Academic literature on the topic 'Children in popular culture Australia'
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Journal articles on the topic "Children in popular culture Australia"
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Rutherford, Leonie. "Forgotten Histories: Ephemeral Culture for Children and the Digital Archive." Media International Australia 150, no. 1 (February 2014): 66–71. http://dx.doi.org/10.1177/1329878x1415000115.
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The history of children's popular culture in Australia is still to be written. This article examines Australian print publication for children from the mid-nineteenth to the early twentieth centuries, together with radio and children's television programming from the 1950s to the 1970s. It presents new scholarship on the history of children's magazines and newspapers, sourced from digital archives such as Trove, and documents new sources for early works by Australian children's writers. The discussion covers early television production for children, mobilising digital resources that have hitherto not informed scholarship in the field.
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Arrighi, Gillian, and Victor Emeljanow. "Entertaining Children: an Exploration of the Business and Politics of Childhood." New Theatre Quarterly 28, no. 1 (January 31, 2012): 41–55. http://dx.doi.org/10.1017/s0266464x12000048.
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This article explores the conflict between the constructions of childhood and their political/legal implications in the context of the entertainment business, as related to the demands imposed upon children by parents and theatre managers in the late nineteenth and early twentieth centuries. Once children could move freely both within and between countries, these conflicts and concerns assumed a global dimension. Through a number of case studies, the authors offer some fresh observations about how legal and social imperatives affected the transmission of values about children employed as entertainers between Britain and Australasia during the period from 1870 to the start of the First World War – from the Education Acts of the 1870s to the legislation of 1910–1913 restricting the export of child entertainers. Gillian Arrighi is a Lecturer in Drama at the University of Newcastle, Australia. She has recently published articles in Theatre Journal (Dec 2008), Australasian Drama Studies (April 2009 and Oct 2010), and in Impact of the Modern: Vernacular Modernities in Australia 1870s–1960s (Sydney, 2008). She is associate editor of the e-journal Popular Entertainment Studies. Victor Emeljanow is Emeritus Professor of Drama at the University of Newcastle, Australia, and General Editor of the e-journal Popular Entertainment Studies. He has published widely on subjects ranging from the reception of Chekhov in Britain and the career of Theodore Kommisarjevsky, to Victorian popular dramatists. He co-wrote with Jim Davis the award-winning Reflecting the Audience: London Theatregoing 1840–1880 in 2001, and his chapter on staging the pirate in the nineteenth century was included in Swashbucklers and Swindlers: Pirates and Mutineers in Nineteenth-Century Literature and Culture, edited by Grace Moore (2011).
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Saltmarsh, Sue, and Anna North. "Economy's Gaze: Childhood, Motherhood and ‘Exemplary Ordinariness' in Popular Parenting Magazines." Global Studies of Childhood 1, no. 4 (January 1, 2011): 314–20. http://dx.doi.org/10.2304/gsch.2011.1.4.314.
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Images of children and representations of childhood experience are ubiquitous in contemporary popular culture. Books, films, television shows, advertisements, magazines, posters, computer games, websites – to name but a few examples – construct and reiterate multiple ways through which childhood is to be understood and undergone, regulated and recuperated, managed and maintained. In this article, the authors consider how one textual form, that of popular magazines, constructs childhood as an economic category ideally characterised by what they term ‘exemplary ordinariness’. The article analyses magazine cover images from Australia, the United States and Canada, and argues that images and written text together oblige parents to ensure that normative childhood experience is secured through exemplary parenting practices. Further, the authors argue that parents – and in particular, mothers – are incited to performatively produce their own exemplary ordinariness through attention to their own personal beauty, individual accomplishment and parenting practices. Their argument is informed by visual and cultural theories, and underpinned by the view that economic discourse formulates a gaze to which both childhood and parenthood are subjected. This is not to imply a reification of ‘the economy’, but rather it is to acknowledge the constitutive force of economic discourse and to interrogate its prominence in the images, rhetorics and practices of everyday life.
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Winchester, Hilary P. M., and Lauren N. Costello. "Living on the Street: Social Organisation and Gender Relations of Australian Street Kids." Environment and Planning D: Society and Space 13, no. 3 (June 1995): 329–48. http://dx.doi.org/10.1068/d130329.
