Relevant bibliographies by topics / Chinese Indonesian novel

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Academic literature on the topic 'Chinese Indonesian novel'

Author: Grafiati
Published: 23 August 2023

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Journal articles on the topic "Chinese Indonesian novel"

1

Mu’in, Fatchul, and Rustam Effendi. "Cultural Violence represented in Indonesia and American Literatures." SHS Web of Conferences 53 (2018): 03003. http://dx.doi.org/10.1051/shsconf/20185303003.

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This article is aimed at describing the lives of dominated people of both Indonesia and America. Among the dominated people in Indonesian community are Indonesian Chinese people, and those in American community are African American people. The discussion on some Indonesia novels of post tragedy of 1998 shows that personally Chinese faced a hard life; and socially they were dominated. Therefore, it can be concluded that: (1) the personal behaviour of Indonesian Chinese is represented through the hard life, (2) social behaviour of Indonesian Chinese is represented through the dominated social life, and (3) cultural behavior is represented through the religious life with many problems.This is say that the cultural behaviour of Indonesian Chinese in Indonesia novels is represented through cultural violence. The similar result of discussion on some American novels of post slavery shows that (1) the black man as the representation of Black people (African-Americans) was always in a dilemmatic condition leaving him without any options. Whatever he chose, will have negative consequences, (2) the struggle for ‘equality’ through ‘violence’ will result in a ‘tragic fate’, and (3) the novel reflected the black people who yearned for freedom from white domination and expected to have good education, good employment, and equality in political opportunity, law enforcement/law protection, and in other sociocultural life.
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2

Burhan, Faika, Rasiah, Nurlailatul Qadriani, Islahuddin, and Fina Amalia Masri. "Identity Crisis of Tionghoa Ethnic in the Novel Naga Kuning by Yusiana Basuki." International Journal of Linguistics, Literature and Translation 6, no. 4 (May 5, 2023): 154–60. http://dx.doi.org/10.32996/ijllt.2023.6.4.21.

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The "descent" label has created a distance between the Tionghoa ethnic and the indigenous people in Indonesia. The "descent" label creates the impression that the Tionghoa ethnic are ethically and morally different from the natives. The 1998 May riots in Jakarta further exacerbated ethnic Tionghoa sentiment in Indonesia. The Tionghoa community is considered as "others" in terms of physical and cultural attributes, so they are not considered part of Indonesian society, even though they are Chinese Indonesians. This has caused the Chinese community in Indonesia to experience an identity crisis. Ethnic Tionghoa are faced with two identities between, Indonesian and Chinese, to blend into Indonesian society. This research seeks to describe the identity crisis of ethnic Tionghoa through female characters in the novel Naga Kuning by Yusiana Basuki. The intersection of gender theory and identity theory is used to analyze the phenomenon of the Tionghoa ethnic identity crisis in Indonesia. The method used in this research was descriptive qualitative. Data collection was done through literary studies. The results showed that Yusiana Basuki, through the novel Naga Kuning depicts discrimination and violence against Tionghoa women in Indonesia during the 1998 riots. The discrimination and violence caused an identity crisis in Tionghoa women. The identity that is built is a blurred identity caused by socio-political conditions. The form of identity crisis described in this novel is the downturn, fear, and alienation of women from the social life they live. Despite being a victim of harassment and violence, the character Lily is a Chinese woman who survives and tries to continue to rise in the face of various conflicts as a discriminated ethnicity.
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3

Sutandio, Anton, and Yohan Yusuf Arifin. "Cultural Representation of Chinese-Indonesians in Ca Bau Kan (The Courtesan) in the Context of Spice Trading and Nationalism." kata 24, no. 2 (December 6, 2022): 70–80. http://dx.doi.org/10.9744/kata.24.2.70-80.

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The object of this research is Nia Dinata’s film, Ca Bau Kan, which was adapted from Remy Sylado’s novel. The research focuses on the representation of Chinese-Indonesians which pertains to the context of the maritime spice trade route and the concept of nationalism. Set in Batavia in three different decades, namely the 1930s, 1940s, and 1960s, the film depicts the journey of a Chinese-Indonesian character from the Dutch colonial era and the Japanese colonial era to the era of the independence revolution. The research method used is a qualitative method through the theory of film studies, which is juxtaposed with the historical approach to see how Chinese-Indonesians are represented in the film. The findings show that the film attempts to represent the Chinese-Indonesians accurately, albeit with the continuous presence of inaccurate stereotypes. The findings show Chinese-Indonesians’ economic contribution that reflects the history of the spice trade maritime route in Indonesia.
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4

Nanta Adhitya, Galant, and Novi Wulandari. "REPRESENTASI INDONESIA DALAM NOVEL TRILOGI TERJEMAHAN KAYA TUJUH TURUNAN KARYA KEVIN KWAN." Adabiyyāt: Jurnal Bahasa dan Sastra 5, no. 1 (June 17, 2021): 26. http://dx.doi.org/10.14421/ajbs.2021.05102.

