Journal articles on the topic 'Children's book publishing'

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1

Engalycheva, E. V. "Children's book in Siberia: a historiographic review." Bibliosphere, no. 4 (December 30, 2017): 35–40. http://dx.doi.org/10.20913/1815-3186-2017-4-35-40.

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The article is devoted to the history of Siberian regional children's book publishing. The author has collected theoretic-practical opinions of historians, bibliologists, publishers and booksellers, librarians and bibliographers, psychologists and sociologists, which purpose is to generalize and reveal regularities of books' flow for children. V. G. Belinsky, L. N. Tolstoy, F. G. Tol’, N. V. Chekhov developed the first concepts of children's book. N. K. Krupskaya, V. A. Sukhomlinsky studied the «core» of the children book repertoire. V. G. Sopikov, B. S. Bondarsky reviewed children's literature of the 19th century in their bibliographic works. The author allocated some organizational components using formal-logical, comparative-historical and structural-typological methods. The first block is related to studying such definitions as «children's book», «children's literature», «editions for children», «a circle of childhood reading», «the repertoire of children's books», their typological signs. The presented concepts are investigated according to tasks, which children's editions solve. S. G. Antonova and S. A. Karaichentseva touched issues of children's literature typology in their publications. The second block of literature reveals the children's book development in Russia in various periods of its formation. I. E. Barenbaum, A. A. Grechikhin, A. A. Belovitskaya studied general fundamentals of the book's history, while A. Ivich, L. Kohn, I. Lupanova considered the history of children’s books. The third block is devoted to printing and art features of the children's book design, activity of universal and specialized publishing houses to distribute literature for children. The fourth block explains such category as «reader - library», considers techniques of work with children's book, offers methodical recommendations for teachers and tutors. Readers’ activity is examined as well. The author analyzes interests, factors, incentives and aims influencing childhood reading. Dissertation researches disclose the regional specifics of children's book publishing in 1980-2013, confirm the considered subject relevance. The historical, comparative, formal and logical analysis carried out by the author will be useful both the specialists in publishing and editorial affairs, researchers studying the history and development of the children's book, historians, and teachers in the educational process of such courses as «Publishing and Editing», «Children's Literature», «Book Science». The author concludes that the children's book has been studied in different periods of its development in the context of numerous aspects, directions and components, which makes it possible to reveal the special patterns of its existence.
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Omar, Rosmani, and Siti Ezaleila Mustafa. "Pembangunan Buku Digital Interaktif Kanak-kanak di Malaysia: Bersediakah Penerbit?" Jurnal Pengajian Media Malaysia 20, no. 2 (December 1, 2018): 55–67. http://dx.doi.org/10.22452/jpmm.vol20no2.5.

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In Malaysia, the development of information and communication technology (ICT) has created an impact on children’s book in the publishing world. Subsequent to this development, local book publishers were challenged to produce reading material in interactive digital form for children. Recognizing the importance of ICT and the benefit brought to the society, the government has implemented both the National Creative Industry Policy (DIKN) and the Malaysian Education Development Plan (2013-2025). Under this policy, players in the broadcasting and publishing industry in Malaysia were encouraged to develop the country's creative industry in order to raise the Gross Domestic Product (GDP). However, how prepared are players in the bookkeeping industry to produce interactive digital books for children? This is because the number of publications until 2017 is still small. This article will analyze the publishing status of children's digital books produced by the local publishers. Additionally, this article aims to investigate the readiness of publishers to publish interactive digital books for children in Malaysia. The method used in this study is through the analysis of children’s book titles in digital format from the website. In addition, the study also interviewed the management of the publishing house. Results showed Malaysian book publishers sought to bring the organization's direction towards the publication of interactive digital books. However, a few were found to be reluctant to change. In conclusion, Malaysian publishers will do well with the support of all parties in order to strive for the publication of children's interactive digital books via the online platform.
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3

Engalycheva (Bulgakova), E. V. "Children's book: a terminological analysis." Bibliosphere, no. 4 (December 30, 2016): 94–98. http://dx.doi.org/10.20913/1815-3186-2016-4-94-98.

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The article deals with definitions of «children's book», «book for children», «children's literature», «literature for children», «children's reading circle». The mentioned terms are divided into two groups. The first group includes those authors, who consider material and the structural aspects of book, its reader's purpose, printing and design. This issue was studied by S. G. Antonova, N. Z. Ryabinina, I. A. Zharkov, I. F. Pavlova, S. A. Karaichentseva. The second group considers genre and thematic characteristics of book, its effect on children development. Among researchers should be called I. N. Arzamastseva, I. G. Mineralova, S. A. Nikolaev, E. E. Zubareva, T. D. Polozova. All submitted definitions are discussed in details in the context of those tasks that solve children's editions. The author has collected theoretical and practical views of philologists, bibliologists, historians, editors on definitions of children's book and its essential meaning for each field of science. Based on scientific historicism methods and terminological analysis of general components of children edition, its material and structural sides, genre and thematic characteristics have been revealed. Functions of the children's book are determined: communicative, administrative, cognitive, educational, aesthetic ones. The article objective is studying the phenomenon complex, based on which the author has given an independent interpretation of this definition. Additional information on children's literature specific features and its «special» design is presented at National Standard GOST 7.60-90 «Editions. Fundamental types. Terms and definitions», as well as branch standards: OST 29.130-97 «Editions, terms and definitions», OST 29.127-96 «Publishing books for children», OST 29.127-2002 «Quality requirements of book and journal editions for children and adolescents». The resulting terminological analysis will be useful both for professionals of publishing and editorial business, researchers studying the history and formation of children's books, historians, as well as for teachers in the educational course «Children's Literature», «Bibliology». The conclusion is that the children's book will have a stable cover, which content and variety depends on time, professional activity of authors, artists, editors, publishers, and other persons relating to the book publishing system of the country and regions.
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4

Segun, Mabel D. "Current Children's Book Publishing in Africa." African Book Publishing Record 14, no. 3 (January 1988): 167–74. http://dx.doi.org/10.1515/abpr.1988.14.3.167.

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5

Walter, Scott. "Children's Book Publishing from an African Perspective." African Book Publishing Record 19, no. 1 (January 1993): 13–16. http://dx.doi.org/10.1515/abpr.1993.19.1.13.

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6

Seitz, Emily. "Growth of Children's Book Publishing in Taiwan." International Journal of the Book 4, no. 4 (2007): 169–76. http://dx.doi.org/10.18848/1447-9516/cgp/v04i04/57824.

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7

O'Sullivan, Emer. "Comparative Children's Literature." PMLA/Publications of the Modern Language Association of America 126, no. 1 (January 2011): 189–96. http://dx.doi.org/10.1632/pmla.2011.126.1.189.

