Academic literature on the topic 'Children's literature, Chuvash'

This article discusses the specifics of the Museum collections of Chuvash children's culture based on the analysis of real (Museum exhibits), field sources and published literature. Unique objects and documents about the world of material culture of Chuvash childhood are kept in the museums of Russia. The authors analyzed children's Museum collections. Museum materials on childhood are grouped according to the following features: child care and play activities. New approaches in the presentation of stock materials focused on the use of modern information technologies in order to improve the efficiency of museums’ work, especially with children.

In modern society, the family is an important component of universal culture that preserves traditional national values. In the conditions of ongoing social changes leading to the growth of national self-consciousness, return to the roots, destruction of stereotypes, change of attitude to family values, it is necessary to preserve the understanding of the family as a traditional social institution. In this regard, the study of proverbs and sayings reflecting universal and national family values is of great importance. The aim of the study is to identify and substantiate family values in the upbringing of the younger generation in modern Chuvash families. The article considers traditional family values as the foundation of a strong and friendly family. The analysis of Chuvash proverbs and sayings about family life and family relations in the article shows that the Chuvash people place family values highly, brought up on national cultures and traditions. Our practical research shows that children's attachment to their parents is increasingly weakening. The lack of understanding of their children's behavior is explained by the following reasons: 1) parents' lack of fundamental pedagogical knowledge and skills; 2) parents' neglecting the basics of Chuvash family upbringing based on spiritual and moral values in the upbringing of their children. The author argues that the study of the basics of ethnic pedagogy will give positive results in the upbringing of children. The article used both general theoretical methods, including both the analysis of psychological and pedagogical literature on the topic under consideration, including encyclopedic and reference literature, folklore works, and empirical methods, including pedagogical observation, the use of questionnaires and surveys, and generalisation of ethnopedagogical experience. The experimental work was carried out to determine the moral potential of traditional family values in the Chuvash family. The author comes to the conclusion that Chuvash families have preserved national customs and traditions that they inherited from their ancestors in order to pass on to the next generations as a common reference point in their family life.

The purpose of the article is to substantiate approaches to the development of educational and methodological kits for preschool educational institutions of the Chuvash Republic on the development of native speech and teaching native language, literary education in the Chuvash language. Research material. Literature analysis, study of the history of the formation and development of methods of speech development and literary education of pre-school students: the views of the founders of the methodology of speech development (E.I. Tikheeva, E.A. Fleerin, O.I. Soloviev, etc.) and literary education of pre-school students (M.M. Konina, L.M. Gurovich, Z.A. Gritsenko, etc.). The need for a systematic approach to work on speech development (E.I. Tikheeva), justification of the approach to the lesson as the main leading form of education (M.M. Alekseeva, V.I. Yashina), modern requirements of the Federal State Educational Standard in working with preschoolers and the views of classical teachers (E.A. Fleerin, A.P. Usova, O.A. Skorolupova), the importance of a comprehensive approach to solving speech development problems (F.A. Sokhin, O.S. Ushakov), the peculiar tasks of familiarization with fiction, different approaches to the purpose of a children's book, studies of the peculiarities of artistic perception among preschoolers, changing views on the role of a children's book and its aesthetic nature (L.M. Gurovich), the origin of the methodology of literary education of preschoolers (Z.A. Gritsenko), the unresolved issue of the organization of work on the formation of a large "talented" reader, the validity of organizing direct educational activities in kindergarten to familiarize with literature (M.M. Konina, M. Gurovich, O.S. Ushakova, N.V. Gavrish). Research results and conclusions. The conceptual approaches to the development of educational and methodological kits for the development of speech and teaching native (Chuvash) are substantiated language, literary education of pre-school children in Chuvash kindergartens. The ideas and provisions implemented in teaching aids have been successfully tested in a number of Chuvash kindergartens and have been accepted by teachers.

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Esse trabalho pretende construir uma teia discursiva particular, a partir das ideias de memória, imaginação e poesia, cruzando perspectivas teórico-críticas à minha leitura sobre como as discursividades sobre/para a infância têm negociado suas produções na contemporaneidade. Aqui, me coloco em primeira pessoa, fugindo da retórica discursiva abstrata da modernidade, que forja uma expressão universalista de mundo. Ao desenhar meu lugar de fala, a partir da minha experiência de criadora de um produto transmidiático para a infância: Miúda e o guarda-chuva, pretendo discutir os usos da infância, desejando uma maior politização das ações artísticas voltadas para crianças, que repense modelos engessados, estereotipados e estagnados. O primeiro capítulo relaciona os discursos produzidos sobre a infância à literatura, partindo do conto e da relação proibitiva da ideia de tabu com a infância. O segundo capítulo apresenta textos escritos sobre a peça Miúda e o guarda-chuva, que foram disparadores de muitas das reflexões desse trabalho. A leitura crucial, portanto, redimensiona infância e teatro, aventando conexões entre o tabu e o estereótipo, como instâncias de luta e de conforto. O terceiro capítulo relaciona os discursos produzidos sobre a infância ao cinema dirigido a ela. Parte dele se debruça sobre a mudança paradigmática que se processa na atualidade, no tocante à revisão de estigmas hegemônicos em narrativas fílmicas infantis contemporâneas. Nele também, procuro agenciar leituras sobre a infância à articulação de três pesquisas de grupo focal feitas sobre o curta e a versão em longa-metragem, ambas de animação, de Miúda e o guarda-chuva. As considerações finais apontam para o fim desse processo como o começo de uma nova jornada, a construção do meu segundo espetáculo para crianças: Para o menino-bolha.
This work intends to build a particular discursive web out of notions such as memory, imagination and poetry, crossing critical theoretical perspectives to my view as to how discursivities about/for childhood have been dealing with its productions in contemporary times. Here I use the first person in na attempt to escape modernity´s abstract discursive rhetorics, which forges an universalist world expression. By highlighting my locus of speech, from my experience as a creator of a transmediatic product for childhood: Miúda and the Umbrella, I intend to discuss the uses of the childhood notion, aspiring to a greater politization of artistic actions for children which may rethink cast, stereotyped and stagnant models. The first chapter relates the discourses produced on childhood to literature, starting from the short story and the prohibitive idea of taboo in childhood. The second chapter presents written texts about the play Miúda and the Umbrella, which triggered many of the reflections present in this work. That crucial reading, therefore, resizes childhood and theater, suggesting connections between taboo and stereotype, as both mourning and comfort instances. The third chapter links discourses produced on childhood to the cinema especially produced for children. Part of it is dedicated to the paradigmatic shift taking place today, when it comes to revising hegemonic stigmas in contemporary child filmic narratives. I also try to enable ways of looking looking at childhood, articulating three focus group researches made on the short and long versions of the animated film Miúda and the Umbrella. Final comments point at the end of this process, as much at the beginning of a new journey – the construction of my new play for children: To the bubble-boy.