-9766-6511-u.

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Сегодня в Китае между государством и мирровым сообществом ведется ежедневная борьба за то, чтобы максимально снизить количество фейков. Это соревнование отражает и представляет собой центральное противоречие в китайской политике между потребностями быстро модернизирующейся экономики и плюрализирующегося общества, с одной стороны, и желанием государства поддерживать абсолютную социальное равновесие, с другой стороны. В статье оценивается общая сила и эффективность системы медиа пропаганды сегодня, учитывая сличение внешних факторов на средства массовой информации в Китае. В таких сообщениях не упоминаются аспекты политической системы Китая и быстрого экономического развития. Как и другие страны, Китай признал ценность социальных сетей для усиления обмена сообщениями и укрепления социальной справедливости. Но беспрепятственный доступ к западным социальным сетям дал Пекину преимущество в глобальной борьбе за снижение количества фейков и позволил обеспечить нормальное развитие информационного поля внутри страны. Министерство иностранных дел Китая заявляет, что Китай использует социальные сети так же, как это делают другие страны, с целью углубления дружественных связей и содействия коммуникации, основанной на фактах. Today in China, there is a daily struggle between the state and the world community to minimize the number of fakes. This competition reflects and represents the central contradiction in Chinese politics between the needs of a rapidly modernizing economy and a pluralizing society, on the one hand, and the desire of the state to maintain absolute social balance, on the other hand. The article assesses the overall strength and effectiveness of the media propaganda system today, taking into account the comparison of external factors on the media in China. Such reports do not mention aspects of China's political system and rapid economic development. Like other countries, China has recognized the value of social media to enhance messaging and strengthen social justice. But unhindered access to Western social networks gave Beijing an advantage in the global struggle to reduce the number of fakes and allowed for the normal development of the information field within the country. The Chinese Ministry of Foreign Affairs says that China uses social media in the same way as other countries do in order to deepen friendly ties and promote fact-based communication.
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Zhang, Hongzhong, Juana Du, and Rui Wang. "Media credibility." Journal of Asian Pacific Communication 29, no. 2 (August 6, 2019): 188–210. http://dx.doi.org/10.1075/japc.00030.zha.

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Abstract Media credibility, as a construct that has been mainly developed in the western context, hasn’t been examined thoroughly and tested in Asia cultural and social context. This research discusses and verifies media credibility as a multi-dimensional construct, with the support of empirical data. It discusses the impact of privately-owned news websites, e.g. Sina, on state-owned television stations, e.g. CCTV, with a focus on media credibility in the context of China. The data supports that media credibility includes both professional and political dimensions. The dimension of political orientation is a unique one developed directly in the context of China with empirical data support. This paper also explores contributing factors that impact media credibility in the Chinese context, and finds positive impact of privately-owned website use on media credibility of state-owned television.
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Dissertations / Theses on the topic "Chinese state media"

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Liu, Na. "Approaches to the Chinese state/party : news media relationship." Thesis, University of Birmingham, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.633224.

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This dissertation, examining Chinese media, has been pursued in a British institution. The potential in this arrangement is that research and analysis of the Chinese case, including the development of a theory to examine the relationship between the Chinese media, State, Communist Party, and public, can be informed by an examination of 'Western' theory. I begin my analysis with a survey of Western media theories. Then I offer an overview of the history, theories and practices of the relationship between the Chinese Communist Party and Chinese journalism, describing the general structure and characteristics of the media under Party domination. I discuss the suppression of emerging media democratisation in 1989 and the subsequent turn to the market, both in media theory and practice, focusing on the Chinese media after China's entry into WTO and the growth of media organizations into business conglomerations. Through detailed case studies of media reform and commercialisation in newspapers and televisions, I try to investigate the tensions and some of the resolutions of these, resulting from Party control and market forces in the emerging commercialised media sector. Case studies, such as Sars (Severe Acute Respiratory Syndrome) in China in 2002, will be examined to evaluate how journalism worked in the supposed 'new era' of state/party and media.
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Chang, Yao. "Framing China how U.S. media reported eight U.S. state visits by top Chinese leaders /." [Ames, Iowa : Iowa State University], 2008.

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Wang, Yue. "Cultural nation versus political state : media construction of national identity : the case of China Daily." HKBU Institutional Repository, 2006. http://repository.hkbu.edu.hk/etd_ra/785.