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The presence of literary works translated from foreign languages in Indonesia enriches the literary readership in region (Adi, 2016). In addition to gaining a wider readership, the understanding of the literary text will improve. Readers who may not fully understand the version in the original language have the opportunity to digest the story thoroughly. The comprehensive understanding becomes more important when dealing with foreign literature talking about Indonesia, such as Kevin Kwan's Crazy Rich Asians trilogy. The trilogy was translated into Bahasa as Kaya Tujuh Turunan (2016), Kekasih Kaya Raya (2017), and Masalah Orang Kaya (2018). This article examines how Indonesia is represented in the trilogy what factors influence the construction. The three novels were analyzed using the representation theory proposed by Stuart Hall with the descriptive-qualitative method. There are two representations of Indonesia, as a nation and as a state. Indonesian is represented of as a nation Chinese-Indonesians with their newly acquired wealth who are obsessed with having white skin and foreign husbands, on the one hand, non-Chinese Indonesians who work as manual due to lack of education on the other hand. Meanwhile, Indonesia as a state is represented as a developing rural country with rich and beautiful natural resources, yet are exploited by other countries and stolen by few government officials, resulting in weak economic and military situation.
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5

Yuwono, Edi, and Stefanny Irawan. "THE MAN AT THE SELF-PAINTED WINDOW." K@ta Kita 5, no. 1 (July 18, 2017): 39–46. http://dx.doi.org/10.9744/katakita.5.1.39-46.

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This creative project is an autobiographical novel that tells the story of Hero Widjaja, a Chinese Indonesian man who embarks on his journey to Hong Kong, Macau, and Mainland China to find his true identity. Having raised in a pretty conservative Chinese Indonesian family background, Hero learns that there is an unfinished business in finding his identity as a Chinese Indonesian man. His parents unconsciously indoctrinate him to identify himself just like Mainland Chinese people. On the other hand, Hero surely does not have Chinese citizenship or even speak Mandarin. One morning, his father offers him a free trip to visit his relatives in Mainland China. Keeping the desire to find his true identity, Hero decides to take the trip and prove it himself whether he is eligible to regard himself as Chinese. I decide to use Erikson’s stages of psychosocial development to identify Hero’s identity crisis. This theory aims to help me create problems and believable characterization for my characters to represent the identity crisis that Chinese Indonesian people may have in real life. As for the genre, I decide to choose biographical novel as the genre of my creative work. I mix my personal family experiences as a Chinese Indonesian man with fictional elements so that I can still catch my readers’ attention from the beginning to the end.
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6

Adji, Peni, Sri Mulyani, and Ni Luh Putu Rosiandani. "DIASPORA-INDONESIAN LITERATURE WORKS OF INDONESIAN IMMIGRANTS IN AMERICA IN THE 2010s." International Journal of Humanity Studies (IJHS) 1, no. 2 (March 15, 2018): 134–50. http://dx.doi.org/10.24071/ijhs.v1i2.979.

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Diaspora literature studies have been extensively conducted in the world of literature. However, Indonesian diaspora literature has not been conducted widely in the Indonesian literature studies. To begin with, this study will examine the diaspora literature written by Indonesian immigrants in America in the 2010s. The first genre of Indonesian diaspora literature by Indonesian immigrants in America in the 2010s includes the history novel, Only a Girl: Menantang Phoenix (by Lian Gouw) which talks about the history of Chinese society in the Dutch-Indonesian era until the Indonesian independence and Candik Ala 1965 (by Tinuk R. Yampolsky) which tells the history of G/30/S/PKI. The second is the short story genre, which is Mantra Maia (by Sofie Dewayani) and the third are memory stories, which is This is America, Beibeh (by Dian Nugraheni) both of which raise the issue of Indonesian migrant communities in America. Diaspora problems are always related to the identity construction. The identity in Only a Girl: Menantang Phoenix is the migratory tendency and avoidance of racial conflicts inherent in Chinese people, who migrated to Indonesia, and who eventually migrated to America. The identity in Candik Ala 1965 is the Indonesian political migrant in America who position themselves as the victims of violence in the Suharto regime. The identity contained in the Mantra Maia short stories collection is a new world (America) that makes the migrants experience the psychological tension between success and failure of adaptation. The identity depicted in the memory stories of This is America, Beibeh is the identity of the Indonesian migrants who are able to adapt positively, by always comparing their new experiences with their old experiences in Indonesia.DOI:https://doi.org/10.24071/ijhs.2018.010201
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7

Santoso, Erick Setiawan, and Dwi Setiawan. "Is It Too Late? Exploring Self-Actualisation of a Self-Proclaimed Artist in a Restrictive Chinese-Indonesian Family." K@ta Kita 8, no. 2 (October 28, 2020): 161–68. http://dx.doi.org/10.9744/katakita.8.2.161-168.