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The most striking change in children's culture, including children's literature, over the last few decades has been its commercialization and globalization (O'Sullivan, Comparative Children's Literature 149–52). The children's book industry in the United States, the leading market, is increasingly dominated by a handful of large media conglomerates whose publishing operations are small sections of their entertainment businesses. As a consequence, as Daniel Hade observes, “the mass marketplace selects which books will survive, and thus the children's book becomes less a cultural and intellectual object and more an entertainment looking for mass appeal” (511). The influence of these multimedia giants is immense: manufacturing mass-produced goods for children, they sell their products beyond the borders of individual countries, further changing and globalizing what were once regionally contained children's cultures. As a discipline that engages with phenomena that transcend cultural and linguistic borders and also with specific social, literary, and linguistic contexts, comparative children's literature is a natural site in which to tease out the implications of these recent developments.
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8

Giblin, James Cross. "Children's book publishing in America: 1919 to now." Children's Literature in Education 17, no. 3 (1986): 150–58. http://dx.doi.org/10.1007/bf01141679.

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9

Heywood, Sophie. "Fighting ‘On the Side of Little Girls’: Feminist Children's Book Publishing in France after 1968." Nottingham French Studies 59, no. 2 (July 2020): 206–20. http://dx.doi.org/10.3366/nfs.2020.0285.

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The publishing activities of the French second-wave feminist movement are well-documented. Less attention has been focused on its attempts to imagine childhood freed from sexism. In the mid-1970s, the Franco-Italian editorial partnership ‘Du côté des petites filles/Dalla Parte delle Bambine’ fought ‘on the side of the little girls’ by publishing a new kind of children's book: politically and aesthetically subversive, and engaged in the period's major feminist debates. Tracing relationships between the publishers involved, this article illustrates how feminist campaigns helped shape new ideas on children and their culture after 1968: child-rearing was both a major point névralgique of the movement as a whole, and an issue requiring action, to provide tools for the struggle. Examining publishing practices, creative artists and books, this study reveals both the intellectual impact of the MLF activists on ideas of childhood and children's literature, and the artistic visions and new poetics they helped nurture.
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10

ZIMAKOVA, L., and V. KRAMARENKO. "MODERN CHILDREN’S BOOK AS AN ARTISTIC AND GAME MATERIAL FOR THE PRESCHOOLERS’ CREATIVITY FORMATION." ТHE SOURCES OF PEDAGOGICAL SKILLS, no. 26 (April 7, 2021): 79–84. http://dx.doi.org/10.33989/2075-146x.2020.26.227525.

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The article is devoted to the study of trends in the development of modern children’s books, its impact on the formation of creativity as one of the main competencies. The basis for the development of the visual and plot components of the children’s book in the middle of the 20th century and their influence on the formation of the psycho-emotional component of the young generation of those times are retrospectively covered. Possibilities of modern book publishing for authors-writers are presented. Perspective directions of publishing business development both abroad and in Ukraine are covered. The study revealed qualitative changes in the content, artistic, and architectural content of modern children's books, which are reflected in the latest plots, visual images, design, and creative approaches to putting out books. With the help of certain modern children’s books, we have proved the effectiveness of pedagogical methods of forming preschoolers’ ability to be creative in various life situations, their readiness for non-standard, original solutions, ability to be independent and choose freely, curiosity, development of imagination, courage, flexibility, mobility, etc. These are so-called “quiet books” for children which are popular nowadays. The story is told exclusively by means of illustrative material, which has its own unique author’s visual language and non-standard presentation. It develops children’s imagination and forms their tastes, non-standard thinking, ability to improvise, and encourages preschoolers’ to play. Books with an interactive narrative are of great interest to children. These are toy books, which stimulate children to create games or to become an author of a book with the help of an interesting story and illustrative material. It is offered to consider a modern children’s book not only as an information source but also as a means of stimulating preschoolers’ artistic and play activities. It is emphasized that the modern children’s book is a symbiosis of three artistic practices and might be used as artistic and game material in the educational process of PEI. The influence of books on the preschoolers’ psycho-emotional, personal-behavioral, artistic-activity development, as well as their creativity formation, is clarified practically.
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11

Fraustino, Lisa Rowe. "The Constantly (Un)Changing World of Children's Book Publishing." Children's Literature Association Quarterly 28, no. 3 (2003): 130–32. http://dx.doi.org/10.1353/chq.0.1621.

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12

Antoniuk, Tеtiana. "YURIJ TYSHCHENKO AS A PUBLISHER OF UKRAINIAN BOOKS IN EMIGRATION." Almanac of Ukrainian Studies, no. 26 (2020): 13–23. http://dx.doi.org/10.17721/2520-2626/2020.26.2.

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The publishing activity of Yurij Tyshchenko (Siryi) in Ukraine and emigration (1907–1953) as one of the brightest representatives of the process of Ukrainian revival of the first half of the XX century is traced. It is analysed the efforts of a prominent Ukrainian on business in the awakening of national consciousness, forming of identity, knowledge dissemination among the great masses of Ukrainians, distribution of Ukrainian books in Ukraine and in the world through organizing and operation of publishing houses "Dzvin", "UT Publishing House (Yurij Tyshchenko)", active public activity. It is updated the book products of the publishing houses, managed by Yu. Tyshchenko, from the fund of the Foreign Ukrainistics Department of the Bibliology Institute of Vernadsky National Library of Ukraine. Special attention is paid to scientific, popular science, educational and children's book. There are given content and book characteristics and there are found out the ways of distribution of the Ukrainian book in emigration conditions. There are traced the relationship of the enterprises managed by Yu.Tyshchenko with Ukrainian establishments, organizations and public associations in emigration and in Ukraine. On the example of activity of Yu. Tyshchenko in emigration, it is shown the complexity of publishing process organization and the life and activities of Ukrainian political emigration abroad. Considerable attention is paid to the works of Yu. Tyshchenko himself, prepared, published and reprinted in Ukraine and the diaspora. The personal connections and cooperation of Yu. Tyshchenko with prominent Ukrainian scientific, political and public figures of the first half of the XX century are revealed. Attention is accented on the contribution of a prominent Ukrainian figure in the development of Ukrainian book publishing, book distribution, Ukrainian cultural and national revival. On the example of Yu. Tyshchenko's activity in emigration, the complexity of the organization of the publishing process and the life and activity of Ukrainian political emigration abroad is shown.
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Umar, Umar, Hendra Hendra, and Mohd Hilmy Baihaqy Yussof. "Building Children's Character: Ethnographic Study of Maja Labo Dahu Culture at Bima Community." Jurnal Iqra' : Kajian Ilmu Pendidikan 4, no. 2 (December 24, 2019): 182–201. http://dx.doi.org/10.25217/ji.v4i2.582.