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The resurgence and visibility of homelessness since the 1980s have become significant social and political issues, widely debated in academic circles and in the popular press. The composition of the homeless population has changed markedly in this period, and now includes more women and children, and more of the deinstitutionalised mentally ill. The lives of street kids in the city of Newcastle, Australia show patterns of structured behaviour and territorial and social organisation. They have a distinctive group identity and moral order. Their subculture is complex with strains of nonpatriarchal and patriarchal relations combined with little tolerance of forms of difference. The moral code of the youth subculture may be a form of resistance to their histories of abuse but is also conservative in reproducing aspects of the culture that they resist. The social networks generated on the street provide a self-maintaining force which contributes to a culture of chronic homelessness.
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Oliver, Kelly. "Tiny Leaf Men and Other Tales From Outer Suburbia: Re-Presenting the Suburb in Australian Children’s Literature." Papers: Explorations into Children's Literature 21, no. 1 (January 1, 2011): 57–66. http://dx.doi.org/10.21153/pecl2011vol21no1art1140.
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This paper explores how, through word and image, Tan’s Tales From Outer Suburbia challenges stereotypical representations of the suburban. Typically, suburban spaces have been represented as aesthetically bland, mundane, and ornamental. Tan takes these tropes and ironically re-deploys them anew, and in doing so undermines anti-suburban sentiment, which has dominated Australian literary and popular culture.
Although the notion of anti-suburbanism in Australian fiction has been well documented, its presence in children’s literature has received far less attention. As a case study, Tales From Outer Suburbia, signals the ability of children’s literature to present more positive representations of suburbia because of its inherent commitment to the socialisation of children, which is prioritised over the tradition of anti-suburbanism.
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Toffoletti, Kim. "Gossip Girls in a Transmedia World: The Sexual and Technological Anxieties of Integral Reality." Papers: Explorations into Children's Literature 18, no. 2 (December 1, 2008): 70–77. http://dx.doi.org/10.21153/pecl2008vol18no2art1173.
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The proliferation of sexualised imagery of children and adolescents – especially girls – within media and advertising has elicited considerable public debate and academic discussion within Australia and overseas. Within these debates, girls are commonly configured as being ‘at risk’, that is, in danger of being sexualised, objectified and exploited. They are said to be in danger of growing up believing that popularity and success are tied to sexual appeal (Durham 2008; Reist 2008; Rush and La Nauze 2006). Books for young people are not exempt from these critiques, with children’s literature implicated in the agendas of mainstream consumer culture (Kline 1993). A case in point is Cecily von Ziegesar’s hugely popular Gossip Girl series, which has come under fire, most notably by American feminist Naomi Wolfe (2006) in a review essay for the New York Times. Wolfe criticises the books, and others like them, for fostering the sexualisation of young women through the championing of sex, shopping and status as the pathways to social approval and personal fulfillment for teenage girls. While acknowledging an established history of texts that grapple with the dilemmas of adolescence – including themes of sexual exploration and identification – Wolfe insists that these newer versions of the genre are not in keeping with ‘the frank sexual exploration found in a Judy Blume novel’, but instead present us with ‘teenage sexuality via Juicy Couture, blasé and entirely commodified’ (Wolfe 2006).
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McLelland, Mark. "‘Not in front of the parents!’ Young people, sexual literacies and intimate citizenship in the internet age." Sexualities 20, no. 1-2 (August 1, 2016): 234–54. http://dx.doi.org/10.1177/1363460716645791.
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Clause 13 of the United Nations Convention on the Rights of the Child states that children have the right ‘to seek, receive or impart information and ideas of all kinds, regardless of frontiers, either orally, in writing or in print, in art or in any other media of the child's voice’. However, there is one area in which this directive is constrained in various countries by domestic regulations curtailing children's access to information. That area is human sexuality. The arguments for and against children's access to sex education are well rehearsed. In this article, the author pursues a different angle, looking instead at the increasing restrictions placed upon young people's ability to imagine and communicate with each other about sexual issues, particularly in online settings. The advent of the internet and a range of social networking sites have not only enabled young people to access previously quarantined information about sexuality, but also to actively engage in forms of ‘intimate citizenship’ online. In this article, the author focuses on young people's online fan communities which use characters from popular culture such as Harry Potter or a range of Japanese manga and animation to imagine and explore sexual issues. ‘Child abuse publications legislation’ in Australia and elsewhere now criminalizes the representation of even imaginary characters who are or may only ‘appear to be’ under the age of 18 in sexual scenarios. Hence these children and young people are in danger of being charged with the offence of manufacturing and disseminating child pornography. Despite research into these fandoms that indicates that they are of positive benefit to young people in developing ‘sexual literacies’, there is increasingly diminishing space for young people under the age of 18 to imagine or communicate about sexuality, even in the context of purely fictional scenarios.