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Hong, Jiachun. "DOCUMENTARY PRODUCTION AS A SITE OF STRUGGLE: STATE, CAPITAL, AND PRECARITY IN THE CONTEMPORARY CHINESE DOCUMENTARY." OpenSIUC, 2018. https://opensiuc.lib.siu.edu/dissertations/1627.

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Documentary filmmakers have been considered artists, authors, or intellectuals, but rarely as labor. This study investigates how the nature of work as well as life is changing for those who work in the expanding area of TV documentary in China, in the midst of China’s shift towards a market-based economy. How do documentary makers reconcile their passion for documentary making with the increasingly precarious conditions of work? And, how do they cope with and resist the pressures of neoliberalism to survive in increasingly competitive local and global markets? Based on data gathered through the interviews with 40 practitioners from January 2014 to August 2017 and my own experience as a director and worker in the Chinese documentary for a decade, I outline the particularity and complexity of the creative work in China. My research indicates that short-time contracts, moonlighting, low payments and long working hours, freelancing, internship, and obligatory networking have become normal working conditions for cultural workers. Without copyright over their intellectual creations, cultural workers are constrained to make a living as waged labor, compelled to sell their physical and mental labor in hours or in pieces. Self-responsibility and entrepreneurism have become the symbols of the neoliberal individual. Following the career trajectories of my interviewees, I elaborate on the mechanisms by which cultural workers are selected, socialized and eliminated. When they decide to escape from the production line, they use four types of strategies: going international, surviving in the market, switching to new media career, and sticking to journalistic ideals. This dissertation also reveals that global production has intensified exploitation by increasing working hours through a 24/7 production line that works across national borders and time zones, amplifies competition by introducing global talent, and alienates local workers by imposing the so-called “universal” aesthetics of global production. The crisis of cultural work is the outcome of the incapacity of the neoliberal imagination to imagine plausible and feasible futures for sustained creative work. It is through my research into the history of documentary production in China and conversations with cultural workers that I found explanations for the increasing precarity of work and possible forms of resistance to it in post-socialist China.
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Alpermann, Björn. "Economic transformation and state capacity : the case of the Chinese cotton sector /." [S.l. : s.n], 2006. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=015743977&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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Dumm, Elena. "Show No Weakness: An Ideological Analysis of China Daily News Coverage of the 2019 Hong Kong Protests." Wittenberg University Honors Theses / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=wuhonors1617884910805174.

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Zhang, Yao. "Nixon's trip to China and his media policy." Ohio : Ohio University, 2009. http://www.ohiolink.edu/etd/view.cgi?ohiou1250709340.

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Thesis (M.A.)--Ohio University, August, 2009.
Title from PDF t.p. Release of full electronic text on OhioLINK has been delayed until September 1, 2014. Includes bibliographical references (leaves 120-125)
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Matanji, Frankline Bradly. "Framing the Chinese Investment in Africa: Media Coverage in Africa, China, United Kingdom, and the United States." Bowling Green State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1562652784093464.

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Yu, Xun. "I observe media, I learn a mediated culture a framing study of media's influence on American and Chinese collage [sic] students' perception of each other /." Laramie, Wyo. : University of Wyoming, 2008. http://proquest.umi.com/pqdweb?did=1798967461&sid=1&Fmt=2&clientId=18949&RQT=309&VName=PQD.

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Xu, Xia Ying. "Chinese audiences & US sitcoms : the case of friends." Thesis, University of Macau, 2007. http://umaclib3.umac.mo/record=b1874204.

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Books on the topic "Chinese state media"

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National University of Singapore. East Asian Institute, ed. Chinese state media going global. Singapore: East Asian Institute, National University of Singapore, 2009.

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Marginal sights: Staging the Chinese in America. Iowa City: University of Iowa, 1993.

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Chinese American masculinities: From Fu Manchu to Bruce Lee. New York: Garland Pub., 2000.

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Guo, Yi. Freedom of the Press in China. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463726115.

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Western commentators have often criticized the state of press freedom in China, arguing that individual speech still suffers from arbitrary restrictions and that its mass media remains under an authoritarian mode. Yet the history of press freedom in the Chinese context has received little examination. Unlike conventional historical accounts which narrate the institutional development of censorship and people’s resistance to arbitrary repression, Freedom of the Press in China: A Conceptual History, 1831-1949 is the first comprehensive study presenting the intellectual trajectory of press freedom. It sheds light on the transcultural transference and localization of the concept in modern Chinese history, spanning from its initial introduction in 1831 to the establishment of the People’s Republic of China in 1949. By examining intellectuals’ thoughts, common people’s attitudes, and official opinions, along with the social-cultural factors that were involved in negotiating Chinese interpretations and practices in history, this book uncovers the dynamic and changing meanings of press freedom in modern China.
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Liu, Chongyun. Encyclopedia of Chinese and U.S. patent herbal medicines. Los Angeles, Calif: Keats Pub., 1999.