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The development of the impact globalization was the emergence of manners in shifting children's characters. Therefore the aesthetic principle of Maja Labo Dahu was needed to become an instrument of development moral to build children's character. This study aimed to describe the concept of building children's character through Maja Labo Dahu, inhibiting factors, and reactualizing children’s character through Maja Labo Dahu at Bima community. This study used qualitative research with phenomenological and sociological approaches. The results showed that the exemplary aspect of parents, teachers and elite figures as the key for building children’s character. Needing implementation moral behavior through integration teaching religious and culture. The obstacle was lack of understanding of a child's culture values Maja Labo Dahu, lack of the characteristics of figures in the environment, and the absence of synergy by parents and school in establishing a children's understanding of Maja Labo Dahu. Reactualizing student’s characters involve: doing workshop and seminar to encourage strengthening of cultural character of Maja Labo Dahu and publishing Book of Muatan Lokal as literation materials in education unit level. Keywords: Maja Labo Dahu, Building Children’s Character, Strengthening of Cultural Values
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14

Biernacka-Licznar, Katarzyna, and Natalia Paprocka. "Children's Books in Translation: An Ethnographic Case-Study of Polish Lilliputian Publishers' Strategies." International Research in Children's Literature 9, no. 2 (December 2016): 179–96. http://dx.doi.org/10.3366/ircl.2016.0201.

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This article is part of a larger research project investigating small, innovative Polish children's publishing companies. As shown in previous studies, these ‘Lilliputian publishers’ were important initiators of change in the cultural repertoire of children's books available in Poland at the turn of the millennium. The change they initiated is closely related to the fact that translations account for two-thirds of their output. Drawing on interviews and a case study of children's literature imported from France, the research reported in this article identifies and analyses the criteria and mechanisms of book selection for translation with a view to expanding understanding of the role of publishers in the literary translation event and their interactions with other actors in this process. The article explores also the impact of the studied publishers' literary imports on children's literature in Poland and, more generally, the role of the small, independent publishers as leaders of innovation in children's literature.
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15

Klęczaj-Siara, Ewa. "Restorying the life of Martin Luther King: visual and verbal complexity of nonfiction picture book biographies." Radomskie Studia Filologiczne. Radom Philological Studies 1, no. 10 (December 31, 2021): 29–40. http://dx.doi.org/10.24136/rsf.2021.002.

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The article is devoted to the genre of nonfiction picture book biography as a new publishing phenomenon within the area of children's literature. The aim of the article is to analyze the ways of transmitting knowledge by combining visual codes and unconventional verbal narratives in three nonfiction picture book biographies of Martin Luther King, Jr.: Martin's Big Words: The Life of Dr. Martin Luther King, Jr. (2007), I Have a Dream (2012), and Be A King: Martin Luther King, Jr.'s Dream and You (2018). It examines how the selected books invite the readers to participate in the process of meaning making and redefining reality. It also discusses the strategies of counterstorytelling and counter-visuality employed by the creators of the books.
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Lundin, Anne H. "Bookwomen: Creating an Empire in Children's Book Publishing, 1919–1939 (review)." Children's Literature Association Quarterly 32, no. 4 (2007): 402–4. http://dx.doi.org/10.1353/chq.2007.0056.

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Zhygun, Snizhana. "Creating Social Reality by Soviet Children's Publishing Companies in Ukraine in the 1920s and 1930s." Libri et liberi 11, no. 1 (September 23, 2022): 35–50. http://dx.doi.org/10.21066/carcl.libri.11.1.2.

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The article deals with the influence of state ideology on children, as carried out through state control/supervision of book publishing. The purpose of this study is to demonstrate the peculiarities of creating (a new) social reality by means of children’s literature in the 1920s and 1930s in Ukraine. The research material is a selection of publications of the Ukrainian specialised publishing houses Ditvydav and Molodyi Bilshovyk. The results of the analysis show that 46% of the books in the corpus contain the following keywords: revolution, civil war, Pioneers, Little Octobrists, Soviet holidays, Lenin, Stalin, collective farms, collectivisation, industrialisation, metallurgy, factory, mines, and so forth, that is, they contain an emphasised ideological component. Soviet society’s rejection of the national tradition, even in the face of the policy of Ukrainianisation, is also confirmed. The dominance of Russia and its representatives in comparison with other republics in the USSR and the limitations of gender roles in the constructed worldview are also demonstrated.
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Kostyk, Yevhenii. "Publishing cooperation as a catalyst for the formation of the national market of book products in the conditions of the NEP (theoretical aspect for studying the problems of economic history)." University Economic Bulletin, no. 48 (March 30, 2021): 164–81. http://dx.doi.org/10.31470/2306-546x-2021-48-164-181.

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The subject of the study is the role and place of cooperative publishing houses in the formation of the domestic consumer market of book products and scientific assessment of organizational, publishing and trade activities of publishing cooperatives in the context of the new economic policy (NEP). The purpose of the scientific article is to study the role and place of cooperative publishing houses in the formation of the domestic consumer market of book products and, through the prism of studying the problems of economic history, to give a scientific assessment of organizational, publishing and trade activities of the NEP. Methods of research. All components of the study are based on fundamental principles – scientific, historicism, objectivity, system, development, priority of concrete verity, pluralism; and also the methods of knowledge of social and economic processes of social development – analysis, synthesis, problem-chronological, comparative analytical, archaeological, retrospective, statistical, a systematic and integrated approach. Research methodology. In the process of the study, the fundamental principles were based on Economic History and History of Economic Thought, the Ukrainian and foreign scientists’ works and experts in this area. Results of work. In the context of this issue, we explored the role and place of cooperative publishing houses in the formation of the domestic consumer market of book products and, through the prism of studying the problems of economic history, gave a scientific assessment of organizational, publishing and trade activities of the NEP. The field of application of results. The results of this research can be applied to study the issues of Economic History and History of Economic Thought, History of the Publishing Industry. Conclusions. Thus, cooperative publishing houses were business-type societies, organizationally and functionally belonged to cooperative societies, and on the other hand - were public associations with editorial, production, economic and socio-cultural functions. Examining the activities of cooperative publishing houses, it can be stated that they occupied an important place in the distribution and printing of various literature: socio-economic, socio-political, agricultural, artistic, children's books, textbooks, natural, military. Consumers of book products of cooperative publishing houses were the most various social and professional groups of the population: workers, peasants, employees, women, youth, military, children. By distributing literature in a country where almost two-thirds of the population was illiterate, publishing houses contributed to the full operation of educational institutions, raising the intellectual and spiritual level of society, creating conditions for the development of science, art, culture and education. There was a completely organic connection between publishers' cooperatives, cultural, educational, and scientific institutions, and a kind of intellectual and spiritual dependence developed due to the high demand for books, as publishers published literature from all fields of knowledge. The activities of cooperative publishing houses of the NEP period, especially the formation of the organizational structure and the implementation of advertising and propaganda work should be taken into account when developing the legal framework of the national program of book publishing in Ukraine.
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Cocargeanu, Dana. "The Adventures of Peter Rabbit in Romania: Translation Challenges and Strategies." International Research in Children's Literature 7, no. 2 (December 2014): 198–212. http://dx.doi.org/10.3366/ircl.2014.0132.