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Potter, Anna. "You've Been Pranked: Reality Tv, National Identity and the Privileged Status of Australian Children's Drama." Media International Australia 146, no. 1 (February 2013): 25–34. http://dx.doi.org/10.1177/1329878x1314600106.
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Australian children have always been considered a special television audience. In November 2009, Australia's public service broadcaster the ABC launched Australia's first dedicated free-to-air children's channel. Within a year of its launch, ABC3's most popular program was a local version of the transnational reality format, Prank Patrol. The popularity of reality television with children challenges policy settings, including the Children's Television Standards (CTS), that privilege drama in the expression of the goals of cultural nationalism. While public service broadcasting ideology is expressed and applied to Australian commercial free-to-air channels through the CTS, public service media compete with pay TV channels for the child audience using a range of genres. Thus contemporary Australian children's television is characterised by an abundance of supply, pan-platform delivery and a policy regime that has remained largely unchanged since the late 1970s.
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Lee, I.-Fang. "Children and popular culture." Global Studies of Childhood 8, no. 3 (September 2018): 199–200. http://dx.doi.org/10.1177/2043610618802499.
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Barclay, Katie. "The Popular Culture of Romantic Love in Australia." Australian Historical Studies 49, no. 2 (April 3, 2018): 265–66. http://dx.doi.org/10.1080/1031461x.2018.1454267.
Full textDissertations / Theses on the topic "Children in popular culture Australia"
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Faulkner, Julie Diane 1952. "The literacies of popular culture : a study of teenage reading practices." Monash University, Faculty of Education, 2002. http://arrow.monash.edu.au/hdl/1959.1/8460.
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Luckman, Susan Heather. "Party people : mapping contemporary dance music cultures in Australia /." [St. Lucia, Qld.], 2002. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe16686.pdf.
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Peters, Margaret P. "Children's culture and the state : South Australia, 1890s-1930s /." Title page, contents and abstract only, 1991. http://web4.library.adelaide.edu.au/theses/09PH/09php4823.pdf.
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Wegner, Kyle David. "Children of Aztlán : Mexican American popular culture and the post-Chicano aesthetic /." Connect to online resource, 2006. http://proquest.umi.com/pqdweb?did=1147180781&sid=1&Fmt=2&clientId=39334&RQT=309&VName=PQD.
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Jiggens, John Lawrence. "Marijuana Australiana : cannabis use, popular culture and the Americanisation of drugs policy in Australia, 1938-1988." Thesis, Queensland University of Technology, 2004. https://eprints.qut.edu.au/15949/1/John_Jiggens_Thesis.pdf.
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The word 'marijuana' was introduced to Australia by the US Bureau of Narcotics via the Diggers newspaper, Smith's Weekly, in 1938. Marijuana was said to be 'a new drug that maddens victims' and it was sensationally described as an 'evil sex drug'. The resulting tabloid furore saw the plant cannabis sativa banned in Australia, even though cannabis had been a well-known and widely used drug in Australia for many decades. In 1964, a massive infestation of wild cannabis was found growing along a stretch of the Hunter River between Singleton and Maitland in New South Wales. The explosion in Australian marijuana use began there. It was fuelled after 1967 by US soldiers on rest and recreation leave from Vietnam. It was the Baby-Boomer young who were turning on. Pot smoking was overwhelmingly associated with the generation born in the decade after the Second World War. As the conflict over the Vietnam War raged in Australia, it provoked intense generational conflict between the Baby-Boomers and older generations. Just as in the US, pot was adopted by Australian Baby-Boomers as their symbol; and, as in the US, the attack on pot users served as code for an attack on the young, the Left, and the alternative. In 1976, the 'War on Drugs' began in earnest in Australia with paramilitary attacks on the hippie colonies at Cedar Bay in Queensland and Tuntable Falls in New South Wales. It was a time of increasing US style prohibition characterised by 'tough-on-drugs' right-wing rhetoric, police crackdowns, numerous murders, and a marijuana drought followed quickly by a heroin plague; in short by a massive worsening of 'the drug problem'. During this decade, organised crime moved into the pot scene and the price of pot skyrocketed, reaching $450 an ounce in 1988. Thanks to the Americanisation of drugs policy, the black market made 'a killing'. In Marijuana Australiana I argue that the 'War on Drugs' developed -- not for health reasons -- but for reasons of social control; as a domestic counter-revolution against the Whitlamite, Baby-Boomer generation by older Nixonite Drug War warriors like Queensland Premier, Bjelke-Petersen. It was a misuse of drugs policy which greatly worsened drug problems, bringing with it American-style organised crime. As the subtitle suggests, Marijuana Australiana relies significantly on 'alternative' sources, and I trawl the waters of popular culture, looking for songs, posters, comics and underground magazines to produce an 'underground' history of cannabis in Australia. This 'pop' approach is balanced with a hard-edged, quantitative analysis of the size of the marijuana market, the movement of price, and the seizure figures in the section called 'History By Numbers'. As Alfred McCoy notes, we need to understand drugs as commodities. It is only through a detailed understanding of the drug trade that the deeper secrets of this underground world can be revealed. In this section, I present an economic history of the cannabis market and formulate three laws of the market.