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Self-actualisation is an interesting topic to be talked about in Indonesia, as Indonesian families still uphold filial piety very highly. Thus, the concept of putting forwards one’s dreams and wishes for one’s own future and brushing aside one’s parents’ wants and plans is mostly unheard of. I made this creative work, in form of a novel, to highlight this highly-relevant phenomena and initiate the talk between parents and their descendants. This story is written from the perspective of the son of a family who wants to be an artist, but faces hurdles in the form of his chasing tiger mother and how that affected him and his decision-making in relation of becoming the best version of himself.Keywords: Artistry, Chinese-Indonesian, Filial piety, Poetry, Realistic fiction, Self-actualisation.
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8

Cesaria, Dea Letriana. "RELIGIOSITAS MASYARAKAT TIONGHOA DALAM CERPEN DI MAJALAH STAR WEEKLY, LIBERAL, DAN PANTJAWARNA TAHUN 1954—1956." Sirok Bastra 8, no. 1 (June 30, 2020): 89–95. http://dx.doi.org/10.37671/sb.v8i1.205.

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Sastra Peranakan Tionghoa adalah karya sastra dalam bahasa Indonesia yang dihasilkan oleh orang Tionghoa yang dilahirkan di Indonesia. Seusai Perang Dunia II, sastra peranakan tetap berkembang. Bentuknya bukan lagi novel tetapi cerpen. Namun, berbeda dengan keadaan sebelum Perang Dunia II, pada zaman Pasca-Perang itu tidak lagi terdapat majalah seperti Tjerita Romans atau Penghidoepan. Kebanyakan karya dimuat dalam majalah-majalah umum atau berita, seperti Star Weekly, Liberal, dan Pantjawarna. Tujuan dari penelitian ini adalah melihat kontribusi majalah Star Weekly, Pantjawarna, dan Liberal pada tahun 1950-an terhadap publikasi karya penulis Tionghoa. Metode yang digunakan adalah metode kualitatif dan deskriptif. Hasil penelitian menunjukkan bahwa cerpen dalam majalah Star Weekly, Liberal, dan Pantjawarna menggambarkan religiositas masyarakat Tionghoa dalam menjalani kehidupan yang multikultural di Indonesia. Konsep kemanusiaan dalam ajaran Konghucu erat kaitannya dengan konsep Tepa Sarira dalam kebudayaan Jawa. Chinese Literature is literary works in Indonesian produced by Chinese people who were born in Indonesia. After World War II, peranakan literature continued to flourish. The form is no longer a novel but a short story. However, in contrast to the situation before World War II, the Post-War era there were no magazines anymore, such as Tjerita Romans or Penghidoepan. Most of his work is published in public magazines or news, such as Star Weekly, Liberal, and Pantja Warna. The purpose of this study is to look at the contributions of Star Weekly, Pantja Warna and Liberal magazines in the 1950s to the publication of works by Chinese writers. The method used is qualitative and descriptive methods. The results showed that short stories in Star Weekly, Liberal, and Pantjawarna, magazines illustrate the religiosity of the Chinese community in leading a multicultural life in Indonesia. The concept of humanity in Confucianism is closely related to the concept of Tepa Sarira in Javanese culture.
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9

Adji, Alberta Natasia, and Wanwan Tjitrodjojo. "Joining bits and pieces: a Chinese Indonesian mother–daughter collaborative witnessing as a resource for writing an autobiographical novel." Inter-Asia Cultural Studies 24, no. 1 (January 2, 2023): 19–35. http://dx.doi.org/10.1080/14649373.2023.2156115.

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10

Juliarta, I. Made. "Adverb of manner and its translations found in the novel “The Good Earth”." International journal of linguistics, literature and culture 6, no. 3 (April 16, 2020): 9–17. http://dx.doi.org/10.21744/ijllc.v6n3.889.