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Romanian children's literature, particularly translations for children, has rather low visibility in international children's literature scholarship, and translations of Beatrix Potter have not been extensively researched, either. This article contributes to filling these gaps by exploring the challenges involved in the recent publication of the first licensed Romanian edition of Beatrix Potter and the strategies employed to solve them. It identifies extra-textual challenges, related to the possibility of publishing Potter, the licensing process, the selection of particular tales and book formats for publication, and marketing strategies; and textual challenges, arising from Potter's writing style, the interdependence between visual and verbal aspects in her tales, their cultural specificity and read-aloud qualities. It also discusses the roles of the British and Romanian publishers in the publishing process and relates the translation strategies visible in the texts to the translator's apparently divided responsibility towards Potter and the Romanian audience, her conceptions of children and children's literature, and the Romanian literary tradition.
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Marazzi, Elisa. "L'editoria scolastico-educativa e la ricerca storica." SOCIETÀ E STORIA, no. 125 (December 2009): 503–29. http://dx.doi.org/10.3280/ss2009-125005.

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- The essay provides a survey of the recent studies on schoolbook publishing in France, a country where the interest in publishing history has favourably combined with the history of education, generating a fertile research area that has evolved over the last thirty years. Some research lines such as textbooks, children's literature, educational periodicals are identified and a review of the recent works on such topics is supplied. As the work by French researchers in the field of book history has been in some ways crucial at the international level, the author wishes to offer a starting point for a reflection on the current developments of the studies on the history of schoolbook publishing in Italy.
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Pitenina, V. "Artistic and stylistic peculiarities of the graphic work of Petro Lapyn, illustrator of the children's books in the first third of the 20th century." Research and methodological works of the National Academy of Visual Arts and Architecture, no. 27 (February 27, 2019): 193–99. http://dx.doi.org/10.33838/naoma.27.2018.193-199.

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The beginning of the 20th century is a period of creative and printing experiments in the Ukrainian art. New generation of Ukrainian books was born in this period. The illustration of the children's books was a significant part of this process. Famous Ukrainian graphic artists, such as H. Narbut, M. Zhuk, O. Sudomora, V. Kononchuk, took part in the creation of a new Ukrainian children's book. Some little-known artists also worked with them, and their creativity was an important part of the artistic process. Petro Lapyn was one of those artists. From 1917 to 1929, he worked with the famous publishing houses, such as Vernyhora, Derzhavne Vydavnytstvo, Proliski, Knyhospilka and Rukh. Children's books, illustrated by P. Lapyn, are kept in the funds of the Pedagogical Museum of Ukraine, the National Library of Ukraine for Children, Ivan Fedorov Book Chamber of Ukraine and private collections. We have found about 30 of his projects. But the information about the artist himself and his life is quite limited. One of the first books he illustrated was the poem of S. Rudanskyi «Vovk, Sobaka ta Kit» («The Wolf, the Dog, and the Cat»), published in black and white in 1918. This early Petro Lapyn's work revealed his artistic outstanding peculiarities: vibrant linear drawing, harmonious combination of text and illustrations, variety of graphic techniques and skills in the representation of characteristic features. The high point of the artist's career is the illustration of «Crows and Owls», I. Franko’s fairy tale, printed in 1926 (Kharkiv, Rukh). It demonstrates the animalistic works of the artist. There are typical structural elements in fairy tale books: vignettes, drop caps. P. Lapyn uses decorative handwritten fonts and silhouette drawings for them. His graphic creations are full of emotions. Specific features of his work are: humour, emotionality, anthropomorphism, careful attitude towards literary material, and consistently high level of drawing.
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Pavlova, I. F. "Activation of Book Publishing for Children and Youth by means of the Regional Target-Oriented Programs (on the materials of Udmurt Republic)." Bibliotekovedenie [Library and Information Science (Russia)], no. 6 (December 28, 2014): 50–56. http://dx.doi.org/10.25281/0869-608x-2014-0-6-50-56.

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The article discusses the republican and municipal target-oriented programs enacted in the Udmurt Republic in 1990-2000 with the aim of preserving the cultural heritage of the region, the revival and development of the native language, encouraging publication of children's and youth books. The Programs «Memory of Udmurtia», «Children of Udmurtia», Program for Implementation of the UR Law «On the State Languages of the UR...», «Children of Izhevsk» and «Memory of Sarapul» enriched the repertoire of the Udmurt children's books.
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Tripp, Rhiannon. ""Insufficient Degrees of Representation": Examining Racial Diversity and Book Prizes in UK Children's Publishing." Lion and the Unicorn 44, no. 2 (2020): 136–52. http://dx.doi.org/10.1353/uni.2020.0014.

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Lundin, Anne H. "Be Merry and Wise: Origins of Children's Book Publishing in England, 1650-1850 (review)." Libraries & the Cultural Record 42, no. 3 (2007): 345–47. http://dx.doi.org/10.1353/lac.2007.0046.

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Umanska, Anna. "Publishing Activity of Kultur-LigPublishing Activity of Kultur-Lige in Kyiv in 1918-1931: Phases and Genres." Mìžnarodnì zv’âzki Ukraïni: naukovì pošuki ì znahìdki, no. 30 (November 1, 2021): 405–27. http://dx.doi.org/10.15407/mzu2021.30.405.