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Jiggens, John Lawrence. "Marijuana Australiana: Cannabis use, popular culture and the Americanisation of drugs policy in Australia, 1938-1988." Queensland University of Technology, 2004. http://eprints.qut.edu.au/15949/.
Full textAbstract:
The word 'marijuana' was introduced to Australia by the US Bureau of Narcotics via the Diggers newspaper, Smith's Weekly, in 1938. Marijuana was said to be 'a new drug that maddens victims' and it was sensationally described as an 'evil sex drug'. The resulting tabloid furore saw the plant cannabis sativa banned in Australia, even though cannabis had been a well-known and widely used drug in Australia for many decades. In 1964, a massive infestation of wild cannabis was found growing along a stretch of the Hunter River between Singleton and Maitland in New South Wales. The explosion in Australian marijuana use began there. It was fuelled after 1967 by US soldiers on rest and recreation leave from Vietnam. It was the Baby-Boomer young who were turning on. Pot smoking was overwhelmingly associated with the generation born in the decade after the Second World War. As the conflict over the Vietnam War raged in Australia, it provoked intense generational conflict between the Baby-Boomers and older generations. Just as in the US, pot was adopted by Australian Baby-Boomers as their symbol; and, as in the US, the attack on pot users served as code for an attack on the young, the Left, and the alternative. In 1976, the 'War on Drugs' began in earnest in Australia with paramilitary attacks on the hippie colonies at Cedar Bay in Queensland and Tuntable Falls in New South Wales. It was a time of increasing US style prohibition characterised by 'tough-on-drugs' right-wing rhetoric, police crackdowns, numerous murders, and a marijuana drought followed quickly by a heroin plague; in short by a massive worsening of 'the drug problem'. During this decade, organised crime moved into the pot scene and the price of pot skyrocketed, reaching $450 an ounce in 1988. Thanks to the Americanisation of drugs policy, the black market made 'a killing'. In Marijuana Australiana I argue that the 'War on Drugs' developed -- not for health reasons -- but for reasons of social control; as a domestic counter-revolution against the Whitlamite, Baby-Boomer generation by older Nixonite Drug War warriors like Queensland Premier, Bjelke-Petersen. It was a misuse of drugs policy which greatly worsened drug problems, bringing with it American-style organised crime. As the subtitle suggests, Marijuana Australiana relies significantly on 'alternative' sources, and I trawl the waters of popular culture, looking for songs, posters, comics and underground magazines to produce an 'underground' history of cannabis in Australia. This 'pop' approach is balanced with a hard-edged, quantitative analysis of the size of the marijuana market, the movement of price, and the seizure figures in the section called 'History By Numbers'. As Alfred McCoy notes, we need to understand drugs as commodities. It is only through a detailed understanding of the drug trade that the deeper secrets of this underground world can be revealed. In this section, I present an economic history of the cannabis market and formulate three laws of the market.
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Moss, Gemma. "Negotiated literacies : how children enact what counts as reading in different social settings." Thesis, Open University, 1996. http://oro.open.ac.uk/57642/.
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This thesis takes as the object of its enquiry children's talk about the range of different media texts which they circulate amongst themselves in informal settings. It uses this data to raise questions about how we can conceptualise literacy in a multimedia age; the role that talk about texts plays in establishing what it means to read and to be a reader; and the relationship between talk, text and context. The thesis contributes to the development of a social theory of literacy by linking differences observed in ways of talking about texts to different aspects of the social contexts in which those texts circulate. It redefines the social contexts for reading which shape a given literacy event in terms of the social processes through which texts are made available to particular readers ii. particular settings. These social processes are described in terms of the social regulation of texts. The methodological and theoretical issues the thesis tackles arise largely from the attempt to construct a new language of description (See Bernstein, 1996) for the range of talk about texts collected as part of the research data. The language used to describe the data has become the means for making visible aspects of literacy as a social practice which have been previously overlooked. In this respect, the act of description is therefore in itself theoretical: it helps formulate what it refers to.