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E, Dennis Everette, Gerbner George, and Zassoursky Yassen N, eds. Beyond the Cold War: Soviet and American media images. Newbury Park: Sage, 1991.

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Mei shu chang yu " yi shu jia " jiao se de jian gou: Dui Minguo qian qi (1912-1937) Shanghai mei shu huo dong de she hui xue yan jiu = The "Artist" role construction in the art field : a sociological study on the art activities of Shanghai during the Republic of China (1912-1937). Shanghai Shi: Shanghai da xue chu ban she, 2010.

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Hanʼguk sosŏl ŭi pundan iyagi. Sŏul-si: Chʻaek Sesang, 2006.

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Cai, Shenshen. State Propaganda in China's Entertainment Industry. Taylor & Francis Group, 2019.

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Cai, Shenshen. State Propaganda in China's Entertainment Industry. Taylor & Francis Group, 2016.

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Book chapters on the topic "Chinese state media"

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Meng, Bingchun. "The Chinese State: Moving Left? Moving Right? or Depoliticized?" In The Politics of Chinese Media, 25–55. New York: Palgrave Macmillan US, 2018. http://dx.doi.org/10.1057/978-1-137-46214-5_2.

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Liu, Ying, Alex Chengyu Fang, and Naixing Wei. "A Corpus-Based Study of Syntactic Patterns of Nominalizations Across Chinese and British Media English." In Researching Chinese English: the State of the Art, 77–92. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-53110-6_6.

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Lin, Zihao, Andrea Hamm, and Susanne Reinhardt. "Political Communication Chinese Style: The Elite Network in State-Regulated Sina Weibo." In Digital Media and the Politics of Transformation in the Arab World and Asia, 85–111. Wiesbaden: Springer Fachmedien Wiesbaden, 2018. http://dx.doi.org/10.1007/978-3-658-20700-7_5.

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Tang, Xujun, Chuxin Huang, and Ruisheng Liu. "National Strategy: A New Stage in the Development of China’s New Media." In Research Series on the Chinese Dream and China’s Development Path, 3–33. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-3683-5_1.

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Wang, Zixuan, Wei Gabriel Qi, Leila Z. Wu, and Xiaochen Luo. "Body Shame and Social Media for Chinese International Students in the United States." In Shame 4.0, 413–29. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-59527-2_19.

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Damm, Jens. "China and Germany After the 2021 Election: Between Continuity and Increasing Confrontation." In China-US Competition, 159–90. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-15389-1_7.

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AbstractThis chapter presents and analyses various official statements, 2021 election programmes and party manifestos, media reports as well as public hearings with regard to the changing view of China in the German public discourse. While the importance of economic interests is still the overarching topic in German-Chinese relations (China has been Germany`s most important trading partner since 2015), there has been a shift towards a more critical stance with regard to human rights issues in recent years. Germany was also the driving force behind the Comprehensive Agreement on Investment (CAI) with China, which the EU signed in December 2020 under Germany’s presidency of the EU Council but so far never ratified.After the formation of a new SPD led government under chancellor Olaf Scholz, the two smaller coalition partners, the Alliance 90/The Greens, and the FDP, are said to have a much more critical view of China’s human rights issues. In particular, the new German foreign Minister, Annalena Baerbock has publicly vowed to change Germany’s China policy. While Germany has remained within the hedging zone a shift from “economic pragmatism” to “soft balancing” can be observed, most noticeably in political terms: in particular, the new foreign minister Annalena Baerbock stresses the necessity for a closer cooperation both with the United States, but also a common policy of the EU towards China. Thus Germany, and the EU in general, seems to have shifted from “economic pragmatism” to “dominance denial” since the new government came into power, and the war in Ukraine has led to an even closer alliance of Germany, with the EU and the United States.
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"Gamers, state and online games." In Routledge Handbook of Chinese Media, 348–58. Routledge, 2015. http://dx.doi.org/10.4324/9781315758350-34.

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"Press freedom in Hong Kong: interactions between state, media and society." In Routledge Handbook of Chinese Media, 149–62. Routledge, 2015. http://dx.doi.org/10.4324/9781315758350-20.