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The article covers the introduction of Yiddish publishing activities, initiated by the Jewish civic and cultural-educational organization “Kultur-Lige” in the period from 1918 to 1931. The research analyzes the historical context and preconditions of the organization beginning in the 19th century. Among the main preconditions, the author highlights the rapid modernization of Eastern European Jewry, the proclamation of Yiddish as one of the many national languages at the inter-party conference on Yiddish in Chernivtsi in 1908, and the revolutionary events of the first half of the twentieth century. In addition, the article encloses the concept of secular Jewish culture proposed by members of the Kultur-Lige and ways of its implementation through printed Yiddish-language products, the main "marketplaces" of Yiddish textbooks, teaching materials, fiction, periodicals. The article analyzes the printed products of the Kultur-Lige, after preliminary structuring and systematization of publications by category: the sources were divided into a layer of textbooks, teaching and learning materials, children's books, and fiction. The authors of the educational books, textbooks, and books for children were usually young Jewish writers and members of the Literature section of Kultur-Lige. The main consumer of such Yiddish books were the educational institutions established by the Kultur-Lige. Specifically, the Jewish public Yiddish schools, public libraries, and reading rooms, as well as Jewish Public University. Educational institutions organized by Kultur-Lige provided education for all categories of the Jewish community. The article also includes some information about the book design of Kultur-Lige artists. Among the illustrators was Mark Chagall, Sara Shor, Eliezer Lissitzky, Joseph Chaikov, Mark Epstein, etc. This organization provided unique opportunities to implement their artistic idea in the area of book illustrations. Besides that, the article includes information about the print run of some books and the financial sources of the publishing section
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Kolosnichenko, M. V., T. F. Krotova, K. L. Pashkevych, and N. M. Pshinka. "STYLISTIC AND CONSTRUCTIONAL SOLUTIONS IN BOOK SERIES DESIGN "FAIRY TALES FROM AROUND THE WORLD" OF THE NATIONAL CHILDREN`S LITERATURE PUBLISHING HOUSE "VESELKA"." Art and Design, no. 2 (August 11, 2021): 20–29. http://dx.doi.org/10.30857/2617-0272.2021.2.2.

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Aim: to analyze the stylistic and constructive features of the design of the books in the series “Fairy Tales from Around the World“ by the publishing house “Veselka“, to trace the sequence of the publishing project and the role of the designer and art-designer in it. Methodology. Historical and comparative methods, as well as art history methods of image and stylistic and formal analysis have been used in the research. Results. The artistic approaches to the creation of 25 books of the series “Fairy Tales from Around the World“ (1978–2016) have been analyzed, the stages of creating the book design of this series have been studied with the help interview of the main artist of the publishing house “Veselka“ (1975–2015), national artist of Ukraine M. Pshinka; the image and stylistic features of this series design have been revealed, which allowed synthesizing the verbal, figurative and architectonic levels of books, ensured the integrity of the book as an artistic object, contributed to the emotional and aesthetic expressiveness of illustrations. Scientific novelty. The image and stylistic features of the decoration of the series “Fairy Tales from Around the World“, founded in 1978 by the National Children's Literature Publishing House “Veselka“, have been analyzed for the first time. The analysis of the books` design in this series as a synthesis of text, illustrations, and layout design has been presented. The sequence of the artistic and production process and the designer`s role in achieving the synergy of visual and verbal images has been traced. The constructive elements of the layout have been analyzed and introduced to ensure the serial stylistic unity of the books, which illustrations were made by different artists, keeping their own bright individual style. Practical significance. The study allowed analyzing the design features of the layout, which due to the creative approach of designers and collaboration with leading Ukrainian illustrators ensured the continued popularity of the books “Fairy Tales from Around the World“ among several generations of young readers, success and awards at numerous international and national competitions over four decades. The construction and serial elements of the layout design, which provided the stylistic unity and recognizability of all books of the series, have been described. The results of the research can be used for further study of the traditions of the art school of illustration and design of Ukrainian books, and also serve as theoretical and visual material in the educational process specializing in “graphic design“.
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GLASCOE, FRANCES P., ELAINE D. MARTIN, and WILLIAM R. MOORE. "Reviews of Lay Literature in Child Care: What Parents Are Reading." Pediatrics 88, no. 5 (November 1, 1991): A41. http://dx.doi.org/10.1542/peds.88.5.a41.

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Arlene Eisenberg, Heidi E. Murkoff, & Sandee E. Hathaway. What to Expect The First Year. New York: Workman Publishing, 1989; list price $12.95 (No. 3 on the 1989 bestseller list of books on child care from Ingram Book Co., distributors of trade books). This book is a thorough, month-by-month account of health and development in the first 12 months of life. Additional chapters address: selecting a physician, purchasing baby clothes, furniture and equipment, and making decisions about circumcision, breast and/or bottle feeding. Advice on lifestyle and career issues, paternal leave, and child care is practicable and presented without alienating sanctimony. Alleviation of parental anxiety is a central focus. However, the authors appear cavalier and ill-informed when they suggest that parents should ignore most developmental delays and avoid developmental comparisons among children. Much more valuable are the messages about discipline—the authors teach sensitive, supportive parenting skills with emphasis on developing children's self-esteem and independence through encouragement and preventative behavior management. The text's medical coverage is comprehensive and current, addressing such topics as APGARs, reflexes, SIDS, preventing Reye's Syndrome, benign heart murmurs, and various first-aid treatments. Issues in nutrition, feeding and baby food recipes are also covered. The comprehensive index and table of contents make the book easy to use, although the assumption of intact families with resources, the detailed presentation of topics and difficult reading level, suggest that the book is most useful to educated parents.
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McQuivey, James L., and Megan K. McQuivey. "Is It a Small Publishing World After All?: Media Monopolization of the Children's Book Market, 1992-1995." Journal of Media Economics 11, no. 4 (October 1998): 35–48. http://dx.doi.org/10.1207/s15327736me1104_3.

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Qureshi, Dr Adil Saeed. "The Children;s literature as a nation-building tool." Noor e Tahqeeq 6, no. 02 (June 26, 2022): 33–40. http://dx.doi.org/10.54692/nooretahqeeq.2022.06021771.

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It is no unknown fact that children's literature has a very pivotal role in the nation-building process. Although many modern nations do not need this genre as a nation-building tool as they have support from their rich, well-recorded, socio-cultural history that has evolved over time to suit their own specific set of needs. But since our nation is a new addition among those older, deep-rooted nations, we need to utilize every tool at our disposal to make sure that we build a nation that is strong at its roots. In this article, this aspect of children's literature is scrutinized in length. References Waheed Qureshi, Dr., Pakistani Qumiyat ki Tashkel e No our dosray Mazmoon, Lahore, Sang-e-Mail Publications, 1984, pg: 98 Khushal Zaidi, Dr., Urdu my Bachon ka adab, Kanpur (India): Idara Bazm Khizr Rah, 1989, pg:34 Niaz Ahmed Singhera, Chaudhry, Pakistan my Qomiyat Sazi ka Amal, Lahore, Book Home, 2008, pg:152 Mahmood-ur-Rahman, Urdu my Bachon ka adab, Delhi: National Publishing House Limited, 1970, pg:34
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Diah Amelia and Bayu Dwi Nurwicaksono. "IMPLEMENTATION OF HEALTH COMMUNICATION IN EMPOWERMENT OF ALUMNI AFFECTED BY COVID-19 WITH ENTREPRENEUR DIGITAL PLATFORM." Proceedings Of International Conference On Communication Science 2, no. 1 (November 10, 2022): 641–49. http://dx.doi.org/10.29303/iccsproceeding.v2i1.33.