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Hopkins, Susan. "Pop heroines and female icons : youthful femininity and popular culture." Thesis, Queensland University of Technology, 1999.
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The thesis suggests much feminist theorising on girls' and young women's relationship to popular culture is limited by a 'moral-political' approach which searches for moral and
political problems and solutions in the consumption of popular images of femininity. The thesis offers a critique of such 'moral-political' interpretations of the relationship between youthful femininity and popular culture. Following thinkers such as Friedrich Nietzsche and
Jean Baudrillard, the thesis opposes the political preoccupation with 'reality' and 'truth'. The study follows Nietzsche's and Baudrillard's notion of the 'Eternal-Feminine' which accepts the necessity of illusion, deception and appearances. Through a close textual
analysis of magazines, films, television and music video, this study offers an aesthetic appreciation of popular culture representations of femininity. The thesis comprises six essays, the first of which explains my Nietzschean inspired aesthetic approach in more detail. The second essay looks at images and discourses of supermodels and model femininity in women's magazines. The third looks at image-based forms of 'girl power' from Madonna to
the Spice Girls. The fourth essay examines the 'Cool Chics' of the pay TV channel TVJ,from Wonder Woman to Xena: Warrior Princess. The fifth essay, 'Gangster Girls: From
Goodfellas to Pulp Fiction' considers the 1990s model of the femme fatale, the bad girl who thrives on moral chaos. The final essay 'Celebrity Skin: From Courtney Love to Kylie
Minogue' suggests some of the most powerful feminine role models of our time have built their careers not on notions of authenticity and truth but rather on the successful management of illusion and fantasy. The essay argues that our social world has outgrown the traditional
moral-political approach which aims to lead girls and young women from 'deceptive''immoral' appearances to moral, 'authentic' 'reality'. The pleasures of popular culture, Isuggest, cannot always be linked to deep meanings but may be drawn from superficial appearances and beautiful surfaces.
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com, rosalea cameron@gmail, and Rosalea Cameron. "The ecology of Third Culture Kids:The experiences of Australasian adults." Murdoch University, 2003. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20041014.111617.
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The ecology of human development has been shown to be different for different cultures and sub-cultures within a particular culture, and to play a significant part in shaping the outcome traits or character profile exhibited by individuals who experience a given ecology. This is the case for members of that sub-culture of children who spend childhood years abroad; who expect to eventually repatriate to their passport country.
Those who experience the phenomenon have been called Third Culture Kids or TCKs, and the outcome profile for those with a North American background has been identified. However, no literature on children in the Australasian context exists. A progressive naturalistic study, using both qualitative and quantitative methodology, was undertaken providing foundational data on the experience of adult Australasians (Australians and New Zealanders) who had experienced such a childhood ecology. The Australasian self-reported reflections were compared with descriptions of the North American and international experience presented in existing literature. Further, accepted models of human development were merged and adapted to produce a TCK-specific model of human development. This model was a significant product of this research project.
Components of particular importance to development that nurtured the outcome profile traits were identified and represented in the model. The study incorporated three phases: phase 1 involved the in-depth interview of 3 respondents who had experienced the TCK ecology on three different continents, phase 2 involved data collection on the demographics of the broader Australasian TCK population asking questions about family choices, education, and career trajectories (N=50), and phase 3 collected in-depth descriptions of the childhood TCK ecology through voluntary response to an extensive written survey and asked for comparison with the imagined alternative ecology had respondents remained in their passport country (N=45). In both phases 1 and 3 respondents were asked to describe character traits they believed they manifested as a direct result of immersion in the TCK ecology and then suggest traits they might otherwise have manifested had the imagined alternative ecology been the nurturing environment. Tabulation of the emerging data allowed comparison and contrast with the North American outcome profile traits that have been described in literature. In both tabulations many outcome profile traits were identified as being in polar contrast with each other; the TCK could manifest either or both of the apparently opposing traits.