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The novel the Good Earth is one of the popular novels that tell the story about Chinese culture. Some sentences contain an adverb of manner and its translation from English into Indonesian. The text is analyzed and viewed to find the translation of the adverb of manner. The purpose of this study is to analyze the source translation and get the meaning and its sentence. As we know that an adverb is a word that changes the meaning of a verb, adjective, and a sentence. Adverbs are words like hurriedly, quickly, slowly, and instantly. It modifies a verb or verb phrase. An adverb gives information about the manner, time, place, frequency, or certainty. Adverbials are words groups in which an adverbial phrase tells us something about the verb. They could be taken in the forms of adverbs, adverb phrases, temporal noun phrases or prepositional phrases. Some classifications of adverbial are found in the novel. It is called adverbial of manner. The research aims to find out the translation of manner adverb. The theory used is Brown and Miller (1992) describing that adverb of manner indicating how the event described by the verb.
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Books on the topic "Chinese Indonesian novel"

1

Only a girl: [a novel]. Baltimore, Md: PublishAmerica, 2009.

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2

Hermawan, Sainul. Tionghoa dalam sastra Indonesia: Analisis wacana foucaultian novel Cabaukan karya Remy Sylado. Yogyakarta: IRCiSoD, 2005.

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Hoogervorst, Tom G. Language Ungoverned. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9781501758225.001.0001.

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By exploring a rich array of Malay texts from novels and newspapers to poems and plays, this book examines how the Malay of the Chinese-Indonesian community defied linguistic and political governance under Dutch colonial rule, offering a fresh perspective on the subversive role of language in colonial power relations. As a liminal colonial population, the ethnic Chinese in Indonesia resorted to the press for their education, legal and medical advice, conflict resolution, and entertainment. The book deftly depicts how the linguistic choices made by these print entrepreneurs brought Chinese-inflected Malay to the fore as the language of popular culture and everyday-life, subverting the official Malay of the Dutch authorities. Through readings of Sino-Malay print culture published between the 1910s and 1940s, the book highlights the inherent value of this vernacular Malay as a language of the people.
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Book chapters on the topic "Chinese Indonesian novel"

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Yew, Lee Kean, and Jacob Donald Tan. "Christian Ethics and Xinyong Practices Leading to Longevity Post COVID-19 Pandemic Among Chinese Family Businesses in Indonesia and Malaysia." In Perspectives and Strategies of Family Business Resiliency in Unprecedented Times, 135–62. IGI Global, 2023. http://dx.doi.org/10.4018/978-1-6684-7394-8.ch007.

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The emergence of the novel Coronavirus disease (Covid-19) has changed our norms and lifestyles. In facing this crisis, businesses in general are often struggling to sustain their livelihood and legacy. For Chinese family dynasties that are in their third generations, i.e. YTL Corporation Berhad in Malaysia and Lippo Group in Indonesia, they are able to apply Christian ethics and xinyong “信用” virtues that enable longevity and fostering workplace innovation during the Covid-19 crisis. Christianity business ethics and xinyong practices can be connected through routine applications of Christ-centered decision-makings that are evident in business environments and social impacts. Nevertheless, integrating cultural norms and Chinese confucion virtues such as xinyong in family businesses can be challenging in ensuring the CFBs sustainability. Hence, this chapter sheds light on the journey of the two families' Chinese dynasties, as they apply Christian faith and xinyong along with impactful actions to develop new solutions leading to longevity.
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"CHINESE ETHNICITY IN POST-REFORMATION INDONESIAN WOMEN’S FICTION: A COMPARATIVE STUDY OF TWO NOVELS BY AYU UTAMI AND DEWI LESTARI." In Narrating Race, 109–26. Brill | Rodopi, 2011. http://dx.doi.org/10.1163/9789401207089_007.

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Conference papers on the topic "Chinese Indonesian novel"

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Udaya, Helius, Emzir Emzir, and Aceng Rahmat. "Intersecting Islamic and Chinese Cultural Values as A Modal of Production of Assalamualaikum Beijing Novel Written by Asma Nadia." In Proceedings of the First International Seminar on Languare, Literature, Culture and Education, ISLLCE, 15-16 November 2019, Kendari, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.15-11-2019.2296236.

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Lathifatussa’diyyah, Siti, MR Nababan, and Riyadi Santosa. "Conceptual Metaphors and Image Schemes in The Novel of “The Story of Zahra” By Hanan Al-Shaykh." In Proceedings of the First International Conference on Literature Innovation in Chinese Language, LIONG 2021, 19-20 October 2021, Purwokerto, Indonesia. EAI, 2022. http://dx.doi.org/10.4108/eai.19-10-2021.2316588.

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