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With the COVID-19 pandemic, the realities of challenges regarding communication about health are emerging in families, communities, organizations and governments, and among health professionals. Electronic book developer which is one of the new professions based on Undang-Undang Nomor 3 Tahun 2017 Sistem Perbukuan. This research is to explain about business incubation on a digital application called Alfamedia.ID as an alternative in empowering alumni affected by COVID-19 with an entrepreneurial digital platform. This Polimedia alumni affiliation is a combination of alumni from various study programs at Polimedia who are affected by Covid-19 starting from light levels such as remote work from their respective employees' homes for an undetermined time limit to severe levels such as being laid off from work or in other words being laid off. This application is designed to serve client demands for creative products in the publishing sector such as audio books, electronic books, interactive digital books, augmented reality assisted children's books and services for creating interactive multimedia learning media. In this study, researchers used qualitative research with a case study. A case study which essentially examines the life of one or several communities, organizations or individuals which is the unit of analysis. Community empowerment is a process of developing opportunities, motivation, and the ability of the community to have more access to resources. The meaning of tracer study as an appropriate method for search for information about alumni. Based on the implementation and evaluation of community empowerment activities, it can be concluded: 1. The implementation of this community empowerment has resulted in a ready digital platform operationalized for publishing entrepreneurship activities for alumni affected by Covid-19. 2. The alumni team involved in the Alumni Affiliation of Polimedia needs to be further developed in order to reach alumni from other study programs who are also affected by Covid-19.
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Carr, Jane. "Book Review: Growing a Healthy Children's Ministry. by Steve Alley. Cincinnati, OH: Standard Publishing. 2002. 224pp. $13.99, Paper." Christian Education Journal: Research on Educational Ministry 3, no. 1 (May 2006): 206–9. http://dx.doi.org/10.1177/073989130600300118.

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32

Karamat Ali, Ramón. "Book Review: Judy Dunn, Children's Friendships: The Beginning of Intimacy. Oxford: Blackwell Publishing, 2004. 209 pp. ISBN 1405114479." Clinical Child Psychology and Psychiatry 12, no. 3 (July 2007): 472–74. http://dx.doi.org/10.1177/13591045070120031405.

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33

Kostylev, Aleksey O. "Andrei Platonov and the discussion of the fairy tale in children's literature of the 1920s." Vestnik of Kostroma State University 27, no. 2 (June 28, 2021): 130–36. http://dx.doi.org/10.34216/1998-0817-2021-27-2-130-136.

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The article is devoted to the discussion around the fairy tale, which found a place in the magazine «On the Way to a New School», the newspaper «Reader & Writer», its main provisions. In the 1920s pedagogues and children’s writers headed by Nadezhda Krupskaya revised old children’s literature and studied the theory of a new Soviet book for children, publishing articles and reviews. The connection between work in children’s literature and ideology, anti-religious propaganda is traced. Attention is drawn to the discussion of the category of the fantastic in a fairy tale among the authors of «On the Way to a New School», «Reader & Writer». Examples of new literature for children, its differences and similarities with the previous one are given. Andrei Platonov could also have known about the discussion around the genre of a fairy tale in 1926–1927 after moving to Moscow, as indicated by the epistolary, biographical facts and works of art, in particular the story «The Ethereal Path», the poem «About Electricity». The episodes from the novel «Chevengur» are considered in the context of this discussion.
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34

Mylchenko, Larysa. "Secondary illiteracy is a consequence of the reading crisis." Вісник Книжкової палати, no. 1 (January 27, 2022): 7–16. http://dx.doi.org/10.36273/2076-9555.2022.1(306).7-16.

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A peculiar trend of the recent years is the loss of the prestigiousness and the exclusive role of reading in society. The reading crisis is observed in all industrially developed countries. In this regard, secondary illiteracy began to spread among the population. The emergence of the phenomenon of secondary illiteracy leads to a number of negative social and economic consequences. An extensive experience has been gained in solving the problems of the reading crisis throughout the world. Countries around the globe are implementing a variety of measures to support reading. State and public support for reading and book publishing is provided, national programs and initiatives to support children's and family reading are legislated. The article addresses the problem of reading of the younger generation as a social problem of modern society. The importance of reading as a basic competence of the younger generation is emphasized. The necessity of the special programs development, as well as the projects for improving children's reading motivation is substantiated. An analysis of the projects implementation experience supporting reading in developed countries, in consideration of the approaches in compiling a new strategy and plans to support reading in Ukraine, is completed.
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Mylchenko, Larуsa. "Secondary illiteracy is a consequence of the reading crisis." Вісник Книжкової палати, no. 2 (February 23, 2022): 10–19. http://dx.doi.org/10.36273/2076-9555.2022.2(307).10-19.

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A peculiar trend of the recent years is the loss of the prestigiousness and the exclusive role of reading in society. The reading crisis is observed in all industrially developed countries. In this regard, secondary illiteracy began to spread among the population. The emergence of the phenomenon of secondary illiteracy leads to a number of negative social and economic consequences. An extensive experience has been gained in solving the problems of the reading crisis throughout the world. Countries around the globe are implementing a variety of measures to support reading. State and public support for reading and book publishing is provided, national programs and initiatives to support children's and family reading are legislated. The article addresses the problem of reading of the younger generation as a social problem of modern society. The importance of reading as a basic competence of the younger generation is emphasized. The necessity of the special programs development, as well as the projects for improving children's reading motivation is substantiated. An analysis of the projects implementation experience supporting reading in developed countries, in consideration of the approaches in compiling a new strategy and plans to support reading in Ukraine, is completed.
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36

Shiro, Martha. "Children's language: Interactional contributions to language development: Vol. 11. K. Nelson, A. Aksu-Koç, and C. Johnson. Mahwah, NJ: Erlbaum, 2001. Pp. 241." Applied Psycholinguistics 23, no. 1 (March 2002): 149–55. http://dx.doi.org/10.1017/s0142716402210085.

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For more than two decades, the Children's Language series has been publishing papers from the triennial meetings of the International Association for the Study of Child Language (IASCL). In this 11th volume, nine papers were selected from the 276 presentations at the seventh IASCL congress held in Istanbul, Turkey, in July 1996. Another group of seven papers, mostly on narrative development, which were presented at the same congress, were published in Volume 10 of this series by the same editors (Nelson, Aksu-Koç, & Johnson, 2001). At first glance, the title of this volume suggests that the theme that ties all the chapters together into a book is the study of children's interaction in face-to-face conversations. However, with a closer look, the reader discovers that, although some studies analyze ways in which input (either linguistic or nonlinguistic) plays a role in the emergence of language, the approach adopted in most of the chapters presupposes that no single factor can explain the processes involved in child language development. Interaction is understood as the interplay of multiple factors that combine the linguistic, cognitive, affective, or biological features on which developing abilities in the domains of grammar and the lexicon depend; this results in a broad picture of how children develop language.
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Hermansson, Kristina, and Anna Nordenstam. "Missions to Make a Difference: Political Aspects of Children's Picture Book Publishing in Sweden in the 1970s and the 2000s." Children's Literature 49, no. 1 (2021): 74–90. http://dx.doi.org/10.1353/chl.2021.0006.

