Books on the topic 'Chinese art in America'

Kingman, Dong. Dong Kingman in San Francisco: Chinese Historical Society of America & Chinese American National Museum inaugural exhibition. [San Francisco]: Chinese Historical Society of America, 2001.

Christopher), Mackenzie Colin (Colin, and Lu Ling-En, eds. Masterworks of Chinese art: The Nelson-Atkins Museum of Art. Kansas City, Mo: Nelson-Atkins Museum of Art, 2011.

1955-, Liu Cary Y., Ching Dora C. Y, Wishart Kim, Seiffert Gregory, Lim Michelle, and Princeton University Art Museum, eds. Outside in: Chinese x American x contemporary x art. Princeton, N.J: Princeton University Art Museum, 2009.

S, Cooke Edward, and Peabody Essex Museum, eds. Inspired by China: Contemporary furnituremakers explore Chinese traditions. Salem, Mass: Peabody Essex Museum, 2006.

Børdahl, Vibeke. Chinese storytellers: Life and art in the Yangzhou tradition. Boston: Cheng & Tsui Co., 2002.

Life. time. space: Paintings by Yan Sun. Alhambra, CA: New World Poetry, 2003.

Gagosian Gallery (Hong Kong, China), ed. Roy Lichtenstein: Landscapes in the Chinese style. Hong Kong: Gagosian Gallery, 2011.

Metrick-Chen, Lenore. Collecting objects/excluding people: Chinese subjects and American visual culture, 1830-1900. Albany [N.Y.]: State University of New York Press, 2012.

Jennifer, Banta, and Asian Pacific Islander Cultural Center (San Francisco, Calif.), eds. Cultural confluences: The art of Lenore Chinn. San Francisco, CA: Asian Pacific Islander Cultural Center Press, 2011.

Hua chu xin shi jie: Meiguo Hua ren yi shu jia. Taibei Shi: Taiwan shang wu yin shu guan, 2013.

Qian, Zhaoming. The modernist response to Chinese art: Pound, Moore, Stevens. Charlottesville: University of Virginia Press, 2003.

Wong, Flo Oy. Flo Oy Wong: 70/30, seventy years of living, thirty years of art. Edited by Hom Nancy, Machida Margo, SomArts Cultural Center, and Asian Pacific Islander Cultural Center. San Francisco, CA: Asian Pacific Islander Cultural Center, 2008.

W, Lee Anthony. Yun Gee: Poetry, writings, art, memories. Seattle: Pasadena Museum of California Art in association with University of Washington Press, 2003.

The art of parody: Maxine Hong Kingston's use of Chinese sources. New York: P. Lang, 1996.

Harrist, Robert E. The embodied image: Chinese calligraphy from the John B. Elliott Collection. Princeton, N.J: Art Museum, Princeton University in association with Harry N. Abrams, 1999.

Liu, Stephen Shu-ning. My father's martial art: Poems. Reno: University of Nevada Press, 2000.

Kerri, Sakamoto, and Walter Phillips Gallery, eds. James Luna: Indian legends, 1. Banff, Alta., Canada: Walter Phillips Gallery, 1993.

Luna, James. James Luna: Actions & reactions : an eleven year survey of installation/performance work, 1981-1992 : Mary Porter Sesnon Art Gallery, University of California, Santa Cruz, November 10-December 13, 1992. Santa Cruz, Calif: The Gallery, 1992.

A handbook of Chinese ceramics. New York: Metropolitan Museum of Art, 1989.

Valenstein, Suzanne G. A handbook of Chinese ceramics. New York: Metropolitan Museum of Art, 1988.

The wild, wild East: An American art critic's adventures in China. [Hong Kong]: Timezone 8, 2010.

Bing, Xu. Look! what do you see?: An art puzzle book of American & Chinese songs. New York: Viking, 2017.

Salem, Peabody Museum of, ed. After the Chinese taste: China's influence in America, 1730-1930. Salem, Mass: Peabody Museum of Salem, 1985.

Gallery, McMaster University Art. The art collection of McMaster University: European, Canadian, American, Chinese and Japanese paintings, prints, drawings, sculpture and ceramics. Hamilton, Ont: McMaster University Art Gallery, 1990.

Railton, Ben. The Chinese Exclusion Act: What it can teach us about America. New York: Palgrave Macmillan, 2013.

Center, Jade Culture Research, and Chinese Art Foundation, eds. Meiguo cang cong kao cha ji lu: The appraisal of a Cong in an American collection. Chicago: Jade Culture Research Center, 1996.

East Asian art and American culture: A study in international relations. New York: Columbia University Press, 1992.

Zhongguo qi qi yi shu dui xi fang de ying xiang. Beijing Shi: Ren min chu ban she, 2012.

Sotheby, Parke-Bernet, London. Important Americana: Including furniture, folk art, quilts, paintings, prints, Chinese export and American porcelain and silver. New York: Sotheby's, 1989.

Wong, Tyrus. Water to paper, paint to sky: The art of Tyrus Wong. San Francisco: The Walt Disney Family Foundation Press, LLC, 2013.

Ai, Weiwei. Ai Weiwei: Works 2004-2007. Edited by Meile Urs, Tinari Phil, Pakesch Peter, and Merewether Charles. Luzern: Galerie Urs Meile, 2007.

Chinn, Benjamin. Benjamin Chinn at home in San Francisco: January 7-May 31, 2003. San Francisco, Calif: Chinese Historical Society of American Museum and Learning Center, 2003.

Mones, Nicole. A cup of light. New York: Delacorte Press, 2002.

Chun, Pam. When strange gods call: A novel. Naperville, IL: Sourcebooks Landmark, 2005.

When strange gods call: A novel. Naperville, Ill: Sourcebooks, 2004.

Chinese art. New York, N.Y: Thames and Hudson, 1997.

Fengge, Qi, and Barker, David (David S.), eds. Ai wo Zhonghua: Zhongguo xian dai ban hua cang pin ji. [Beijing]: Zhongguo Hua qiao chu ban she, 2006.

L, Wilchek Deborah, ed. Amy Tan in the classroom: "the art of invisible strength". Urbana, Ill: National Council of Teachers of English, 2005.

Ghost hero. New York: Minotaur Books, 2011.

Kuo, Jason C. Discovering Chinese Painting in America. Kendall/Hunt Publishing Company, 2000.

Kuo, Jason C. Chinese Calligraphy and Painting Studies in Postwar America. New Academia Publishing, LLC, 2021.

Clair, Michael St. Great Chinese Art Transfer: How So Much of China's Art Came to America. Fairleigh Dickinson University Press, 2016.

ARTiculations: Undefining Chinese Contemporary Art. Princeton University Press, 2010.

The Great Chinese Art Transfer: How So Much of China's Art Came to America. Fairleigh Dickinson University Press, 2016.

Clair, Michael St. The Great Chinese Art Transfer: How So Much of China's Art Came to America. Fairleigh Dickinson University Press, 2017.

Land Without Ghosts: Chinese Impressions of America from the Mid-Nineteenth Century to the Present. University of California Press, 1989.

Land Without Ghosts: Chinese Impressions of America from the Mid-Nineteenth Century to the Present. University of California Press, 1993.

1940-, Arkush R. David, and Lee Leo Ou-fan, eds. Land without ghosts: Chinese impressions of America from the mid-nineteenth century to the present. Berkeley: University of California Press, 1993.

Giuffrida, Noelle. Separating Sheep from Goats: Sherman E. Lee and Chinese Art Collecting in Postwar America. University of California Press, 2018.

Yun Gee: Poetry, writings, art, memories. Seattle, WA: University of Washington Press, 2004.