Manifestation was dependent upon the immediate context within which the TCK was functioning. There was shown to be a significant overlap in the outcome profile for Australasians and North Americans. However, in this study Australasians presented stronger in their self-report of altered relational patterns and traits related to resourcefulness and practical abilities than was described in the North American literature. In comparing outcome profile traits of the real TCK ecology and those that were associated with the imagined alternative ecology respondents reported that they would have been more confident and more socially competent, but less tolerant and less globally aware had they been raised in the passport country. The self-reported outcome traits or profile were linked to the developmental ecology by exploring the processes and tensions that were at work. It was shown that dynamic tensions emerged and increased in valence as the individual gradually developed polarised traits that manifested according to engagement in the multiple contexts the TCK was required to manage. The results of this study have implications for those who deploy families abroad, as well as those who educate, and nurture the social potential of TCKs. This study has served to extend understanding of the phenomenon at the international level and laid a foundation for specific understanding of the Australasian context.
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Albarran, Elena Jackson. "Children of the Revolution: Constructing the Mexican Citizen, 1920-1940." Diss., The University of Arizona, 2008. http://hdl.handle.net/10150/195359.
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The Mexican Revolution of 1910-1920 resulted in a massive population loss that revolutionary officials sought to replace with a generation of active citizens. This dissertation demonstrates that the child's role from 1920 to 1940 transformed from that of an individual bounded by the family to that of a member of the community, the nation, and a transnational generation. Children entered the historical record in unprecedented numbers. Due to the impressive expansion of public education and the increased civic engagement that it yielded, children produced a rich cache of documents--letters, drawings, plays, and speeches--that provide a measure by which to gauge their responses to revolutionary programs.First, I explore adult-produced rhetoric and policies that placed children at the center of plans for creating new revolutionary citizens. Lawmakers, professionals, and governors attempted to construct a homogeneous generation of citizens through the balanced application of sound pedagogy, firm ideology, and modern medicine. Adults transformed public space and assumed new rhetorical styles that refashioned the child as a metaphor for the nation's future.Second, I measure children's responses to government and popular efforts to construct a universal childhood, and I demonstrate the uneven process of cultural dissemination. Unexpected reactions by younger children to itinerant educational puppet shows revealed age as a factor in reception. Children's letters to radio officials demonstrated that middle class children had greater access to the new media. Contributions to the art magazine Pulgarcito suggested a romanticization of rural children.Third, I reveal the ways that participation in civic activities expanded children's social networks and allowed them to imagine themselves as part of a national and international community of their peers. Children's conferences, literacy campaigns, and anti-alcohol marches, allowed children to sample national political culture and gain exposure to its hierarchies and bureaucracy. Pan-American exchanges between schoolchildren meant that Mexican youth saw themselves as part of a hemispheric family, united by a common race and common colonial heritage. The children growing up during these decades learned skills, gained a sense of political awareness, and absorbed and created cultural expressions that became recognized the world over as being distinctly Mexican.
Books on the topic "Children in popular culture Australia"
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Bob, Hodge, and Turner Graeme, eds. Myths of Oz: Reading Australian popular culture. Boston: Allen & Unwin, 1987.
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High culture, popular culture: The long debate. St. Leonards, NSW: Allen & Unwin, 1995.
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Philip, Bell, and Bell Roger J. 1947-, eds. Americanization and Australia. Sydney: UNSW Press, 1998.
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McDonnell, Kathleen. Kid culture: Children and adults and popular culture. 2nd ed. Annandale, NSW: Pluto Press Australia, 2000.
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Vitaliev, Vitali. Vitali's Australia. Milsons Point NSW: Random House Australia, 1992.
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Vitaliev, Vitali. Vitali's Australia. Milsons Point, NSW: Random House Australia, 1991.
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Consuming innocence: Popular culture and our children. St Lucia, Qld: University of Queensland Press, 2008.
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Culture and customs of Australia. Westport, Conn: Greenwood Press, 2012.
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Creativity and popular culture. Rutherford: Fairleigh Dickinson University Press, 1994.
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Cue, Kerry. Australia unbuttoned. Ringwood, Vic: Penguin Books, 1996.
Find full textBook chapters on the topic "Children in popular culture Australia"
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Lusted, David. "Children and Popular Culture." In A Necessary Fantasy?, 267–89. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003248880-13.
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Leaker, Cathy. "All My (Queer) Children: Disrupting Daytime Desire in Pine Valley." In Queer Popular Culture, 41–55. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1007/978-1-349-29011-6_4.
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Leaker, Cathy. "All My (Queer) Children: Disrupting Daytime Desire in Pine Valley." In Queer Popular Culture, 41–55. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230604384_4.
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Griffiths, John. "The Masque of the Children of the Empire." In Empire and Popular Culture, 286–95. London: Routledge, 2021. http://dx.doi.org/10.4324/9781351024822-42.