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38

Bottigheimer, Ruth B. "Fairy Tales, Telemachus, and Young Misses Magazine: Moderns, Ancients, Gender, and Eighteenth-Century Children's Book Publishing." Children's Literature Association Quarterly 28, no. 3 (2003): 171–75. http://dx.doi.org/10.1353/chq.0.1526.

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39

Keenan, Owen. "Book reviews : Philpot, Terry (1994) Action for Children - The Story of Britain's Foremost Children's Charity. Oxford: Lion Publishing, 192 pp." International Social Work 39, no. 1 (January 1996): 107–8. http://dx.doi.org/10.1177/002087289603900112.

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40

Zaveri, Smit. "The Power of Open." Logos 33, no. 2-3 (December 29, 2022): 94–99. http://dx.doi.org/10.1163/18784712-03104045.

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Abstract Pratham Books is a not-for-profit children’s picture book publisher headquartered in Bangalore, India, with a mission to see ‘a book in every child’s hand’. Pratham Books has been addressing the book famine in India and by extension the world through its low-cost, high-volume, multilingual publishing since 2004. But upon realizing the limitations of print, they moved towards something more audacious – adopting an open licence to create an innovative digital platform, StoryWeaver, that not only housed Pratham Books’ titles but empowered users to use, adapt, download, and translate books as they saw fit to address the gaps in their own spheres and help put books in children’s hands. In just seven years, StoryWeaver has grown 50 times in size and scope, from a repository of 800 books in 24 languages to over 45 000 books in 314 languages. By disrupting traditional publishing models, Pratham Books’ StoryWeaver has shown us what the future of publishing and reading looks like.
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41

Shefrin, Jill. "Be Merry and Wise: Origins of Children's Book Publishing in England, 1650-1850 – By Brian Alderson and Felix de Marez Oyens." Journal for Eighteenth-Century Studies 31, no. 1 (March 2008): 184–85. http://dx.doi.org/10.1111/j.1754-0208.2008.00026.x.

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42

Dennis, Megan. "Combinations to Reflect All Nations." Logos 30, no. 3 (January 20, 2020): 33–39. http://dx.doi.org/10.1163/18784712-03003002.

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As Children’s Laureate 2013–2015, Malorie Blackman raised awareness of the lack of racial diversity in children’s fiction. Underrepresentation of ethnic minorities in fiction and the publishing industry’s infrastructure is a severe problem in the world of children’s books, as illuminated by research into the publishing environment of the past 15 years, and the books populating current bestseller charts. Pierre Bourdieu’s theory of economic and symbolic capital is important to understanding how diversity is highlighted in the contemporary literary field, but his polarization of the different form of capital as motivation for creating art is reductive. Storytelling is about combining voices and experiences, and publishers can, and should, combine economic and symbolic motivations in publishing diverse fiction for children. Publishing a book because it will be successful economically and because it is the right thing to do are not mutually exclusive; in publishing diverse children’s fiction, both motives can and should inspire us.
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43

Pandapotan, Sihar, Sondang P. Pakpahan, Syahril Syahril, and Antonius Hendrick. "Pengembangan Model Kampung Literasi untuk Meningkatkan Motivasi Pendidikan dan Minat Membaca Masyarakat Desa Kolam Kabupaten Deli Serdang." Pelita Masyarakat 1, no. 2 (March 17, 2020): 110–26. http://dx.doi.org/10.31289/pelitamasyarakat.v1i2.3575.

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The Village Literacy Model Development Program to Increase Motivation in Education and Community Reading Interest was carried out in Kolam Village, Percut Sei Tuan District, Deli Serdang Regency, North Sumatra Province. Pond Village has been a major partner since the 2017 program and is supported by other partners such as Posyandu, Karang Taruna, schools in Kolam Village. By building a broad partnership, it is hoped that during the three years the program runs, UPBJJ Open University in Medan will be able to turn the Village Pool into a Literacy Village where the community becomes literate and knowledge literate, thereby increasing the motivation of educating to tertiary institutions. Thus the development and development of human resources (HR) in the Village Pool will increase in the future. This program continues the program achievements in 2017 and 2018 ago. During the implementation of the 2019 National PkM, various activities have been carried out, including providing assistance for renovation of the Pool Village library space, providing mobile assistance for Pool Village library equipment, and providing bookshelves, building information media and literacy campaigns, facilitating book publishing a collection of children's stories, and the launch of the Village Pool as a Village of Literacy.
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44

Ivanova, S. V., and L. A. Volodina. "The influence of Czech and Russian humanist educators on the development of children’s literature in France in the first half of the twentieth century." Literature at School, no. 4, 2020 (2020): 43–55. http://dx.doi.org/10.31862/0130-3414-2020-4-43-55.

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The article discusses the development of children’s literature in France, which influenced all European children’s literature, which went along the path of education, training and parenting, in contrast to American children’s literature, which took a course primarily on entertainment. The study presents the reasons for the pedagogical path of children’s French literature, shows the foundations of approaches that are rooted in the humanistic ideas of the Russian writer and educator L.N. Tolstoy, the Czech educator F. Bakule and his follower L. Havranek. Russian artists who emigrated from the Soviet Russia (for various reasons), but who were closely connected with the Russian education, also played a fundamental role in this influence. The influence of the concept of the development of children by means of art, developed by F. Bakule, on the publishing projects of the French educator P. Faucher is analyzed in particular. The scientist, educator, book publisher P. Faucher is shown as the central figure of this successful book-publishing project. His role in this project, as well as his importance as a person who influenced the development of children’s literature, are known. At the same time, little is known about the sources of his pedagogical creativity, his book publishing ideas, and there is no scientific coverage of the role of artists in the implementation of pedagogical ideas in book publishing. The issue is resolved by the example of the publication of a series of children’s books “Albums of Father Beaver”, which had been published for about thirty years (in the 1930s and 1960s), was translated into 20 languages. In 2018, the series was included in the UNESCO Memory of the World Register. The article is to some extent interdisciplinary in nature, the authors needed to turn, first of all, to the pedagogical science, but also to the art criticism and research in the field of book publishing.
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45

Pavlova, I. F. "Serial Editions in the Publisher Repertoire of Children’s Books of Udmurtia of the XIX–XXI Centuries." Bibliosphere, no. 3 (June 29, 2022): 123–32. http://dx.doi.org/10.20913/1815-3186-2022-3-123-132.