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Starr, Chloë. "State Regulation, Church Growth, and Textual Profusion." In Chinese Theology. Yale University Press, 2016. http://dx.doi.org/10.12987/yale/9780300204216.003.0009.

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The great growth in the Chinese church and what this might mean for a future China has been the source of much recent media debate as the world has begun to catch up with the development of Chinese Christianities over the past three decades. Chapter 8 assesses how state regulation has attempted to channel and control that growth and analyzes the three broad categories of writing that have emerged out of that attempt, in the form of official church, unofficial church, and academic writings. While “theology” proper designates the output of the state seminaries in an official Chinese construct of categories, the chapter also addresses the burgeoning theological writings in academia and outside the state church.
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"Contemporary Chinese historical television drama as a cultural genre: production, consumption and state power." In Routledge Handbook of Chinese Media, 390–406. Routledge, 2015. http://dx.doi.org/10.4324/9781315758350-37.

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Conference papers on the topic "Chinese state media"

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Shi, Yun. "A Study on the Cultivation of Chinese College Students' Socialist Core Values in the New Media Age." In 2nd International Conference on Judicial, Administrative and Humanitarian Problems of State Structures and Economic Subjects (JAHP 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/jahp-17.2017.116.

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Wang, Heyuan, Tengjiao Wang, Shun Li, Shijie Guan, Jiayi Zheng, and Wei Chen. "Heterogeneous Interactive Snapshot Network for Review-Enhanced Stock Profiling and Recommendation." In Thirty-First International Joint Conference on Artificial Intelligence {IJCAI-22}. California: International Joint Conferences on Artificial Intelligence Organization, 2022. http://dx.doi.org/10.24963/ijcai.2022/550.

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Stock recommendation plays a critical role in modern quantitative trading. The large volumes of social media information such as investment reviews that delegate emotion-driven factors, together with price technical indicators formulate a “snapshot” of the evolving stock market profile. However, previous studies usually model the temporal trajectories of price and media modalities separately while losing their interrelated influences. Moreover, they mainly extract review semantics via sequential or attentive models, whereas the rich text associated knowledge is largely neglected. In this paper, we propose a novel heterogeneous interactive snapshot network for stock profiling and recommendation. We model investment reviews in each snapshot as a heterogeneous document graph, and develop a flexible hierarchical attentive propagation framework to capture fine-grained proximity features. Further, to learn stock embedding for ranking, we introduce a novel twins-GRU method, which tightly couples the media and price parallel sequences in a cross-interactive fashion to catch dynamic dependencies between successive snapshots. Our approach excels state-of-the-arts over 7.6% in terms of cumulative and risk-adjusted returns in trading simulations on both English and Chinese benchmarks.
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De La Fuente-Mella, Hanns, Claudio Elórtegui Gómez, and Ignacio Milies Valdivia. "Analysis of the Variables that Affect China's Presence in International News in the Context of Coronavirus." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1002288.

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Western media coverage of Covid19 had a focus of special interest in China during 2020, due to globalization and the pandemic nature of the crisis. The news agendas deepened and debated the responsibility of the Asian power in the spread of the disease. However, China's international attitude and diplomatic actions based on donations of medical supplies and vaccine development also began to spread. The research uses econometric models in linear probability to determine which are the main variables that explain Chinese public diplomacy in the news of 24 countries. The investigation shows that the western media give China a high level of interference in the origin of the pandemic. However, the results indicate that certain features of Chinese public diplomacy entered significantly in the news that mentioned the Asian giant, spreading a type of international leadership that disputes positions with the global hegemony of the United States.
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Xin, Cai. "Chinese Characters Factory - Design of children's Chinese character construction enlightenment game based on augmented reality technology." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1002067.