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Keery, James. "Children of Albion: Blake and Contemporary British Poetry." In Blake, Modernity and Popular Culture, 100–112. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230210776_8.
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Semenza, Gregory M. Colón. "Adapting Milton For Children: Margaret Hodges’s Comus (1996) and the Tale of Childe Rowland." In Milton in Popular Culture, 71–82. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9781403983183_6.
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Ashton, Gail. "Queer Origins, Deformed Lines: Seeding the Future in Torchwood’s “Children of Earth”." In Medieval Afterlives in Popular Culture, 187–201. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137105172_14.
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Griffiths, John. "E.C.T. Horniblow, Lands and Life: Human Geographies, People and Children of Wonderful Lands (London: Grant Educational Co., 1930–1935). Extract Taken from the 1944 Edition. pp. 7–19; 103–108." In Empire and Popular Culture, 233–36. London: Routledge, 2021. http://dx.doi.org/10.4324/9781351024822-28.
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Gardner, Kirsten E. "“Especially Made for Them”: Summer Camps for Diabetic Children." In Palgrave Studies in Science and Popular Culture, 297–317. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-83110-3_19.
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Baggett, David. "Mister Rogers’ Neighborhood as Philosophy: Children as Philosophers." In The Palgrave Handbook of Popular Culture as Philosophy, 1–22. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-97134-6_26-1.
Full textConference papers on the topic "Children in popular culture Australia"
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Ardipal, Ardipal. "Popular Games among Elementary School Children as Child Culture and Tradition Games in West Sumatera." In Proceedings of the Seventh International Conference on Languages and Arts (ICLA 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icla-18.2019.28.
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Marfella, Giorgio. "Seeds of Concrete Progress: Grain Elevators and Technology Transfer between America and Australia." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a4000pi5hk.
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Modern concrete silos and grain elevators are a persistent source of interest and fascination for architects, industrial archaeologists, painters, photographers, and artists. The legacy of the Australian examples of the early 1900s is appreciated primarily by a popular culture that allocates value to these structures on aesthetic grounds. Several aspects of construction history associated with this early modern form of civil engineering have been less explored. In the 1920s and 1930s, concrete grain elevator stations blossomed along the railway networks of the Australian Wheat Belts, marking with their vertical presence the landscapes of many rural towns in New South Wales, Queensland, Victoria, and Western Australia. The Australian reception of this industrial building type of American origin reflects the modern nation-building aspirations of State Governments of the early 1900s. The development of fast-tracked, self-climbing methods for constructing concrete silos, a technology also imported from America, illustrates the critical role of concrete in that effort of nation-building. The rural and urban proliferation of concrete silos in Australia also helped establish a confident local concrete industry that began thriving with automatic systems of movable formwork, mastering and ultimately transferring these construction methods to multi-storey buildings after WWII. Although there is an evident link between grain elevators and the historiographical propaganda of heroic modernism, that nexus should not induce to interpret old concrete silos as a vestige of modern aesthetics. As catalysts of technical and economic development in Australia, Australian wheat silos also bear important significance due to the international technology transfer and local repercussions of their fast-tracked concrete construction methods.
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Rutsinskaya, Irina, and Galina Smirnova. "VISUALIZATION OF EVERYDAY SOCIAL AND CULTURAL PRACTICES: VICTORIAN PAINTING AS A MIRROR OF THE ENGLISH TEA PARTY TRADITION." In NORDSCI Conference Proceedings. Saima Consult Ltd, 2021. http://dx.doi.org/10.32008/nordsci2021/b1/v4/37.