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The sociocultural aspect of modern national book publishing is associated with the changing role of the book in society. A study of the development of a children’s book in Udmurtia in 1847–2010, an analysis of its repertoire, which includes more than 3,000 bibliographic entries, showed from various aspects that in the period under review, a children’s book develops very unevenly. No one has studied the trends in the genesis of serial publications for children in Udmurtia. An analysis of this problem will help to identify the direction of the publishing repertoire, the target and readership of a children’s book in different periods of its development, as well as enrich knowledge on the history of the region’s books, and increase interest in the national and domestic culture of the republic.The purpose of this article is to study the trends in the development of book series for children and youth of the Udmurt Republic throughout its historical existence in the 19th – early 21st centuries.The study of the repertoire of children’s books in Udmurtia, as a fundamental basis for the study of the cultural development of the people over a large historical period, made it possible to identify 80 series addressed to children of all ages, from preschool to high school students. We have considered all publications included in a certain series; its target and readership; the number of series in each historical period of time, the number of publications and the total circulation included in a certain series are determined; the origins of the series in a certain historical period are traced within the framework of the events that took place at that time and appropriate conclusions are drawn. The practical significance of such a study lies in the fact that it allows a comprehensive study of the process of regional and national book publishing in Udmurtia, taking into account the experience of the past and improving the publishing repertoire of the present.
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46

Reynolds, Kimberley. "Be Merry and Wise: Origins of Children's Book Publishing in England, 1650–1850 The Bibliographical Society of America. Brian Alderson , Felix de Marez Oyens." Papers of the Bibliographical Society of America 101, no. 3 (September 2007): 414–16. http://dx.doi.org/10.1086/pbsa.101.3.24293715.

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47

Ferfeli, Pavlina. "Book or Music Video?" Interactive Film and Media Journal 2, no. 1 (January 30, 2022): 187–200. http://dx.doi.org/10.32920/ifmj.v2i1.1510.

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This paper examines the staggering rejuvenation of children’s picture books in the last decade, as a direct result of emerging narratives that celebrate racial identity, underrepresented culture, and heritage at the point of extinction. Awarded works such as The Undefeated, We are Water Protectors, and All Because You Matter, redefine the boundaries of children’s literature by challenging concepts related to appropriacy, narrative structure, subject matter, iconicity, and reception. Simultaneously, this paper examines the influence the pandemic exerted on children’s publishing houses, which dared to explore uncharted copyright territory, and grant permissions to writers, teachers, and librarians to share picture book content through various media platforms. The combination of the momentum of the Own Voices picture book and the newly emerging licensing landscape had amazing repercussions in both storytime reception and children’s publishing dynamics. Apart from an unprecedented boost of sales, rise in readership, and the founding of new imprints, the very fact that in digital read-aloud storytime a staggering amount of artistic media intersect, leads to the birth of a hybrid new genre--that of the picture book video. However, although this uncharted intermedial territory of Own Voices picture book video is one to follow, there are increasing BIPOC voices that speak of publishing cacophony. Has the Own Voices literary edifice painstakingly erected itself into a prison cell with bars of freedom?
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48

Remy, Johannes. "Despite the Valuev Directive: Books Permitted by the Censors in Violation of the Restrictions Against Ukrainian Publishing, 1864-1904." East/West: Journal of Ukrainian Studies 4, no. 2 (September 19, 2017): 113. http://dx.doi.org/10.21226/t2wk89.

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In 1863, the Russian imperial government decreed restrictions on book publishing in Ukrainian. The restrictions were then revised and were endorsed on several later occasions. They banned nonfiction literature directed at common people, children’s literature, and translations from Russian. The restrictions were in force until the all-Russian revolution in 1905, although they were formally repealed only in 1907. This article discusses the books the censors authorized for publication despite the fact that their publication violated the restrictions on Ukrainian publishing. In the years 1863-1904, 125 such books were published in all. Most of them appeared during three periods: 1874-76, 1882-83 and 1896-1904. In the first period, most books were permitted by a corrupt censor in Kyiv who received bribes from the local Hromada, a Ukrainian society. In the second period, minor concessions to Ukrainian publishers were deemed politically expedient. In the third period, the censors took the general usefulness of the book into account; if they deemed the book useful, they permitted it even though its publication violated the restrictions. Ukrainian activists used these opportunities because they facilitated popular enlightenment in the Ukrainian national spirit through book publishing.
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Zabrzewska, Adrianna. "How Gender Can Travel, or Not, through Children’s Books: A Comparison of Poland and the United States." International Research in Children's Literature 16, no. 1 (February 2023): 86–101. http://dx.doi.org/10.3366/ircl.2023.0490.

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Previous research, mainly from the US, indicates that children’s literature is a powerful transmitter of gender roles. To better understand how ideas about gender found in children’s books cross national borders, travel within frontiers, and crash against obstacles that block the road to gender equality, this article compares the US and Poland in terms of children’s book publishing and scholarship. Whereas the US children’s book market is obviously larger, Poland’s internal market is large and growing enough to rely on its own, and thus acts as a barricade to repel ‘foreign’ gender norms. In the US, feminism has a strong tradition in children’s literature research; in Poland, by contrast and since 1989, feminism and the study of gender in children’s books have no strong tradition, and for the last eight years the government has openly discouraged progressive norms of gender equality. This article concludes with a call for cross-national comparative research on children’s books to provide insights into the facilitators and barriers to intercultural exchange of gender ideologies and national efforts to promote gender progressive ideals among young readers.
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Sergeev, Dmitrii. "SOCIOLOGY OF CONTEMPORARY PICTUREBOOK: SINGLE MOTHERHOOD BY CHOICE AND ITS INFLUENCE ON CHILDREN’S LITERATURE." Children's Readings: Studies in Children's Literature 22, no. 2 (2022): 174–95. http://dx.doi.org/10.31860/2304-5817-2022-2-22-174-195.

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The paper focuses on the dependence between the emergence of single motherhood by choice as a social group and shifts in Anglophone children’s illustrated literature. I argue that this social group with a prominent social capital has impacted children’s picturebooks in English-speaking societies in many ways. First, choice mums need literature that could help them to discuss the structure of their family and principal concepts of single motherhood by choice. Second, children’s literature with such content allows monoparental families to become symbolically visible to other members of society and thereby strengthen their position. Single mothers by choice are determined to contribute with their own art individually or as a member of a larger network. Self-publishing industry and ubiquitous online consumption support both professional and amateur creativity which become available to a wide readership through internet online sellers. International publishing houses respond to the demand for diversity in children’s picture- books. Although, they are obviously profit-oriented and therefore publish picture books that simultaneously promote diversity and cover a wider number of book buyers.
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