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China's "13th Five-Year Plan" points out that the development of the industry should adapt to the development trend of multi-media technology. Nowadays, augmented reality and virtual reality technologies have gradually penetrated into our daily life and have had a significant impact in many aspects. Since ancient times, there have been many important educational ideas in China. With the development of the Internet, there is a particular focus on the importance of Chinese characters. In recent years, the application of AR design and related research in various fields of children's education has also developed rapidly, at the same time, the unique interactive, immersive and imaginative characteristics of AR technology have greatly improved the enthusiasm and initiative of learning because they conform to children's figurative thinking. Therefore, in this environment, it is meaningful to explore how to effectively create a sought after AR children's Chinese character construction enlightenment game.【Methods】: This paper introduces augmented reality technology into the field of children's Chinese character education through technical research to create a design method of virtual-real interaction.This paper discovers the characteristics of children's language education, as well as the Chinese character root method through theoretical research, and finds the fit in children's cognitive development and the character root method. The author attempts to design a suitable set of diagrams to tap into the similarities between word-making thinking and product thinking.This paper finds the AR teaching format through market research. It weakens the one-way indoctrination process of product knowledge information and gives play to children's subjective initiative. The content is intuitive and can be used to perceive information through visual, tactile and auditory senses in a comprehensive manner.【Result】: “Chinese Characters Factory” is developed based on the Unity 3D, with ARkit as an augmented reality technology solution, run on the IOS platform. Users have access to game experience with iPad. The whole design practice is divided into three systems: Chinese character experiment system, mapping collection system and entertainment interactive system. The Chinese Character Experiment System was inspired by chemical experiments. Chinese characters are formed by the combination of character roots and graphemes with corresponding character formation methods. It identifies the Chinese character card images in the physical environment according to the image tracking technology of ARkit, being able to superpose Chinese character models. In addition, mapping collection system and entertainment interactive system are used to solve children's Chinese character literacy, novel and entertaining growth education.【Conclusion】: Children's educational products with augmented reality technology are important and innovative for the development of children's minds. It is highly interactive and rich in teaching content presentation, so it can mobilize children's all-round perception of information, which greatly stimulates children's learning interest in the learning process and brings a brand-new experience to teaching.Based on the characteristics of Chinese characters, "Chinese character Factory" is a Chinese character AR game that fits the characteristics of language education and the cognitive development of preschool children. It applies the advantages of augmented reality technology to help children learn and memorize Chinese characters in a gamified way by experimenting with synthetic Chinese characters, bringing children a vivid and interesting Chinese character learning experience. At the same time, "Chinese character test" is ready to be put on the App store.At present, the application of educational products based on augmented reality technology on the market is still in the primary stage. In the future, we still need to explore the application of augmented reality technology in education.
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Reports on the topic "Chinese state media"

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Chen, Xiaole, Peng Wang, Yunquan Luo, Yi-Yu Lu, Wenjun Zhou, Mengdie Yang, Jian Chen, Zhi-Qiang Meng, and Shi-Bing Su. Therapeutic Efficacy Evaluation and Underlying Mechanisms Prediction of Jianpi Liqi Decoction for Hepatocellular Carcinoma. Science Repository, September 2021. http://dx.doi.org/10.31487/j.jso.2021.02.04.sup.

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Objective: The aim of this study was to assess the therapeutic effects of Jianpi Liqi decoction (JPLQD) in hepatocellular carcinoma (HCC) and explore its underlying mechanisms. Methods: The characteristics and outcomes of HCC patients with intermediate stage B who underwent sequential conventional transcatheter arterial chemoembolization (cTACE) and radiofrequency ablation (RFA) only or in conjunction with JPLQD were analysed retrospectively. The plasma proteins were screened using label-free quantitative proteomics analysis. The effective mechanisms of JPLQD were predicted through network pharmacology approach and partially verified by ELISA. Results: Clinical research demonstrated that the Karnofsky Performance Status (KPS), traditional Chinese medicine (TCM) syndrome scores, neutropenia and bilirubin, median progression-free survival (PFS), and median overall survival (OS) in HCC patients treated with JPLQD were superior to those in patients not treated with JPLQD (all P<0.05). The analysis of network pharmacology, combined with proteomics, suggested that 52 compounds targeted 80 potential targets, which were involved in the regulation of multiple signaling pathways, especially affecting the apoptosis-related pathways including TNF, p53, PI3K-AKT, and MAPK. Plasma IGFBP3 and CA2 were significantly up-regulated in HCC patients with sequential cTACE and RFA therapy treated with JPLQD than those in patients not treated with JPLQD (P<0.001). The AUC of the IGFBP3 and CA2 panel, estimated using ROC analysis for JPLQD efficacy evaluation, was 0.867. Conclusion: These data suggested that JPLQD improves the quality of life, prolongs the overall survival, protects liver function in HCC patients, and exhibits an anticancer activity against HCC. IGFBP3 and CA2 panels may be potential therapeutic targets and indicators in the efficacy evaluation for JPLQD treatment, and the effective mechanisms involved in the regulation of multiple signaling pathways, possibly affected the regulation of apoptosis.
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