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"Throughout the second half of the seventeen and the eighteenth centuries, tea remained an expensive exotic drink for Britain that “preserved” its overseas nature. It was only in the Victorian era (1837-1903) that tea became the English national drink. The process attracts the attention of academics from various humanities. Despite an impressive amount of research in the UK, in Russia for a long time (in the Soviet years) the English tradition of tea drinking was considered a philistine curiosity unworthy of academic analysis. Accordingly, the English tea party in Russia has become a leader in the number of stereotypes. The issue became important for academics only at the turn of the twentieth and twenty-first centuries. Currently, we can observe significant growth of interest in this area in Russia and an expansion of research into tea drinking with regard to the history of society, philosophy and culture. Despite this fact, there are still serious lacunas in the research of English tea parties in the Victorian era. One of them is related to the analysis of visualization of this practice in Victorian painting. It is a proven fact that tea parties are one of the most popular topics in English arts of the nineteenth and the twentieth centuries. No other art school in the world referred to the topic so frequently: painting formed the visual image of the English tea party, consolidated, propagandized and spread ideas of the national tea tradition. However, this aspect has been reflected neither in British nor Russian studies. Being descriptive and analytical, the present research refers to the principles of historicism, academic reliability and objectivity, helping to determine the principal trends and social and cultural features and models in Britain during the period. The present research is based on the analysis of more than one hundred genre paintings by British artists of the period. The paintings reflect the process of creating a special “truly English” material and visual context of tea drinking, which displaced all “oriental allusions” from this ceremony, to create a specific entourage and etiquette of tea consumption, and set nationally determined patterns of behavior at the tea table. The analysis shows the presence of English traditions of tea drinking visualization. The canvases of British artists, unlike the Russian ones, never reflect social problems: tea parties take place against the background of either well-furnished interiors or beautiful landscapes, being a visual embodiment of Great Britain as a “paradise of the prosperous bourgeoisie”, manifesting the bourgeois virtues. Special attention is paid to the role of the women in this ritual, the theme of the relationship between mothers and children. A unique English painting theme, which has not been manifested in any other art school in the world, is a children’s tea party. Victorian paintings reflect the processes of democratization of society: representatives of the lower classes appear on canvases. Paintings do not only reflect the norms and ideals that existed in the society, but also provide the set patterns for it."
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"Remaining Connected with our Graduates: A Pilot Study." In InSITE 2019: Informing Science + IT Education Conferences: Jerusalem. Informing Science Institute, 2019. http://dx.doi.org/10.28945/4162.
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[This Proceedings paper was revised and published in the 2019 issue of the Interdisciplinary Journal of E-Skills and Lifelong Learning, Volume 15.] Aim/Purpose This study aims to determine where nursing students from a metropolitan university subsequently work following graduation, identify the factors that influence decisions to pursue careers in particular locations, ascertain educational plans in the immediate future; and explore the factors that might attract students to pursue postgraduate study. Background The global nursing shortage and high attrition of nursing students remain a challenge for the nursing profession. A recurrent pattern of maldistribution of nurses in clinical specialities and work locations has also occurred. It is imperative that institutions of learning examine their directions and priorities with the goal of meeting the mounting health needs of the wider community. Methodology Qualitative and quantitative data were obtained through an online 21-item questionnaire. The questionnaire gathered data such as year of graduation, employment status, the location of main and secondary jobs, the principal area of nursing activity, and plans for postgraduate study. It sought graduates’ reasons for seeking employment in particular workplaces and the factors encouraging them to pursue postgraduate study. Contribution This study is meaningful and relevant as it provided a window to see the gaps in higher education and nursing practice, and opportunities in research and collaboration. It conveys many insights that were informative, valuable and illuminating in the context of nurse shortage and nurse education. The partnership with hospitals and health services in providing education and support at the workplace is emphasized. Findings Twenty-three students completed the online questionnaire. All respondents were employed, 22 were working in Australia on a permanent basis (96%), 19 in urban areas (83%) with three in regional/rural areas (13%), and one was working internationally (4%). This pilot study revealed that there were varied reasons for workplace decisions, but the most common answer was the opportunity provided to students to undertake their graduate year and subsequent employment offered. Moreover, the prevailing culture of the organization and high-quality clinical experiences afforded to students were significant contributory factors. Data analysis revealed their plans for postgraduate studies in the next five years (61%), with critical care nursing as the most popular specialty option. The majority of the respondents (78%) signified their interest in taking further courses, being familiar with the educational system and expressing high satisfaction with the university’s program delivery. Recommendations for Practitioners The results of the pilot should be tested in a full study with validated instruments in the future. With a larger dataset, the conclusions about graduate destinations and postgraduate educational pursuits of graduates would be generalizable, valid and reliable. Recommendation for Researchers Further research to explore how graduates might be encouraged to work in rural and regional areas, determine courses that meet the demand of the market, and how to better engage with clinical partners are recommended. Impact on Society It is expected that the study will be extended in the future to benefit other academics, service managers, recruiters, and stakeholders to alert them of strategies that may be used to entice graduates to seek employment in various areas and plan for addressing the educational needs of postgraduate nursing students. The end goal is to help enhance the nursing workforce by focusing on leadership and retention. Future Research Future directions for research will include canvassing a bigger sample of alumni students and continuously monitoring graduate destinations and educational aspirations. How graduates might be encouraged to work in rural and regional areas will be further explored. Further research will also be undertaken involving graduates from other universities and other countries in order to compare the work practice of graduates over the same time frame.